For decades, Robert Caro's The Power Broker has been the definitive account of Robert Moses and how contemporary NYC got built. The portrait Caro painted of Moses was less than flattering. Now folks are thinking that, hey, maybe the guy wasn't so bad after all. "That Moses was highhanded, racist and contemptuous of the poor draws no argument even from the most ardent revisionists. But his grand vision and iron will, they say, seeded New York with highways, parks, swimming pools and cultural halls, from the Belt Parkway to Lincoln Center, and thus allowed the modern city to flower."
