This site is made possible by member support. ❤️
Big thanks to Arcustech for hosting the site and offering amazing tech support.
When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!
kottke.org. home of fine hypertext products since 1998.
In a post on his great blog, The Year in Pictures, James Danziger discusses some of the photography featured in a forthcoming book, The Final Four of Everything, including Danziger’s own selections for Iconic American Photographs. The Final Four of Everything seems to be a sequel of sorts to The Enlightened Bracketologist by the same authors…or perhaps just the same book with a much better title.
James Danziger notes that the issue of Vogue Italia following the acclaimed issue featuring only black models has zero black models in it.
How absolutely great, but now the August issue is out — themed around a faux funeral photo tribute to Yves Saint Laurent — and there’s apparently not one black model to be found. This is especially ironic given the fact that Yves Saint Laurent was one of the first major designers to regularly feature black models in his runway shows. You would have thought they could have found room to at least fit Naomi Campbell in somewhere. Wouldn’t she look chic in widow’s weeds? This kind of tokenism ultimately seems a step backwards to me.
In July 1968, a train delivered the body of Robert Kennedy from NYC to Washington D.C. so that he could be buried in Arlington National Cemetery next to his brother. Photographer Paul Fusco was on that train and shot a bunch of photos of the hundreds of thousands of people that spontaneously turned up along the train route to mourn Kennedy, photos that were recently rediscovered. Fusco narrates a slideshow of the photos.
The amazing photos will be on display at Danziger Projects from June 6 - July 31…Danziger has more about the photos — which he calls “my favorite body of work in photography” — on his blog.
I’ll let the pictures speak for themselves, but I’ll also tell you the only area where Paul and I disagreed. For Paul, the event and the photographs represented the end of hope. To me they represent the indomitability of the American spirit.
Either way, the photos are powerful but also show the ordinary American-ness of that time period.
James Danziger presents a short history of subway photos, starting with photos of sleeping Japanese salarymen on trains and then moving to Walker Evans, Bruce Davidson, etc. Some of my favorite subway photos are from the Moscow subway…Stalin look-a-likes, huge guitars, and many sleeping people.
Stay Connected