Coming into this season, Formula One made a lot of rule changes: new engines, better turbo systems, two different power sources (fuel & electrical), fixed-ratio gearboxes, etc. The cars had to be redesigned from top to bottom. Whenever a situation like this occurs, there's an opportunity for technical innovation (rather than the gradual improvements that tend to occur when the environment remains mostly unchanged). This year, the Mercedes team built their engines to get more out of the new turbo system than the other teams.
What Mercedes' boffins have done, according to Sky Sports F1 technical guru Mark Hughes, is split the turbo in half, mounting the exhaust turbine at the rear of the engine and the intake turbine at the front. A shaft running through the V of the V6 engine connects the two halves, keeping the hot exhaust gases driving the turbo from heating the cool air it's drawing into the engine.
Aside from getting cooler air into the engine and extracting more power (maybe as much as 50 horsepower), this setup also allows Mercedes to keep drivetrain components closer to the center of the car. It also allowed the team to use a smaller intercooler, which cools off the heated air before going into the engine, compared to the rest of the cars.
And the result so far? Utter Mercedes domination. Out of the three races this year, the two drivers for the Mercedes team (Lewis Hamilton and Nico Rosberg) have three first-place finishes and two second-place finishes (Hamilton had to retire with engine issues in the first race). Mercedes was certainly competitive last year, finishing second, but Red Bull-Renault easily beat them in the points race and one of their drivers finished 1st in 13 out of 19 races. More relevant to the discussion here is how easily these races are being won by Mercedes. In each of the three races, a member of the Mercedes team qualified in pole position, recorded the fastest lap, and beat the other teams' drivers by more than 24 seconds in each case. To put that last stat in perspective, last year the winning team beat the second place team by more than 20 seconds in only three races, with the margin typically in the 3-10 second range.
So yeah, Mercedes is killing it so far. And the other teams aren't happy about it. Shades of the situation over Speedo's LZR Racer swimming suit.
Update: I said earlier that one of the changes was "no refueling during races" which has been the case for a few years now (hence the 2-second pit stop). Also, this video is a great explanation of how Mercedes turbo is designed and how it helps make their car go faster:
(thx, @coreyh & @gazbeirne)
It's been suggested that perhaps Johannes Vermeer painted his exacting masterpieces with the help of mirrors and lenses. Tim Jenison learned of these suggestions and started to study the problem.
He was in no rush. His R&D period lasted five years. He went to the Rijksmuseum in Amsterdam. "Looking at their Vermeers," he says, "I had an epiphany" -- the first of several. "The photographic tone is what jumped out at me. Why was Vermeer so realistic? Because he got the values right," meaning the color values. "Vermeer got it right in ways that the eye couldn't see. It looked to me like Vermeer was painting in a way that was impossible. I jumped into studying art."
A recent documentary called Tim's Vermeer (directed by Penn & Teller's Teller) follows Jenison's quest to construct a contraption that allows someone to paint as Vermeer did. Here's a trailer:
Not sure you can find the movie in theaters anymore, but it should be out on DVD/download soon.
After writing The Cat in the Hat in 1955 using only 223 words, Dr. Seuss bet his publisher that he could write a book using only 50 words. Seuss collected on the wager in 1960 with the publication of Green Eggs and Ham. Here are the 50 distinct words used in the book:
a am and anywhere are be boat box car could dark do eat eggs fox goat good green ham here house I if in let like may me mouse not on or rain Sam say see so thank that the them there they train tree try will with would you
From a programming perspective, one of the fun things about Green Eggs and Ham is because the text contains so little information repeated in a cumulative tale, the story could be more efficiently represented as an algorithm. A simple loop would take the place of the following excerpt:
I do not like them in a box.
I do not like them with a fox.
I do not like them in a house.
I do not like them with a mouse.
I do not like them here or there.
I do not like them anywhere.
I do not like green eggs and ham.
I do not like them, Sam I am.
But I don't know...
foreach ($items as $value) doesn't quite have the same sense of poetry as the original Seuss.
Have you guys read the latest parenting study? The New Yorker Sarah Miller has the scoop: Parents have had enough of parenting studies.
Paul Nickman, forty-five, was taking a coffee break at his Visalia, California, law office when he began to leaf through an article about the importance of giving kids real challenges. "They mentioned this thing called grit, and I was like, 'O.K, great. Grit.' Then I started to think about how, last year, I'd read that parents were making kids do too much and strive too hard, and ever since then we've basically been letting our kids, who are ten and six, sit around and stare into space." Nickman called his wife and started to shout, "Make the kids go outside and get them to build a giant wall out of dirt and lawn furniture and frozen peas!"
My friend Aaron has compiled an Rdio playlist of every song ever played on MTV's Amp, a show from the mid-90s that featured electronic music. Lots of Underworld, Prodigy, Aphex Twin, and Orbital on here.
Some songs weren't available on Rdio, but there's more than 18 hours of music here.
In recent years, Chipotle has worked to promote their managers from within the company. And the tactic seems to be working.
The common element among the best-performing stores was a manager who had risen up from crew. So Moran started to outline a program that would retain and train the best managers, and reward them to the point where they would be thrilled to stay on.
After Flores expressed his frustration, Moran showed him his early notes for the restaurateur program, which is unique among fast food restaurants in that it ties pay and promotion to how well you mentor people, rather than store sales.
"It was a great meeting but I didn't know what was going to happen. At most companies you meet the top execs and then you never hear from them again," Flores says.
A few weeks after the October meeting, while vacationing in Houston, Flores got a call on his cell from Ells and Moran letting him know that he had been promoted to restaurateur and was getting a $3,000 bonus. Rather than waiting until he returned to Milwaukee to get him the check, it was delivered to him in Houston the following day. At the time his salary was around $38,000, and the bonus was meaningful.
"That's when I knew the company was special," Flores said.
Interesting bits of business wisdom throughout this piece.
Kate Ascher, author of the great The Works: Anatomy of a City, has a new book out about transportation. The Way to Go explores how global transportation works, from how car engines work to the ocean routes travelled by huge cargo ships. Slate has an excerpt.
Focusing on the machines that underpin our lives, Ascher's The Way to Go also introduces the systems that keep those machines in business -- the emergency communication networks that connect ships at sea, the automated tolling mechanisms that maintain the flow of highway traffic, the air control network that keeps planes from colliding in the sky. Equally fascinating are the technologies behind these complex systems: baggage tag readers that make sure people's bags go where they need to; automated streetlights that adjust their timing based on traffic flow; GPS devices that pinpoint where we are on earth at any second. Together these technologies move more people farther, faster, and more cheaply than at any other time in history.
Ordered. The kids are going to love this one...it's like a more grown-up version of Richard Scarry's Cars and Trucks and Things That Go.
From Wikipedia, a list of former trademarks and brands that have become generic terms. Some surprises: Heroin, Videotape, Zipper, Laundromat, Kerosene, Dry Ice, and Escalator.
The Vatican is beginning the process of digitizing its extensive library of books and manuscripts, previously only available to a select few scholars and historians. Their plan calls for an initial 3000 manuscripts to be scanned, with the rest of the 82,000 other documents to hopefully follow.
That's 41 million pages spanning nearly 2,000 years of church history that will soon be clickable, zoomable, and presumably, printable. When all is said and done, you'll be able to read the Psalms handwritten across 13th-century vellum on your iPhone -- so long as you speak ancient Greek.
[Warning: season 4 spoilers ahoy!] So, in the second episode of this season of Game of Thrones, something wonderfully unpleasant happens. If you've seen it, you know what I'm talking about and if you haven't, you should really stop reading right now. I've been thinking about why it happened and who did it. This series of images over at Imgur presents a compelling explanation.
Lady Olenna gives sympathies to Sansa for the murder of her family. Watch carefully. Yoink! Olenna rubs Sansa's neck, plays with her hair and finally snatches the right-most jewel on Ser Dontos's necklace.
Interesting, right? (I mean, maybe not if you've read the books, but I haven't so I have no idea who killed Joffrey in the books or if you ever even find out.) But there are two puzzling things about the Tyrell plot:
1. Why the hell was it so convoluted? Couldn't Lady Olenna have brought the poison to the reception herself? Why use Sansa's necklace? There's no CSI: Westeros so no one would have ever suspected Sansa's necklace being part of it. Unless the Tyrells tipped someone off about it after the fact. Also, for the love of the old gods and the new, Grandma, hasn't Sansa been through enough without being framed for that little turd's murder?
2. Why do it? Why then? Does Margaery stay Queen? She has no heir by Joffrey. Or is one of Joffrey's little brothers in now? I suspect these questions will be answered in the next episode, but unless Margaery stays Queen, the Baratheon reign ends, and the Lannisters get bupkiss, I don't see a compelling reason for the Tyrells to do this.
Bonus tidbit: this is the last we'll see of Joffrey and also the last we'll see of the actor who plays him, Jack Gleeson. Gleeson is retiring from acting, saying he "stopped enjoying it as much as I used to". I bet the guy who played Malfoy in the Potter movies is breathing easier.
What feels are these? Is this poignant? Disturbing? Whatever you take away from it, this video of an obviously inebriated man trying to negotiate a fence is a metaphor for something.
For the first post on his new blog, Tobias Frere-Jones discovers that most of the type foundries in New York in the 1800s and 1900s were all located within a few blocks of each other in lower Manhattan. Why there? Newspapers and City Hall.
I was able to plot out the locations for every foundry that had been active in New York between 1828 (the earliest records I could find with addresses) to 1909 (see below). All of the buildings have been demolished, and in some cases the entire street has since been erased. But a startling picture still emerged: New York once had a neighborhood for typography.
Gruber beat me to the punch in noting that Frere-Jones' site doesn't use any of the fonts from the company he was recently ousted from but instead a pair of faces (Benton Modern and Interstate) he designed before he formed his partnership with Jonathan Hoefler. Before I discovered Whitney (another Frere-Jones creation), Interstate was my go-to font for graphics for the site. Big TFJ fan, is what I'm saying.
Last week, the New York Public Library released a massive collection of maps online...over 20,000 maps are available for high-resolution download. An incredible resource.
Mason Currey's book about the daily routines of scientists, painters, writers, and other creative people looks interesting. Sarah Green collected a list of common practices among some of the book's "healthier geniuses".
A workspace with minimal distractions. Jane Austen asked that a certain squeaky hinge never be oiled, so that she always had a warning when someone was approaching the room where she wrote. William Faulkner, lacking a lock on his study door, just detached the doorknob and brought it into the room with him -- something of which today's cubicle worker can only dream. Mark Twain's family knew better than to breach his study door -- if they needed him, they'd blow a horn to draw him out. Graham Greene went even further, renting a secret office; only his wife knew the address or telephone number. Distracted more by the view out his window than interruptions, if N.C. Wyeth was having trouble focusing, he'd tape a piece of cardboard to his glasses as a sort of blinder.
I love reading about people's workspaces; here's an old post about George Bernard Shaw's rotating writing room. (via myself apparently?)
SRI International and DARPA are making little tiny robots (some are way smaller than a penny) that can actually manufacture products.
They can move so fast! And that shot of dozens of them moving in a synchronized fashion! Perhaps Skynet will actually manifest itself not as human-sized killing machines but as swarms of trillions of microscopic nanobots, a la this episode of Star Trek:TNG. (via @themexican)
Whoa, Ben Purdy made a 16x16 pixel remake of The Legend of Zelda in 48 hours. Here's how he did it.
Over the two days of work, I built the game from the map forward. What I mean is that my first goal was to get individual map pages rendering on screen. From there I moved on to the game manager component, building out the startup logic and render loop. This lead to the entity system, which in turn lead to the player entity. Once I had the player moving around I built code to check for collisions with obstacles in the map and changing the view when the player hits the edges of the screen. At this point you could explore the whole world map! It was pretty boring though.
Next I started making monsters and items for the player to interact with. Since I had common code to check for collisions, get lists of entities occupying particular squares, etc, the monsters weren't terribly difficult to implement. The most time consuming part was getting the combat mechanics to a good place where it was challenging but not frustrating.
Ben Sack makes these amazingly detailed maps of cities, all drawn by hand.
And just so you can get a sense of how large these drawings are:
Here's a peek at his process:
Reminiscent of Stephen Wiltshire's work. And every time I see something like this, I think about when I went to the Met a few years ago and noticed the sketchbook of this guy working the membership desk. It was filled with beautifully intricate drawings of NYC-style city streets. I chatted with him about them briefly, but I wish I'd asked if he had put any of it online. Would have been neat to share his drawings with you. (via waxy)
Looking forward to this one: a cocktail recipe book from Death & Co, an East Village cocktail joint.
Featuring hundreds of recipes for signature Death & Co creations as well as classic drink formulas,Death & Co is not only a comprehensive collection of the bar's best, but also a complete cocktail education. With chapters on the theory and philosophy of drink-making; a complete guide to the spirits, tools, and other ingredients needed to make a great bar; and specs for nearly 500 iconic drinks, Death & Co is destined to become the go-to reference on craft cocktails.
No idea if this is an April Fools thing or not, but skydiver Anders Helstrup claims that a rock whooshed past him during a wingsuit flight in 2012. And he caught the incident on video:
The relevent bit starts at about 25 seconds in. Here's a news story and a longer version of the video report with English subtitles:
Although Helstrup is still not completely convinced that it was indeed a meteorite that flew past him, the experts are in no doubt.
"It can't be anything else. The shape is typical of meteorites -- a fresh fracture surface on one side, while the other side is rounded," said geologist Hans Amundsen.
He explained that the meteorite had been part of a larger stone that had exploded perhaps 20 kilometres above Helstrup.
Amundsen thinks he can make out coloured patches in the stone, and believes that in that case it may be a breccia -- a common type of meteorite rock.
According to the article, the search is on to find the meterorite on the ground. I poked around a bit for information on a fireball sighting over Norway on the date in question (June 17, 2012) but didn't find anything. Smells like a hoax to me, but if it's real, it's the first time a post-fireball meteor has been observed and filmed while still falling.
Update: Even Phil Plait at Bad Astronomy allows this may be real.
John Gruber's tweet last night reminded me I'd never written up a review for Room 237, the documentary about Stanley Kubrick's The Shining. Gruber writes:
Broke down and watched "Room 237". It was bad. Really bad. Boring bad. Crazy people.
Just watch "The Shining" again instead.
I agree. I watched it earlier this year and disliked the film so much, I didn't even finish it, which is rare for me. As I hinted at on Twitter, I'm exposed to enough anti-vaccine, anti-evolution, anti-anthropogenic climate change, anti-science, and religious fundamentalist "theories" in my day-to-day reading that are genuinely harmful to humanity that an examination of how the minds of conspiracy theory crackpots take the smallest little details and weave them into fantastical stories that make no sense is not how I want to spend my time.
As if to underscore my dislike of the film, the following arrived in my inbox shortly after I watched it.
To: Jason Kottke <email@example.com>
Prospective Story: Re: Stanley Kubrick's "The Shining"
i'm not good at salesmanship so i'll get right to the point. i've solved the mystery of room 237 in stanley kubrick's 'the shining' i'm shopping this information to various media sources. here's the deal:
*** the price is $13,000.00
*** i'm aware of the documentaries, the scholarly analyses and the terrabytes of web space dedicated to the topic
*** nobody has gottten it right
*** i guarantee satisfaction
*** there's no risk. either you think the solution to the greatest cinematic mystery of all time is worth 13k or you don't. all i require beforehand is a conditional agreement protecting me from ip theft
*** i remain anonymous. once the transaction is complete the information is yours. i don't care who receives credit or what you do with it
it's been over 30 years. this information should be public. YOU can be the first.
i look forward to your response
Putting on my tin foil hat for a minute, DONT YOU SHEEPLE UNDERSTAND WHAT THIS MEANS? That someone is watching what I'm watching! How did this person know I had just watched Room 237?! I bet it's the NSA! Or something! They are watching for people with large audiences to plant lies about Kubrick to deflect attention away from the faked Moon landing! For some reason! THIS IS THE PROOF WEVE BEEN WAITING FOR!??
Yep: "Really bad. Boring bad. Crazy people."
Farnam Street is featuring a handout given by the late David Foster Wallace to his fiction writing class in 2002. It's titled YOUR LIBERAL-ARTS $ AT WORK and covers five common usages gotchas.
2. And is a conjunction; so is so. Except in dialogue between particular kinds of characters, you never need both conjunctions. "He needed to eat, and so he bought food" is incorrect. In 95% of cases like this, what you want to do is cut the and.
Years of Living Dangerously is a 9-part documentary series on climate change which features celebrity correspondents like Harrison Ford, Oliva Munn, Jessica Alba, and Matt Damon reporting from around the world on different aspects of our changing climate.
The series combines the blockbuster storytelling styles of Hollywood's top movie makers, including James Cameron and Jerry Weintraub, with the investigative skills of 60 Minutes veterans Joel Bach and David Gelber and a team of leading national news journalists and scientists.
Each YEARS correspondent -- including top Hollywood stars recognized for their commitment to spotlighting and acting on the biggest issues of our time -- delves into a different impact of climate change. From the damage wrought by Hurricane Sandy in the tri-state area to political upheaval caused by droughts in the Middle East to the dangerous level of carbon emissions resulting from deforestation, the series takes the viewer on a journey to understand the current and intensifying effects of climate change through vivid stories of heartbreak, hope and heroism.
The show starts airing on Showtime on April 13, but the entire first episode is available on YouTube right now:
The show is getting great reviews so far; I hope it helps move the needle. (thx, tobin)
From God's Twitter account, a new set of ten commandments:
3 Say please.
8 Don't hate.
9 Cut the bullshit.
The Strange Maps book is out today. The book is based on the awesome Strange Maps blog, one the very few sites I have to exercise restraint in not linking to every single item posted there. The content of the book is adapted from the site, so of course it's top shelf.
My only reservation in recommending the book is the design. When I cracked it open, I was expecting full-bleed reproductions of the maps, large enough to really get a detailed look at them. The maps *are* the book, after all. But that's not the case...only a few of the maps get an entire non-full-bleed page and some of the maps are stuck in the corner of a page of text, like small afterthoughts. The rest of the design is not much better, cheesy at best and distracting at worst. I wasn't expecting Taschen-grade production values, but something more appropriate to the subject matter would have been nice.
This is pretty much the point at which I knew I was going to love Inglourious Basterds:
Although I can sure see why someone might hate it; the film rode that razor's edge all the way through.
A cool short documentary about neon sign making, a dying industry in Hong Kong.
As Jonathan Hoefler notes, the letters are designed so that the designers don't burn their hands while bending the glass over an 800°C flame.
Chris Ware follows the wanderings of a penny in his latest piece for the NY Times.
For her Uncomfortable Project, Katerina Kamprani redesigned useful objects; they're still technically functional but are a pain in the ass to use. Like this key:
Or this awkward broom:
Nathan Pyle has written and illustrated a book about the unwritten rules for how to behave on the streets of NYC. It's called NYC Basic Tips and Etiquette (only $6!).
In NYC Basic Tips and Etiquette, Pyle reveals the secrets and unwritten rules for living in and visiting New York including the answers to such burning questions as, how do I hail a cab? What is a bodega? Which way is Uptown? Why are there so many doors in the sidewalk? How do I walk on an escalator? Do we need be touching right now? Where should I inhale or exhale while passing sidewalk garbage? How long should I honk my horn? If New York were a game show, how would I win? What happens when I stand in the bike lane? Who should get the empty subway seats? How do I stay safe during a trash tornado?
In support of the book, Pyle animated a few of the tips and put them on Imgur. Also, the Apple ebook contains the animated versions of the illustrations. You fancy!
Photographer Ernest Goh documents chicken beauty pageants in Malaysia. Gorgeous photos, gorgeous animals.
Legendary designer Milton Glaser (of I❤NY fame) critiques craft beer labels.
I read this piece by Jessica Winter a few months ago and it's come in handy a few times so I thought I'd share. If you want something from someone, adopting the pose of the Kindly Brontosaurus might go a lot further than throwing a fit.
A practitioner, nay, an artist, of the Kindly Brontosaurus method would approach the gate agent as follows. You state your name and request. You make a clear and concise case. And then, after the gate agent informs you that your chances of making it onto this flight are on par with the possibility that a dinosaur will spontaneously reanimate and teach himself to fly an airplane, you nod empathically, say something like "Well, I'm sure we can find a way to work this out," and step just to the side of the agent's kiosk.
Here is where the Kindly Brontosaurus rears amiably into the frame. You must stand quietly and lean forward slightly, hands loosely clasped in a faintly prayerful arrangement. You will be in the gate agent's peripheral vision-close enough that he can't escape your presence, not so close that you're crowding him-but you must keep your eyes fixed placidly on the agent's face at all times. Assemble your features in an understanding, even beatific expression. Do not speak unless asked a question. Whenever the gate agent says anything, whether to you or other would-be passengers, you must nod empathically.
Continue as above until the gate agent gives you your seat number. The Kindly Brontosaurus always gets a seat number.
Note: Illustration by Chris Piascik...prints & more are available.
Your Monday morning needs a soundtrack and Danny Elfman's score for Errol Morris' The Unknown Known is just the thing. Available at Amazon or on iTunes.
Filmmaker IQ has a nice exploration of the history of the movie trailer. And yes, they actually used to play at the end of (i.e. "trail") the film.
Coming into the 1960s, a new generation of star directors began to redefine the trailer - among them was the legendary Alfred Hitchcock. Instead of showing scenes from the movie, Hitchcock, who had become quite well known to audiences from his "Alfred Hitchcock Presents" TV series, cashed in on his celebrity... taking audiences on a tour using his gallows humor style in this trailer for 1960's Pscyho.
The reemergence of Cubism in film and commercial art in the 1960s was not lost on another emerging filmmaker - Stanley Kubrick. Having experimented with fragmented cutting styles in the trailer to 1962's Lolita, Kubrick comes back strong in 1964's "Dr. Strangelove" with a trailer that I consider one of the most bold and brazen pieces of movie advertising ever made.
Bradley Campbell drew the story structures of various public radio shows down on cocktail napkins. Here's the structure of This American Life:
"Napkin #1'' is Bradley's drawing for This American Life, a structure Ira Glass has talked about ad infinitum: This happened. Then this happened. Then this happened. (Those are the dashes.) And then a moment of reflection, thoughts on what the events mean (the exclamation point).
The description of Radiolab is the most fun to read. That show doesn't quite have the non-linearity of Pulp Fiction, but it's a good example of hyperlink radio (a la hyperlink cinema). (via explore)
The US Navy is working on technology to convert seawater into fuel to power unmodified combustion engines. They recently tested the fuel (successfully!) in a replica P-51 and hope to make it commerically viable.
Navy researchers at the U.S. Naval Research Laboratory (NRL), Materials Science and Technology Division, demonstrated proof-of-concept of novel NRL technologies developed for the recovery of carbon dioxide (CO2) and hydrogen (H2) from seawater and conversion to a liquid hydrocarbon fuel.
Fueled by a liquid hydrocarbon -- a component of NRL's novel gas-to-liquid (GTL) process that uses CO2 and H2 as feedstock -- the research team demonstrated sustained flight of a radio-controlled (RC) P-51 replica of the legendary Red Tail Squadron, powered by an off-the-shelf (OTS) and unmodified two-stroke internal combustion engine.
Using an innovative and proprietary NRL electrolytic cation exchange module (E-CEM), both dissolved and bound CO2 are removed from seawater at 92 percent efficiency by re-equilibrating carbonate and bicarbonate to CO2 and simultaneously producing H2. The gases are then converted to liquid hydrocarbons by a metal catalyst in a reactor system.
"In close collaboration with the Office of Naval Research P38 Naval Reserve program, NRL has developed a game-changing technology for extracting, simultaneously, CO2 and H2 from seawater," said Dr. Heather Willauer, NRL research chemist. "This is the first time technology of this nature has been demonstrated with the potential for transition, from the laboratory, to full-scale commercial implementation."
Discover has more, in slightly more accessible language.
In a five part series called "emoji-nation", Ukrainian Nastya Ptichek mixes the work of well-known painters with graphical elements of new media. In the second part of the series, the works of Edward Hopper are augmented with social media interface icons:
The first part finds emoji doppelgangers for works of fine art while the third part uses paintings as movie poster imagery for the likes of Kill Bill and Home Alone (paired with Munch's The Scream). For part four, Ptichek places modal dialogs over art works:
And part five plays around with several Google interface elements:
Love this kind of thing. Feels like I've seen something like it before though. Anyone recall?
The Grand Budapest Hotel is Wes Anderson's most design-y film, and that's really saying something. Typography is present in almost every frame; at times, it was almost oppressive. Creative Review interviewed designer Annie Atkins, who was responsible for the film's graphic design elements.
Oh my goodness, so many signs in the 1960s hotel lobby! I have to give credit to Liliana for this work, as she took care of nearly all of these. She had three sign-writers from Berlin painting non-stop for a week to get them all done in time for our first day of shoot, as that set was first up. Wes and Adam had seen so many examples of quite officious signage in what had been communist East Germany -- don't do this, don't do that, do this but only like that! The signs really added to the claustrophobic feeling of that set, and Wes had asked for them all to be black with simple white hand-painted lettering -- based on the style of the old sign at Yorckstrasse subway station in Berlin.
There are many versions of the game 2048 (which is itself a rip-off of Threes). There's the original, a version that plays itself, a multiplayer version, a collaborative version, a doge version, a clever Flappy Bird version, the Numberwang version, one that uses only colors, a version that uses Dropbox to save progress and high scores, a hard version that actively works against you, a version where you add tiles to thwart an evil AI, and probably thousands of other versions.
But the best one is the one where each square is an animated GIF of Beyonce.
Newsreel archivist British Pathé has uploaded their entire 85,000 film archive to YouTube. This is an amazing resource.
British Pathé was once a dominant feature of the British cinema experience, renowned for first-class reporting and an informative yet uniquely entertaining style. It is now considered to be the finest newsreel archive in existence. Spanning the years from 1896 to 1976, the collection includes footage -- not only from Britain, but from around the globe -- of major events, famous faces, fashion trends, travel, sport and culture. The archive is particularly strong in its coverage of the First and Second World Wars.
I've shared videos from British Pathé before: the Hindenberg disaster and this bizarre film of a little boy being taunted with chocolate. The archive is chock full of gems: a 19-year-old Arnold Schwarzenegger at a bodybuilding competition, footage of and interviews with survivors of the Titanic, video of the world's tallest man (8'11"), and the collapse of the Tacoma Narrows Bridge. And this film from 1956 showing how cricket balls are made by hand:
One of the most difficult things to get right in movies about aliens or the future is matching the cultural and technological sophistication of a people with their environment and history. In Avatar, the Na'vi are portrayed as a Stone Age tribe, living in relatively small groups and essentially ignorant or uninterested in technology beyond simple knives and bows. But the Na'vi are also very physically capable, obviously very intelligent, aware of their global environment, well-nourished, healthy, omnivorous, adaptive, and even inventive. They have domesticated animals, are troubled by few serious natural predators, can live in different environments, have easy access to many varied natural resources (for sustenance and building/making), and can travel and therefore communicate over long distances (dozens if not hundreds of miles a day on their winged animals).
And most importantly, the Na'vi have regular and intimate access to a moon-sized supercomputer -- a neural net supercomputer at that -- that connects them to every other living thing on their world and have had such access for what could be millennia.
It just doesn't add up. The Na'vi are too capable and live in an environment that is far too pregnant with technological possibility to be stuck in the Stone Age. Plot-wise it's convenient for them to be the way they are, but the Na'vi really should have been more technologically advanced than the Earthlings, not only capable of easily repelling any attack from Captain Ironpants but able to keep the mining company from landing on the moon in the first place.
Data visualization of Citi Bike trips taken over a 48-hour period in NYC:
Love seeing the swarms starting around 8am and 5:30pm but hate experiencing them. I've been using Citi Bike almost since the launch last year and I can't imagine NYC without it now. I use it several times daily, way more than the subway even. I hope they can find a way to make it a viable business.
People collect everything. Even old nail polish.
The objects of their desire -- what they track on eBay, rhapsodize about on their blogs and search for in faraway lands -- are bottles of old nail polish. More specifically, discontinued varieties that come in colors no longer available but that are still out there, sitting forgotten on the shelves of manicurists and out-of-the-way stores, just waiting to be found by some lucky lemming who will add them to her collection, cherish them and post them on Instagram for other members of this unlikely subculture.
One white whale for those in the know is Starry Starry Night by Essie, often abbreviated SSN. The navy blue pigment, spangled with silver glitter, is beloved for its "buildability," meaning that in just a few coats one can achieve an alluring depth.
The vocabulary around nail polish collecting is as colorful as the polishes themselves: "lemmings", "unicorn pee", "frankensteining", "lacquerhead", "dusty hunting".
Researchers at Stanford have observed that foraging harvester ants act like TCP/IP packets, so much so that they're calling the ants' behavior "the anternet".
Transmission Control Protocol, or TCP, is an algorithm that manages data congestion on the Internet, and as such was integral in allowing the early web to scale up from a few dozen nodes to the billions in use today. Here's how it works: As a source, A, transfers a file to a destination, B, the file is broken into numbered packets. When B receives each packet, it sends an acknowledgment, or an ack, to A, that the packet arrived.
This feedback loop allows TCP to run congestion avoidance: If acks return at a slower rate than the data was sent out, that indicates that there is little bandwidth available, and the source throttles data transmission down accordingly. If acks return quickly, the source boosts its transmission speed. The process determines how much bandwidth is available and throttles data transmission accordingly.
It turns out that harvester ants (Pogonomyrmex barbatus) behave nearly the same way when searching for food. Gordon has found that the rate at which harvester ants -- which forage for seeds as individuals -- leave the nest to search for food corresponds to food availability.
A forager won't return to the nest until it finds food. If seeds are plentiful, foragers return faster, and more ants leave the nest to forage. If, however, ants begin returning empty handed, the search is slowed, and perhaps called off.
The Truman Show delusion is how some psychiatrists are describing the condition of psychotic patients who believe they are filmed stars of reality TV programs.
Another patient traveled to New York City and showed up at a federal building in downtown Manhattan seeking asylum so he could get off his reality show, Dr. Gold said. The patient reported that he also came to New York to see if the Twin Towers were still standing, because he believed that seeing their destruction on Sept. 11 on television was part of his reality show. If they were still standing, he said, then he would know that the terrorist attack was all part of the script.
As for the movie itself, for all its popularity and critical success when released, it's little-remembered today. And unfairly so; the "realness" about our increasingly mediated lives remains a hot topic of debate.
Kristian Nairn is the actor who plays Hodor on HBO's Game of Thrones. When he's not acting, the 6'10" Belfast resident DJs and makes music. His Soundcloud page contains a bunch of his house mixes; here's the latest mix from three months ago:
In a post on his great blog, The Year in Pictures, James Danziger discusses some of the photography featured in a forthcoming book, The Final Four of Everything, including Danziger's own selections for Iconic American Photographs. The Final Four of Everything seems to be a sequel of sorts to The Enlightened Bracketologist by the same authors...or perhaps just the same book with a much better title.
Tom O'Donnell imagines how the police would function in a totally libertarian society.
I was shooting heroin and reading "The Fountainhead" in the front seat of my privately owned police cruiser when a call came in. I put a quarter in the radio to activate it. It was the chief.
"Bad news, detective. We got a situation."
"What? Is the mayor trying to ban trans fats again?"
"Worse. Somebody just stole four hundred and forty-seven million dollars' worth of bitcoins."
The heroin needle practically fell out of my arm. "What kind of monster would do something like that? Bitcoins are the ultimate currency: virtual, anonymous, stateless. They represent true economic freedom, not subject to arbitrary manipulation by any government. Do we have any leads?"
"Not yet. But mark my words: we're going to figure out who did this and we're going to take them down ... provided someone pays us a fair market rate to do so."
"Easy, chief," I said. "Any rate the market offers is, by definition, fair."
Saturday Sunday Night Live! Here's Louis C.K.'s monologue from last night's SNL; it's 8 minutes of his trademark stand-up.
Uh oh, Donald Rumsfeld and I agree on something. Each year, with his tax return, Rumsfeld sends a letter to the IRS explaining that neither he or his wife are sure of how accurate their taxes are because the forms and tax code are too complex. Here is this year's letter:
If only he had been less certain of his accuracy in an even more complex situation, like, say the whole WMD/Iraq War thing.
A reader saw my post about UPS drivers seldom taking left turns and sent in this story from 2006. In it, Michael Gartner shares the secret to long life relayed to him by his father: no left turns. Among other things:
My mother was a devout Catholic, and my father an equally devout agnostic, an arrangement that didn't seem to bother either of them through their 75 years of marriage. (Yes, 75 years, and they were deeply in love the entire time.) He retired when he was 70, and nearly every morning for the next 20 years or so, he would walk with her the mile to St. Augustin's Church. She would walk down and sit in the front pew, and he would wait in the back until he saw which of the parish's two priests was on duty that morning. If it was the pastor, my father then would go out and take a 2-mile walk, meeting my mother at the end of the service and walking her home. If it was the assistant pastor, he'd take just a 1-mile walk and then head back to the church.
He called the priests "Father Fast" and "Father Slow."
Recent studies show that our physical level of hunger, in fact, does not correlate strongly with how much hunger we say that we feel or how much food we go on to consume.
As Maria Konnikova reports, a lot of things can make you hungry -- a song, a book, a smell, even a study.
Being genuinely hungry, on the other hand -- in the sense of physiologically needing food -- matters little.
In other news, Tater Tots.
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Horace Dediu explains what innovation is and how it differs from novelty, invention, and creation.
Novelty: Something new
Creation: Something new and valuable
Invention: Something new, having potential value through utility
Innovation: Something new and uniquely useful
Well, I don't even have the words to describe what this is; you just have to watch it. Preferably in fullscreen at full resolution. Takes about 30 seconds to get going but once it does.........dang. Breathtaking is not a word I throw around after every TED Talk or Milky Way time lapse, but I will throw it here.
More on the hows and whys the video was made on Vimeo and the director's site.
That's a movie poster for Argo, the fake movie that the CIA "made" as a cover for getting six American diplomats out of Iran in 1980. Ben Affleck's Argo, which cements the former prettyboy actor's status as one of the best young American directors, is somewhat loosely based on The Master of Disguise, a book written by the guy Affleck plays in Argo, and a 2007 Wired magazine article by Joshuah Bearman called The Great Escape. Argo is up for several Oscars and is now available on Blu-ray and DVD.
Update: Here's a CIA report written by Mendez about the caper. And I'm listening to the soundtrack right now.
Drone Week on Kottke continues with this beautiful drone video of NYC from Randy Scott Slavin.
I found two more videos and a bunch of stories about a drone crashing a crime scene last year. (thx, noah)
Robert Greene, author of The 48 Laws of Power, which has been influential in both halls of business and hip-hop circles, has written a new book with rapper 50 Cent called The 50th Law. Greene was initially skeptical of 50 Cent as a co-author but was impressed by their initial meeting.
He was in the midst of a power struggle with a rival rapper and he talked quite openly about the strategies he was employing, including mistakes he had made along the way. He analyzed his own actions with detachment, as if he were talking about another person. Over the last few years he had witnessed a lot of nasty maneuvering within the music business, and he seemed to want to discuss this with somebody from the outside. He was not interested in myths but reality. Contrary to his public persona, he had a Zen-like calmness that impressed me.
The main theme of the book is about fear and "the reverse power that you can obtain by overcoming [it]".
We found stories from his own life that would illustrate these ideas, many of them culled from his days as a hustler and even highlighting mistakes along the way that taught him valuable lessons. Later, from my own research, I would bring in examples from other historical figures who exemplified this trait. Many of them would be African Americans--Frederick Douglass, James Baldwin, Miles Davis, Malcolm X, Hurricane Carter, et al--whose fearless quality was forged by their harsh struggles against racism. Others would come from all periods and cultures--the Stoics, Joan of Arc, JFK, Leonardo da Vinci, Mao tse-tung, and so on.
Errol Morris' documentary about Donald Rumsfeld, The Unknown Known, comes out next month. The trailer:
In the first of a four-part companion series to the movie for the NY Times, Morris explores The Certainty of Donald Rumsfeld.
When I first met Donald Rumsfeld in his offices in Washington, D.C., one of the things I said to him was that if we could provide an answer to the American public about why we went to war in Iraq, we would be rendering an important service. He agreed. Unfortunately, after having spent 33 hours over the course of a year interviewing Mr. Rumsfeld, I fear I know less about the origins of the Iraq war than when I started. A question presents itself: How could that be? How could I know less rather than more? Was he hiding something? Or was there really little more than met the eye?
The Unknown Known has been referred to as a sequel of sorts to The Fog of War, but from this it seems more like its opposite. Morris got some substantive and honest answers to important questions from McNamara, whereas it sounds like he got bupkiss from Rumsfeld.
Update: Here's part 2.
Asher Svidensky's photographs from Mongolia of apprentice eagle hunters are fantastic. (FYI, they hunt with eagles, not for them.) Among Svidensky's subjects is a 13-year-old girl, Ashol Pan:
At the end of the photographing session, I sat down with her father and the translator to say my goodbyes, and I asked him this:
"How did it feel watching your daughter dressed in Kazakh uniform, on a mountain top, sending the eagle off and calling it back again?"
"And honestly... would you have considered truly training her? Would she become Mongolia's first ever female eagle huntress?"
I expected a straightforward "No" or a joking "Maybe", but after a short pause he replied:
"Up until two years ago my eldest son was the successor of the eagle hunting tradition in our family. Alas, two years ago he was drafted to the army, and he's now an officer, so he probably won't be back with the tradition. It's been a while since I started thinking about training her instead of him, but I wouldn't dare do it unless she asks me to do it, and if she will? Next year you will come to the eagle festival and see her riding with the eagle in my place."
From the father's answer I realized that the idea of women's participation in keeping the tradition is a possible future, but just like many other aspect of Mongolian life, it's an option which women will need to take on by themselves.
If you buy this digital scale on Amazon, the site assumes you might be a drug dealer. Nestled among the calibration weights listed in the Customers Who Bought This Item Also Bought section are tobacco pipe screens, rolling papers, powders for cutting drugs (I assume), zipper bags of all sizes (including some decorated with golden skulls), empty pill capsules, and even a Dr Pepper can safe.
See also the mega-packs of whipped cream chargers which are frequently purchased with balloons for the purpose of getting high. (via mr)