@ the movies
The Darjeeling Limited is the first Wes Anderson movie since Rushmore that I've really liked after seeing it for the first time. The Royal Tenenbaums and The Life Aquatic both took another viewing (and now I love them both).
Two more Wes Anderson/Dareeling things and then I think we're done for awhile. Marc Jacobs created the luggage and the fashion "look" for Darjeeling:
The result is a large set of tawny luggage and a trio of suits with matching back belts and angled cuffs for the three main characters, played by onscreen brothers Owen Wilson, Adrien Brody and Jason Schwartzman. Once again, as in Anderson's previous films like "Rushmore" and "The Royal Tenenbaums," the cast wears one look throughout the film. "I like actors to have costumes that help them to get into character," says Anderson. "Whether it's a good idea or not, I tend to give them uniforms."
See also How to Dress Like a Tenenbaum from Esquire in 2002. The Onion A/V Club recently interviewed Anderson. His response near the end about his commercial work is interesting.
Video montage of all the handjob references from Rushmore. (via fimoculous, which I can finally spell without looking it up on Google)
The review of the Criterion DVD of Rushmore I posted yesterday mentioned a NY Times article written by Wes Anderson about him screening Rushmore for legendary film critic Pauline Kael. The original is behind the Times paywall, but a Clusterflock commenter posted a copy. After reading it, I don't get the hostility that other film critics directed at Anderson because of it.
Thoughtful review of the Criterion version of Rushmore. "Anderson also serves as a convenient target for people who don't like people who like movies by Wes Anderson. [...] When you get past the extraneous bullshit surrounding Anderson's films, the crux of disagreements about him reminds me of disagreements over David Foster Wallace (or Dave Eggers, or Thomas Pynchon, or even Vladimir Nabokov). It comes down to this: Are Anderson's stylistic tricks and distracting plot elements smoke and mirrors, or do they bring something unique to the stories he's telling? In the case of Rushmore, I think the answer has to be the latter." I get the feeling you could learn a lot about film by reading Matthew's reviews of the Criterion Collection.
