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kottke.org posts about The Mandalorian

Fans Build Life-Size Model of the Razor Crest from The Mandalorian

posted by Jason Kottke   Mar 17, 2021

Some Star Wars fans in Yakutsk, Russia (aka one of the coldest inhabited places on Earth in the winter) spent the last few months building a life-size replica of the Razor Crest spacecraft from The Mandalorian. It was self-financed at the beginning (one of the creators sold his car) but attracted some sponsorship as construction progressed.

Spaghetti Western Trailer for The Mandalorian

posted by Jason Kottke   Jan 21, 2021

Just as the original Star Wars movie was inspired by Flash Gordon and Kurosawa,1 The Mandalorian is modelled on the western — a lone gunfighter makes his way through the wilderness to protect the innocent. As Mando star Pedro Pascal put it: “I think that George Lucas played with the Western undertones with the first movie, ‘Episode IV,’ and now they’re taking the suggestions of that tone and infusing it with steroids.” So naturally, it’s a great idea to make a trailer for The Mandalorian in the style of a Sergio Leone spaghetti western, complete with music by Ennio Morricone. Il Mandaloriano!

  1. Lucas made Star Wars because he couldn’t get the rights to do a Flash Gordon movie. Who knew that “Flash Gordon as a samurai film” would be such a lucrative idea?

Virtual Sets Are Replacing Green Screens

posted by Jason Kottke   Nov 13, 2020

The green screen is a staple of visual effects for movies and TV. You film actors in front of a green or blue screen and then use digital editing technology to replace the solid color with any background you’d like. But as Phil Edwards explains in this video, the effects teams for some movies and shows (like Disney’s The Mandalorian) have swapped green screens for virtual sets. In lieu of block colored backgrounds, the actors are surrounded by massive LED panels that display the background and background action so everything can be filmed in one go.

It’s a pretty cool technique. Among the benefits of such a system: you get the “natural” light from the LEDs falling on the actors and other objects in the scene, so you don’t need to add it in later digitally or use extra on-set lighting.