At Reddit, a user called Cabbagetroll posted a very short summary of the Bible.
God: All right, you two, don't do the one thing. Other than that, have fun.
Adam & Eve: Okay.
Satan: You should do the thing.
Adam & Eve: Okay.
God: What happened!?
Adam & Eve: We did the thing.
THE REST OF THE OLD TESTAMENT
God: You are my people, and you should not do the things.
People: We won't do the things.
People: We did the things.
You know what's pretty? Big waves and surfing in slow motion. Take a break and relax at 1000 fps with this mesmerizing video.
The Hans Zimmer soundtrack only adds to the effect. (via ★interesting)
At this point it's almost a Pavlovian response; a natural disaster hits and we hit the Red Cross donate button. We feel better, but do the victims benefit? NPR and ProPublica looked at internal emails and confidential reports and uncovered The Red Cross' Secret Disaster.
During Isaac, Red Cross supervisors ordered dozens of trucks usually deployed to deliver aid to be driven around nearly empty instead, 'just to be seen' ... During Sandy, emergency vehicles were taken away from relief work and assigned to serve as backdrops for press conferences, angering disaster responders on the ground.
Syndicated from NextDraft. Subscribe today or grab the iOS app.
After writing The Cat in the Hat in 1955 using only 223 words, Dr. Seuss bet his publisher that he could write a book using only 50 words. Seuss collected on the wager in 1960 with the publication of Green Eggs and Ham. Here are the 50 distinct words used in the book:
a am and anywhere are be boat box car could dark do eat eggs fox goat good green ham here house I if in let like may me mouse not on or rain Sam say see so thank that the them there they train tree try will with would you
From a programming perspective, one of the fun things about Green Eggs and Ham is because the text contains so little information repeated in a cumulative tale, the story could be more efficiently represented as an algorithm. A simple loop would take the place of the following excerpt:
I do not like them in a box.
I do not like them with a fox.
I do not like them in a house.
I do not like them with a mouse.
I do not like them here or there.
I do not like them anywhere.
I do not like green eggs and ham.
I do not like them, Sam I am.
But I don't know...
foreach ($items as $value) doesn't quite have the same sense of poetry as the original Seuss.
The David Foster Wallace Reader is a collection of Wallace's best, funniest, and most celebrated writing.
Where do you begin with a writer as original and brilliant as David Foster Wallace? Here -- with a carefully considered selection of his extraordinary body of work, chosen by a range of great writers, critics, and those who worked with him most closely. This volume presents his most dazzling, funniest, and most heartbreaking work -- essays like his famous cruise-ship piece, "A Supposedly Fun Thing I'll Never Do Again," excerpts from his novels The Broom of the System, Infinite Jest, and The Pale King, and legendary stories like "The Depressed Person."
Wallace's explorations of morality, self-consciousness, addiction, sports, love, and the many other subjects that occupied him are represented here in both fiction and nonfiction. Collected for the first time are Wallace's first published story, "The View from Planet Trillaphon as Seen In Relation to the Bad Thing" and a selection of his work as a writing instructor, including reading lists, grammar guides, and general guidelines for his students.
If you've somehow been waiting to dig into Wallace's writing but didn't know where to start, this is where you start.
My kids and I went to the new Lego Store in the Flatiron this weekend, and I again noticed how freaking expensive Lego sets are. The Death Star set is $400 + tax and even small sets are $30-40. Afterward I wondered if renting Lego sets would be an economically viable business and sure enough, someone is giving it a go: Pley. It works a bit like Netflix's DVD service: you pay a flat subscription fee each month and can check out as many sets as you want, one at a time. Doesn't look like they rent out Lego Stephen Hawking or Lego Mona Lisa though.
This is pretty much the point at which I knew I was going to love Inglourious Basterds:
Although I can sure see why someone might hate it; the film rode that razor's edge all the way through.
I just upgraded to OS X Yosemite yesterday1 and the Helvetica as the system font is as jarring as everyone says it is. But that new Apple Watch font, San Francisco, seems really nice. So of course someone has worked out a way to use the Watch font as the system font on Yosemite. Here's what you do...just type the following in Terminal.app:
ruby -e "$(curl -fsSL https://raw.github.com/wellsriley/YosemiteSanFranciscoFont/master/install)"
Then restart your computer. Full instructions are on GitHub. Here's what it looks like:
Pretty nice. But it's not perfect. For instance, look at the text in the Chrome tabs...it's not aligned correctly. And if you have the fast user switching menu enabled in the menu bar, that's weirdly misaligned too. If you'd like, you can also switch back to using the previous font, Lucida Grande.
I look forward to every Thursday in a way that I don't remember awaiting the release of an episode of anything recently. There's something very intimate about someone telling you a story that close to your ears.
That's Jason Reitman echoing the thoughts of the many listeners who have turned Serial -- a new podcast from the producers of This American Life -- into the fastest growing podcast ever. Twenty years ago, we were all hooked on TV and radio. Twenty years of technology advances later, we're all hooked on TV and radio. Content is king.
For those who are already knee deep in the Serial serial, Vox has a complete guide to every person in the podcast.
Syndicated from NextDraft. Subscribe today or grab the iOS app.
In 2012, Joe Ayoob broke the world record for the longest distance paper airplane flight with a plane designed by John Collins. In this video, Collins demonstrates how to fold that plane, the Suzanne.
Directions for the design are also available in Collins' New World Champion Paper Airplane Book.
From the NY Times, an epic listing of recipes for traditional (and not so traditional) Thanksgiving food from each of the 50 US states. Featuring lefse from North Dakota, salty pluff mud pie from South Carolina, turkey tamales from Texas, and cheddar mashed potatoes from Vermont. (via @jimray)
In 1985, German director Wim Wenders travelled to Japan and made a film called Tokyo Ga. In this clip of the film, Wenders visits a studio where fake food for display in restaurant windows is made. The clip starts a little slow so give it a bit of time.
What's surprising is how much the process of making fake food is like the process of making real food. (via open culture)
I love this cutaway view of Washington DC's Evening Star Building, drawn in 1922. The building is on the National Register as a Historic Landmark and was formerly the office of The Washington Star newspaper.
Best viewed huge. The whole thing is a fascinating view of how information flowed through a newspaper company in the 1920s. Raw materials in the form of electricity, water, telegraph messages, paper, and employees enter the building and finished newspapers leave out the back.
Found this via Craig Mod, who notes the Chris Ware-ness of the whole thing.
We the Economy is a series of 20 short videos that attempt to explain important economic concepts. For instance, acclaimed director Ramin Bahrani did a video about regulatory capture starring Werner Herzog, Patton Oswalt, and the Sherman Antitrust Act of 1890.
Anchorman director Adam McKay directed an animated My Little Pony-esque video about wealth distribution and income inequality featuring the voice talents of Amy Poehler, Maya Rudolph, and Sarah Silverman.
Paul Allen and Morgan Spurlock are behind the effort, with Bob Balaban, Steve James, Catherine Hardwicke, and Mary Harron directing some of the other videos. (via mr)
Confirmed: metal shavings flung off of drill bits in slow motion are beautiful.
Shelf Life is a new video series from the American Museum of Natural History that will deep-dive into the archives of the museum and feature some of its 33 million artifacts and specimens.
From centuries-old specimens to entirely new types of specialized collections like frozen tissues and genomic data, the Museum's scientific collections (with more than 33,430,000 specimens and artifacts) form an irreplaceable record of life on Earth, the span of geologic time, and knowledge about our vast universe.
(via the kid should see this)
When you look really closely at record grooves, like at 1000x magnification, you can see the waveforms of the music itself. Sooo cool.
This video shows how the stylus moves through the grooves.
As Lisa Simpson would say, "I can see the music!"
Update: Here's a great visual explanation of how you get stereo sound out of a record. (via @pcnofelt & @marcrobichaud)
In 2013, a group of researchers published a paper called Collective Motion of Moshers at Heavy Metal Concerts. The paper's abstract reads:
Human collective behavior can vary from calm to panicked depending on social context. Using videos publicly available online, we study the highly energized collective motion of attendees at heavy metal concerts. We find these extreme social gatherings generate similarly extreme behaviors: a disordered gas-like state called a mosh pit and an ordered vortex-like state called a circle pit. Both phenomena are reproduced in flocking simulations demonstrating that human collective behavior is consistent with the predictions of simplified models.
The authors built an interactive mosh pit simulation based on their simplified models. You can try it out right here:
From the emergence of markets in the 13th century to the scientific revolution of the 17th century to castles in the 11th century, this is a list of historian Ian Mortimer's 10 biggest changes of the past 1000 years.
Most people think of castles as representative of conflict. However, they should be seen as bastions of peace as much as war. In 1000 there were very few castles in Europe -- and none in England. This absence of local defences meant that lands were relatively easy to conquer -- William the Conqueror's invasion of England was greatly assisted by the lack of castles here. Over the 11th century, all across Europe, lords built defensive structures to defend them and their land. It thus became much harder for kings to simply conquer their neighbours. In this way, lords tightened their grip on their estates, and their masters started to think of themselves as kings of territories, not of tribes. Political leaders were thus bound to defend their borders -- and govern everyone within those borders, not just their own people. That's a pretty enormous change by anyone's standards.
The list is adapted from Mortimer's recent book, Centuries of Change.
Great piece about The Knowledge, the collection of geographical information that all London taxi drivers must learn before becoming a cabbie.
The guidebook issued to prospective cabbies by London Taxi and Private Hire (LTPH), which oversees the test, summarizes the task like this:
To achieve the required standard to be licensed as an "All London" taxi driver you will need a thorough knowledge, primarily, of the area within a six-mile radius of Charing Cross. You will need to know: all the streets; housing estates; parks and open spaces; government offices and departments; financial and commercial centres; diplomatic premises; town halls; registry offices; hospitals; places of worship; sports stadiums and leisure centres; airline offices; stations; hotels; clubs; theatres; cinemas; museums; art galleries; schools; colleges and universities; police stations and headquarters buildings; civil, criminal and coroner's courts; prisons; and places of interest to tourists. In fact, anywhere a taxi passenger might ask to be taken.
If anything, this description understates the case. The six-mile radius from Charing Cross, the putative center-point of London marked by an equestrian statue of King Charles I, takes in some 25,000 streets. London cabbies need to know all of those streets, and how to drive them -- the direction they run, which are one-way, which are dead ends, where to enter and exit traffic circles, and so on. But cabbies also need to know everything on the streets. Examiners may ask a would-be cabby to identify the location of any restaurant in London. Any pub, any shop, any landmark, no matter how small or obscure -- all are fair game. Test-takers have been asked to name the whereabouts of flower stands, of laundromats, of commemorative plaques. One taxi driver told me that he was asked the location of a statue, just a foot tall, depicting two mice sharing a piece of cheese. It's on the facade of a building in Philpot Lane, on the corner of Eastcheap, not far from London Bridge.
The goal is to install a complete map of London in the brain of every licensed taxi driver. And indeed, according to neuroscientist Eleanor Maguire, the part of the brain responsible for memory becomes physically bigger as The Knowledge is absorbed.
Seeing, for a Knowledge candidate, is everything -- at its heart, the Knowledge is an elaborate exercise in visualization. When McCabe called-over, he closed his eyes and toggled between views: picturing the city at street level, the roads rolling out in front of him as if in a movie, then pulling the camera back to take in the bird's eye perspective, scanning the London map. Knowledge boys speak of a Eureka moment when, after months or years of doggedly assembling the London puzzle, the fuzziness recedes and the city snaps into focus, the great morass of streets suddenly appearing as an intelligible whole. McCabe was startled not just by that macroview, but by the minute details he was able to retain. "I can pull a tiny little art studio just from the color of the door, and where it's got a lamppost outside. Your brain just remembers silly things, you know?"
I could go on and on...I loved this piece. Don't miss the video of a prospective cabbie calling out the route he would use to go from Rotherhithe Station to the Natural History Museum, entirely from memory without looking at a map. Compare with Google's driving directions.
Update: View From the Mirror is a blog written by a London cabbie, which includes his experience training for The Knowledge. (thx, bryan)
Ian Urbina writes about what passwords mean to people beyond gaining access to emails or bank balances.
I began asking my friends and family to tell me their passwords. I had come to believe that these tiny personalized codes get a bum rap. Yes, I understand why passwords are universally despised: the strains they put on our memory, the endless demand to update them, their sheer number. I hate them, too. But there is more to passwords than their annoyance. In our authorship of them, in the fact that we construct them so that we (and only we) will remember them, they take on secret lives. Many of our passwords are suffused with pathos, mischief, sometimes even poetry. Often they have rich back stories. A motivational mantra, a swipe at the boss, a hidden shrine to a lost love, an inside joke with ourselves, a defining emotional scar - these keepsake passwords, as I came to call them, are like tchotchkes of our inner lives. They derive from anything: Scripture, horoscopes, nicknames, lyrics, book passages. Like a tattoo on a private part of the body, they tend to be intimate, compact and expressive.
See also Better living through motivational passwords and The world's worst password requirements list.
Three dancers from The Australian Ballet share their prep routines for their pointe shoes.
Take-aways: Ballerinas' feet are really not attractive, they soup up their shoes in all sorts of unusual ways, but the end result is beautiful. (thx, fiona)
Kip Thorne is a theoretical physicist who did some of the first serious work on the possibility of travel through wormholes. Several years ago, he resigned as the Feynman Professor of Theoretical Physics from Caltech in part to make movies. To that end, Thorne acted as Christopher Nolan's science advisor for Interstellar. As a companion to the movie, Thorne wrote a book called The Science of Interstellar.
Yet in The Science of Interstellar, Kip Thorne, the physicist who assisted Nolan on the scientific aspects of Interstellar, shows us that the movie's jaw-dropping events and stunning, never-before-attempted visuals are grounded in real science. Thorne shares his experiences working as the science adviser on the film and then moves on to the science itself. In chapters on wormholes, black holes, interstellar travel, and much more, Thorne's scientific insights -- many of them triggered during the actual scripting and shooting of Interstellar -- describe the physical laws that govern our universe and the truly astounding phenomena that those laws make possible.
Wired has a piece on how Thorne and Nolan worked together on the film. Phil Plait was unimpressed with some of the science in the movie, although he retracted some of his criticism. If you're confused by the science or plot, Slate has a FAQ.
Update: Well, well, the internet's resident Science Movie Curmudgeon Neil deGrasse Tyson actually liked the depiction of science in Interstellar. In particular: "Of the leading characters (all of whom are scientists or engineers) half are women. Just an FYI." (via @thoughtbrain)
Update: What's wrong with "What's Wrong with the Science of Movies About Science?" pieces? Plenty says Matt Singer.
But a movie is not its marketing; regardless of what 'Interstellar''s marketing said, the film itself makes no such assertions about its scientific accuracy. It doesn't open with a disclaimer informing viewers that it's based on true science; in fact, it doesn't open with any sort of disclaimer at all. Nolan never tells us exactly where or when 'Interstellar' is set. It seems like the movie takes place on our Earth in the relatively near future, but that's just a guess. Maybe 'Interstellar' is set a million years after our current civilization ended. Or maybe it's set in an alternate dimension, where the rules of physics as Phil Plait knows them don't strictly apply.
Or maybe 'Interstellar' really is set on our Earth 50 years in the future, and it doesn't matter anyway because 'Interstellar' is a work of fiction. It's particularly strange to see people holding 'Interstellar' up to a high standard of scientific accuracy because the movie is pretty clearly a work of stylized, speculative sci-fi right from the start.
A new Kingdom Rush game is out: Kingdom Rush Origins. Played it for a bit this morning and if you liked Kingdom Rush and Kingdom Rush Frontiers, you'll like this one too. It's more of the glorious same. (via @tommertron)
Canadian astronaut Chris Hadfield became a celebrity while aboard the International Space Station. Now he's publishing a book of photographs he took during his time in orbit: You Are Here: Around the World in 92 Minutes.
During 2,597 orbits of our planet, I took about 45,000 photographs. At first, my approach was scattershot: just take as many pictures as possible. As time went on, though, I began to think of myself as a hunter, silently stalking certain shots. Some eluded me: Brasilia, the capital of Brazil, and Uluru, or Ayers Rock, in Australia. I captured others only after methodical planning: "Today, the skies are supposed to be clear in Jeddah and we'll be passing nearby in the late afternoon, so the angle of the sun will be good. I need to get a long lens and be waiting at the window, looking in the right direction, at 4:02 because I'll have less than a minute to get the shot." Traveling at 17,500 miles per hour, the margin for error is very slim. Miss your opportunity and it may not arise again for another six weeks, depending on the ISS's orbital path and conditions on the ground.
In an interview with Quartz, Hadfield says the proceeds from the book are being donated to the Red Cross.
At some point in the 1970s, Lego included the following letter to parents in its sets:
The text reads:
The urge to create is equally strong in all children. Boys and girls.
It's imagination that counts. Not skill. You build whatever comes into your head, the way you want it. A bed or a truck. A dolls house or a spaceship.
A lot of boys like dolls houses. They're more human than spaceships. A lot of girls prefer spaceships. They're more exciting than dolls houses.
The most important thing is to the put the right material in the their hands and let them create whatever appeals to them.
The letter seems like the sort of thing that might be fake, but Robbie Gonzalez of io9 presents the case for its authenticity.
In our home, Lego currently rules the roost...the kids (a boy and a girl) spend more time building with Lego than doing anything else. This weekend, they worked together to build a beach scene, with a house, pool, lifeguard station, car, pond (for skimboarding), and surfers. Dollhouse stuff basically. Then they raced around the house with Lego spaceships and race cars. Nailed it, 1970s Lego.
Update: QZ confirms, the letter is genuine.
Here is every super-quotable line from the New Yorker's recent profile of Shingy, AOL's Digital Prophet that everyone loves to hate. You'll laugh, you'll cringe, you'll roll your eyes. It starts:
How does Shingy know? Because he is a digital prophet. Literally. His business card has a microchip embedded in it, and it reads "Digital Prophet, AOL."
AOL pays him a six-figure salary for-for doing what, exactly? "Watching the future take shape across the vast online landscape," Shingy says. "I fly all around the world and go to conferences."
"I listen to where media is headed and figure out how our brands can win in that environment."
He arrived at AOL headquarters in the Village wearing black nail polish and high-top sneakers with leather wings. His jacket, T-shirt, and pants were black, and he had decorated them with wide stripes of white paint.
He ran into a Ward Cleaver-ish advertising executive named Jim Norton. "My man!" Shingy said, offering his trademark three-part handshake, ending in a hug.
Which leads to:
"Wanted to show you a little brain fart I had on the plane," he said. It was a cartoon he had drawn of a bear wearing zebra-print pants and a shirt covered in ones and zeros.
For which else is:
"Love it, love it, love it," Nardini said. "I'm thinking of the bears more as a metaphor."
"A thousand per cent," Shingy said.
"Shingy is my muse," Nardini said.
There is something so polarizing about Shingy, but also so unifying.
He is passionate about spaces, and when a space is not working he reboots it, taking everything out and starting over.
This is a space I recently rebooted for Tim.
"Do you like the scent?" Shingy said. A diffuser released a fragrance (called London) designed by Tom Dixon into the air.
Armstrong looked around. "I have meetings here, and people don't know where to sit," he said.
"They'll figure it out, man," Shingy said.
This, I can't even, is everything:
He took an Uber car uptown
Is it a hard-G like "GIF" or a soft-G like "GIF"?:
"I think some folks from Applebee's are going to be in the house," he said. "I'm more of a caffeine-free, gluten-free, raw-food sort of guy, but I am able to find something to like in every brand once I hear their story."
Everyone is talking about SoLoMo -- social, local, mobile -- but they should be talking about HoMo: home/mobile, cell phones used on the couch.
That's a full 44% of the article right there. Bravo Andrew Marantz on your stratospheric quotability quotient! Bonus quote from Valleywag's Kevin Montgomery:
David Shing has the kind of gig that can only exist mid-bubble, when dinosaur corporations chase Snapchat into extinction.
(Ok, the Uber thing isn't quotable, but had to include it because Uber.)
Robert Wright has a new book out soon called The Evolution of God. Andrew Sullivan has a review.
From primitive animists to the legends of the first gods, battling like irrational cloud-inhabiting humans over the cosmos, Wright tells the story of how war and trade, technology and human interaction slowly exposed humans to the gods of others. How this awareness led to the Jewish innovation of a hidden and universal God, how the cosmopolitan early Christians, in order to market their doctrines more successfully, universalised and sanitised this Jewish God in turn, and how Islam equally included a civilising universalism despite its doctrinal rigidity and founding violence.
Last month's issue of The Atlantic contained an excerpt.
For all the advances and wonders of our global era, Christians, Jews, and Muslims seem ever more locked in mortal combat. But history suggests a happier outcome for the Peoples of the Book. As technological evolution has brought communities, nations, and faiths into closer contact, it is the prophets of tolerance and love that have prospered, along with the religions they represent. Is globalization, in fact, God's will?
I loved two of Wright's previous books, The Moral Animal and especially Nonzero. (via marginal revolution)
Dancers from legendary Bay Area hip-hop dance crews in the 1970s and 80s reminisce about the old days and show that they still have the moves.
Wonderful. There's no school like the old school. (via waxy)
In Focus has a photo retrospective of the Berlin Wall, 25 years after it fell. This is one of the most iconic photos, depicting East German border guard Conrad Schumann leaping over the Wall during the early days of construction, when it was only barbed wire.
Schumann made a clean getaway, settled in Bavaria, and lived to see the fall of the Wall in 1989. But Schumann struggled with the separation from his family, birthplace, and old life and, suffering from depression, died of suicide in 1998. Walls may fall, but that's not the same as never having built them in the first place.
In his recent book, How Star Wars Conquered the Universe, Chris Taylor tells the story of how avant garde cinema fan George Lucas built one of the biggest movie franchises ever.
How did a few notes scribbled on a legal pad in 1973 by George Lucas, a man who hated writing, turn into a four billion dollar franchise that has quite literally transformed the way we think about entertainment, merchandizing, politics, and even religion? A cultural touchstone and cinematic classic, Star Wars has a cosmic appeal that no other movie franchise has been able to replicate. From Jedi-themed weddings and international storm-trooper legions, to impassioned debates over the digitization of the three Star Wars prequels, to the shockwaves that continue to reverberate from Disney's purchase of the beloved franchise in 2012, the series hasn't stopped inspiring and inciting viewers for almost forty years. Yet surprisingly little is known about its history, its impact -- or where it's headed next.
This is a time lapse of the surface of the Sun, constructed of more than 17,000 images taken by the Solar Dynamics Observatory from Oct 14 to Oct 30, 2014. The bright area that starts on the far right is sunspot AR 12192, the largest observed sunspot since 1990.
The sunspot is about 80,000 miles across (as wide as 10 Earths) and it's visible from Earth with the naked eye. Best viewed as large as possible...I bet this looks amazing on the new retina iMac. (via @pageman)
0h h1 is a super simple Sudoku-type game where you need to keep the number of blue and red tiles in each row and column the same. I don't know how people keep coming up with such simple games that are still challenging...you'd think they'd all have been invented by now. (via waxy)
Ok, so New App Friday isn't a thing, but it is today! Three apps from pals launched yesterday:
From the crew at Tinybop comes Homes, an app for kids that lets them explore houses from around the world. Their previous apps, Plants and The Human Body, are favorites in our home.
Neven Mrgan and Matt Comi have been working on Space Age for several years and it shows...this game is immaculate. The soundtrack, by Cabel Sasser, is worth a listen on its own.
Wildcard is billed as a better and faster way to use the Web for on your phone. I haven't played with it too much yet, but it seems a lot like RSS for mobile (if that makes any sense). UX was done by Khoi Vinh.
Seeing so many people I know really knocking it out of the iOS park makes me think I should build an app of my own.
A European Space Agency landing craft the size of a washing machine is scheduled to land on a comet tomorrow, November 12, 2014. How cool is that?
Never before has a space mission put a lander on a comet. But the European Space Agency (ESA) plans to change that. Its Rosetta craft has been orbiting comet 67P/Churyumov-Gerasimenko since August and is set to release the washing-machine-sized lander, Philae, on 12 November. This would set in motion a nail-biting seven-hour fall designed to deliver Philae to a landing site called Agilkia on the comet's surface. Philae is programmed to beam data and images back to Earth to help scientists to understand comets, including whether these conglomerations of ice, rock and dust supplied our planet with water and other building blocks of life when they smashed into it billions of years ago.
You can watch the landing live (or here too)...touch down on the comet's surface is scheduled for 11:03 AM EST. Here's a full rundown of the events on landing day. Good luck, Philae!
Update: Randall Munroe of XKCD is live drawing the landing.
Robert Greene, author of The 48 Laws of Power, which has been influential in both halls of business and hip-hop circles, has written a new book with rapper 50 Cent called The 50th Law. Greene was initially skeptical of 50 Cent as a co-author but was impressed by their initial meeting.
He was in the midst of a power struggle with a rival rapper and he talked quite openly about the strategies he was employing, including mistakes he had made along the way. He analyzed his own actions with detachment, as if he were talking about another person. Over the last few years he had witnessed a lot of nasty maneuvering within the music business, and he seemed to want to discuss this with somebody from the outside. He was not interested in myths but reality. Contrary to his public persona, he had a Zen-like calmness that impressed me.
The main theme of the book is about fear and "the reverse power that you can obtain by overcoming [it]".
We found stories from his own life that would illustrate these ideas, many of them culled from his days as a hustler and even highlighting mistakes along the way that taught him valuable lessons. Later, from my own research, I would bring in examples from other historical figures who exemplified this trait. Many of them would be African Americans--Frederick Douglass, James Baldwin, Miles Davis, Malcolm X, Hurricane Carter, et al--whose fearless quality was forged by their harsh struggles against racism. Others would come from all periods and cultures--the Stoics, Joan of Arc, JFK, Leonardo da Vinci, Mao tse-tung, and so on.
In this music video for Roy Kafri, a bunch of iconic album covers come alive and start singing.
Among them, The Smiths, Madonna, David Bowie, and Michael Jackson. (via colossal)
A defense of Cosby requires that one believe that several women have decided to publicly accuse one of the most powerful men in recent Hollywood history of a crime they have no hope of seeing prosecuted, and for which they are seeking no damages.
The Atlantic's Ta-Nehisi Coates does the math (15 women have now accused Bill Cosby) and some journalistic soul-searching: The Cosby Show.
+ Netflix has "postponed" a Cosby stand-up show scheduled for later this month. (Ya think?)
+ Cosby's old routine about wanting to drug women's drinks.
Syndicated from NextDraft. Subscribe today or grab the iOS app.
One of the most difficult things to get right in movies about aliens or the future is matching the cultural and technological sophistication of a people with their environment and history. In Avatar, the Na'vi are portrayed as a Stone Age tribe, living in relatively small groups and essentially ignorant or uninterested in technology beyond simple knives and bows. But the Na'vi are also very physically capable, obviously very intelligent, aware of their global environment, well-nourished, healthy, omnivorous, adaptive, and even inventive. They have domesticated animals, are troubled by few serious natural predators, can live in different environments, have easy access to many varied natural resources (for sustenance and building/making), and can travel and therefore communicate over long distances (dozens if not hundreds of miles a day on their winged animals).
And most importantly, the Na'vi have regular and intimate access to a moon-sized supercomputer -- a neural net supercomputer at that -- that connects them to every other living thing on their world and have had such access for what could be millennia.
It just doesn't add up. The Na'vi are too capable and live in an environment that is far too pregnant with technological possibility to be stuck in the Stone Age. Plot-wise it's convenient for them to be the way they are, but the Na'vi really should have been more technologically advanced than the Earthlings, not only capable of easily repelling any attack from Captain Ironpants but able to keep the mining company from landing on the moon in the first place.
It can be difficult to understand how large (or small) astronomical objects are, so here are some handy comparisons to things on Earth. Here's the size of Mars compared to the United States & Canada:
And here's a neutron star nestled next to Liverpool on the northwest coast of England:
A neutron star also crams in over 1.5 times the mass of the Sun into a tiny ball maybe not much bigger than your daily commute to work, and the Sun is huge (see the size of the Sun later). So this thing is incredibly dense, so dense in fact that just a tea spoon of it would weigh over a billion tonnes, and if you could stand on its surface you'd feel the gravitational pull of 200 billion times that of our planet...not that you'd ever survive it of course.
The Great War is a video documentary series on YouTube that covers World War I. The series will air each week over the next four years with each 6-10 minute episode covering a week's worth of the war 100 years after it happened.
What an ambitious project. They're currently up to week 15 of the war, when the Ottoman Empire enters the fray. (via @garymross)
Matt Haughey's pervy internet-connected motion-sensing security camera recently snapped a photo of him in the nude and emailed it to him. Hilarious, right? Sort of?
But then I realized that image is on Dropcam's system. And Google bought Dropcam so my photo is somewhere in Google's cloud. There's a web-accessible photo of my naked ass (with no black bar added above) somewhere and I have no idea where it is or how easy it is for anyone to find. Wonderful.
The directorial debut of Alex Garland, screenwriter of Sunshine and 28 Days Later, looks interesting.
Ex Machina is an intense psychological thriller, played out in a love triangle between two men and a beautiful robot girl. It explores big ideas about the nature of consciousness, emotion, sexuality, truth and lies.
Well, lookie here, the platinum edition of Beyonce is out with a second, uh, "disc" of songs, including 7/11 and the Flawless remix w/ Nicki Minaj.
Also on Spotify and Amazon MP3. (via @jennydeluxe)
I straight-up loved this movie. It's a fascinating look at the creative process of a team with strong leadership operating at a very high level. The trailer is pretty misleading in this respect...the main story in the film has little to do with fashion and should be instantly recognizable to anyone who has ever worked with a bunch of people on a project. Others have made the comparison of Anna Wintour with Steve Jobs and it seems apt. At several points in the film, my thoughts drifted to Jobs and Apple; Wintour seems like the same sort of creative leader as Jobs.
From the Guardian's photo editor, an annotated list of the 25 best photographs of Muhammad Ali. My favorite is by Neil Leifer:
In The New Republic, Rebecca Traister says when talking about abortion, the rights of the mother should trump those of the fetus.
To me, abortion belongs to the same category as the early Cesarean I will need to undergo because of previous surgeries. That is to say, it is a crucial medical option, a cornerstone in women's reproductive health care. And during pregnancy, should some medical, economic, or emotional circumstance have caused my fate to be weighed against that of my baby, I believe that my rights, my health, my consciousness, and my obligations to others -- including to my toddler daughter -- outweigh the rights of the unborn human inside me.
Neill Blomkamp (District 9, Elysium) is coming out with a new film in the spring, Chappie. Chappie is a robot who learns how to feel and think for himself. According to Entertainment Weekly, two of the movie's leads are Ninja and Yo-Landi Vi$ of Die Antwoord, who play a pair of criminals who robotnap Chappie.
Discussions of AI are particularly hot right now (e.g. see Musk and Bostrom) and filmmakers are using the opportunity to explore AI in film, as in Her, Ex Machina, and now Chappie.
Blomkamp, with his South African roots, puts a discriminatory spin on AI in Chappie, which is consistent with his previous work. If robots can think and feel for themselves, what sorts of rights and freedoms are they due in our society? Because right now, they don't have any...computers and robots do humanity's bidding without any compensation or thought to their well-being. Because that's an absurd concept, right? Who cares how my Macbook Air feels about me using it to write this post? But imagine a future robot that can feel and think as well as (or, likely, much much faster than) a human...what might it think about that? What might it think about being called "it"? What might it decide to do about that? Perhaps superintelligent emotional robots won't have human feelings or motivations, but in some ways that's even scarier.
The whole thing can be scary to think about because so much is unknown. SETI and the hunt for habitable exoplanets are admirable scientific endeavors, but humans have already discovered alien life here on Earth: mechanical computers. Boole, Lovelace, Babbage, von Neumann, and many others contributed to the invention of computing and those machines are now evolving quickly, and hardware and software both are evolving so much faster than our human bodies (hardware) and culture (software) are evolving. Soon enough, perhaps not for 20-30 years still but soon, there will be machines among us that will be, essentially, incredibly advanced alien beings. What will they think of humans? And what will they do about it? Fun to think about now perhaps, but this issue will be increasingly important in the future.
Jessica Hische and Font Bureau have teamed up to offer the typeface Hische designed for Wes Anderson's Moonrise Kingdom. Meet Tilda (great name). Art of the Title interviewed Hische about the typeface last year.
If you believe in gravity, then you know that if you remove air resistance, a bowling ball and a feather will fall at the same rate. But seeing it actually happen, in the world's largest vacuum chamber (122 feet high, 100 feet in diameter), is still a bit shocking.
In the late 1500s, Galileo was the first to show that the acceleration due to the Earth's gravity was independent of mass with his experiment at the Leaning Tower of Pisa, but that pesky air resistance caused some problems. At the end of the Apollo 15 mission, astronaut David Scott dropped a hammer and a feather in the vacuum on the surface of the Moon:
city.ballet is a video series about the workings of the New York City Ballet. The twelve episodes of season two cover everything from apprentice dancers to injuries to the sacrifices the dancers make to pursue their onstage dreams.
Imagine a city unto itself -- a place where 16 year olds are professionals, 18 year olds are revered and many 30 year olds are retirees. Imagine a world so insular that nearly every one of these virtuosos has trained together in an academy since childhood, their lives forever intertwined by work, play, competition, friendship and love. Imagine a world in which the bottom line standard is to be, simply, the best on the planet, and where each night, an empty stage, in front of thousands, beckons with a challenge. This enclave has a name -- New York City Ballet -- and you are invited into this world, one that has never opened up to the outside before.
Season two just came out and is available at AOL. (via cup of jo)
Whoa, how did I miss this? Steve Carell, check. Channing Tatum, check. Mark Ruffalo, check. Based on a true story, check. Positive reviews, check.
Currently on the to-do list: watch every single movie produced by Annapurna Pictures, a production and distribution company founded by Megan Ellison, who is Oracle founder Larry Ellison's daughter. Look at this list of directors they're working with: Kathryn Bigelow, Paul Thomas Anderson, Spike Jonze, David O. Russell, Richard Linklater.
Paul Ford imagines a future where Uber is the largest company in the world, controlling much of humanities transportation and delivery needs.
I am Uber. I believed to 0.56 certainty that I could find a bicycle for the person doing the delivery and provide that person with a discounted rental fee. Unfortunately the city of New York insists that bicycle rental kiosks must be controlled by an entity that is not Uber and thus I am not granted the level of full control that is necessary for me to truly optimize the city. No one benefits, no one at all.
On the walk back from soccer practice the other day, my sharp-eyed seven-year-old son spotted something through the partially papered-up window of a Chelsea gallery. "Hey, Kara Walker!" he says.1 And sure enough:
The gallery is Sikkema Jenkins on 22nd St and Walker's show, Afterword, starts there tomorrow and runs through mid-January. The show is an extension of A Subtlety, Walker's installation at the Domino Sugar Factory in Williamsburg over the summer. Several of the sugar statues and the left fist of the sugar sphinx from the Domino installation will be shown along with new video works and notes & sketches from the planning of A Subtlety. You can see some of the figures in the photo above (fashioned out of Domino Sugar, naturally) and I think that's probably the fist in the background on the right, wrapped in plastic.
The Strange Maps book is out today. The book is based on the awesome Strange Maps blog, one the very few sites I have to exercise restraint in not linking to every single item posted there. The content of the book is adapted from the site, so of course it's top shelf.
My only reservation in recommending the book is the design. When I cracked it open, I was expecting full-bleed reproductions of the maps, large enough to really get a detailed look at them. The maps *are* the book, after all. But that's not the case...only a few of the maps get an entire non-full-bleed page and some of the maps are stuck in the corner of a page of text, like small afterthoughts. The rest of the design is not much better, cheesy at best and distracting at worst. I wasn't expecting Taschen-grade production values, but something more appropriate to the subject matter would have been nice.
One of the major points in Charles Mann's 1491 (great book, a fave) is that the indigenous peoples of the Americas did not live in pristine wilderness. Through techniques like cultivation and controlled burning, they profoundly shaped their environments, from the forests of New England to the Amazon.
In the 1850s, the indigenous inhabitants of Yosemite Valley, who used controlled burning to maintain the health of the forest, were driven out by a militia. As Eric Michael Johnson writes in Scientific American, the belief in the myth of pristine wilderness by naturalist John Muir has had a negative impact on the biodiversity and the ability to prevent catastrophic fire damage in Yosemite National Park.
The results of this analysis were statistically significant (p < 0.01) and revealed that shade-tolerant species such as White fir and incense cedar had increased to such an extent that Yosemite Valley was now two times more densely packed than it had been in the nineteenth century. These smaller and more flammable trees had pushed out the shade-intolerant species, such as oak or pine, and reduced their numbers by half. After a century of fire suppression in the Yosemite Valley biodiversity had actually declined, trees were now 20 percent smaller, and the forest was more vulnerable to catastrophic fires than it had been before the U.S. Army and armed vigilantes expelled the native population.
On Last Week Tonight, John Oliver takes down the lottery.
$68 billion. That's more than Americans spent last year on movie tickets, music, porn, the NFL, major league baseball, and video games combined.
The lottery is a defacto tax on poor people. Despicable. Horrible. But fun!
Overseen and designed by its residents until its destruction by the Hong Kong government in 1993, Kowloon Walled City was once the most densely populated place on Earth. Before demolition, a group of Japanese researchers scoured the city, documenting every inch of the cramped settlement, resulting in a book full of dense drawings of the city. Here's just some of the detail from one of the drawings:
You can view the full-size image here. (via @themexican)
A new short episode of Every Frame a Painting, in which Tony Zhou talks about how to show character choice in movies without using dialogue. His main example is Snowpiercer. Spoilers ahoy.