A quick short film about how different people in LA approach breakfast, from the woman who nibbles to the professional bodybuilder who eats 30 egg whites and a cup of grits on his off day.
Me? I almost never eat breakfast and have been unwittingly following an intermittent fasting regimen for many years.
An architecture firm called Elemental recently completed a disaster relief project in a city in Chile which was devastated by an earthquake in 2010. Rather than build typical public housing (high-rise apartments), the firm built out neighborhoods with the necessary infrastructure and populated them with half-finished houses.
The houses are simple, two-story homes, each with wall that runs down the middle, splitting the house in two. One side of the house is ready to be moved into. The other side is just a frame around empty space, waiting to be built out by the occupant.
That’s from a recent episode of 99% Invisible that covered the trend toward incremental buildings.
These half-built houses are a unique response from urban planners to the housing deficit in cities around the world. The approach has its roots in a building methodology made popular by the 1972 essay, “Housing is a Verb,” by architect John F.C. Turner. Turner made the case that housing ought not be a static unit that is packaged and handed over to people. Rather, housing should be conceived of as an ongoing project wherein residents are co-creators.
Cool idea…they’ve built How Buildings Learn into the process of home ownership.
It was the soup that got me early on. Parallel Studio made this and they are running The Unsatisfying Challenge over the next two weeks, looking for people to submit their own animations and videos of unsatisfying situations.
This was all over Twitter this morning without any context or credit going to the original creators, a trend I find unsatisfying. Thanks to Frank Chimero for finding the original.
Over at Literary Hub, Emily Temple offers a “reading list for resistance”, a list of 25 Works of Fiction and Poetry for Anger and Action.
Included are The Handmaid’s Tale by Margaret Atwood:
This is the book women will be whispering about to one another in Trump’s America-an all-too-real vision of our country under a totalitarian theocracy where women are stripped of their rights and kept around only as breeders or servants.
The Dispossessed by Ursula K. Le Guin:
There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an idea of boundary. But the idea was real.
And of course, George Orwell’s 1984:
To know and not to know, to be conscious of complete truthfulness while telling carefully constructed lies, to hold simultaneously two opinions which cancelled out, knowing them to be contradictory and believing in both of them, to use logic against logic…
1984 was my favorite book for a long time — I first read it when I was about 10 years old and reread it every year or two well into my 20s. I haven’t read it in more than 10 years…perhaps it’s time for another go.
For the past year and a half, Casey Neistat has been putting out a daily 10-minute video blog about his day. After more than 500 episodes, Neistat announced that he’s hanging up his vblogging spurs to pursue other projects. In his final video, he discusses the complacency of success and the difficulty of advancing your career without taking creative risks, something many of us can identify with.
What [the vlog] hasn’t been doing is challenging me. It hasn’t been the creative fistfight that I want and need every single day.
I’m definitely a fan and can’t wait to see what he comes up with next.
Update: Ah, well that explains it: CNN Acquires Social-Video Startup Beme, Co-Founded by YouTube Star Casey Neistat.
CNN has acquired video-sharing app startup Beme, co-founded by popular YouTube creator Casey Neistat and Matt Hackett, and will invest in the team to launch a new standalone media brand.
Terms of the deal were not disclosed. CNN said the new venture that it’s forming out of the acquisition - aimed at reaching millennial viewers with the street cred of Neistat’s reporting and commentary - will launch in the summer of 2017. All 11 of Beme’s employees will join CNN; the cable news network will be shutting down Beme, which had garnered more than 1 million downloads.
In this video, American poet Maya Angelou recites her poem Still I Rise, which was published in 1978. The recitation includes some opening remarks…the poem begins like so:
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.
Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.
Wonderful. That little chuckle after “Does my sassiness upset you?” — amazing. And it’s interesting to see how she deviates from the written text in her performance, a reminder that even the finest things in the world — like freedom, like liberty, like democracy — need to be refreshed and remade anew in order to remain vital. (via swiss miss)
Jerry Coyne, University of Chicago professor and author of Why Evolution is True, shares the results of a recent paper called Detection of human adaptation during the past 2000 years. In the study, DNA sequencing was used to find human genes that have changed so quickly in the past 2000 years that the authors conclude natural selection must be responsible.
Now, however, we can, by DNA sequencing, look at DNA directly, and with some fancy statistical footwork, get an idea of which genes have changed in frequency so fast that they must have been due to positive natural selection. That’s the subject of a new paper in Science by Yair Field et al. (reference and free download below). The authors conclude that several traits, including lactose tolerance, hair and eye color, and parts of the immune system, as well as height, have evolved within the last 2,000 years.
Other genes that might have changed during that period include those for infant head circumference, insulin levels, birth weight, and female hip size.
NASA has published their highly anticipated and peer-reviewed analysis of the EM Drive and they’ve concluded the engine works despite appearing to violate Newton’s third law of motion.
In case you’ve missed the hype, the EM Drive, or Electromagnetic Drive, is a propulsion system first proposed by British inventor Roger Shawyer back in 1999.
Instead of using heavy, inefficient rocket fuel, it bounces microwaves back and forth inside a cone-shaped metal cavity to generate thrust.
According to Shawyer’s calculations, the EM Drive could be so efficient that it could power us to Mars in just 70 days.
But, there’s a not-small problem with the system. It defies Newton’s third law, which states that everything must have an equal and opposite reaction.
According to the law, for a system to produce thrust, it has to push something out the other way. The EM Drive doesn’t do this.
Yet in test after test it continues to work. Last year, NASA’s Eagleworks Laboratory team got their hands on an EM Drive to try to figure out once and for all what was going on.
There’s a lot of skepticism around this project, but NASA’s review is definitely a boost to the EM Drive’s credibility.
Update: Just to reiterate, even with this latest paper, there is still skepticism about the EM Drive.
In the end, we can’t conclude that this is a null result, nor can we excitedly say that it works. The sad truth is that this paper is not much better than the researchers’ last one, and it doesn’t actually have enough detail to let us fully evaluate the data. Nor does the paper have enough data to allow a conclusion in the absence of a model. And despite mention of a model in the paper, any model that exists is very well hidden.
Also a clue that the science isn’t quite there on this one yet: very few mainstream science outlets covered this. When the NY Times picks this up and gets prominent physicists on the record about the thruster’s promise, that’s when you’ll know something’s up. Until then, remain skeptical. (via @paudo)
That’s a portion of the 2012 US Presidential election map of the southern states broken down by county: blue ones went Barack Obama’s way and counties in red voted for Mitt Romney.
But let’s go back to the Cretaceous Period, which lasted from 145 million years ago to 65 million years ago. Back then, the coastline of what is now North America looked like this:
Along that ancient coastline of a shallow sea, plankton with carbonate skeletons lived and died in massive numbers, accumulating into large chalk formations on the bottom of the sea. When the sea level dropped and the sea drained through the porous chalk, rich bands of soil were left right along the former coastline. When that area was settled and farmed in the 19th century, that rich soil was perfect for growing cotton. And cotton production was particularly profitable, so slaves were heavily used in those areas.
McClain, quoting from Booker T. Washington’s autobiography, Up From Slavery, points out: “The part of the country possessing this thick, dark and naturally rich soil was, of course, the part of the South where the slaves were most profitable, and consequently they were taken there in the largest numbers.” After the Civil War, a lot of former slaves stayed on this land, and while many migrated North, their families are still there.
The counties in which slave populations were highest before the Civil War are still home to large African American populations, which tend to vote for Democratic presidential candidates, even as the whiter counties around them vote for Republicans. The voting pattern of those counties on the map follows the Cretaceous coastline of 100 million years ago — the plankton fell, the cotton grew, the slaves bled into that rich soil, and their descendants later helped a black man reach the White House.
Leonardo DiCaprio and National Geographic teamed up to make a documentary about climate change called Before the Flood, available in its entirety on YouTube for a limited time.
Before the Flood, directed by Fisher Stevens, captures a three-year personal journey alongside Academy Award-winning actor and U.N. Messenger of Peace Leonardo DiCaprio as he interviews individuals from every facet of society in both developing and developed nations who provide unique, impassioned and pragmatic views on what must be done today and in the future to prevent catastrophic disruption of life on our planet.
Fisher Stevens, who you might remember from Short Circuit, also produced The Cove, which won an Oscar for best documentary in 2010.
The year’s best action sequence isn’t in a Marvel movie or prestige TV drama, it’s from the first episode of Planet Earth II, which aired in the UK over the weekend. In it, a group of snakes chase a small iguana, which seems at the outset to have a tiny chance of escape.
Good god, that was thrilling. We might have a new champion.
Update: I love Tony Zhou’s cut with the soundtrack from Mad Max: Fury Road (with temp music, he says). Be sure to watch to the end.
Blade Runner was made by Ridley Scott partly as an homage to classic film noir movies like The Maltese Falcon, The Big Sleep, and The Woman in the Window. This trailer turns the noir factor up to 11; aside from a shot or two here and there, it portrays a film that could have been made in the 40s. (via one perfect shot)
Note: There are some *major* unavoidable spoilers about the finale of season three of Halt and Catch Fire in this post. If you’ve been watching (and you definitely should be), you might want to catch the finale first and then come back.
The final two episodes of Halt and Catch Fire aired last night. The previous eight episodes of the season took place in the mid-1980s with Joe running something like Norton or McAfee in San Francisco, and Cameron, Donna, and Gordon running a dial-up service like Compuserve for playing online video games, chatting, and selling stuff on a nascent Etsy. In the 8th episode, a lot of that changed and the characters headed their separate ways.
For the final two episodes, the show jumps forward to 1990, and in the last episode, Donna brings the four main characters (plus Cameron’s husband Tom, who works for Sega in Japan) back together to talk about a new and potentially revolutionary idea that’s crossed her desk at the VC firm where she’s now a senior partner: the World Wide Web. The five of them meet over two days, trying to figure out if there’s a business to be built on the Web — Joe argues metaphorically that they should build a stadium while Cameron says that no one’s gonna come to the stadium unless you have a kickass band playing (lack of compelling content) and then Gordon retorts that rock n’ roll hasn’t even been invented yet (aka there’s no network for this to run on). The discussion, some anachronisms and having the benefit of hindsight aside, is remarkably high level for a television audience…I doubt I could explain the Web so well.
At the second meeting, Joe, who is a Steve Jobs / Larry Ellison sort of character, has had some time to think about the appeal of the Web and lays out his vision (italics mine):
Joe: Berners-Lee wrote HTML to view and edit the Web and HTTP so that it could talk to itself. The chatter could be cacophonous, it could be deafeningly silent. Big picture: What will the World Wide Web become? Short answer: Who knows?
Donna: Ok, so what’s your point?
Joe: It’s a waste of time to try to figure out what the Web will become, we just don’t know. Because right now, at the end of the day, it’s just an online research catalog running on NeXT computers on a small network in Europe.
Cam: So, you’re saying everything we’ve talked about since we got here has been a waste of time?
Joe: I’m saying let’s take a step back. Literally step back.
Gordon: What is this on the board?
Joe: It’s the code for the Web browser.
Tom: And you wrote it all on the whiteboard.
Donna: The online catalog of research?
Cameron: Full of Norwegian dudes’ physics papers and particle diagrams and stuff?
Gordon: And we care about this because why?
Joe: How did we all get here today? The choices we made? The sheer force of our wills, something like that? Here’s another answer: the winds of fate, random coincidence, some unseen hand pushing us along. Destiny. How did we all get here today? We walked through this door. We don’t have to build a big white box or stadium or invent rock n’ roll. The moment we decide what the Web is, we’ve lost. The moment we try to tell people what to do with it, we’ve lost. All we have to do is build a door and let them inside.
When I was five, my mother took me to the city. And we went through the Holland Tunnel and it was basic, concrete and steel, but it was also my excitement sitting in the backseat, wondering when it was going to be our turn to emerge, it was the explosion of sunlight. And when we exited the tunnel, all of Manhattan was laid out before us. And that was the best part of the trip: the amazing possibility to be able to go anywhere within something that is magnificent and never-ending.
This is the first Web browser, the one CERN built to view and edit research. I wrote it up here for you to see how simple it is. It takes up one whiteboard — that’s basic concrete and steel — but we can take this and we can build a door and we can be the first ones to do it because right now, everyone else sees this…
Donna: …as an online research catalog…
Gordon: …running on NeXT…
Cameron: …on a network in Europe.
Joe: And with this handful of code, we can build the Holland Tunnel.
It’s Don Draper’s carousel speech from Mad Men…but for the Web. And it hit me right in the feels. Hard. When I tell people about the first time I saw the Web, I would sheepishly describe it as love at first sight. Logging on that first time, using an early version of NCSA Mosaic with a network login borrowed from my physics advisor, was the only time in my life I have ever seen something so clearly, been sure of anything so completely. It was a like a thunderclap — “the amazing possibility to be able to go anywhere within something that is magnificent and never-ending” — and I just knew this was for me and that it was going to be huge and important. I know how ridiculous this sounds, but the Web is the true love of my life and ever since I’ve been trying to live inside the feeling I had when I first saw it.
Which is why this scene wrecked me so hard. The Web that they are talking about on the show, the open Web, is ailing, dying. It was like listening to a eulogy at a funeral, this thing that I love, poured the best of my self into, gone forever. Of course that’s not strictly true, the Web is still a fabulous place where anyone can set up a site to do, say, or sell whatever they want, but instead of the promise of small pieces loosely joined, what we mostly got was large pieces tightly coupled. Today’s Web browsers and apps are Holland Tunnels that open up right into shopping malls instead of open city streets. Facebook makes it absurdly easy to start your own blog that all your friends and family can conveniently read, but you give up the freedom to say anything you want, it’s impossible to move those words elsewhere if you’d like (I’m talking with URLs and social graph intact), and they sell advertising against your words & images and you don’t get a cut.
Now, I’m not advocating a Make The Web Great Again policy because the open Web of the 90s had many problems, the greatest of which was a lack of access for anyone without the free time and skills necessary to set up a web server, install software, etc. etc., not to mention the expense involved. Today’s Web is much more accessible to people of all ages, backgrounds, and skill levels and as a result you see much more participation across the socioeconomic spectrum, especially in developing countries.
But the open Web enthusiasts and advocates missed an opportunity to take what the Web was in the 90s and make that available to everyone. Instead of walled gardens like Facebook, Pinterest, and Medium (which echo the closed online services like AOL, Prodigy, and Compuserve that predated the Web), imagine a bunch of smaller services bound together with open protocols where individuals have both freedom and convenience. At this stage, building an open Twitter or open Facebook is nearly impossible, but it wouldn’t have been 10-12 years ago. I hope I’m wrong, but with all of the entrenched incumbents and money pumping into online services, I’m afraid that time has truly passed. And it’s breaking my heart.
When the story about Donald Trump bragging about sexually assaulting women broke, the NY Times took the unusual step of publishing exactly what the presidential candidate said.
In the three-minute recording, which was obtained by The Washington Post, Mr. Trump recounts to the television personality Billy Bush of “Access Hollywood” how he once pursued a married woman and “moved on her like a bitch, but I couldn’t get there,” expressing regret that they did not have sex. But he brags of a special status with women: Because he was “a star,” he says, he could “grab them by the pussy” whenever he wanted.
“You can do anything,” Mr. Trump says.
He also said he was compulsively drawn to kissing beautiful women “like a magnet” — “I don’t even wait” — and talked about plotting to seduce the married woman by taking her furniture shopping. Mr. Trump, who was 59 at the time he made the remarks, went on to disparage the woman, whom he did not name, saying, “I did try and fuck her. She was married,” and saying, “She’s now got the big phony tits and everything.”
It was unusual because of the Times’ policy of not printing profanity, even if the profane words themselves are newsworthy. In this case, the editors felt they had no choice but to print the actual words spoken by Trump.
In piece published earlier the same day the Trump story broke, Blake Eskin, who has been tracking the Times’ non-use of profanity at Fit to Print, highlights the racial and classist implications of the policy.
As I’ve noticed over the years while documenting how the Times writes around profanity, a lot of the expletives the Times avoids come up around race: in stories about hip-hop, professional sports, and police shootings. (I’m getting all the data into a spreadsheet so I can back up this assertion.)
The Times seems compelled both to tell readers that people curse in these contexts and to frown upon it.
It’s as if profanity is like a sack dance or a bat flip, a classless flourish that the archetypal Times reader, who is presumably white, can take vicarious pleasure in without having to perform it himself.
You cannot tell authentic stories about people who are systematically discriminated against in our society without using their actual words and the actual words spoken against them related to that discrimination. Full stop.
Update: Eskin wrote a follow-up about his data analysis of the NY Times profanity avoidance for Quartz.
The “other” category includes faux-folksy formulations such as “a word more pungent than ‘slop,’” and “a stronger version of the phrase ‘gol darn,’” as well as the straightforward, “He swore.” When I began the Fit to Print project, I could enjoy the cleverness of some of these contortions. But after reading through hundreds of examples over several years, expletive avoidance no longer strikes me as an interesting puzzle for a writer to solve. The policy just seems prissy, arbitrary, and delusional.
The more I think about the Times’ policy, the more absurd it becomes. There seems to be a relatively simple solution: if the profanity does work in the service of journalism — particularly if the entire article is about the profanity in question — print it. It is doesn’t, don’t. I mean, are Times editors afraid their reporters will start handing in articles with ledes like “Well, this fucking election is finally winding down, thank Christ.”?
Stanford biophysicist Manu Prakash is the inventor of the Foldscope, a small microscope that folds like origami, costs around a dollar, and provides “700 nanometer imaging”. Watch the video for examples — 700 nm is very small and the level of detail is incredible. Why do this? Prakash says:
It’s not just for scientists to figure out how the world works…We all start by being curious about the world. We are born with this and we really need to culture this, because fundamentally curiosity needs to be nurtured and kept alive forever.
You can read more about the Foldscope at the New Yorker or watch Prakash’s TED Talk.
He calls it the Foldscope, and it comes in a kit. (Mine arrived in a nine-by-twelve-inch envelope.) The paper is printed with botanical illustrations and perforated with several shapes, which can be punched out and, with a series of origami-style folds, woven together into a single unit. The end result is about the size of a bookmark. The lens — a speck of plastic, situated in the center — provides a hundred and forty times magnification. The kit includes a second lens, of higher magnification, and a set of stick-on magnets, which can be used to attach the Foldscope to a smartphone, allowing for easy recording of a sample with the phone’s camera. I put my kit together in fifteen minutes, and when I popped the lens into place it was with the satisfaction of spreading the wings of a paper crane.
You can’t currently buy a Foldscope but the website says that their Kickstarter campaign launches sometime this month, so stay tuned for that.
Update: You can now get your very own Foldscope on Kickstarter.
On Conan last night, Louis C.K. had some things to say about the 2016 presidential election.
If you vote for Hillary you’re a grownup; if you vote for Trump you’re a sucker; if you don’t vote for anyone, you’re an asshole.
A site called FamilyBreakFinder produced a world map with every country’s tourism slogan on it. A few of my favorite slogans:
Netherlands: The original cool
Colombia: Colombia is magical realism
El Salvador: The 45 minute country
Slovenia: I feel sLOVEnia
Cape Verde: No stress
Morocco: Much mor
Bhutan: Happiness is a place
India: Incredible !ndia
Some of these countries should ask their ad agencies for their money back. (via @ftrain)
Time Magazine has selected the 100 most influential photos of all time, from the first permanent photograph taken (in 1826) to the heartbreaking photo of the body of a 3-year-old refugee washed up on a beach from last year. As you might expect, many of the images are tough to view, but history and our good conscience compels us not to look away.
I was pleased to see Josef Koudelka’s photo Invasion of Prague included (it’s the one above with the wristwatch); it’s one of my favorites.
Josef Koudelka, a young Moravian-born engineer who had been taking wistful and gritty photos of Czech life, was in the capital when the soldiers arrived. He took pictures of the swirling turmoil and created a groundbreaking record of the invasion that would change the course of his nation. The most seminal piece includes a man’s arm in the foreground, showing on his wristwatch a moment of the Soviet invasion with a deserted street in the distance. It beautifully encapsulates time, loss and emptiness — and the strangling of a society.
The photos are also available in book form.
In a perfect world, if you place a cue ball at the focal point of an elliptical pool table, you can hit it in any direction you want and it will go into a pocket located at the other focal point. Geometry! Of course, in the real world, you need to worry about things like hitting it too hard, variations in the table, spin on the ball, etc., but it still works pretty well.
How would you play an actual game on an elliptical table though? Like this. (Hint: to sink the intended ball on the table, hit it as though it came from the opposite focal point.)
In an interview with Alexander Olch, founder of the cool new Metrograph theater in NYC, Wes Anderson just casually reveals that he’s doing another stop-motion animated movie that’s currently in production.
I’ve got an animated movie I’m doing that’s happening across the room from me right now. So I can see a long list of e-mails from people on the set whom I now need to address.
We know from about a year ago that dogs are involved, as are Bryan Cranston, Bob Balaban, Edward Norton, and Jeff Goldblum. Looking forward to this one…Fantastic Mr. Fox is Anderson’s most underrated film.
P.S. In the same interview, Anderson and Olch briefly discuss Powers of Ten. :)
The original cast recording of Hamilton has been on heavy rotation in our house since the early summer. The kids know several of the songs by heart and Minna can get through Aaron Burr, Sir in about 45 seconds, so watch out Daveed Diggs.
As an accompaniment to the main album, Lin-Manuel Miranda and his collaborators are releasing The Hamilton Mixtape. It features a couple of unused songs and the rest of the album is covers of songs from the musical by rappers, pop artists, and hip-hop stars like Kelly Clarkson, Usher, The Roots, Alicia Keys, and Chance the Rapper. I mean, check out the track listing…what an all-star cast. Available for pre-order now, it’ll be released on Dec 2.
Update: Two of the songs from the album were on Spotify but they got pulled. Except that if I go to this playlist, I can still play them. Maybe they’re cached somehow?
Update: The two songs are available on YouTube (My Shot & It’s Quiet Uptown) and Apple Music/iTunes. (via @mattgrieser & @scojjac)
Update: The entire mixtape is now out. Huzzah!
The actor and comic Patton Oswalt lost his wife earlier this year to an unknown cause.
This was, Mr. Oswalt said, the second worst day of his life: “The worst is when I told my daughter the next day.”
He paused his rushing monologue, his voice lowering as he skipped over that awful memory to one from the next day, when Alice mentioned “Inside Out,” the Pixar film peopled with characters representing a girl’s emotional states. “I guess Sadness is doing her job right now,” she said.
Oh man, what a thing. How do you even deal with that? I’ve had some sad, low days over the past three years, but nothing compared to what Oswalt’s going through.
Update: Oswalt has been talking about his wife’s death and the aftermath in appearances and his updated stand-up material.
“If they would call it a numb slog instead of a healing journey, it would make it a lot fucking easier!” Oswalt said. “Because when they call it a healing journey and it’s just a day of you eating Wheat Thins for breakfast in your underwear, it’s like, ‘I guess I’m fucking up my healing journey.’ But if they would say you’re going to have a numb slog, instead you’d go, ‘I’m nailing it!’”
He went on to say that when he would sometimes tell his wife that “everything happens for a reason,” she would tell him, “No it doesn’t.” Ironically, he said, she ended up proving her point to him “in the shittiest way possible.” He added, “She won the argument in the worst way!”
Update: Oswalt writes about becoming a single parent after the death of his wife.
It feels like a walk-on character is being asked to carry an epic film after the star has been wiped from the screen. Imagine Frances McDormand dying in the first act of Fargo and her dim-bulb patrol partner — the one who can’t recognize dealer plates — has to bring William H. Macy to justice.
I can’t do it. I can’t do it. I can’t do it. I want to tune out the world and hide under the covers and never leave my house again and send our daughter, Alice, off to live with her cousins in Chicago, because they won’t screw her up the way I know I will. Somebody help me! I can’t. I can’t. I can’t.
I could barely get through this piece without losing it. Every single fear and anxiety I have is now channelled through my parenting. If this is what it feels like for me — and I am lucky to have time away from it and an amazing parenting partner — I cannot imagine what this feels like for a truly single parent like Oswalt.
On Serious Eats, Kenji Lopez-Alt tests out different recipes using slow cookers, Dutch ovens, and pressure cookers and comes to the conclusion that the pressure cooker and Dutch Oven often give better results.
A good traditional chicken stock is made by simmering chicken carcasses and aromatics in water on the stovetop for several hours. A couple of years ago, I ran a few quick tests to determine whether or not stock could successfully be made in a pressure cooker or a slow cooker. From my own experience, I was fairly certain that the pressure cooker would produce a superior stock, while the slow cooker would produce a thinner, less flavorful one, but I was surprised by the degree to which this was true. The difference between the stock made in a Dutch oven or pressure cooker and the stock made in a slow cooker was like night and day. This experiment was a good start, but I decided that to really get to the bottom of this, a lot more serious testing was in order.
Neven Mrgan has been preaching the gospel of the pressure cooker for making risotto on what is probably my current favorite Instagram account, Sardine Brunch.
Ham and pea risotto: arborio rice, ham stock, parmesan. 6 minutes in the pressure cooker!
(Of course, as with all recipes, this refers to the length of the longest step, really. You still have to chop the onions, fry them with the rice, get the whole thing up to temp/pressure. But that would be the case with a traditional recipe, too, except you’d have to add at least half an hour of stirring!)
Mrgan uses The Instant Pot, which seems to be the internet’s choice for pressure cookers.
The editors of GQ have selected their picks for The 21 Documentaries from the 21st Century Everyone Should See. Ones I’ve seen and recommend: The Fog of War, No Direction Home, The Two Escobars, Grizzly Man, Going Clear, Capturing the Friedmans, The Jinx, Citizenfour, and O.J.: Made in America. I would consider adding Zero Days and Making a Murderer to the list.
In his film Best of Luck With the Wall, director Josh Begley takes us on a journey across the entire US/Mexico border. It’s a simple premise — a continuous display of 200,000 satellite images of the border from the Pacific Ocean to the Gulf of Mexico — but one that delivers a powerful feeling of how large the world is and how meaningless borders are from a certain perspective.
The project started from a really simple place. It was about looking. It was about the pure desire to understand the visual landscape that we are talking about when we are talking about the southern border of the United States. What does the southern border of the United States actually look like? And in that sense it was a very simple gesture to try to see the border in aggregate. If you were to compile all 2000 miles and try to see it in a short space — what would that look like? In another sense it grew out of the discourses as you suggested. The way migration is talked about in our contemporary moment and in particular the way migration is talked about in terms of the southern border of the U.S. So part of this piece is a response to the way migrants and borders are talked about in our politics. And it’s also just a way of looking at landscape as a way to think about some of those things.
The online version of the film is 6 minutes long, but Begley states that longer versions might make their way into galleries and such.
In The Oxford History of Board Games published in 1999, scholar David Parlett wrote that there are four types of classical board game: race, chase, space, and displace. The book is out of print (but is available direct from the author as a PDF), so I found this description of Parlett’s categorization in a book by Stewart Woods called Eurogames.
In categorizing these public domain or “folk” games, Parlett (1999) draws on the work of H.J.R. Murray (1952) and R.C. Bell (1979) in describing four types of game, as identified by the game goals: race games, in which players traverse a track in an attempt to be the first to finish (e.g. Nyout, Pachisi); space games, in which players manipulate the position of pieces to achieve prescribed alignments, make connections, or traverse the board (e.g. Noughts and Crosses, Twixt, and Halma, respectively); chase games, in which asymmetrical starting positions and goals cast players in the role of pursuer and pursued (e.g. Hnefatafl, Fox & Geese); and games of displacement, where symmetrically equipped players attempt to capture and eliminate each other’s pieces (e.g. Chess, Draughts).
You’re probably unfamiliar with some of these games (as I was). For race games, Parcheesi is a modern version of pachisi…other examples would be Sorry, Candyland, or Snakes and Ladders. Noughts and crosses is tic-tac-toe; other space games include Go and Connect 4. A modern example of a chase game might be Clue. And as written above, chess and draughts (checkers) are classic displace games. (via @genmon)
In the late 1980s, five black and Latino teenagers were wrongly convicted of raping a woman jogging in Central Park. The Central Park Five is a documentary film directed by Ken Burns, Sarah Burns, and David McMahon which tells the story from the perspective of the those five teens. I’ve seen the film, it’s excellent, and it’s currently available to watch for free on the PBS website.
The five men and this terrific miscarriage of justice are back in the news because of Donald Trump. In 1989, just a few weeks after the attack in Central Park, Trump took out a full-page ad in the Daily News denouncing the crime and the teens in which he calls for bringing back the death penalty.
Perhaps he thought it gave him gravitas, that spring, to weigh in on the character of the teen-agers in the park: “How can our great society tolerate the continued brutalization of its citizens by crazed misfits? Criminals must be told that their CIVIL LIBERTIES END WHEN AN ATTACK ON OUR SAFETY BEGINS!”
When NYC finally settled with the wrongly convicted men in 2014, Trump denounced the settlement, joining a police detective in calling it “the heist of the century.” And just before Trump’s crowing about sexual assault of women broke over the weekend, Trump reaffirmed that despite all evidence to the contrary, he believes that the five men are still guilty.
David Remnick, writing on the occasion of Donald Trump’s election to the Presidency of the United States.
The election of Donald Trump to the Presidency is nothing less than a tragedy for the American republic, a tragedy for the Constitution, and a triumph for the forces, at home and abroad, of nativism, authoritarianism, misogyny, and racism. Trump’s shocking victory, his ascension to the Presidency, is a sickening event in the history of the United States and liberal democracy. On January 20, 2017, we will bid farewell to the first African-American President — a man of integrity, dignity, and generous spirit — and witness the inauguration of a con who did little to spurn endorsement by forces of xenophobia and white supremacy. It is impossible to react to this moment with anything less than revulsion and profound anxiety.
I’ve had the good fortune to meet David Remnick — he calls Obama “a man of integrity, dignity, and generous spirit” because it takes one to know one — and it is remarkable to hear him write like this. At times, he sounds downright unhinged. But he’s not wrong. This is our reality now and looking for upsides right now seems like grasping at straws. Donald Trump has told us, repeatedly and proudly, who he is over the past 16 months, and it seems foolish not to take him at his word.
On a personal note, I am so emotionally overloaded right now I feel empty. It’s difficult to see how to move on from this, where to go from here, even as it relates to my work. Right now, I can’t access the part of me that knows kottke.org, if only in a small way, is a thing that needs doing. At its best, I hope that the site is a source of thoughtful optimism and that it celebrates the best of humanity, the spirit of curiosity, and the necessity of art, writing, photography, science, music, and other pursuits that allow people tell their stories and explore what it means to be human. I hope we’ll be able to explore those things together again soon, but not today.
Today, hug your loved ones. Connect with your friends. Be there for someone else. Yes, look for the helpers, but also take a moment to help someone out. Start small. Build. We’ll get there.
Are you ready? Because I am about to change your life! (Ok, only a little, but still.) If you’re still using disposable batteries and wastefully throwing them away after they’re spent, I want to you stop what you’re doing and — right now!! — order a charger and enough rechargeable AA batteries & AAA batteries to power all the devices in your life.1 I did this about three years ago and haven’t looked back.
Look around you: your remotes, your wireless mouse & keyboard, and your kid’s remote control car. Close your eyes, what else? Flashlight, portable radio, clocks, smoke detectors, etc. Count all those batteries up, add a few extras so you always have charged batteries on hand, and then order that many rechargeable batteries. Battery problems solved forever.
Why do this? For starters, throwing batteries away is wasteful & harmful to the environment and recycling them is inconvenient (which means you probably won’t do it). In addition to saving the planet, you’ll also save money in the long run. While rechargeables might cost you 2-3X the price of normal AA batteries, you can reuse them hundreds of times. I’ve changed the batteries in my mouse every 2-3 months over the past 3 years and only used 2 rechargeables vs. 24 normal batteries over the same period. Even factoring in the charger cost, you’re saving money. There’s also the convenience factor. I never have to run to the store anymore when the remote batteries die — there’s always a fresh pair of batteries in the drawer or in another device I can use while the spent ones quickly recharge.
Rechargeable batteries used to suck but they don’t anymore. They ship fully charged, last a long time with good power, charge quickly, stay charged while sitting on a shelf, can be reused hundreds and even thousands of times for years, and you can charge AAs and AAAs from different brands with the same charger at the same time. So buy a charger, buy some batteries, and upgrade your life.
The NY Times has released their first video game editorial in the form of an Oregon Trail spin-off by GOP Arcade highlighting how the Republican Party engages in voter suppression tactics, especially in areas with many voters of color. In the game, you can play as a white programmer from California, a Latina nurse from Texas, or a black salesman from Wisconsin. As might expect, it takes somewhat longer to finish the game as some of these players versus others.
On Nov. 8, a new generation of Americans will make their own heroic journeys — to the polls. Some paths will be more intrepid than others, particularly for blacks, Latinos and pretty much anyone who brings the kind of diversity to our polling places that they have historically lacked. Thanks to laws passed by Republicans to fight the nonexistent threat of voter fraud, the perils will be great. Long lines and voter ID laws, not to mention pro-Trump election observers, will try to keep these voters from the polls.
More on voter suppression at Vox.
This is a lovely infographic from Eleanor Lutz of a bunch of different heartbeat EKG waves, from a normal heartbeat to a flatline to ventricular fibrillation (“must be treated immediately with CPR and defibrillation”.) Prints are available.
In the NY Times, Rory Smith writes about how video games like FIFA and Football Manager have changed professional soccer.
As Iwobi suggests, however, they increasingly do more than that: They are not merely representations of the game, but influencers of it. Iwobi is not the only player who believes that what he does on the field has been influenced by what he has seen rendered on a screen.
Ibrahimovic said that he would “often spot solutions in the games that I then parlayed into real life” as a young player. Mats Hummels, the Bayern Munich and Germany defender, has suggested that “maybe some people use what they learn in FIFA when they find themselves on a pitch.”
As a teen, Matt Neil went from a player of Football Manager to researcher for the game to working as a analyst for a League Two club.
I’m now an analyst at Plymouth. We’ve just signed the goalkeeper Marc McCallum, who some FM players will remember was an incredible prospect at Dundee United as a kid. I used to sign him all the time. When he came for a trial this summer, he walked in and it was one of the strangest moments in my life. I’ve never met him in person — I’d only ever seen his face on a computer game — but straight away I knew it was him.
I spoke to him at a pre-season game the next day. We got around to the subject of Football Manager and he’d been in charge of Argyle on the last game, getting them to the Premier League and signing himself. I asked him what he did when he first took over, and he said he got rid of all the staff. So I said: “Did you sack me?” And it turned out he’d actually sacked me as well. It was a strange opening conversation to have with someone.
American football and the Madden franchise have a similar relationship. The game is so realistic that prospective players can learn NFL-style offenses and established players like Drew Brees use the game to prep for the games ahead.
The New Orleans Saints quarterback told Yahoo! Sports in an interview this week that modern football simulation games such as Madden NFL have become so realistic that playing them during downtime can actually have a positive impact on the athlete’s on-field performance.
“Down the road it is going to be even more so,” Brees said. “The games are getting more lifelike every year, and everything in Madden is based on what really happens on the field.
“The plays are the same, it is updated all the time and you can go through a lot of stuff without having to get hit. I can definitely see a time when these things are used a lot more to help players.”
In their solution to the trolley problem, Mercedes self-driving cars will be programmed to save the people riding in the cars at the potential expense of pedestrians, cyclists, or passengers in other cars.
“If you know you can save at least one person, at least save that one. Save the one in the car,” von Hugo told Car and Driver in an interview. “If all you know for sure is that one death can be prevented, then that’s your first priority.”
In other words, their driverless cars will act very much like the stereotypical entitled European luxury car driver. (via @essl)
Andy Baio has redesigned his long-running blog Waxy.
After 14 years of blogging, I switched from MovableType to WordPress. The design is finally responsive, though pretty minimalist for now with lots of rough edges. It took some effort, but I preserved the links to everything I’ve ever written — 472 posts and 15,891 links.
In his post about the redesign, he notes why he still continues to publish on his own site:
Ultimately, it comes down to two things: ownership and control.
Last week, Twitter announced they’re shutting down Vine. Twitter, itself, may be acquired and changed in some terrible way. It’s not hard to imagine a post-Verizon Yahoo selling off Tumblr. Medium keeps pivoting, trying to find a successful revenue model. There’s no guarantee any of these platforms will be around in their current state in a year, let alone ten years from now.
Here, I control my words. Nobody can shut this site down, run annoying ads on it, or sell it to a phone company. Nobody can tell me what I can or can’t say, and I have complete control over the way it’s displayed. Nobody except me can change the URL structure, breaking 14 years of links to content on the web.
I might have said “freedom” instead of “control” but there’s some hard nodding from me right here. I’d also add something about the freedom to pursue revenue in whatever way you want. Publishing on YouTube or Facebook or Medium or Instagram or Twitter limits how you can do that.
But given the state of the open web these days, Andy rightly notes that going it alone is much more difficult now than it used to be:
But the ecosystem for independent publications is fundamentally broken. Getting discovered, building a readership, and profiting from your work as an independent writer are all much, much harder than they used to be.
I also have lots of thoughts about this, and I’m glad Andy has decided to join me in sticking it out and remaining independent. Waxy is one of my favorite sites in the world and I’m happy to see it looking so smart this morning.
During the German occupation of France, teenager Adolfo Kaminsky forged thousands of documents for Jews about to be deported to concentration camps. He worked at a shop that dyed clothes and a Jewish resistance cell recruited him because he knew how to remove ink stains, a skill that served him well in altering documents.
If you’re doubting whether you’ve done enough with your life, don’t compare yourself to Mr. Kaminsky. By his 19th birthday, he had helped save the lives of thousands of people by making false documents to get them into hiding or out of the country. He went on to forge papers for people in practically every major conflict of the mid-20th century.
Now 91, Mr. Kaminsky is a small man with a long white beard and tweed jacket, who shuffles around his neighborhood with a cane. He lives in a modest apartment for people with low incomes, not far from his former laboratory.
When I followed him around with a film crew one day, neighbors kept asking me who he was. I told them he was a hero of World War II, though his story goes on long after that.
A remarkable story and a remarkable gentleman. The video above is based on a book Kaminsky’s daughter wrote about him.
A company called Intralox makes omni-directional conveyor belts than can push objects in any direction, which allows for some unique capabilities.
If I had access to a time machine, I’d love to fetch Henry Ford and a few other assembly line innovators from the past and watch their reactions to these conveyor systems. (via @ThomasintVeld)
Damn the Brits! First Brexit paves the way for Trump (ok, not entirely accurate) and now they are currently enjoying Planet Earth II with the sublime David Attenborough while we Americans have to wait until late January 2017, at which point there might not even be a planet Earth on which to watch nature frolic on our living room high-definition displays. But — Jesus where was I? Oh yes: for now we can watch this clip from the Jungles episode of Planet Earth II about fungi, including some great time lapse footage of mushrooms growing, some of which glow in the dark! Also from Planet Earth II: the incredible iguana/snake chase scene and bears scratching themselves on trees. (via colossal)
In the wake of the election, Matthew Chavez, who goes by “Levee” and is the instigator of Subway Therapy, encouraged New Yorkers to share their post-election grief on Post-it Notes stuck to the wall of the tunnel between the 6th and 7th Ave subway stations on 14th St. Joe Holmes visited the tunnel and took photos of people interacting with the wall. (All photos above by Joe Holmes.)
For most of the past decade, consumption of meat in the United States remained flat or declined.
For environmental, health, and animal welfare advocates, this was great news. Surely it meant that efforts to raise awareness about the disturbing impacts of meat production were inspiring people to cut back on hamburgers and bacon. As Paul Shapiro, vice president of Farm Animal Protection for the Humane Society of the United States, wrote in 2012, “The pressure is being felt all over, and for the first time in decades, our overconsumption of meat is beginning to get reined in.”
But according to research by a Dutch bank, US meat consumption jumped in 2015.
Not only was last year noteworthy for the near 5% increase in per capita consumption, but also due to the fact that the growth was achieved without the help of beef, consumption of which was flat. We expect US protein production growth of 2.5% per annum through 2018 — down from 3% in 2015 — with beef being the largest contributor relative to pork and poultry.
What drove the decline in the first place? Price. It always comes back to supply and demand.
Ranchers and farmers trimmed their herds because of the recession, historically high feed costs, and drought in the Great Plains. Meanwhile, domestic disease outbreaks like porcine epidemic diarrhea virus, or PEDv, meant that tens of thousands of hogs never made it to market. So Americans cut back on meat.
But by 2015, many of these issues driving higher prices were resolved. The retail price of beef has dropped by 22 percent, pork by 7 percent, and chicken by 5 percent. So Americans are eating more meat again.
“Consumers are responding to falling prices. That’s a big part of the story,” says Sawyer. The chicken industry, in particular, has also gotten more efficient and more capable of raising chickens fast.
I was at the grocery store last night and was shocked by the prices in the meat aisle. Lots of cuts on sale for just a few dollars a pound. (via the latest and particularly excellent issue of Susan MacMillan’s newsletter)
Mike Kelley has travelled to airports all over the world, photographing planes taking off and landing and then stitching them together into photos showing each airport’s traffic. (via @feltron whose book features an Airportrait on the cover)
Phil Edwards talks to James Gleick about his new book, Time Travel: A History, and of course the subject of killing Baby Hitler comes up. Turns out, the idea of using time travel to kill Adolf Hitler was first used by writer Ralph Milne Farley in 1941, before the US ever entered World War II or before the world learned the horrifying scope of the Holocaust.
I’m currently reading Gleick’s book and the most surprising thing so far is how recently time travel was invented…it’s only about 120 years old. The idea of progress was not really evident to people before the pace of technology and the importance of history became apparent in the 19th century. Progress made time travel relevant…without it, people couldn’t imagine going back in time to see how far they’d come or forward in time to see how much they’d progress.
EA Sports’ FIFA is one of the most popular sports video games in the world. But it’s also a challenging game to master, which can make for some blooper-filled afternoons with your mates. In these two videos, real players get out onto the pitch to imitate the mannerisms and slip-ups of their video game counterparts.
Some recent genetic testing of the blood of AIDS patients has determined that the strain of HIV responsible for the majority of the AIDS cases in the US spread from Zaire to Haiti around 1967, from Haiti to NYC around 1971, and from there to San Francisco around 1976 and that Gaétan Dugas (aka Patient Zero) was not responsible for setting the epidemic in motion.
The strain of H.I.V. responsible for almost all AIDS cases in the United States, which was carried from Zaire to Haiti around 1967, spread from there to New York City around 1971, researchers concluded in the journal Nature. From New York, it spread to San Francisco around 1976.
The new analysis shows that Mr. Dugas’s blood, sampled in 1983, contained a viral strain already infecting men in New York before he began visiting gay bars in the city after being hired by Air Canada in 1974.
The researchers also reported that originally, Mr. Dugas was not even called Patient Zero — in an early epidemiological study of cases, he was designated Patient O, for “outside Southern California,” where the study began. The ambiguous circular symbol on a chart was later read as a zero, stoking the notion that blame for the epidemic could be placed on one man.
Really Bad Chess is an iOS game by Zach Gage that randomizes the distribution of pieces when the board is set up, so that you might start a game with 4 queens, 3 knights, and only 2 pawns in the back row. The result is that you get a completely new strategic game each time, but you still play with the familiar tactical rules of chess. What a great idea…I can’t tell if people who really love chess will love or hate this.
Update: See also Knightmare Chess:
Knightmare Chess is played with cards that change the default rules of chess. The cards might change how a piece moves, move opponent’s pieces, create special squares on the board or otherwise alter the game.
and Chess960 invented by Bobby Fischer:
It employs the same board and pieces as standard chess; however, the starting position of the pieces on the players’ home ranks is randomized. The random setup renders the prospect of obtaining an advantage through the memorization of opening lines impracticable, compelling players to rely on their talent and creativity.
(via @JonRelf & @akasian)
America is no longer a majority white, Christian country.
At 45 percent of the population, white Christians are a shrinking demographic — and the backlash from many members of the group against the increasing diversification of America has been swift and bitter.
The narrator of the video, Robert P. Jones, wrote a book about this new reality called The End of White Christian America.
For most of our nation’s history, White Christian America (WCA) — the cultural and political edifice built primarily by white Protestant Christians — set the tone for our national policy and shaped American ideals. But especially since the 1990s, WCA has steadily lost influence, following declines within both its mainline and evangelical branches. Today, America is no longer demographically or culturally a majority white Christian nation.
A beautifully shot HD video of machines manufacturing springs and other wire gizmos. I love how all the tools take turns and work together to make the widgets. Imagine the chatter amongst the tools:
“Ok, thanks, my turn.”
“Here, hold this while I turn it. Alright, we’re out.”
“Lemme just bend that a little for you.”
“Outta the way, I just gotta twist this for a sec.”
(via @pieratt, who says to substitute Steve Reich for the provided music)
Something is rotten to the north of Denmark. Climate scientists are alarmed at the extreme warmth in the Arctic right now. It’s currently dark up there 24 hours a day, which usually means cold temperatures and rapidly freezing ice. Instead, temperatures are rising…Arctic temps are currently a whopping 36°F above normal.
“The Arctic warmth is the result of a combination of record-low sea-ice extent for this time of year, probably very thin ice, and plenty of warm/moist air from lower latitudes being driven northward by a very wavy jet stream.”
Francis has published research suggesting that the jet stream, which travels from west to east across the Northern Hemisphere in the mid-latitudes, is becoming more wavy and elongated as the Arctic warms faster than the equator does.
“It will be fascinating to see if the stratospheric polar vortex continues to be as weak as it is now, which favors a negative Arctic Oscillation and probably a cold mid/late winter to continue over central and eastern Asia and eastern North America. The extreme behavior of the Arctic in 2016 seems to be in no hurry to quit,” Francis continued.
Is 2017 the year the Arctic finally loses most of the ice cap during the summer?
Stanley Kubrick’s Boxes is a documentary film by Jon Ronson about Kubrick’s personal archive of more than 1000 boxes filled with material (photos, news clippings, letters, research materials, etc.) related to his films. Ronson wrote about how he got access to the archive in a 2004 Guardian piece.
The journey to the Kubrick house starts normally. You drive through rural Hertfordshire, passing ordinary-sized postwar houses and opticians and vets. Then you turn right at an electric gate with a “Do Not Trespass” sign. Drive through that, and through some woods, and past a long, white fence with the paint peeling off, and then another electric gate, and then another electric gate, and then another electric gate, and you’re in the middle of an estate full of boxes.
There are boxes everywhere — shelves of boxes in the stable block, rooms full of boxes in the main house. In the fields, where racehorses once stood and grazed, are half a dozen portable cabins, each packed with boxes. These are the boxes that contain the legendary Kubrick archive.
Was the Times right? Would the stuff inside the boxes offer an understanding of his “tangled brain”? I notice that many of the boxes are sealed. Some have, in fact, remained unopened for decades.
Ronson did not upload his film to Vimeo, but he is “delighted” that it’s available online, so hopefully it won’t disappear soon.
In the latest issue of The Economist, President Obama wrote a letter about the “four crucial areas of unfinished business in economic policy” that his successor will have to deal with.
Wherever I go these days, at home or abroad, people ask me the same question: what is happening in the American political system? How has a country that has benefited-perhaps more than any other-from immigration, trade and technological innovation suddenly developed a strain of anti-immigrant, anti-innovation protectionism? Why have some on the far left and even more on the far right embraced a crude populism that promises a return to a past that is not possible to restore — and that, for most Americans, never existed at all?
It’s true that a certain anxiety over the forces of globalisation, immigration, technology, even change itself, has taken hold in America. It’s not new, nor is it dissimilar to a discontent spreading throughout the world, often manifested in scepticism towards international institutions, trade agreements and immigration. It can be seen in Britain’s recent vote to leave the European Union and the rise of populist parties around the world.
Much of this discontent is driven by fears that are not fundamentally economic. The anti-immigrant, anti-Mexican, anti-Muslim and anti-refugee sentiment expressed by some Americans today echoes nativist lurches of the past — the Alien and Sedition Acts of 1798, the Know-Nothings of the mid-1800s, the anti-Asian sentiment in the late 19th and early 20th centuries, and any number of eras in which Americans were told they could restore past glory if they just got some group or idea that was threatening America under control. We overcame those fears and we will again.
Look at Obama, busting out the Know-Nothings like it ain’t nothing.
Dave Pell from Nextdraft on the connection between OJ Simpson and Donald Trump and how celebrity warps American minds.
By the time OJ Simpson was arrested after the infamous ride in the White Ford Bronco, it was totally impossible to imagine he’d be found not guilty.
By the time Trump reached election day, he had broken every rule of politics. He committed more campaign-ending gaffes in a week than most losing presidential campaigns during an entire run.
Both men had a fame that completely cut across all American demographics.
I thought I’d mentioned this somewhere at the time — Twitter? kottke.org? Can’t find it… — but when I watched the excellent OJ: Made in America documentary this summer, the parallels between the OJ story and Trump made me feel very uneasy. Two men, both broadly famous, both wealthy, both charming, both outcasts from their respective social groups, both misogynist abusers, both committed crimes, both gamed the American political and legal systems to get away with something that they shouldn’t have. OJ eventually got his but will Trump? Are Americans doomed to keep repeating these mistakes when it comes to celebrity?
Soli is a newish project by Google described as “a new sensing technology that uses miniature radar to detect touchless gesture interactions”. It’s pretty cool. A group at The University of St. Andrews has found another potentially more amazing use for the sensor: recognizing specific objects and materials.
RadarCat (Radar Categorization for Input & Interaction) is a small, versatile radar-based system for material and object classification which enables new forms of everyday proximate interaction with digital devices. In this work we demonstrate that we can train and classify different types of objects which we can then recognize in real time. Our studies include everyday objects and materials, transparent materials and different body parts. Our videos demonstrate four working examples including a physical object dictionary, painting and photo editing application, body shortcuts and automatic refill based on RadarCat.
More simply put, if you put an orange on the sensor, it knows it’s an orange…and the system can learn new objects as well. It’s a barcode scanner without barcodes. Watch the video…you’ll get the idea pretty quickly.
Small Spanish publisher Kronecker Wallis is doing a Kickstarter campaign to print a well-designed version of Isaac Newton’s Principia, one of the most important texts in science.
We have spent several months working on a desire. The desire to have a new edition of Isaac Newton’s Principia in our hands that is on a par with the importance of the text and of modern editorial design. To put it back on our shelves so that we can leaf through it from time to time and feel the pages beneath our fingers.
An opportunity has now arisen. Taking advantage of the fact that the original publication is to celebrate its 330th anniversary in 2017, we wish to republish it with an editorial design that pays attention to every last detail.
I am enjoying this trend of reviving old classics through the lens of modern design and packaging; see also the NYCTA Graphics Standards Manual, the NASA Graphics Standards Manual, and the Voyager Golden Record.
This is pretty simple: 8 songs from the Beastie Boys remixed using beats and samples from Daft Punk. If you need further prompting, it’s probably not for you.
In 2000, the BBC broadcast an hour-long documentary called Five Steps to Tyranny, a look at how ordinary people can do monstrous things in the presence of authority.
Horrific things happen in the world we live in. We would like to believe only evil people carry out atrocities. But tyrannies are created by ordinary people, like you and me.
[Colonel Bob Stewart:] “I’d never been to the former Yugoslavia before in my life, so what actually struck me about the country was how beautiful it was, how nice people were, and yet how ghastly they could behave.”
The five steps are:
“us” and “them” (prejudice and the formation of a dominant group)
obey orders (the tendency to follow orders, especially from those with authority)
do “them” harm (obeying an authority who commands actions against our conscience)
“stand up” or “stand by” (standing by as harm occurs)
exterminate (the elimination of the “other”)
To illustrate each step, the program uses social psychology experiments and explorations like Jane Elliott’s blue eyes/brown eyes exercise on discrimination, the Stanford prison experiment conducted by Philip Zimbardo (who offers commentary throughout the program), and experiments by Stanley Milgram on obedience, including his famous shock experiment, in which a participant (the “teacher”) is directed to shock a “learner” for giving incorrect answers.
The teacher is told to administer an electric shock every time the learner makes a mistake, increasing the level of shock each time. There were 30 switches on the shock generator marked from 15 volts (slight shock) to 450 (danger — severe shock).
The “learners” were in on the experiment and weren’t actually shocked but were told to react as if they were. The results?
65% (two-thirds) of participants (i.e. teachers) continued to the highest level of 450 volts. All the participants continued to 300 volts.
The program also shows how real-life tyrannies have developed in places like Rwanda, Burma, and Bosnia. From a review of the show in The Guardian:
But there is no doubt about the programme’s bottom line: tyrannies happen because ordinary people are surprisingly willing to do tyranny’s dirty work.
Programmes like this can show such things with great vividness — and there is news footage from Bosnia, or from Rwanda, or from Burma to back it up with terrible clarity. It isn’t clear why the majority is so often compliant, but the implication is that democracy should always be grateful to the protesters, the members of the awkward squad, the people who challenge authority.
But don’t take it for granted that the awkward squad must be a force for good: in Germany, in the 1920s, Hitler was an outsider, a protester, a member of the awkward squad. When he came to power in 1932, he found that German medical professors and biologists had already installed a racial ideology for him, one which had already theorised about the elimination of sick or disabled German children, and the rejection of Jewish professionals as agents of pollution.
Zimbardo himself offers this final word in the program:
For me the bottom line message is that we could be led to do evil deeds. And what that means is to become sensitive to the conditions under which ordinary people can do these evil deeds — what we have been demonstrating throughout this program — and to take a position of resisting tyranny at the very first signs of its existence.
Kurzgesagt shares a speculative bit of physics called vacuum decay that could very efficiently erase the entire Universe.
To understand vacuum decay, you need to consider the Higgs field that permeates our Universe. Like an electric field, the Higgs field varies in strength, based on its potential. Think of the potential as a track on which a ball is rolling. The higher it is on the track, the more energy the ball has.
The Higgs potential determines whether the Universe is in one of two states: a true vacuum, or a false vacuum. A true vacuum is the stable, lowest-energy state, like sitting still on a valley floor. A false vacuum is like being nestled in a divot in the valley wall — a little push could easily send you tumbling. A universe in a false vacuum state is called “metastable”, because it’s not actively decaying (rolling), but it’s not exactly stable either.
There are two problems with living in a metastable universe. One is that if you create a high enough energy event, you can, in theory, push a tiny region of the universe from the false vacuum into the true vacuum, creating a bubble of true vacuum that will then expand in all directions at the speed of light. Such a bubble would be lethal.
Such a process could already be underway, but don’t worry:
But even if one or multiple spheres of death have already started expanding, the Universe is so big they might not reach us for billions of years.
Werner Herzog has directed a documentary film for Netflix on volcanoes.
Werner Herzog’s latest documentary, Into the Inferno, heads just where its title suggests: into the red-hot magma-filled craters of some of the world’s most active and astonishing volcanoes-taking the filmmaker on one of the most extreme tours of his long career. From North Korea to Ethiopia to Iceland to the Vanuatu Archipelago, humans have created narratives to make sense of volcanoes; as stated by Herzog, “volcanoes could not care less what we are doing up here.” Into the Inferno teams Herzog with esteemed volcanologist Clive Oppenheimer to offer not only an in-depth exploration of volcanoes across the globe but also an examination of the belief systems that human beings have created around the fiery phenomena.
Into the Inferno debuts on Netflix on October 28.
With The Iron Giant, Ratatouille, and The Incredibles under his belt, Brad Bird is one of the most respected and accomplished animated filmmakers out there. For this video, Kees van Dijkhuizen Jr. pieced together a number of interviews and commentary tracks of Bird talking about how he approaches animation. Among the topics he discusses are the pleasures of sneaking around, the advantages of slowing down, and an appreciation of keeping the lights low.
At one point, Bird talks about how some makers of animated movies create scenarios that are too fantastic and then are, later on in their films, unable to interject a true sense of danger into the plot.
The mistake that people often make with animated films is that they love the gravity-defying aspect of it. But, if you defy gravity and then later on need to feel danger, you have a really hard time convincing the audience.
Contemporary superhero movies, even the good ones, often have this problem, and I wonder if it’s because they are essentially made like animated films with too much of the gravity-defying aspect. With CG and flawless green screens, you can essentially make anything happen on the screen, which somewhat counterintuitively lowers the stakes of what you’re watching.
I thought Westworld was going to have the same problem. The first few episodes were boring because they were set in a world where no one could get injured or killed. Park visitors could roll up to a Western town with a few guns and kill all of the inhabitants without much effort and at no personal risk. There were no stakes and it totally broke the fourth wall. But from the way the last few episodes have gone, it’s apparent the danger will come (from elsewhere) and that having the audience (both of the HBO show and the park’s paying patrons) consider the fourth wall is part of the point.
Wes Anderson directed a short holiday film starring Adrien Brody for H&M. It is delightful. You can criticize the twee formality in his work,1 but this is a reminder that Anderson can bring the emotion when he wants.
From a New Zealand sketch comedy show called Funny Girls, a send-up of a typical manly man “built tough” truck commercial. I barely watch any actual TV anymore, but those truck commercials have always been the worst. (thx, sarah)
Poachers in Africa in search of the biggest ivory tusks have altered the gene pool of African elephants in the process.
In Gorongosa National Park in Mozambique, 90 per cent of elephants were slaughtered between 1977 and 1992, during the country’s civil war. Dr Poole said that because poachers disproportionately targeted tusked animals, almost half the females over 35 years of age have no tusks, and although poaching is now under control and the population is recovering well, they are passing the tuskless gene down to their daughters: 30 per cent of female elephants born since the end of the war also do not have tusks.
“Females who are tuskless are more likely to produce tuskless offspring,” she said.