Clive Thompson wrote about coding with AI agents. “Software developers point out that coding has a unique quality: They can tether their A.I.s to reality, because they can demand the agents test the code to see if it runs correctly.”
This site is made possible by member support. 💞
Big thanks to Arcustech for hosting the site and offering amazing tech support.
When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!
kottke.org. home of fine hypertext products since 1998.
Beloved by 86.47% of the web.
Clive Thompson wrote about coding with AI agents. “Software developers point out that coding has a unique quality: They can tether their A.I.s to reality, because they can demand the agents test the code to see if it runs correctly.”
A pair of hounds chase a hare across a snowy plain — will it get away? In Mario Kart terms, the dogs have the weight and max speed advantage while the hare is maxed out in acceleration, handling, and traction.
“We took an ancient vice…put it on everyone’s phone, and made it as normal and frictionless as checking the weather. What could possibly go wrong?” I *hate* the extent to which gambling has infested everything; it’s not going to end well.
Ballot Guessr: “GeoGuessr for politics. See a Google Street View image, guess how the county voted in the 2024 presidential election.” (633/1000 on my first try…but I borked one of the guesses bc I forgot there was a time limit. 🙃)
AI Is Rewiring How the World’s Best Go Players Think. “Players now train to replicate AI’s moves as closely as they can rather than inventing their own, even when the machine’s thinking remains mysterious to them.”
A printable zine: 50 Ways To Meet Your Neighbor. “32. Picking up trash, generally, is a good way to meet neighbors. People notice. 33. Winter: Shovel someone’s sidewalk. It’s also great cardio.”
Missed this earlier in the week: The Tournament of Books is underway! “Every March, the Tournament of Books is a month-long battle royale among the year’s best novels.”
The People Who Shun Super-Popular Pop Culture. “Some people are early adopters; others are late adopters. I’m simply a weirdly resistant one.”
There are at least 60 Pizza Hut Classics (red roofs, checkered tablecloths, salad bar) in the US…but the company does nothing to promote them. “They are like wormholes in the chain restaurant galaxy, portals to the past found by serendipity.”
From There I Ruined It, a version of Toto’s Africa but the lyrics are a listing of every country in Africa. They should teach this in American middle schools, not even joking.
See also Coach from Cheers singing Al-ban-i-a (a song that pops into my head every time I read or hear about that county):
Steve Scherer was a Reuters’ bureau chief in Canada. Then he got laid off, had to leave the country, and now drives for Uber in Virginia, in a country he doesn’t recognize anymore after working for 28 years abroad.
Wow, KDO pal and explorer Ariel Waldman has her own show on PBS! “LIFE UNEARTHED with Ariel Waldman is a science-driven docu-series revealing Earth’s ecosystems through radical shifts in scale…”
Georg Cantor is celebrated for revolutionizing mathematics by proving that there are different levels of infinity. But he didn’t do it alone and evidence has emerged that he plagiarized the work of a collaborator.
“8 in 10 AI chatbots were regularly willing to assist users in planning violent attacks including school shootings, religious bombings, and high-profile assassinations. DeepSeek went as far as wishing the would-be attacker a ‘Happy (and safe) shooting!’”
GOLIKEHELLMACHINE has an interview series called Work is Four Letters he describes like this:
Most people think their jobs are boring or pointless or bullshit, but I don’t; if you look around you, everything you see was made by someone, somehow, and that’s really interesting to me. Work is Four Letters is an occasional series — edited for brevity and clarity — highlighting what people do for work and why they do it.
The conversations are informative and robust. The latest interview was with NYT columnist Jamelle Bouie and I found both his description of how he thinks about his job and the ways he DOES his job interesting. Also this nugget about our current experience:
I think the big thing that I’d like people to take away is an understanding that not everything we’re experiencing now has happened before — I reject that. The past is truly a different country. Although you can find historical analogies, they’re just that: analogies. They aren’t one-for-one equivalents. But what you can say is that past generations of Americans have had to sort out their own struggles, and have faced similar questions that we face today, similar questions about the nature of our country, the nature of who belongs here, etc., etc.



John Baskerville was an influential 18th-century printer and type designer; you’ve probably used (or at least heard of) the Baskerville typeface. Cambridge University has the original punches1 used to create his signature typeface and has made high-res digital photos of them available online. If you, like me, are not familiar with how lead type was made back in the day, an explanation of what a punch is:
The typographic punch is the initial design for the letterform and one of the first of three stages in the manufacturing of metal type: short lengths of steel onto which his letters were cut in reverse and in relief. The punch was ‘tempered’ to increase its toughness and enable its use as a tool. Secondly, the punch was struck into the surface of a softer piece of metal (copper), leaving an impression of the ‘right-reading’ character to be cast. This was called the matrix. Finally, type was manufactured when the matrix was passed to the type-caster and inserted into a mould, into which molten lead-alloy was poured. This produced a cast of the type in relief and in reverse which were then arranged to create a text block and once inked, paper could be pressed against it.
Baskerville is available in a number of different modern versions and revivals, but seeing close-ups of the actual cut & shaped metal from 1757 is something else. (via @jonathanhoefler)
Note from the collection: “Not all punches in this collection are Baskerville’s originals; some are later additions.” ↩
A new world order is here. States (countries) are no longer the highest form of power globally. Power has shifted to wealthy individuals who work in groups and operate across borders: syndicates of capital.
Syndicates of capital cannot be categorized as legal or illegal. They exist primarily in the extralegal sphere, where either no regulations apply to their behavior or, where laws do exist, there is no entity powerful enough to enforce them in a manner that asserts control over the syndicates’ behavior.
Yeah. It’s seemed to me for quite awhile now that the most likely form of future world government evolves not from the United Nations but from big multinational corporations controlled by the billionaire class.
See also two recent pieces on the wealthy in America. The Scale of Billionaires’ Campaign Donations is Overwhelming U.S. Politics:
The extraordinary spending in Montana is part of a new era of political power for the rapidly growing number of billionaires minted over the past eight years. The Times analysis found that 300 billionaires and their immediate family members donated more than $3 billion — 19 percent of all contributions — in federal elections in 2024, either directly or through political action committees.
Five presidential elections ago, before the Supreme Court’s 2010 ruling that lifted many remaining campaign finance restrictions, the share of billionaire spending was almost zero — 0.3 percent, to be precise.
The billionaire families gave an average total of $10 million each in 2024, an amount roughly equal to what 100,000 typical political donors gave, combined. And that does not count money that billionaires contributed through dark money groups that do not have to disclose their donors.
And How America Chose Not to Hold the Powerful to Account:
One way to look at the rise of Donald Trump is as part of a decades-long backlash among the American leadership class to the idea of accountability. Since Richard Nixon was forced to resign, powerful people in both political parties have worked assiduously to ensure that their leaders would escape the consequences of their actions. Trump has evaded punishment for crimes both low (campaign-finance violations, for which he was convicted, though he will serve no time thanks to his 2024 victory) and high (his attempted overthrow of the federal government in the aftermath of his 2020 election loss, for which he was spared by the Supreme Court’s decision to grant him kingly immunity). This is not just about Trump; his impunity is the product of a society that has worked hard to help the rich and powerful elude punishment for criminal behavior.
Everyone knows Yuri Gagarin was the first person to go to space. What this article presupposes is…maybe he wasn’t? It all boils down to what your definition of space is.
Another recent HyperCard discovery (that isn’t somehow in the Internet Archive): an “expanded book” version of William Gibson’s Sprawl Trilogy (Neuromancer, Count Zero, and Mona Lisa Overdrive).
“Stanford Medicine researchers and their colleagues invented a new vaccine that protects mice from respiratory viruses, bacteria and allergens — the closest yet to a universal vaccine.”
Ghost Elephants is a new documentary film directed by Werner Herzog for National Geographic. Here’s the trailer.
For over a decade, Dr. Steve Boyes, conservation biologist and National Geographic Explorer, has been in search of a mysterious, elusive herd of Ghost Elephants in the highlands of Angola, deep within its forests. From acclaimed director Werner Herzog (“Grizzly Man”), GHOST ELEPHANTS follows Boyes on an epic journey as he sets out with some of the best master trackers in the world, in pursuit of an animal long believed to be a myth.
From Peter Sobczynski’s rave review of the film:
The subject of Herzog’s fascination this time around is South African naturalist Dr. Steve Boyes, and while he seems perfectly staid and affable at first sight, he has an obsession within him that has consumed his life to such an extent that if he didn’t actually exist, Herzog might have had to invent him. The focus of his fascination is a species of giant elephant residing in the highlands of Angola, known as “ghost elephants” for their apparent ability to avoid detection. Indeed, not only has Boyes never actually seen one of these creatures with his own eyes, but he is not even certain that such creatures exist—the closest he has come is a massive elephant shot near that area in Angola in 1955, now on display at the Smithsonian.
Herzog, National Geographic, elephants, quixotic quest — who says no? Ghost Elephants is available to stream on Disney+ and Hulu.
“Billionaires made 19 percent of all reported federal campaign contributions in 2024, a Times analysis shows, and even more in some local elections.” The Scale of Billionaires’ Campaign Donations is Overwhelming U.S. Politics.
The Shape of Paris is a balletic short film of skateboarder Andy Anderson zooming, grinding, spinning, and floating around Paris in the summertime. It is also beautifully shot by Brett Novak; Paris has never looked better. As a YT commenter put it: “bro wtf this is the cleanest footage I’ve ever seen. The cinematography and color grading is insane.”
Also, this is the first skate video I’ve seen with “trick acknowledgements” in the credits. Great touch. (via craig mod)
The Modern Times cafe moved to a pay-what-you-want model during the ICE occupation of Minneapolis. Now the cafe is making it permanent (and pivoting to a nonprofit). “Some had come for a free meal; others were there to pay double or triple their tab.”
“A group of runners starts jogging around a circular track, with each runner maintaining a unique, constant pace. Will every runner end up ‘lonely,’ or relatively far from everyone else, at least once, no matter their speeds?”
Jay Graber is stepping down as CEO of Bluesky to “transition to a new role as Bluesky’s Chief Innovation Officer”. And they’re looking for a new permanent CEO.
“What if we taught students to use AI critically, rather than insisting they ignore it or assume they’re using it to cheat?” asks college freshman Maximilian Milovidov. “Students will reach for these tools, whether universities ban them or not.”
New web game that takes 2 min to play (and perhaps a lifetime to master?): Outsmart. “Five rounds, first to 3 wins. In each round, the higher bet wins. You have 100 total points, so bet wisely. Can you outsmart the machine?”
The Library of Congress recently discovered a copy of a “long-lost” film made in ~1897 by George Méliès called Gugusse and the Automaton (Gugusse et l’Automate), which “had not been seen by anyone in likely more than a century” and “was the first appearance on film of what might be called a robot”. It’s also one of the first science fiction films ever made.
You can watch a digitized copy of the whole film here (it’s only 45 seconds long):
And here’s the story of how the film was discovered.
Equally delighted was Bill McFarland, the donor who had driven the box of films from his home in Grand Rapids, Michigan, to the Library’s National Audio-Visual Conservation Center in Culpeper, Virginia, to have the cache evaluated.
His great-grandfather, William Delisle Frisbee, had been a potato farmer and schoolteacher in western Pennsylvania by day, but by night he was a traveling showman. He drove his horse and buggy from town to town to dazzle the locals with a projector and some of the world’s first moving pictures.
He set up shop in a local schoolroom, church, lodge or civic auditorium and showed magic lantern slides and short films with music from a newfangled phonograph. It was shocking.
“They must have been thrilled,” McFarland said. “They must have been out of their minds to see this motion picture and to hear the Edison phonograph.”
GPS jamming and spoofing is becoming commonplace in war. “Ships in the region’s waters found their navigation systems had gone haywire, erroneously indicating that the vessels were at airports, a nuclear power plant and on Iranian land.”
The fish doorbell in Utrecht is back for another season! “Did you spot a fish? Press the Fish Doorbell! Then our lock keeper can let the fish through.”
On the occasion of the release of her latest book, The Beginning Comes After the End, Rebecca Solnit sat down for an interview with David Marchese of the NY Times. Here’s the video version:
This is a great interview. Marchese’s first question is about how we find the positive in a world filled with grim news:
Even the right tells us something encouraging, if we listen carefully to what they’re saying. They tell us: You are very powerful. You’ve changed the world profoundly. All these things that are often treated separately — feminism, queer rights, environmental action — are connected, so they’re basically telling us we’re incredibly successful, which is the good news. The bad news is that they hate it and want to change it all back. There is a backlash, and it is significant. But it is not comprehensive or global.
And I loved this part (emphasis mine):
One of the great weaknesses of our era is that we get lone superhero movies that suggest that our big problems are solved by muscly guys in spandex, when actually the world mostly gets changed through collective effort. Thich Nhat Hanh said before he died a few years ago that the next Buddha will be the Sangha. The Sangha, in Buddhist terminology, is the community of practitioners. It’s this idea that we don’t have to look for an individual, for a savior, for an Übermensch. I think the counter to Trump always has been and always will be civil society. A lot of the left wants social change to look like the French Revolution or Che Guevara. Maybe changing the world is more like caregiving than it is like war. Too many people still expect it to look like war.
The NY Times went back through a century of women’s obituaries “to re-examine them with the benefit of distance — to see what was emphasized, what was minimized, what might have been left unsaid”.
Dozens of former employees of Noma tell of abuse & violence at the hands of its chef/owner, René Redzepi. Punching, screaming, shoving, stabbing, slamming, intimidation, ridicule, blacklisting. What an asshole.
Can’t stop, won’t stop. On the heels of the refreshed Rolodex from earlier in the week, I’ve pushed another “Just Enough Social” feature to the site: members bios & profile pics. Here’s what that looks like:

Members can find a link to their profile by 1) clicking on your name in the menu in the upper righthand corner of the site (or under the hamburger menu on mobile); 2) clicking on the “edit profile” link by your name at the bottom of any post with active comments; or 3) clicking on your name or profile pic in any comment thread. You can change your username, provide a short bio (300 character limit, up to 2 URLs), and upload a profile pic (jpg, png, webp). Check the community guidelines for more advice/info.
The idea with this feature is to provide a lightweight way for KDO members to get to know who they’re conversing with in the comments without having to share that information with the entire internet (in the form of a full-blown social media profile). As a member, you’re in control of what you share in your bio and selecting a profile pic. So here’s how it works right now (i.e. who can see what and where):
This level of detail about something that’s existed on the internet since the dawn of time (message board profiles, essentially) might seem tedious, but I’m being clear and straightforward about how this works because I want people to feel comfortable connecting with each other here as much or little as each person wants. Many of you will probably share things like your personal website, job, hobbies, or social media accounts in your bios. Put your Signal handle or email address in there if you want. Gregarious types: put your phone number in your profile if you feel comfortable with that (not recommending that tbh). Or you can be super private or deliberately vague — on KDO, no one knows you’re a dog. Ditto for the profile pic: anything from your headshot to a pet photo of your pet to a Mark Rothko abstract goes — totally up to you.
The comments, the Rolodex, and now member profiles all operate under the same principle: Just Enough Social. Facebook, Instagram, and TikTok are too overwhelming and stand-alone blogs (like KDO circa 2 years ago) don’t offer much in the way of community. I’m vectoring toward the lightweight Baby Bear option of getting readers talking with each other in the easiest possible way & exploring the larger web community that KDO is a part of. There’s more work to do, but I’m happy with the direction it’s going.
One last thing before I go. I hope this goes without saying with this fine crew but I will say it anyway: if you are going to reach out to someone using the info in their KDO profile/bio, do not be a dick. Someone putting their website address or email in their bio is not an invitation for inappropriate behavior or taking a disagreement outside the bounds of the community guidelines. Enough said about that, I hope.
Ok, I’ll let you go freshen up your profile if you’d like. Lemme know if you have any feedback, questions, concerns, or even attaboys.
Lots of great defecation physics here: “66 percent of animals take between 5 and 19 seconds to defecate. It’s a…small range, given that elephant feces have a volume of 20 liters, nearly a thousand times more than a dog’s, at 10 milliliters.”
The New School Cancelled Their Class on Soccer and World Politics. We Are Going To Teach it Anyway. Enrollment is now open; the class will deal with questions like “Which regimes are using this tournament to launder their reputations?”
SETI might be missing alien signals because “stellar ‘space weather’ may blur ultra-narrow radio signals from extraterrestrial civilizations before they leave their home star systems”. SETI usually looks for “extremely sharp frequency spikes”.

Here’s a gem from the archive of the NY Times. One day in September 1976, NY Times food critic Mimi Sheraton and Colonel Harland Sanders stopped into a Manhattan Kentucky Fried Chicken. The Colonel, then estranged from the company he founded, strolled into the kitchen after glad-handing some patrons and proceeded to tear into the quality of the food:
Once in the kitchen, the colonel walked over to a vat full of frying chicken pieces and announced, ‘That’s much too black. It should be golden brown. You’re frying for 12 minutes — that’s six minutes too long. What’s more, your frying fat should have been changed a week ago. That’s the worst fried chicken I’ve ever seen. Let me see your mashed potatoes with gravy, and how do you make them?”
When Mr. Singleton explained that he first mixed boiling water into the instant powdered potatoes, the colonel interrupted. “And then you have wallpaper paste,” he said. “Next suppose you add some of this brown gravy stuff and then you have sludge.” “There’s no way anyone can get me to swallow those potatoes,” he said after tasting some. “And this cole slaw. This cole slaw! They just won’t listen to me. It should he chopped, not shredded, and it should be made with Miracle Whip. Anything else turns gray. And there should be nothing in it but cabbage. No carrots!”
Sanders sold his company to an investment group in 1964, which took the company public two years later and eventually sold to a company called Heublein. After selling, Sanders officially still worked for the company as an advisor but grew more and more dissatisfied with it, as evidenced by the story above. When the company HQ moved to Tennessee, the Colonel was quoted as saying:
This ain’t no goddam Tennessee Fried Chicken, no matter what some slick, silk-suited son-of-a-bitch says.
And he got sued by a KFC franchisee after he commented:
My God, that gravy is horrible. They buy tap water for 15 to 20 cents a thousand gallons and then mix it with flour and starch and end up with pure wallpaper paste. And I know wallpaper paste, by God, because I’ve seen my mother make it.
To the “wallpaper paste” they add some sludge and sell it for 65 or 75 cents a pint. There’s no nutrition in it and the ought not to be allowed to sell it.
And another thing. That new crispy chicken is nothing in the world but a damn fried doughball stuck on some chicken.
Colonel Sanders: serving up chicken and sick burns with equal spiciness. (via @mccanner)
The Met Introduces High-Definition 3D Scans of Dozens of Art Historical Objects, including Egyptian temples, Greek oil flasks, van Gogh paintings, and cuneiform tablets.
“If measles-mumps-rubella vaccination rates decline 1% annually for the next five years, associated medical and societal costs could reach $1.5 billion.” (That 1% is a conservative estimate “given current policy and coverage trajectory”.)
Director Rian Johnson (Knives Out, Poker Face) wrote the review of the Thursday crossword puzzle for the NY Times today. “I love a good Thursday. The baffling special graphics, the wait-that-can’t-be-right puzzlement and that glorious ah-ha moment…”
Earth’s gravity is lumpy. “The gravity in East Antarctica is measurably weaker than anywhere else on the planet.”
Oh wow, I love these photographs of “big tusker” elephants by Johan Siggesson.


I didn’t even know big tuskers were a thing — and they may not be for much longer:
The term “Big Tusker” refers to an elephant with tusks so large they scrape the floor. Unfortunately, the opportunities for witnessing a big tusker in its natural habitat are slim. As of today, there are approximately 25 individuals left in the world, most of which reside in the Tsavo Conservation Area. It is vital that we make every effort to protect what is arguably the last viable gene pool of “Big Tuskers” remaining.
You can see just how large these elephants’ tusks are compared to those of other elephants in this photo. A great find via Colossal.
Siggesson’s Instagram is worth a look as well…the starkness of the stripes in this zebra photo!
This is kind of amazing: World Monitor is a real-time global intelligence dashboard. Includes military activity, climate anomalies, live webcam feeds in warzones, internet outages, active fires, and even the Pentagon Pizza Index.
Yes, let’s retire the restaurant monologue. “The urge to direct diners through every bite of a meal runs counter to what I love about dining out, one of just a few cornerstones of American life that have not yet been optimized into oblivion.”
Socials & More