The stodgy old New Yorker has a Twitter account and its friends are NPR, Harper's, Gothamist, Huffington Post, the NY Times, and the WSJ, among others. Magazines should have friends, no? (Sniff, the WSJ has no friends.)
New Yorker Conference
I'll be at the New Yorker conference today and some attempt to provide an alive weblogging of the goings-on will be made. On the slate are kottke.org tagholders David Remnick, Rebecca Mead, David Chang, Malcolm Gladwell, and James Surowiecki.
Our collective recent history, online
In past few years, several prominent US magazines and newspapers have begun to offer their extensive archives online and on DVD. In some cases, this includes material dating back to the 1850s. Collectively it is an incredible record of recent human history, the ideas, people, and events that have shaped our country and world as recorded by writers, photographers, editors, illustrators, advertisers, and designers who lived through those times. Here are some of most notable of those archives:
Harper's Magazine offers their entire archive online, from 1850 to 2008. Most of it is only available to the magazine's subscribers. Associate editor Paul Ford talks about how Harper's archive came to be.
The NY Times provides their entire archive online, most of it for free. Most of the stories from 1923 to 1986 are available for a small fee. The Times briefly launched an interface for browsing their archive called TimesMachine but withdrew it soon after launch.
Time Magazine has their entire archive online for free, from 1923 to the present.
Sports Illustrated has all their issues online for free, dating back to 1954.
The Atlantic Monthly offers all their articles since Nov 1995 and a growing number from their archive dating back to 1857 for free. For a small fee, most of the rest of their articles are available as well, although those from Jan 1964 - Sept 1992 are not.
The Washington Post has archives going back to 1877. Looks like most of it is for pay.
The New Yorker has free archives on their site going back to 2001, although only some of the articles are included. All of their articles, dating back to 1925, are available on The Complete New Yorker DVD set for $40.
Rolling Stone offers some of their archive online but the entire archive (from 1967 to 2007) is available as a 4-DVD set for $79.
Mad Magazine released a 2-DVD set of every issue of the magazine from 1952-2006.
And more to come...old media is slowly figuring out that more content equals more traffic, sometimes much more traffic.
Update: Nature has their entire archive online, dating back to 1869. (thx, gavin)
A look at the New Yorker magazine from the 1930s and 40s: the covers, the writers, the advertising, etc.
Speaking of podcasts, The New Yorker has a couple of interesting ones on iTunes: readings from the Fiction section and from the weekly Comment essay in Talk of the Town.
Did you enter the New Yorker's Eustace Tilley contest? If so, check your Flickr Mail to see if you've won!
The New Yorker's Eustace Tilley Contest just ended. Contestants were asked to design their own version of the New Yorker's monocled mascot; here are all the entries. The winner will be announced on Feb 4. (via waxy)
Parkour in New York
As part of this weekend's New Yorker Festival, a parkour demonstration was held at Javits Plaza. Before the demonstration, Alex Wilkinson talked with David Belle, the inventor of parkour and the subject of Wilkinson's NYer article about parkour from April. In the interview and the Q&A that followed the demonstration, Belle explained that parkour is not about competition or showing off or being reckless. It's a test of self, of control, of deliberate practice. The journey is the point, not the sometimes spectacular results.
The demonstration consisted of a group of about 20-30 parkour practitioners, beginners and experts alike from all over the country. It seemed as though they included anyone with parkour experience who showed up and wanted to participate, and instead of a highly polished display of high skill (which is what I think the audience might have been expecting), we were treated to a more authenic look at the sport. The first five minutes were taken up with calisthenics and stretching in preparation of the jumps and vaults to come. After warming up properly, they began running through the course, each participant picking his way through the course according to desire and ability.
Experimentation was the rule of the day, not performance. With each pass, you could see the group learning the particulars of the course, where the good holds were, finding smoother combinations, and, much of the time, trying and failing. And then trying again until they got it. There was a single woman participant, one of several beginners in the group. When she had some trouble with an obstacle, Belle and his "lieutenant" stopped to show her some moves, a moment that revealed more about parkour than Belle's jump across a ten-foot gap twenty feet off the ground. Belle himself didn't do too much during the performance -- a couple of high jumps -- and had to be coaxed during the Q&A to perform one last big move for the audience. He shrugged off the applause and attention as he back-flipped down to the concrete, knowing that the true parkour had taken place earlier.
Steve Reich like flypaper for aspies
From the letters to the editor in the Sept 24 issue of the New Yorker, a letter from John Yohalem, New York City:
I enjoyed reading Tim Page's essay on living with Asperger's syndrome: the insomnia, the social puzzlement, the obsession with various subjects to the exclusion of more common ones -- all are very familiar to me. ("Parallel Play," August 20th). Then came this description: "In the late nineteen-seventies, I saw a ragged, haunted man who spent urgent hours dodging the New York transit police to trace the dates and lineage of the Hapsburg nobility on the walls of the subway stations." I was the gentleman in question; although I didn't care about clothes, I don't think I was that ragged. I want to assure Mr. Page that I was never homeless or institutionalized (as he guessed), and I got only one ticket. Mr. Page and I had other things in common; like him, I was at the première of Steve Reich's "Music for 18 Musicians" at Town Hall. Unlike Mr. Page, I did not find this particular music's structure all-engrossing; I preferred to dance to it. At one performance of Reich's music at the U.S. Custom House, I danced alone around and around the central musicians. For someone as acutely self-conscious as I had been, this seemed a moment of glorious emergence, of living my own life in everyone else's world.
Here's Tim Page's piece on what it was like growing up with Asperger's syndrome.
So preoccupied are we with our inner imperatives that the outer world may overwhelm and confuse. What anguished pity I used to feel for pinatas at birthday parties, those papier-mache donkeys with their amiable smiles about to be shattered by little brutes with bats. On at least one occasion, I begged for a stay of execution and eventually had to be taken home, weeping, convinced that I had just witnessed the braining of a new and sympathetic acquaintance.
Of course Yohalem has a blog -- the 21st century equivalent to scribbling Hapsburg lineages on subway walls -- which has a more complete version of the above posted there.
Artist Lou Romano is on fire. He did the cover for the June 25th New Yorker and he's the voice for Linguini, the main human character in Ratatouille. Visit Romano's blog.
If you're unfamiliar with the alternate side parking shuffle that happens once or twice a week in most areas of NYC, Jen Bekman has a good description of it. I'm convinced the New Yorker would go out of business if it weren't for the shuffle...a lot of 6,000 word articles get read waiting for the meter maid to come around.
Analysis of a recent New Yorker cover, the one with the guy and girl standing in front of an abstract expressionist painting. "Rather than a couple in love with each other, with art, and with technological possibility, I see a boy with a toy, and a girl with patience. He is much more engaged with the devise; she curves demurely away." The phrase "boy with a toy, and a girl with patience" describes many American relationships, I think. (thx, david)
Update: The NYer cover is a reference to this Jan 1962 Saturday Evening Post cover by Norman Rockwell. (thx, maciej)
Great interview with Hendrik Hertzberg, who writes about politics for the New Yorker. "The quality of our members of Congress is lower than similar bodies in Europe. I don't think the moral qualities are lower, but in terms of experience and expertise and knowledge of the world, they're much lower. And it's lower because the geographic basis for advancement is qualitatively different than any other field. Imagine if our music industry were geographically based, if hits were proportioned by district. Or literature or business..."
Tomorrow's New Yorker today
I might be shooting myself in the foot by posting this, but the table of contents for the newest issue of the New Yorker is usually available on Sunday on newyorker.com, the day before the issue hits the newsstands and arrives in subscriber mailboxes. All you need to do is hack the URL of the TOC from the previous Monday. Here's the URL for the April 23 TOC:
http://www.newyorker.com/magazine/toc/2007/04/23/toc_20070416
"2007/04/23" is the date of the issue and "toc_20070416" refers to the date of the posting. This then is the URL for the April 30 issue:
http://www.newyorker.com/magazine/toc/2007/04/30/toc_20070423
At right is the cover for tomorrow's issue, which includes Adam Gopnik's piece on the Virginia Tech shooting, a new piece by Atul Gawande, and Anthony Lane's review of Hot Fuzz. Monday's New Yorker on Sunday is usually only available to the select few of the Manhattan media elite who are sped their new issues hot off the presses. Now everyone can have a similar experience on the web.
Enjoy.
When I saw the title for this article -- 'Most E-Mailed' List Tearing New York Times' Newsroom Apart -- I said, hey this is going to be pretty interesting. But then I click through and it's The Onion. Which is funny and all, but I'd rather read a real article on the effect the most popular lists have on the decisions made by the editorial staff at the Times, the New Yorker, and other such publications.
David Remnick may be the current editor of the New Yorker, but it's much-maligned former editor Tina Brown's team that's running the place. Love the comments at the end...the Gawker audience is almost shocked at something that's actually researched, longer than three sentences, and doesn't contain any overt drug references. Choire, you keep this up, I might have to start reading the site again.
Short profile of Atul Gawande, surgeon and writer, one of the few New Yorker contributers I make a point of reading every single time I see his byline. "I now feel like writing is the most important thing I do. In some ways, it's harder than surgery. But I do think I've found a theme in trying to understand failure and what it means in the world we live in, and how we can improve at what we do."
New Yorker site redesigned
The New Yorker redesign just went live. Not sure if I like it yet, but I don't not like it. Some quick notes after 15 minutes of kicking the tires, starting with the ugly and proceeding from there:
- Only some of the old article URLs seem to work, which majorly sucks. This one from 2002 doesn't work and neither does this one from late 2005. This David Sedaris piece from 9/2006 does. kottke.org has links to the New Yorker going back to mid-2001...I'd be more than happy to supply them so some proper rewrite rules can be constructed. I'd say that more than 70% of the 200+ links from kottke.org to the New Yorker site are dead...to say nothing of all the links in Google, Yahoo, and 5 million other blogs. Not good.
- The full text of at least one article (Stacy Schiff's article on Wikipedia) has been pulled from the site and has been replaced by an abstract of the article and the following notice:
The New Yorker's archives are not yet fully available online. The full text of all articles published before May, 2006, can be found in "The Complete New Yorker," which is available for purchase on DVD and hard drive.
Not sure if this is the only case or if the all longer articles from before a certain date have been pulled offline. This also is not good. - They still default to splitting up their article into multiple pages, but luckily you can hack the URL by appending "?currentPage=all" to get the whole article on one page, like so. Would be nice if that functionality was exposed.
- The first thing I looked for was the table of contents for the most recent issue because that's, by far, the page I most use on the site (it's the defacto "what's new" page). Took me about a minute to find the link...it's hidden in small text on the right-hand side of the site.
- There are several RSS options, but there's no RSS autodiscovery going on. That's an easy fix. The main feed validates but with a few warnings. The bigger problem is that the feed only shows the last 10 items, which isn't even enough to cover an entire new issue's worth of stories and online-only extras.
- A New Yorker timeline. Is this new?
- Listing of blogs by New Yorker contributors, including Gladwell, SFJ, and Alex Ross.
- Some odd spacing issues and other tiny bugs here and there. The default font size and line spacing make the articles a little hard to read...just a bit more line spacing would be great. And maybe default to the medium size font instead of the small. A little rough around the edges is all.
- The front page doesn't validate as XHTML 1.0 Transitional. But the errors are pretty minor...<br> instead of <br />, not using the proper entity for the ampersand, uppercase anchor tags and the like.
- All articles include the stardard suite of article tools: change the font size, print, email to a friend, and links to Digg, del.icio.us, & Reddit. Each article is also accompanied by a list of keywords which function more or less like tags.
- Overall, the look of the site is nice and clean with ample white space where you need it. The site seems well thought out, all in all. A definite improvement over the old site.
Thanks to Neil for the heads up on the new site.
I could read interviews with David Remnick all day long. "In many ways, the magazine that we're publishing every week reflects what I want to read or what the people around me - this group of editors - find amusing or deep, or funny, or intelligent or whatever." (thx, emdashes)
He's not a doctor, but he plays one on the web
The letters to the editor section of the New Yorker this week contains a correction to Stacy Schiff's piece in the magazine about Wikipedia from July 2006. The piece included an interview with Essjay who was described in the article as a tenured professor with a Ph.D. Turns out that Essjay wasn't exactly who he said he was:
At the time of publication, neither we nor Wikipedia knew Essjay's real name. Essjay's entire Wikipedia life was conducted with only a user name; anonymity is common for Wikipedia administrators and contributors, and he says that he feared personal retribution from those he had ruled against online. Essjay now says that his real name is Ryan Jordan, that he is twenty-four and holds no advanced degrees, and that he has never taught.
The full editor's note is appended to the original article.
Rebecca Mead's new book on the state of weddings in America is available for preorder on Amazon. Mead writes for the New Yorker; the book is out in May. "Mead takes us into a world populated by Bridezillas, ministers-for-hire, videographers, and heirloom manufacturers, exposing the forces behind the consumerist mindset of the American bride and the entrepreneurial zeal of the wedding industry that both serves and exploits her. "
How the newspaper gets made: 1. The Washington Post runs an article on Dec 24, 2006 about how the New Yorker picks its cartoons, which article mentions in passing that several of the magazine's cartoonists gather weekly at a Manhattan restaurant. 2. Three weeks go by. 3. The NY Times publishes a piece profiling said weekly gathering of the cartoonists at the Manhattan restaurant.
Back in the late 60s and early 70s, the New Yorker serialized the first chapter of James Joyce's Ulysses in the theater listings for long-running productions. "In 1970, New Yorker edidor Gardner Botsford explained to Time magazine that he began the serialization of Ulysses because he got bored writing the same straight capsule reviews week after week."
How the New Yorker picks its cartoons. "The funniest cartoon is not necessarily the best cartoon. Funnier means that you laugh harder, and everybody's gonna laugh harder at more aggressive cartoons, more obscene cartoons. It's a Freudian thing. It gives more relief. But is it a better joke? To me, better means having more truth in it, having both the humor and the pain and therefore having more meaning and more poetry."
Chan Marshall (AKA Cat Power) on the Richard Avedon photo of her in the New Yorker: "I was so drunk I could barely stand up. I couldn't zip up my pants because my stomach was killing me. I didn't even realize I wasn't wearing underwear until the magazine came out." (via conscientious)
Slate has gone to the dark side by splitting up their articles into multiple pages. I hate this reader-hostile bullshit. At least they have a single page option. But why not have that as the default and have the pagination be the option? (That was rhetorical, btw...the reason online pubs split stories up is to increase ad views.) (thx, john)
This week's New Yorker features 4 different Thanksgiving-themed covered by Chris Ware. Collect them all! This one's my favorite.
Looks like a good issue of the New Yorker this week, including a profile of Will Wright and a review of Steven Johnson's The Ghost Map.
Praise be! The New Yorker seems to have reversed their position on splitting their articles up into multiple pages...the articles from this week's issue all seem to be one-pagers (for example). Nice work.
Update: I spoke too soon...they are still doing multi-page articles. What I observed seemed to be a technological hiccup. Booo!!!
Fuck, this pisses me off: the New Yorker is splitting up their longer pieces into multiple pages (for example: Ben McGrath's article on YouTube). I know, everyone else does it and it's some sort of "best practice" that we readers let them get away with so they can boost pageviews and advertising revenue at the expense of user experience, but The New Yorker was the last bastion of good behavior on this issue and I loved them for it. This is a perfect example of an architecture of control in design and uninnovation. I want the New Yorker's web site to get better, not worse. Blech and BOOOOOOOOOOOOO!!!!
Update: Dan Lockton has some further thoughts on multi-page articles.
Update: The New Yorker seems to have reversed their opinion on the matter. Nice work.
Update: Nope, still busted. Crap.
Poincare conjecture battle continues
Last month I covered the hubbub surrounding the still-potential proof of the Poincare conjecture. The best take on the situation was a New Yorker article by Sylvia Nasar and David Gruber, detailing the barest glimpse of the behind-the-scenes workings of the mathematics community, particularly those involving Grigory Perelman, a recluse Russian mathematician who unveiled his potential Poincare proof in 2002 and Shing-Tung Yau, a Chinese mathematician who, the article suggested, was out for more than his fair share of the credit in this matter.
After declining the Fields Medal, the Nobel Prize of mathematics, Perelman has quit mathematics and lives quietly in his native Russia. Yau, however, is upset at his portrayal (both literally and literary) in the New Yorker article and has written a letter to the New Yorker asking them to make a prominent correction and apologize for an illustration of Yau that accompanied the article. From the letter:
I write in the hope of enlisting your immediate assistance, as well as the assistance of The New Yorker, in undoing, to the extent possible, the literally world-wide damage done to Dr. Yau's reputation as a result of the publication of your article. I also write to outline for you, on a preliminary basis, but in some detail, several of the more egregious and actionable errors which you made in the article, and the demonstrably shoddy "journalism" which resulted in their publication.
The letter, addressed to the two authors as well as the fact-checker on the article and CC'd to David Remnick and the New Yorker's general counsel, runs 12 pages, so you may want to have a look at the press release instead. A webcast discussing all the details of the letter is being held at noon on September 20...information on how to tune in will be available at Dr. Yau's web site. (thx, david)
The Guardian has a nice profile/interview of David Remnick. Incidentally, Remnick has a monster 25-page profile of Bill Clinton in this week's New Yorker...well worth reading if you can track down a copy of the magazine; consider this Q&A with Remnick about the article a tasty snack.
Emdashes has the lineup for the New Yorker festival. Lots of good stuff there....plus a "New Yorker Dance Party". Woo, sounds fun doesn't it, kids? Tickets on sale Sept 7.
Great interview with David Remnick, conducted just after he'd taken over at the New Yorker. I love this guy. (via emdashes)
The first of a monthly column by The New Yorker's head librarians, in which we learn that even the cartoons are fact-checked.
As the Village Voice explains, Silence of the City publishes Talk of the Town pieces that have been rejected by the New Yorker. When McSweeney's started off, didn't they publish work rejected from other newspapers/magazines? (via b&a)
Update: "McSweeney's began in 1998 as a literary journal, edited by Dave Eggers, that published only works rejected by other magazines." More here. (thx, steve)
New Yorker review of Chris Anderson's new book, The Long Tail. Oddly, there's no disclaimer that Anderson works for the same company that publishes The New Yorker. Not that the review is all synergistic sunshine; the last half pokes a couple of holes in Anderson's arguments.
Robert Birnbaum interview with Susan Orlean. Here's his first interview with her from 2001.
Update: I linked to this without reading it first, something I *never* do, but now that I've read it, there's really some great stuff in there about the writing process, magazines (specifically The New Yorker), and editing. And great quotes like "I'd rather work for Drunken Boat than for Time magazine, to be honest with you". Ouch for Time magazine.
The Chicago Tribune has published their list of the 50 best magazines of 2006. Top fiving it for you: The Economist, Dwell, Wired, The New Yorker, and ESPN the Magazine.
Audio versions of dozens of New Yorker articles. Perfect for the long morning commute (if I had a long morning commute). The same site also has audio versions of several other publications, including Wired, The Atlantic Monthly, and Scientific American. What a great resource. (via rw)
Update: Get them all at once, instructions here.
kottke.org isn't a "particularly confessional site", so I'll let the New Yorker's Rebecca Mead fill you in on what Meg and I have been up to for the past 6 years or so. Here's the illustration that appears with the print version of the article. Rebecca's original article from November 2000 (mirror). Here's a small interview I did with Rebecca in 2001 concerning her take on weblogs. Oh, and I quite liked Gawker's piece on what you'll be reading in the New Yorker for the next 40 years.
Writer Roger Angell on a leisurely approach to reporting. "Shawn didn't have a sense of deadline. [David] Remnick now wants it next week, which is fine. It's that sort of a magazine, and I try to oblige. Shawn thought, Everybody knows what the news is; now tell us something else about it." More on William Shawn.
Media kit for the New Yorker, including an issue calendar, circulation stats, and advertising rates & specifications. Only 4% of their circulation is via the newsstand...that's a lot lower than I would have expected. Vogue's newsstand rate is ~36% and Wired's is ~13%.
Interview with David Remnick about the revitalization of the New Yorker and what exactly it is that makes that magazine unique. "My principle in the magazine - and I am not being arrogant - is that I don't lose sleep trying to figure what the reader wants. I don't do surveys. I don't check the mood of the consumers. I do what I want, what interests me and a small group of editors that influences the way of the magazine." (thx, george)
Email correspondance between members of The New Yorker staff and one of Caitlin Flanagan's sources in writing this story about Mary Poppins' author P.L. Travers. The source, Travers biographer Valerie Lawson, wrote a letter to the editor complaining that Flanagan had not properly attributed items in the story to Lawson. "The exchange offers a glimpse at the sausage-factory aspect of how the magazine handles complaints, and raises interesting questions about what journalists owe, in terms of recognition, to their sources."
Michael Bierut on the "slow design" of the New Yorker. "In contrast, one senses that each of the changes in The New Yorker was arrived at almost grudgingly. Designers are used to lecturing timid clients that change requires bravery. But after a certain point -- 80 years? -- not changing begins to seem like the bravest thing of all."
In-progress ideas for New Yorker cartoons. "Or some other recent culture reference. Or something involving wine, or Europe."
The New Yorker has posted online Brokeback Mountain, the 1997 short story by Annie Proulx on which the Jake Gyllenylnllynyyllhaal / Heath Ledger / Ang Lee film is based.
Harsh review of the user interface for The Complete New Yorker. My experience was better (changing issues took me only a few seconds), but the interface does leave a lot to be desired.
The right of Conde Nast to sell The Complete New Yorker (which is completely awesome from a content standpoint, BTW) without paying authors for republish rights is a gray area legally. National Geographic has stopped selling a similar collection because of the unsure legal terrain.
Peter Schjeldahl, in a harsh review of graphic novels for the New Yorker (with particular contempt for Harvey Pekar), suggests that the artistic breakthrough of graphic novels has occurred, been recognized, and "that a process of increasingly strained emulation and diminishing returns has set in", citing Chris Ware's Jimmy Corrigan as the form's peak. Here's a positive review of Ware's newest collection.
Here's the formula for a New Yorker cartoon: take a person/entity from Column A, and have them interact with a person/entity from Column B in a location from Column C. Voila, comedy jackpot!
The writer of this blog hates the New Yorker, especially the David Denby part of it. From reading the site a bit, it seems to me that they actually like the NYer, but wish it were better, a feeling which I've had for several things in my life.
The August 22nd issue of the New Yorker (which comes out on, duh, August 15th) will contain ads from only one advertiser, Target.
Future winners of the New Yorker cartoon caption contest. "I love being wealthy in the Hamptons."
