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kottke.org posts about Dan Wang

When the Ceiling Gets Lower

Technology analyst & scholar Dan Wang was one of the folks on the walk and talk I did in northern Thailand back in December. In his annual letter for 2023, Wang recapped the walk, using it as a jumping-off point for his wheelhouse topic: China. Most interesting to me were his observations about the trend of Chinese moving abroad, including to Thailand.

Many people still feel ambivalence about moving to Thailand. Not everyone has mustered the courage to tell their Chinese parents where they really are. Mom and dad are under the impression that they’re studying abroad in Europe or something. That sometimes leads to elaborate games to maintain the subterfuge, like drawing curtains to darken the room when they video chat with family, since they’re supposed to be in a totally different time zone; or keeping up with weather conditions in the city they’re supposed to be so that they’re not surprised when parents ask about rain or snow.

There still are some corners in China that are relatively permissive. One of these is Yunnan’s Dali, a city on the northern tip of highland Southeast Asia, where I spent much of 2022. There, one can find the remnants of a drug culture as well as a party scene for an occasional rave. But even Dali is becoming less tenable these days since the central government has cottoned on that the city is a hub for free spirits. The tightening restrictions emanating from Beijing are spreading to every corner of the country. “China feels like a space in which the ceiling keeps getting lower,” one person told me. “To stay means that we have to walk around with our heads lowered and our backs hunched.”

I also recently read this piece about The Chinese Migrants of Chiang Mai by Amy Zhang (via Jodi Ettenberg)

What strikes me is how Thailand’s porousness โ€” the fluidity of entries and exits due to the comparatively lax visa processes compared to other countries โ€” mean that while some can stay and enroll their kids in school here, some may go back to China after a long visit, carrying new ideas and experiences with them home. And in this case, it’s Chinese feminism being discussed in Chiang Mai, while feminist and LGBTQ+ groups are being increasingly suppressed in China itself.

The sentiment in that line quoted by Wang โ€” “China feels like a space in which the ceiling keeps getting lower” โ€” probably feels quite familiar to many here in the United States, particularly women, LGBTQ+ folks, and their families living in states with increasingly draconian laws around bodily autonomy.

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Philip Glass: Words Without Music

Philip Glass by Chuck Close

I thought I’d posted about Philip Glass’ new memoir, Words Without Music, when it came out back in April, but I can’t find anything in the archives, so let’s do it right now. I was reminded of it after reading this review by Dan Wang, which pushed Glass’ book to the top of my queue.

These biographical details are manifestations of a quality I admire. Glass never needed much convincing to drop everything in his life to go on a risky venture. I’m not familiar with the many plot twists in his life, and found the book engaging because I had no idea what new adventure he was going to go on next. It’s astonishing how open-minded he is. Consider: His decision to go to India was based entirely on seeing a striking illustration in a random book he grabbed off a friend’s shelf. In addition, he never hesitated to go into personal debt, at times quite steep, because his music couldn’t wait. The book is filled with instances of him saying “sure, when?” to improbable proposals without dwelling on their costs.

He seemed uninterested in stabilizing his position with more regular income. He never took up an honorary conductor position. He never ensconced himself in a plush conservatory professorship. And he didn’t even apply for grants because he didn’t like that they imposed terms.

See also the 2007 documentary Glass: A Portrait of Philip in Twelve Parts. (via mr)