From Grantland's 30 for 30 Shorts series, a short film on former major league catcher Mackey Sasser and how he lost the ability to throw the ball back to the pitcher.
[I took the video out because someone at ESPN/Grantland is idiot enough to think that, by default, videos embedded on 3rd-party sites should autoplay. Really? REALLY!? Go here to watch instead.]
I remember Sasser (I had his rookie card) but had kinda stopped paying attention to baseball by the time his throwing problem started; I had no idea it was so bad. The video of him trying to throw is painful to watch. According to the therapists we see working with Sasser in the video, unresolved mental trauma (say, from childhood) builds up and leaves the person unable to resolve something as seemingly trivial as a small problem throwing a ball back to the pitcher. I've read and written a lot about this sort of thing over the years.
This is the design that Norway has chosen for their banknotes starting in 2017:
From now on, I'm paying for everything with kroner. (via co.design)
The sound made by the Krakatoa volcanic eruption in 1883 was so loud it ruptured eardrums of people 40 miles away, travelled around the world four times, and was clearly heard 3,000 miles away.
Think, for a moment, just how crazy this is. If you're in Boston and someone tells you that they heard a sound coming from New York City, you're probably going to give them a funny look. But Boston is a mere 200 miles from New York. What we're talking about here is like being in Boston and clearly hearing a noise coming from Dublin, Ireland. Travelling at the speed of sound (766 miles or 1,233 kilometers per hour), it takes a noise about 4 hours to cover that distance. This is the most distant sound that has ever been heard in recorded history.
A much much smaller eruption occurred recently in Papua New Guinea. From the video, you can get a tiny sense of the sonic damage unleashed by Krakatoa:
Holy smoking Toledos indeed. On Reddit, a user details how loud a Saturn V rocket is and what the effects would be at different distances. At very close range, the sound from the Saturn V measures an incredible 220 db, loud enough to melt concrete just from the sound.
At 500 meters, 155 db you would experience painful, violent shaking in your entire body, you would feel compressed, as though deep underwater. Your vision would blur, breathing would be very difficult, your eardrums are obviously a lost cause, even with advanced active noise cancelling protection you could experience permanent damage. This is the sort of sound level aircraft mechanics sometimes experience for short periods of time. Almost twice as "loud" as putting your ear up to the exhaust of a formula 1 car. The air temperature would drop significantly, perhaps 10-25 degrees F, becoming suddenly cold because of the air being so violently stretched and moved.
Even at three miles away, the sound is loud enough to cause permanent hearing damage. But that's nothing compared to the Krakatoa sound. The Saturn V sound is ~170 db at 100 meters away while the Krakatoa explosion was that loud 100 miles away! What happens at 170 db?
...you would be unable to breathe or likely see at all from the sound pressure, glass would shatter, fog would be generated as the water in the air dropped out of suspension in the pressure waves, your house at this distance would have a roughly 50% chance of being torn apart from sound pressure alone. Military stun grenades reach this volume for a split second... if they are placed up to your face. Survival chance from sound alone, minimal, you would certainly experience permanent deafness but probably also organ damage.
The word "loud" is inadequate to describe how loud that is. (thx, david)
When he was 17, Eric Kester was a ball boy for the Chicago Bears and saw all the stuff you don't hear about on TV or even on blogs.
I lay awake at night wondering how many lives were irreparably damaged by my most handy ball boy tool: smelling salts. On game days my pockets were always full of these tiny ammonia stimulants that, when sniffed, can trick a brain into a state of alertness. After almost every crowd-pleasing hit, a player would stagger off the field, steady himself the best he could, sometimes vomit a little, and tilt his head to the sky. Then, with eyes squeezed shut in pain, he'd scream "Eric!" and I'd dash over and say, "It's O.K., I'm right here, got just what you need."
And from Vice, the story of former NFL running back Gerald Willhite:
Memory loss is just one of the problems that plague Gerald Willhite, 55. Frustration, depression, headaches, body pain, swollen joints, and a disassociative identity disorder are other reminders of his seven-season (1982-88) career with the Denver Broncos, during which he said he sustained at least eight concussions.
"I think we were misled," Willhite said from Sacramento. "We knew what we signed up for, but we didn't know the magnitude of what was waiting for us later."
When Willhite read about the symptoms of some former players who were taking legal action against the NFL, he thought "Crap, I got the same issues." He decided to join the lawsuit that claimed the league had withheld information about brain injuries and concussions. He feels that the $765 million settlement, announced last summer and earmarked for the more than 4,000 players in the lawsuit, is like a "Band-Aid put on a gash."
Still haven't watched any NFL this year. (via @arainert)
How have I never seen this photo before?
In a rare bit of good news about climate change, it appears that some types of coral have the ability to recover more quickly from trauma caused by rising ocean temperatures.
At Palau in the western Pacific, a survey completed just three years after the 1998 bleaching event showed more coral had recovered on reefs within protected bays and on deep slopes.
Scientists suggest this is because heat and light serve as a double-whammy to coral health and corals that hang out in shady zones will escape the scorching combination, upping the chances that remnants will survive.
Seven years after the bleaching event, some reefs had regained nearly 40 per cent of their corals, with two species of plate-like acroporid coral, A. digitifera and A. hyacinthus, particularly prevalent. "We sampled plating coral colonies there a few years ago and found them to be pool-table size," says Stephen Palumbi, Director of Stanford University's Hopkins Marine Station, in Pacific Grove, California, US.
This happened a few days ago, but I just got a chance to check it out: FXX launched Simpsons World, a site where you can stream every Simpsons episode ever aired. You just need a cable login, as with HBO GO. There are apps too: iOS and Android. To get you started, here are the top 10 episodes of all time, from a 2003 Entertainment Weekly list.
1. Last Exit to Springfield
3. Cape Feare
4. Marge vs. the Monorail
5. Homer's Phobia
6. Mr. Plow
7. Itchy & Scratchy Land
8. A Fish Called Selma
9. Treehouse of Horror V
10. The Last Temptation of Homer
Update: Got a bunch of complaints that the "free" in the title is misleading because a cable subscription is required, even though I explicitly called that out in the second sentence. Fair enough. But then again, if you're going to nitpick, nothing is free. Even if you didn't need a cable login, Simpsons World would hardly be free. You need access to an expensive computer or mobile device, high-speed internet access, and enough free (there's that word again!) time to watch. And even if you're viewing using a computer at the public library, you're paying with your attention by watching advertising.
But all that is red herring nonsense. I was using "free" in the sense that for cable subscribers, they're getting something they did not have for the same price they were previously paying. You know, free.
Speaking of Mark Alan Stamaty, the illustrator did a pair of drawings in the late 1970s for the Village Voice: one of Times Square and one of Greenwich Village. They're packed with details of how those areas were perceived in the 70s.
Prints of both are available.
Today's Google Doodle honors Jonas Salk on what would have been his 100th birthday. Salk developed the first successful polio vaccine in 1955 and was hailed as a hero for it.
On April 12, 1955, Dr. Thomas Francis, Jr., of the University of Michigan, the monitor of the test results, "declared the vaccine to be safe and effective." The announcement was made at the University of Michigan, exactly 10 years to the day after the death of President Roosevelt. Five hundred people, including 150 press, radio, and television reporters, filled the room; 16 television and newsreel cameras stood on a long platform at the back; and 54,000 physicians, sitting in movie theaters across the country, watched the broadcast on closed-circuit television. Eli Lilly and Company paid $250,000 to broadcast the event. Americans turned on their radios to hear the details, department stores set up loudspeakers, and judges suspended trials so that everyone in the courtroom could hear. Europeans listened on the Voice of America. Paul Offit writes about the event:
"The presentation was numbing, but the results were clear: the vaccine worked. Inside the auditorium Americans tearfully and joyfully embraced the results. By the time Thomas Francis stepped down from the podium, church bells were ringing across the country, factories were observing moments of silence, synagogues and churches were holding prayer meetings, and parents and teachers were weeping. One shopkeeper painted a sign on his window: Thank you, Dr. Salk. 'It was as if a war had ended', one observer recalled."
Because of Salk's vaccine and subsequent vaccines, the US has been polio-free since 1979.
Actress Tippi Hedren and her family (including her then-teenage daughter Melanie Griffith) lived with a pet lion named Neil for a while back in the 1970s. Here's Neil and Melanie catching a few winks together:
Speaking of PBS shows, Steven Johnson's How We Got to Now starts on PBS tonight with two back-to-back episodes. The NY Times has a positive review.
The opening episode, for instance, is called "Clean," and it sets the pattern for the five that follow. We tend not to acknowledge just how recent some of the trends and comforts of modern life are, including the luxury of not walking through horse manure and human waste on the way to the post office.
The episode turns back the clock just a century and a half, to a time before our liquid waste stream was largely contained in underground pipes. Mr. Johnson then traces the emergence of the idea that with a little effort, cities and towns could have a cleaner existence, and the concurrent idea that cleanliness would have public health benefits.
But his examination of "the ultraclean revolution," as he calls it, doesn't stop at the construction of sewage and water-purification systems. He extends the thread all the way to the computer revolution, visiting a laboratory where microchips are made.
The show is based on Johnson's book of the same name, which enters the NY Times bestseller list at #4 this week. Also, I keep wanting to call the book/show How We Got to Know, which strikes me as a perfectly appropriate title as well.
Update: The first two episodes are available online until 10/30.
The directorial debut of Alex Garland, screenwriter of Sunshine and 28 Days Later, looks interesting.
Ex Machina is an intense psychological thriller, played out in a love triangle between two men and a beautiful robot girl. It explores big ideas about the nature of consciousness, emotion, sexuality, truth and lies.
It can be difficult to understand how large (or small) astronomical objects are, so here are some handy comparisons to things on Earth. Here's the size of Mars compared to the United States & Canada:
And here's a neutron star nestled next to Liverpool on the northwest coast of England:
A neutron star also crams in over 1.5 times the mass of the Sun into a tiny ball maybe not much bigger than your daily commute to work, and the Sun is huge (see the size of the Sun later). So this thing is incredibly dense, so dense in fact that just a tea spoon of it would weigh over a billion tonnes, and if you could stand on its surface you'd feel the gravitational pull of 200 billion times that of our planet...not that you'd ever survive it of course.
John Gruber's tweet last night reminded me I'd never written up a review for Room 237, the documentary about Stanley Kubrick's The Shining. Gruber writes:
Broke down and watched "Room 237". It was bad. Really bad. Boring bad. Crazy people.
Just watch "The Shining" again instead.
I agree. I watched it earlier this year and disliked the film so much, I didn't even finish it, which is rare for me. As I hinted at on Twitter, I'm exposed to enough anti-vaccine, anti-evolution, anti-anthropogenic climate change, anti-science, and religious fundamentalist "theories" in my day-to-day reading that are genuinely harmful to humanity that an examination of how the minds of conspiracy theory crackpots take the smallest little details and weave them into fantastical stories that make no sense is not how I want to spend my time.
As if to underscore my dislike of the film, the following arrived in my inbox shortly after I watched it.
To: Jason Kottke <firstname.lastname@example.org>
Prospective Story: Re: Stanley Kubrick's "The Shining"
i'm not good at salesmanship so i'll get right to the point. i've solved the mystery of room 237 in stanley kubrick's 'the shining' i'm shopping this information to various media sources. here's the deal:
*** the price is $13,000.00
*** i'm aware of the documentaries, the scholarly analyses and the terrabytes of web space dedicated to the topic
*** nobody has gottten it right
*** i guarantee satisfaction
*** there's no risk. either you think the solution to the greatest cinematic mystery of all time is worth 13k or you don't. all i require beforehand is a conditional agreement protecting me from ip theft
*** i remain anonymous. once the transaction is complete the information is yours. i don't care who receives credit or what you do with it
it's been over 30 years. this information should be public. YOU can be the first.
i look forward to your response
Putting on my tin foil hat for a minute, DONT YOU SHEEPLE UNDERSTAND WHAT THIS MEANS? That someone is watching what I'm watching! How did this person know I had just watched Room 237?! I bet it's the NSA! Or something! They are watching for people with large audiences to plant lies about Kubrick to deflect attention away from the faked Moon landing! For some reason! THIS IS THE PROOF WEVE BEEN WAITING FOR!??
Yep: "Really bad. Boring bad. Crazy people."
Hungry for lunch and don't quite know what you'd like to eat? Try Seamless Roulette...it uses Seamless to deliver a random order of food to you from a nearby restaurant. (via @moleitau)
Great piece about how Lufthansa cares for those who need medical attention while flying.
On a Lufthansa flight, making a public call for any medical professionals on the plane is a last resort. The airline prefers to be far more discreet. After all, does the whole plane always need to know that somebody on board is having a problem? To accomplish this, Lufthansa launched the Doctors on Board program for physicians.
Doctors on Board allows Lufthansa to identify doctors long before an emergency occurs. By doing this, the cabin crews can personally and discreetly summon the doctor if their skills are needed during a flight. In order to find doctors who could potentially participate in this program, the airline scoured the data from its Miles and More frequent flier program. By doing this, Lufthansa was able to identify 15,000 doctors who regularly fly the airline. Of those, 10,000 opted to join the program.
Participation in the Doctors on Board program carries with it several benefits. The doctors are issued a handbook about aviation medicine, as well as receiving news and information via both the internet and postal mailings. They are insured by Lufthansa for any care that they provide during a flight. They are also rewarded with 5,000 Miles and More award miles and a discount code for €50 off of their next flight, plus they receive a special bag tag identifying their participation in the program. Finally, they are given the opportunity to participate in a course on aviation medicine and on-board emergency handling, for which they are paid an additional fee.
This is real customer service: thoughtful, anticipatory, active, thorough. (via @marcprecipice)
After writing The Cat in the Hat in 1955 using only 223 words, Dr. Seuss bet his publisher that he could write a book using only 50 words. Seuss collected on the wager in 1960 with the publication of Green Eggs and Ham. Here are the 50 distinct words used in the book:
a am and anywhere are be boat box car could dark do eat eggs fox goat good green ham here house I if in let like may me mouse not on or rain Sam say see so thank that the them there they train tree try will with would you
From a programming perspective, one of the fun things about Green Eggs and Ham is because the text contains so little information repeated in a cumulative tale, the story could be more efficiently represented as an algorithm. A simple loop would take the place of the following excerpt:
I do not like them in a box.
I do not like them with a fox.
I do not like them in a house.
I do not like them with a mouse.
I do not like them here or there.
I do not like them anywhere.
I do not like green eggs and ham.
I do not like them, Sam I am.
But I don't know...
foreach ($items as $value) doesn't quite have the same sense of poetry as the original Seuss.
I am not a runner so I didn't think I would find this exploration into the conditions under which a 2-hour marathon could occur that interesting. I was incorrect.
Between 1990 (the first year in which data was available) and 2011, the average male marathoner ranked in the top 100 that year shrank by 1.3 inches and 7.5 pounds. Smaller runners have less weight to haul around, yes. But they're also better at heat dissipation; thanks to greater skin surface area relative to their weight, they can sustain higher speeds (and thus, greater internal heat production) without overheating and having to slow down. Despite our sub-two runner's short frame, he'll also have disproportionately long legs that help him cover ground and unusually slender calves that require less energy to swing than heavier limbs.
Runners shed heat through their skin, so bigger runners should have an advantage, right? Indeed, a 6' 3" marathoner can dissipate 32 percent more heat than a 5' 3" athlete with the same BMI. But heat generation rises faster in bigger runners because mass increases quicker than skin area. So at the same effort, the 6' 3" guy ends up producing 42 percent more heat than his shorter peer-and overheating sooner.
The piece includes a favorite old chestnut of mine, man vs. horse:
Horses are still much quicker at distance, but humans are still improving.
One of the most difficult things to get right in movies about aliens or the future is matching the cultural and technological sophistication of a people with their environment and history. In Avatar, the Na'vi are portrayed as a Stone Age tribe, living in relatively small groups and essentially ignorant or uninterested in technology beyond simple knives and bows. But the Na'vi are also very physically capable, obviously very intelligent, aware of their global environment, well-nourished, healthy, omnivorous, adaptive, and even inventive. They have domesticated animals, are troubled by few serious natural predators, can live in different environments, have easy access to many varied natural resources (for sustenance and building/making), and can travel and therefore communicate over long distances (dozens if not hundreds of miles a day on their winged animals).
And most importantly, the Na'vi have regular and intimate access to a moon-sized supercomputer -- a neural net supercomputer at that -- that connects them to every other living thing on their world and have had such access for what could be millennia.
It just doesn't add up. The Na'vi are too capable and live in an environment that is far too pregnant with technological possibility to be stuck in the Stone Age. Plot-wise it's convenient for them to be the way they are, but the Na'vi really should have been more technologically advanced than the Earthlings, not only capable of easily repelling any attack from Captain Ironpants but able to keep the mining company from landing on the moon in the first place.
That's a movie poster for Argo, the fake movie that the CIA "made" as a cover for getting six American diplomats out of Iran in 1980. Ben Affleck's Argo, which cements the former prettyboy actor's status as one of the best young American directors, is somewhat loosely based on The Master of Disguise, a book written by the guy Affleck plays in Argo, and a 2007 Wired magazine article by Joshuah Bearman called The Great Escape. Argo is up for several Oscars and is now available on Blu-ray and DVD.
Update: Here's a CIA report written by Mendez about the caper. And I'm listening to the soundtrack right now.
Three dancers from The Australian Ballet share their prep routines for their pointe shoes.
Take-aways: Ballerinas' feet are really not attractive, they soup up their shoes in all sorts of unusual ways, but the end result is beautiful. (thx, fiona)
You can mine Bitcoin by hand with a pencil and paper.
The SHA-256 algorithm is surprisingly simple, easy enough to do by hand. (The elliptic curve algorithm for signing Bitcoin transactions would be very painful to do by hand since it has lots of multiplication of 32-byte integers.) Doing one round of SHA-256 by hand took me 16 minutes, 45 seconds. At this rate, hashing a full Bitcoin block (128 rounds) would take 1.49 days, for a hash rate of 0.67 hashes per day (although I would probably get faster with practice). In comparison, current Bitcoin mining hardware does several terahashes per second, about a quintillion times faster than my manual hashing. Needless to say, manual Bitcoin mining is not at all practical.
Watch and listen as Anna-Maria Hefele demonstrates polyphonic overtone singing, a technique where it sounds as though she's singing two different notes at the same time.
This blew my mind a little, particularly starting around the 3:00 mark, where she actually starts to be more fluid in her singing. (via @anotherny)
Update: See also Tuvan throat singing, Inuk throat singer Tanya Tagaq (who posted a photo online of her infant daughter next to a dead seal, a "sealfie"), and many other cultures who practice overtone singing. (thx, @bmcnely, @ChrisWalks1 & james)
If you're at all interested in cooking at home, you've likely got one of Yotam Ottolenghi's cookbooks on your shelf: Jerusalem, Plenty, and Ottolenghi. I don't cook much myself, but from everything I've heard from friends, this guy is a wizard with vegetables. Now Ottolenghi is out with a new cookbook: Plenty More.
Yotam Ottolenghi is one of the world's most beloved culinary talents. In this follow-up to his bestselling Plenty, he continues to explore the diverse realm of vegetarian food with a wholly original approach. Organized by cooking method, more than 150 dazzling recipes emphasize spices, seasonality, and bold flavors. From inspired salads to hearty main dishes and luscious desserts, Plenty More is a must-have for vegetarians and omnivores alike. This visually stunning collection will change the way you cook and eat vegetables.
Mat Kirkby's short film, The Phone Call, won the Best Narrative Short prize at the Tribeca Film Festival and is rumored to be in the running for an Oscar nomination. It features a young woman who works in helpline call office (Oscar nominee Sally Hawkins) taking a call from a distraught man (Oscar winner Jim Broadbent). (via slate)
Update: The video has been taken down from Vimeo, so I've removed the embed. I think it was something about film festival eligibility?
Atul Gawande's best selling Being Mortal is getting the Frontline treatment on PBS this January. Here's the trailer:
From Errol Morris and the NY Times, Three Short Films about Peace. Morris interviewed Nobel Prize winners and nominees Liberian activist Leymah Gbowee, the former Polish president Lech Walesa and rock star Bob Geldof.
I interviewed five of the world's greatest peacemakers, and chose to feature the three who told the most compelling stories on camera. But it was a privilege to meet and to interview every one of them. David Trimble, whose participation in the Good Friday Agreement helped bring an end to Northern Ireland's Troubles, and Oscar Arias Sanchez, who brokered the Esquipulas peace agreement that ended decades of internecine strife in Central America, were no less inspiring than the three included here.
It's the easiest thing to say: that each of these stories is inspiring. They are. I was inspired by them. Can one person make a difference? In most cases, no. But every now and again something seemingly miraculous happens. And one person changes the world. Or as Bob Geldof puts it, tilts the world on its axis.
From her recent memoir, Sheila E. recounts the first time she met Prince.
I never did make it down to the studio to meet "the kid," but a few months later, in April 1978, I was at Leopold's record store in Berkeley browsing through records when I looked up to see a new poster. It featured a beautiful young man with brown skin, a perfect Afro, and stunning green eyes. The word Prince was written in bold letters at the top. That was the guy Tom was talking about!
I found his album For You in the rack and immediately looked at the credits: "Produced, arranged, composed, and performed by Prince."
The staff at the store, whom I'd known for years, let me take the poster home. Before I'd even listened to his record, I'd taped the poster above my waterbed. Then I lowered the needle onto the album on my record player, sat on the floor, and listened to it in its entirety. Tom was right. I immediately heard that funky rhythm guitar part he'd been talking about. It wasn't only on one song, but the whole album. I stared up at the poster and told him, "I'm gonna meet you one day."
(via @anildash, probably)
Over at Trivia Happy, Phil Edwards interviewed Ellen Lampl, who designed the logos for Mike Judge's underrated Idiocracy.
Some logos came from the script, while some came from the designers' brainstorming sessions. Brawndo and Carl's Jr. were written, while Lampl made logos for companies like Nastea and Fedexx once the overall look was approved. For Lampl, it was a great release, because "coming from the past constraints of advertising, it was cathartic to have the liberty to be bawdy and irreverent. Making everything ridiculously over-emphasized with bright colors, outlines upon outlines, and exaggerated drop shadows was my personal jab at the world of branding and in-your-face typography."
Paintings in a cave in Indonesia have been dated to 40,000 years ago, as old or older than any paintings found in Europe.
For decades, the only evidence of ancient cave art was in Spain and southern France. It led some to believe that the creative explosion that led to the art and science we know today began in Europe.
But the discovery of paintings of a similar age in Indonesia shatters this view, according to Prof Chris Stringer of the Natural History Museum in London.
"It is a really important find; it enables us to get away from this Euro-centric view of a creative explosion that was special to Europe and did not develop in other parts of the world until much later," he said.
The discovery of 40,000-year-old cave paintings at opposite ends of the globe suggests that the ability to create representational art had its origins further back in time in Africa, before modern humans spread across the rest of the world.
"That's kind of my gut feeling," says Prof Stringer. "The basis for this art was there 60,000 years ago; it may even have been there in Africa before 60,000 years ago and it spread with modern humans".
From CineFix, their top ten slow motion sequences of all time.
Includes scenes from The Matrix, Hard Boiled, Reservoir Dogs, and The Shining. But no Wes Anderson!?! *burns down internet* (via @DavidGrann)
I've posted quite a few skateboarding videos here over the years and they all have their share of amazing tricks, but the shit Bob Burnquist pulls on his massive backyard MegaRamp in this video is crazy/incredible. My mouth dropped open at least four times while watching. I rewatched the trick at 2:50 about 10 times and still can't believe it's not from a video game. (via @bryce)
This is fun...Aatish Bhatia maps out the forces and motions involved in doing an ollie on a skateboard.
It's a neat piece of science art, and it also tells us something interesting. The arrows show us that the force on the skateboard is constantly changing, both in magnitude as well as in direction. Now the force of gravity obviously isn't changing, so the reason that these force arrows are shrinking and growing and tumbling around is that the skater is changing how their feet pushes and pulls against the board. By applying a variable force that changes both in strength and direction, they're steering the board.
When's the last time I let you down? Ok, maybe don't answer that. But, when I tell you that a short film about the hand gestures used by a quarry boss guiding massive excavators harvesting marble is well worth watching, you're gonna go ahead and watch it, right? Because this is a beautiful little film.
I was so taken by the chief, watching him work. How he can move gigantic marble blocks using enormous excavators, but his own movements are light, precise and determined.
Notice the tips of two fingers are missing. That's how you get to be the boss. More hand gestures: hand signals used by traders on the floor of the NY Mercantile Exchange, nightclub hand signals, hand signals at Eleven Madison Park, and church usher hand signals. (via digg)
You don't know what you would do unless you're in that situation.
That's Philip Zimbardo's1 introduction to this fascinating and deeply disturbing video, depicting a real-world instance of Stanley Milgram's experiment on obedience to authority figures2. In the video, you see a McDonald's manager take a phone call from a man pretending to be a police officer. The caller orders the manager to strip search an employee. And then much much worse.
The video is NSFW and if you're sensitive to descriptions and depictions of sexual abuse, you may want to skip it. And lest you think this was an isolated incident featuring exceptionally weak-minded people, the same caller was alleged to have made several other calls resulting in similar behavior. (via mr)
At this point it's almost a Pavlovian response; a natural disaster hits and we hit the Red Cross donate button. We feel better, but do the victims benefit? NPR and ProPublica looked at internal emails and confidential reports and uncovered The Red Cross' Secret Disaster.
During Isaac, Red Cross supervisors ordered dozens of trucks usually deployed to deliver aid to be driven around nearly empty instead, 'just to be seen' ... During Sandy, emergency vehicles were taken away from relief work and assigned to serve as backdrops for press conferences, angering disaster responders on the ground.
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In a post on his great blog, The Year in Pictures, James Danziger discusses some of the photography featured in a forthcoming book, The Final Four of Everything, including Danziger's own selections for Iconic American Photographs. The Final Four of Everything seems to be a sequel of sorts to The Enlightened Bracketologist by the same authors...or perhaps just the same book with a much better title.
Using the Flesch-Kincaid readability test, Vocativ analyzed more than 600 speeches from all the American Presidents for ease of comprehension. What they found was a trend toward simpler language as speeches needed to appeal to a wider range of people, not just super-educated white men.
I think President Obama, no more or less than President Bush, tries to pack a lot of nuance and subtext into language that is as plain and straightforward as possible. While President Bush was often inarticulate off the cuff, Bush's speeches were underestimated. There was a crisp formality to a lot of his best speeches, particularly the ones he delivered shortly after Sept. 11.
Definitely click through for their analysis of the data.
Given what we know now about how anthropogenic climate change is contributing to rising sea levels, Miami will be one of the first major American cities to find itself completely under water in the next century.
That inevitability is fueling a fledgling secessionist movement. And it's not some crackpot grassroots effort either...the mayor and city commission of South Miami passed a resolution earlier this month that South Florida should break away and form the nation's 51st state.
Whereas, South Florida's situation is very precarious and in need of immediate attention. Many of the issues facing South Florida are not political, but are now very significant safety issues; and
Whereas, presently, in order to address the concerns of South Florida, it is necessary to travel to Tallahassee in North Florida. Often South Florida issues do not receive the support of Tallahassee. This is despite the fact that South Florida generates more than 69 percent of the state's revenue and contains 67 percent of the state's population; and
Whereas, the creation of the 51st state, South Florida, is a necessity for the very survival of the entire southern region of the current state of Florida.
Look for more of this type of thing in the years to come. The fight over fossil fuels has already shaped a great deal of the modern global political structure and the coming shifts in climate will almost certainly do the same.
Do you want to make a lot of espresso really fast? Enter the The Gatlino®, a machine gun that uses Nespresso capsules in place of bullets.
It was during one bleary break-of-dawn that I found myself slouched over the machine making coffee and drifting into visions of the Nespresso hooked up to a belt of ammunition, or a machine gun being fed by a chain of Nespresso capsules. I'm not sure which. Doesn't matter. What's important is that it led me to wonder how long it would take to fire all the Nespresso cartridges ever made. The environmentally-conscious will be appalled.
After playing four straight days of Beyonce tunes, a Houston news radio station settled on its new format: classic hip hop. It's the first major market radio station to do so.
In many ways, this is an idea whose time has come, which is another way of saying that hip-hop, and its first-wave fans, are, well, old. Dre will be 50 in February; Ice-T is just 10 years away from his first Social Security check. Licensed to Ill topped the Billboard charts in 1987; three years later, hip-hop made up one-third of the Hot 100. By 1999, it was the country's best-selling genre, with more than 81 million albums sold. The fans who propelled the early boom probably don't know Young Thug from Rich Homie Quan, and don't want to.
The obvious parallel is to classic rock radio -- a format that emerged in the early-1980s as baby boomers rejected punk and disco, and radio execs realized it was easier to serve up old songs than convince their aging audiences to try new music. It eventually morphed into a touchstone of middle-age: Every so often, a cultural observer wakes up, checks his bald spot and wonders how Green Day or Smashing Pumpkins or some other band of his own youth got lumped in with Led Zeppelin and Aerosmith on the radio dial.
Not this cultural observer! I've never done anything of that sort ever.
Annnnyway, here's a Spotify playlist (Rdio) of the sort of thing Boom 92 will be playing. (via @tcarmody)
Last week, Emily Dreyfuss wrote a piece at about Why I'm Giving Wikipedia 6 Bucks a Month.
"Give me money, Emily," Wales begged, "then go back to researching Beyonce lyrics."
"Excuse me, Jimmy," I wanted to say, "I don't appreciate being watched as I read about how her song "Baby Boy" includes a lyrical interpolation of "No Fear" by O.G.C."
Later, Wikipedia replaced Wales with other employees of the Wikimedia Foundation, which maintains Wikipedia with grants and donations. They moved me about as much as Wales did, which is to say not at all.
Today, while scanning my third Wikipedia article in as many hours, I saw the beggi.... er, note was back. It's at the bottom now, without the pleading visage of a Wikipedian, and now includes an option to pay monthly.
I was annoyed, again. That's the first instinct of anyone who spends time on the Internet and is constantly bombarded by pleas for money. But then I realized something: My annoyance was a symptom of my dependence on Wikipedia. I rely on it utterly. I take it completely for granted.
I found her argument persuasive, so much so that I just signed up to give Wikipedia a monthly amount as well. I consider it a subscription fee to an indispensable and irreplaceable resource I use dozens of times weekly while producing kottke.org. It's a business expense, just like paying for server hosting, internet access, etc. -- the decision to pay became a no-brainer for me when I thought of it that way.
Do other media companies subscribe to Wikipedia in the same fashion? How about it Gawker, NY Times, Vox, Wired, ESPN, WSJ, New York Magazine, Vice, Washington Post, The Atlantic, Buzzfeed, Huffington Post? Even $500/month is a drop in the bucket compared to your monthly animated GIF hosting bill and I know your writers use Wikipedia as much as I do. Come on, grab that company credit card and subscribe.
A short and sweet pixel art tribute to legendary animator and director Hayao Miyazaki.
See also 8-bit Ghibli.
Czech photographer Dita Pepe takes portraits of herself integrated into the lives of other people.
From Silence of the Lambs (#1) to To Kill A Mocking Bird (#9) to Blade Runner (#28), these are the 50 best book-to-movie adaptations ever, compiled by Total Film.
Somehow absent is Spike Jonze's Adaptation and I guess 2001 was not technically based on a book, but whatevs. The commenters additionally lament the lack of Requiem for a Dream, Gone with the Wind, The French Connection, Rosemary's Baby, Last of the Mohicans, and The Wizard of Oz.
Gorgeous videos of chemical reactions (precipitation, bubbling, crystallization, etc.). I think the metal displacement reaction video is my favorite:
A single nearly flawless copy of Action Comics #1 recently sold on eBay for just over $3.2 million. Produced in 1938, the comic marked the first appearance of Superman and is considered the genesis of the superhero genre of comics (although there is some debate about that). This video shows what great condition this comic is in:
I've bought new comics that didn't look that good. Here's why:
The reason it was in such impeccable condition was that the while the first owner bought it for 10 cents from the newsstand in 1938 like 200,000 other people did, unlike most everyone else he lived at fairly high altitude in the Blue Ridge Mountains of West Virginia and when he finished reading it, he put the comic in a cedar chest where it remained virtually untouched for four decades. The cool, dark, dry environment of the cedar chest froze time for this comic.
You can flip through the entire comic yourself right here.
Canadian astronaut Chris Hadfield became a celebrity while aboard the International Space Station. Now he's publishing a book of photographs he took during his time in orbit: You Are Here: Around the World in 92 Minutes.
During 2,597 orbits of our planet, I took about 45,000 photographs. At first, my approach was scattershot: just take as many pictures as possible. As time went on, though, I began to think of myself as a hunter, silently stalking certain shots. Some eluded me: Brasilia, the capital of Brazil, and Uluru, or Ayers Rock, in Australia. I captured others only after methodical planning: "Today, the skies are supposed to be clear in Jeddah and we'll be passing nearby in the late afternoon, so the angle of the sun will be good. I need to get a long lens and be waiting at the window, looking in the right direction, at 4:02 because I'll have less than a minute to get the shot." Traveling at 17,500 miles per hour, the margin for error is very slim. Miss your opportunity and it may not arise again for another six weeks, depending on the ISS's orbital path and conditions on the ground.
In an interview with Quartz, Hadfield says the proceeds from the book are being donated to the Red Cross.
For the first episode of podcast called Working, David Plotz talks to Stephen Colbert about how he and his staff construct The Colbert Report. This is fascinating.
My show is a shadow of the news, so I have to know what shadow it's casting right now, so I can distort it in my own way.
At the 13 minute mark, he talks about how the team communicates with each other about how the show is shaping up, changes, concerns, etc. They do it all by what sounds like text messaging. Paging Stewart Butterfield, you should get those folks on Slack. (via digg)
Possible captions for this photo: Honey, I Shrunk the Federer. Federer just drank some of Alice's Drink Me potion. Pocket Roger. Yao Ming is a very large man.
The NY Times interviewed several people in their 80s who are still killing it in their careers and creative pursuits. Says Ruth Bader Ginsberg about surprises about turning 80:
Nothing surprised me. But I've learned two things. One is to seek ever more the joys of being alive, because who knows how much longer I will be living? At my age, one must take things day by day. I have been asked again and again, "How long are you going to stay there?" I make that decision year by year. The minute I sense I am beginning to slip, I will go. There's a sense that time is precious and you should enjoy and thrive in what you're doing to the hilt. I appreciate that I have had as long as I have... It's a sense reminiscent of the poem "Gather ye rosebuds while ye may." I had some trying times when my husband died. We'd been married for 56 years and knew each other for 60. Now, four years later, I'm doing what I think he would have wanted me to do.
The interviews are accompanied by an essay by Lewis Lapham, himself on the cusp of 80.
John D. Rockefeller in his 80s was known to his business associates as a crazy old man possessed by the stubborn and ferocious will to know why the world wags and what wags it, less interested in money than in the solving of a problem in geography or corporate combination. By sources reliably informed I'm told that Warren Buffett, 84, and Rupert Murdoch, 83, never quit asking questions.
I read a book several years ago which is relevant here called Old Masters and Young Geniuses, in which economist David Galenson divided creative people into two main camps: conceptual and experimental innovators:
1) The conceptual innovators who peak creatively early in life. They have firm ideas about what they want to accomplish and then do so, with certainty. Pablo Picasso is the archetype here; others include T.S. Eliot, F. Scott Fitzgerald, and Orson Wells. Picasso said, "I don't seek, I find."
2) The experimental innovators who peak later in life. They create through the painstaking process of doing, making incremental improvements to their art until they're capable of real masterpiece. Cezanne is Galenson's main example of an experimental innovator; others include Frank Lloyd Wright, Mark Twain, and Jackson Pollock. Cezanne remarked, "I seek in painting."
European suits of armor always look so impractical when you see them in museums, but how did they perform in combat? Well enough for the wearer to do jumping jacks and move quickly on the battlefield.
(via the kid should see this)
Christine Muhlke talks to several different chefs and writers about how they approach writing recipes.
The goal should be that the reader can make the recipe his or her own -- that the instructions are clear and good enough that after a few tries, he or she can improvise to please themselves. The chef gives ideas so that the cook can profit. It's not dictation; it's inspiration.
We the Economy is a series of 20 short videos that attempt to explain important economic concepts. For instance, acclaimed director Ramin Bahrani did a video about regulatory capture starring Werner Herzog, Patton Oswalt, and the Sherman Antitrust Act of 1890.
Anchorman director Adam McKay directed an animated My Little Pony-esque video about wealth distribution and income inequality featuring the voice talents of Amy Poehler, Maya Rudolph, and Sarah Silverman.
Paul Allen and Morgan Spurlock are behind the effort, with Bob Balaban, Steve James, Catherine Hardwicke, and Mary Harron directing some of the other videos. (via mr)
In Focus has a look at some of the early entries in National Geographic's annual photography contest. Good stuff as usual.
Photo by Mehmet Karaca. Love the way the mantis's tail mimics the branch it's standing on.
You know how the old saying goes: When life hands you rising sea levels due to anthropogenic climate change, build canals. The city of Boston is considering such a scenario.
By 2100, climate scientists predict, sea levels around Boston will rise as much as 7.5 feet; in just a few decades water levels will be 2.5 feet higher than they are today. That could mean significant flooding not only during big storms but twice daily during high tides, as well as at times of normal rainfall.
The precise amount of sea-level rise is uncertain, but state and municipal leaders say they are taking the threat seriously, even if they are not yet at the stage of redesigning whole neighborhoods.
"We're not going to start digging the canals tomorrow," said Brian Swett, Boston's chief of energy, environment, and open space. "But the report makes the important point that you can't solve 6 feet of sea level rise simply by building a bigger dam on the Charles River."
Like it says on the tin: a collection of Beautiful Maps. I wish there was some attribution attached to each map though. The map above is by Claude Bernou circa 1681. (via @khoi)
NASA has a new Soundcloud account with playlists like Rocket Engine Sounds, Solar System & Beyond Sounds, and Space Shuttle Mission Sounds. Here is the infamous Sputnik beep:
"Ok Houston, we've had a problem here":
And "one small step":
Rex Sorgatz wonders what sort of robots we'll build, R2-D2s or C-3POs.
R2-D2 excels in areas where humans are deficient: deep computation, endurance in extreme conditions, and selfless consciousness. R2-D2 is a computer that compensates for human deficiencies -- it shines where humans fail.
C3-PO is the personification of the selfish human -- cloying, rules-bound, and despotic. (Don't forget, C3-PO let Ewoks worship him!) C3-PO is a factotum for human vanity -- it engenders the worst human characteristics.
I love the chart he did for the piece, characterizing 3PO's D&D alignment as lawful evil and his politics as Randian.