I canāt remember where I heard about this, but judging by the trailer, Hope by Korean director Na Hong-jin looks pretty good.
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I canāt remember where I heard about this, but judging by the trailer, Hope by Korean director Na Hong-jin looks pretty good.
For New York magazine, Emily Gould writes about her quest to cry again: I Miss My Tears (archive).
I looked over at my husband, Keith, whose eyes were red, and felt ⦠nothing. Not a clench in my chest, not a pang, not an incipient burning behind my eye sockets. It wasnāt totally surprising; by this point, I hadnāt cried for more than three years.
Iād started to suspect that something was wrong with me when a friend Iād known since childhood died and I didnāt shed a tear. I sat at her memorial service and felt something worse than nothing ā a calcified layer around where feeling should have been, as if something were trapped in my body with no hope of emerging on its own. I noticed the absence at other times I would usually have sobbed. A late-night fight with my husband, at the point where any other form of communication feels impossible. Fifth-grade graduation, when the valedictorian thanked her teachers for helping her when she was going through chemo. Pixar movies, Call the Midwife, Sarah McLachlan singing āin the arms of the angelā ā none of it moved me to tears. I wasnāt a monster, I was pretty sure. Something was wrong with me. I craved the cleansing sensation after the tears stop, that feeling in your sinuses thatās like youāve been swimming in the ocean. The boneless relief that comes after sobbing has ceased to wrack your body and you can finally rest, absolutely drained. I had no idea what it would take to get back there, the place Iād been effortlessly able to access for the first 41 years of my life. But I would spend the next six months trying. I hoped it might even be fun.
I started taking an SSRI a few years ago with the goal of giving me enough space to approach lifeās challenges without feeling completely overwhelmed (by anxiety, by depression). The medication didnāt āfixā meā¦it just kept the train from derailing all the time (sometimes over the smallest things) and gave me the freedom to work through things on my own and with my therapist.1
I was lucky to land on a good med/dose combo on my second try ā the first pill I tried made me feel jittery and more anxious than I already was. But my current med does come with a couple of side effects. My sex drive is lower than it was (although that could also be age), which is not altogether unpleasant ā a quieter mind in charge of things instead of a libido. The other side effect is that I donāt cry anymore, at least not as easily.
Crying is something I took up after my kids were born. Not often, but once every few weeks maybe. I cried when things got hard and for awhile, things were hard a lot of time: pandemic, parenting insecurity, divorce, living somewhere that really didnāt suit me, and always always the website & the discomfort of being an odd sort of “public figure”. Watching any movie with parents and kids (esp. dads and sons) got me ā heck, even some Marvel movies got me. In sessions with my therapist, I cried when weād hit a particularly tender vein of pain. As Gould says, the crying was cathartic and felt necessary ā I always felt better and clearer afterwards.
But thatās mostly stopped since Iāve been on my meds. I still get sad, although less so, but I donāt cry. Movies donāt really get me going anymore. When my kids are struggling (in school, with friends), that gets me the closest. I miss that release ā I feel a little pent-up sometimes. But I wouldnāt trade crying again for how I felt in the Before Times. Iām ok not having access to crying ā at least for now.
I don’t usually talk about this sort of thing on the site and I don’t quite know why I’m talking about it now ā Gouldās openness makes it easier maybe. And it may help someone else to hear about my experience? ā©
Chimpanzees use tools to collect food and deliberately teach other chimps (often their offspring) to use them for ant dipping, algae fishing, and termite fishing.
This maddening little web toy on vole.wtf challenges visitors to draw a perfect circle and judges them on how well they do. After dozens of tries with a mouse, I could only manage 92.9% perfection (which looks more like 80% tbh).

Then I tried it on a touchscreen and got much closer: 95.2%. Several more tries with an Apple Pencil bumped it up to 97.7%, after which I retired so as not to waste the entire rest of my afternoon on this.
And of course, here’s the classic video of Alexander Overwijk drawing a perfect freehand circle on the blackboard in about a second.
I love everything about this video ā the way he swings his arm to warm up, his drying-the-blackboard flapping motion, and the ease of his perfection. 100.0%. (via sam potts)
Some advice on giving good advice. āNot every situation warrants advice. Sometimes, the person just wants to gauge a reaction or to share.”


I love these black & white photos of Devils Tower by Zac Henderson.
A butte of a rare kind of volcanic rock that formed a mile underground 50 million years ago, Devil’s Tower is visible now thanks to erosion of sedimentary rock. The tower features the worldās largest known example of columnar jointing. Its massive stone columns, as much as 10 feet in diameter, formed as magma cooled and contracted, creating great stress that the rock alleviated through fracturing. The columns come in 5, 6, and 7 sided varieties.
These photographs were captured over the course of 3 days with the ultimate goal of capturing the full moon streaking behind the tower. The black and white images in this series were captured late in the day while waiting for the moon to rise. These photographs were captured in 830nm infrared and helped create intense contrast between direct sunlight and shaded regions of the image. The resulting set of photographs are a study of afternoon light and shadow on the surface of the tower.
If you ever get the chance to see Devils Tower in person, I recommend it. (via colossal)
TIL they can do wing replacements on injured butterfliesā¦just take a look at this repair video.
Engaging read on how the Bugs Bunny cartoon Whatās Opera, Doc? was made. “To get the extra work done, Jones and his crew secretly shaved a couple weeks off other, easier films and faked their time cards. It was something they did on occasion.ā
The 25 Photos That Changed Fashion Forever. āIt didnāt matter if an image was meant as a fashion photograph, so long as the picture later inspired a designer, collection or trend, or it changed how we might think about style.”
Just a short note to say that because of some internet scammer shithousery, I had to bulk-unsubscribe a bunch of email addresses from the KDO Newsletter subscriber rolls. If you subscribed to the newsletter back in Dec 2025 and donāt get the next issue (which Iām sending out a few hours after posting this), you might need to sign up again. Sorry for the inconvenience ā my email account got flagged and I needed to rectify this pronto. š
For the rest of yous: youāre doing great, stay the course. If youāre not subscribed to the newsletter and you like reading things in your inbox for some reason, you can subscribe as well. The newsletter goes out twice a week and includes links to everything I post here. Thanks.
A thoughtful review of Nolanās The Odyssey, comparing it to the original Planet of the Apes movies. “I was very influenced by seeing The Planet of the Apes when I was a kid. We had the Statue of Liberty half destroyed. That idea of a fallen monument.”
I always learn so much from Evan Puschakās videos about art. In this one, he takes a look at the work of Mary Cassatt, who, unlike many of her male peers, used the flattened perspective of Impressionism to reveal the thoughts and feelings of her subjects.
Like Manet, she’s dispensing with traditional modeling and perspective. In fact, her choice of a mirror as background is a brilliant way to literally and figuratively foreground the deceptive nature of perspective. Like Degas, she’s exploring the changing effects of artificial light on flesh and fabric. And she’s experimenting with off-kilter viewing angles.
But Cassat isn’t just adopting these techniques for the sake of it. She’s putting them to work in service of her deeper interest in psychology. She realizes that by not allowing the viewer to get drawn into the narrative space opened up by perspective, this new style of painting actually makes it possible to depict the subtle psychology of everyday life, a psychology uncontaminated by allegory or sentimentality. The trick was to combine the immediacy of Manet’s methods with a meticulous observation of posture, gesture, expression, and activity.
3D models for every single object in Katamari Damacy, all 1680 of them. You can download models and animated gifs of each one.
Ross Anderson on NASAās recently launched Nancy Grace Roman Space Telescope, which may “be able to deliver the first direct images of distant planets in visible lightā as well as measure the effects of dark energy.
Canyon Groove. What if the grooves on a record were shaped like actual canyons? What would that sound like? “The floor sets the key. The shape of the walls sets the mood. The width sets how long one pass takes, and the depth sets the echo.”
So that companies can use them to make accessories like cases and bands, Apple maintains a collection of downloadable dimensional drawings and tech specifications for many of their products, including the iPhone, AirPods, Watch, and iPad. They are beautiful.




I love their corner & edge measurementsā¦you can see how fiddly Apple is with their curves. Curiously, the only Mac listed is the Macbook Neo. I guess thatās the only one that needs accessorizing?
Also, I presume if youāve got a 3D printer, you could use these to make your own very precise accessories?
What’s your “origin” video game? “I’m talking about the game that flipped that little switch in your brain and made you into a life-long gamer.ā Mine is Lode Runner. Reflexes + puzzles + constraints + make-your-own levels = hooked for life. You?
TIL Victor Hugoās Notre-Dame de Paris (aka The Hunchback of Notre-Dame) was written in part to help save the cathedral from demolition.
“The best next steps are the concrete ones: Big AI needs to follow all current lawsājust like everyone else. So farāthey havenāt. When Big AI breaks those laws, they must face prosĀeĀcuĀtion and penalĀtiesājust like everyone else. So farāthey havenāt.”
Ed Sheeran tried to stay neutral on a moving train. “If [celebrities] remain neutral (silent), they wonāt offend anyone and they will, hopefully, appeal to everyone. They use the facade of neutrality as shelter, as a place to take refuge.”
Monopoly as a metaphor for racial inequity. āDuring the first half of the game, we said that Cas and I could buy property, but you could not, then halfway through the game, we say, ‘Now the rules are even. Now the rules are the same for everybody.’”
Relationships are key to human happiness. “The top five [determinants of subjective well-being], ranked in order of impact, were romantic and familial relationships, financial situation, work, community and friends, and health.”




In the 70s, photographer Langdon Clay took photos of cars parked on NYC streets at night and compiled them into a project: Cars, New York City | 1974-1976.
Using his Leica CL, Kodachrome 25, and a 40 millimeter lens, Clay traversed the streets of 1970ās Manhattan finding automobiles that paralleled their environment. The cinematic images are a result of time exposure, sodium vapor street lights, and the tenacity of youth.
Luc Sante wrote about Clayās car photographs for the New Yorker:
One of the things that used to make America so distinctive was its cars. If you lived there, you would really have to go abroad for a while and then come back to appreciate the difference. In most countries of the world, cars were modest things, little bean-shaped units designed to take two or three people from here to there. In America, cars were real estate. They were enormous boats in which you could eat, sleep, make love, change clothes, throw parties, maintain an office, practice unlicensed dentistryāor take your six best friends out for a spin. They were a testament to America’s unlimited natural resources: oil, steel, rubber, naugahyde, and, above all, space. American cars could be so huge because the nation’s highways were endless, its city streets were wide, and there was abundant free parking everywhere you went. And that included New York City then, since most of its population took the subway.
A 2016 book featuring these images is out of print, but you can find copies for several hundred dollars. (via atlas obscura)
The Film Experience is a free online course from MIT about movies & cinema. “This course concentrates on close analysis and criticism of a wide range of films, from the early silent period, classic Hollywood genres including musicals, thrillers…”
I didnāt know Beehiiv had a program to support independent journalists. Members get access to tools, a health insurance stipend, legal protection, and waived hosting fees. Oh, and they donāt proudly host Nazis like Substack. āļø
Imagine playing chess against a seven-year-old whoās dancing around and barely paying attention to the board (bc itās all in her head) and she just casually checkmates you like this. Oof.
Oh my goodness, I love the look of these cups.



They were made by Indonesian potter Nabila Nareswari using the nerikomi technique. From her about page:
Nerikomi is a technique in pottery that creates decorative patterns by stacking, rolling, and slicing colored clay. Patterns produced by it are structural rather than painted on, which allows the potter to make detailed images or complex repetitive patterns on both sides of the clay slabs.
Nareswari posts videos of her process on Instagram; it is painstaking.
Nerikomi takes a lot of patience and heart š¤
I think Iris is the epitome of trusting a process. No other work of mine takes as much patience as these lovely mugs and cups do. There isnāt really a shortcut to having them done quicker, you just have to do one thing after another, after another, and before you know it, itās there in your hands! Albeit two months laterš
She has a shop but all of her Iris collection is currently sold out.
In Prison, White Supremacist Literature Is Required Reading. “White supremacy welcomed his rage, and that made it irresistible.ā Excerpted from Cast Out: A Call for a Forgiving Society in an Age of Incarceration by Joseph Margulies.
“Starring Genden Phuntsok, Tom Hiddleston, and Willem Dafoe, Tenzing follows the true story of Tenzing Norgay and Edmund Hillary’s historic first summit of Mount Everest. History remembers the summit, but not always the man who made it possible.”
I believe I have featured login.jp_ here before ā they pair electronic music with different locations around Japan to highlight the Japanese experience. For their latest video, they had English DJ & producer Bonobo play some downtempo ambient electronica in a Shinjuku dyeing workshop.
Standing on a street corner in the middle of Shinjuku, Fujiya Senkobo has preserved one of these techniques, known as hikizome or brush dyeing, for over 70 years. Dyeing is a traditional local industry in Shinjuku dating back to the Taisho period, and about 40 dyeing workshops still exist in Shinjuku Ward today. Composing patterns in his mind and dyeing extended fabrics with a brush, Takatoshi Nakamura, the third generation owner, states that staying sharp and maintaining perfect physical health are essential in hikizome, where mistakes are simply not permitted.
This story, about a dressage trainer who shot his female student and got away with it, is completely bonkers. “Largely through the medium of Facebook, Kanarek had driven Barisone mad.”
I am stunned that we are still finding new species of cat in 2026. “The analysis revealed that the sanctuary cat belonged to a previously unrecognized species whose lineage split from its relatives about 1.4 million years ago.”
Cole Escolaās Broadway smash Oh, Mary! is coming to HBO in 2027. Excited for thisā¦Iāve never seen the play.
Amazing piece by Nikole Hannah-Jones about the betrayal her child felt at her school choice. “So you had money to send me to one of the best schools, and you chose not to? Because other kids are disadvantaged, you didnāt want to put me in a great school?”
New novel from Emily St. John Mandel (Station Eleven): Exit Party. “Los Angeles, 2031: The first spring after the collapse of the United States, peacekeeping troops withdraw from the city, the Jacaranda trees blossom, and the curfew is finally lifted.”
Wes Anderson steps into the mobile Criterion Closet to select some films that he enjoys.
One unsurprising thing about this video: Anderson says he has his own Criterion closet at home with all of the Criterion films. Thatās maybe a $40-50K investment? (He probably gets them free from Criterion tho.) I wonder how many films he watches a day? Two? Three? If Soderberghās yearly watch/read lists are any indication, itās probably in that ballpark.
One surprising thing about this video: I was expecting Anderson to go for Kurosawa, Tati, Truffaut, Welles, and some other of his big influences but instead selected family friendly fare suitable for a trip. The man has a wide array of influences. Hereās the full list:
The 39 Steps (Alfred Hitchcock, 1935)
The Red Shoes (Michael Powell and Emeric Pressburger, 1948)
Heaven Can Wait (Ernst Lubitsch, 1943)
Design for Living (Ernst Lubitsch, 1933)
The Lady Eve (Preston Sturges, 1941)
Stagecoach (John Ford, 1939)
Flow (Gints Zilbalodis, 2024)
Tootsie (Sydney Pollack, 1982)
Charulata (Satyajit Ray, 1964)
I love seeing Flow on there. What a great little film.
See also Wes Anderson Talks Up Some of His Favorite Movies in a Parisian Video Store and this delightful video from 20 years ago or so featuring Anderson and Jason Schwartzman picking out music & movies in a Borders:
“The clan of predators currently in charge of the U.S. federal governmentā are striving to make the world safe for grift, corruption, and theft, with their mob boss president leading the way.
Artist Maya Barkai assembled a collection of pedestrian traffic signals from around the world: Walking Men Worldwide.




I love all of these little people. The Warsaw one reminds me somewhat of Rocky from Project Hail Mary. Some of the ones from smaller places have more personality, but I feel like the New York and Boston ones are my favorites aesthetically. Weirdly, the iconic German AmpelmƤnnchen isnāt among the crowd here.
A screenprint of the collected pedestrian people is available on the Walking Men Worldwide website. (via @jessicabrillhart)
Instant click for me: how NYC street signs are made. “The sign shop…has a staff of 46 workers, including seven letterers who lay out signs by hand and a blacksmith who makes custom brackets to securely attach signs to traffic poles.”
The History of Concrete, a new documentary film by John Wilson, who one review called āthe Werner Herzog of the mundaneā. This looks great!
Review of a new book on Stephen Hawking. “The uncomfortable truth is that Hawkingās overweening ambition and self-promotion, his repeated failure to acknowledge the work of others, his sexism and controlling behaviour were largely ignored…”
Uruguayan birder Juan Pablo Culasso, who was born blind, has been recording and collecting bird songs for more than two decades.
I think that because Iām blind, I enjoy birds differently. Bird songs are my way of appreciating and understanding this world.
Culasso is aided in his quest by his incredible sense of of hearing:
Culasso is blind, but his hearing is so acute (he has absolute pitch) he can identify over 3,000 components of birdsong and differentiate among more than 700 species in his native South America (he’s Uruguayan). Ten years ago, he won a $45,000 prize in a National Geographic competition by accurately identifying 15 random bird calls.
You can find dozens and dozens of his recordings on Spotify. Filmmaker Johnny Holder made a 22-minute documentary film that features Culasso called Sonora; you can watch it on Vimeo. (via the kid should see this)
From our own Edith Zimmerman for the New Yorker, some Updated Jane Austen Titles like Dead-Ass Karen and Red-Flag Baddie and Brain-Rot Third Space.
“Szilveszter Makóās surreal portraits have become nearly as recognisable as the celebrities he photographs.” But: “Artists who become successful for a signature style are then accused of monotony for being hired to reproduce it.”
This is a video of Nirvana playing Smells Like Teen Spirit in a small club just two days after Nevermind came out in 1991. There’s a freight train bearing down on those boys and they don’t even know it. (via digg)
See also The Notorious B.I.G. freestyling on a Brooklyn corner at 17 and LL Cool J plays to a mostly empty gymnasium in Maine…he was also just 17.
Update: And here’s 40+ minutes from the same show at which they played Drain You, Polly, and Breed. (via @fimoculous)
New book from Ed Yong! Life Beyond Measure: Nature’s Hidden Wonders at Every Scale. “A bristlecone pine rounds the corner of its fifth millennium; shorebirds fly without stopping across the world’s largest oceanā¦ā Out in April, pre-order now.
Yes, this summer really was as hot as you think it was. This summer “was the hottest on record for the contiguous U.S., beating the previous champions of 1936 and 2021 by 0.4°F. Compared to the average over the 20th century, this summer was 3° hotter.”
By taking a camera, pointing it out the window of a train, and keeping track of how fast the train is moving, you can create very wide panoramic scans of the scenery.

Itās a little more complicated than that ā all the details are here ā but youāre essentially using the train (or ferry) as a massive flatbed scanner.
I knew from the start that I’d need to measure the speed somehow, but I was naĆÆvely hoping that I wouldn’t need to measure it that well and could simply fudge it. This image, however, shows that even small variations of speed matter. This was my first glimpse into how much of a pain dealing with speed would turn out to be.
I love little hacky projects like these.
Japanese architect Tadao Ando designed a floating childrenās library and donated it to Kagawa prefecture. “We created reading spaces throughout the ship. A large circular bench was placed on the rear deck, and children can even lie under the sun.”
The Rumpus Book Club event for this month is a conversation between Debbie Millman, Roxane Gay, and Emily Wilson about Wilson’s translation of The Odyssey. Sept 25th at 7pm ET on Zoom, free for all.
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