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kottke.org posts about Errol Morris

Filmmaker Errol Morris is writing a blog

Filmmaker Errol Morris is writing a blog for the NY Times about photography. It’s supposed to be Times Select only and therefore behind the Times’ stupid paywall, but I can get to it just fine for some reason. His most recent post concerns the confusion over the identity of the hooded man in the iconic Abu Ghraib photograph, which topic Morris is researching for S.O.P.: Standard Operating Procedure, his upcoming film about the prison and the events that happened there.


I really like those UPS whiteboard commercials.

I really like those UPS whiteboard commercials. Turns out the actor is the creative director for the campaign, Errol Morris directed them, and the music in the ads is by The Postal Service.


Errol Morris on Abu Ghraib

Some information on Errol Morris’ newest project, a film about Abu Ghraib:

Morris introduced us to his latest project about the Abu Ghraib, and the iconic images created from the prisoner torture. It’s his hypothesis that it’s a handful of those photos from that we’ll remember a hundred years from now about the Iraq War. He explained that this project began with the mystery of two photos by Roger Fenton described by Susan Sontag in her book, Regarding the Pain of Others. During the Crimean War, Fenton took photos of the Valley of the Shadow of Death. Two are of the same road, one with cannonballs littering the road, one with the cannonballs in the ravine. The Mystery being which photo was taken first, which was staged?

This is an interesting topic for Morris considering he pioneered the use of “expressionistic reenactments” in documentary filmmaking with The Thin Blue Line.

Update: The film is called “S.O.P.: Standard Operating Procedure”.


Errol Morris’ next film will be about Abu Gharaib.

Errol Morris’ next film will be about Abu Gharaib.


I could read interviews of Errol Morris

I could read interviews of Errol Morris all day long. “It became obvious that I was never going to be able to knock on the door of someone who’s committed some massive insurance fraud and stick a camera in their face and get them to talk. It’s never going to happen. The best you can expect is getting the shit kicked out of you.”


A long long long but good good

A long long long but good good good New Yorker profile of Errol Morris from 1989, a sizeable chunk of which is about The Thin Blue Line.


Conversation between filmmakers Errol Morris and Adam

Conversation between filmmakers Errol Morris and Adam Curtis. “People criticized my film by saying things like, ‘Why aren’t you balanced? What aren’t you putting in the other views?’ And my response was, ‘What if the other view is wrong?’ That’s the real problem of the balanced view - what’s called “perceived wisdom.” What if perceived wisdom’s wrong?”


Dear The Onion, please stop paginating your

Dear The Onion, please stop paginating your stories. I know you’re trying to increase your ad real estate, but it’s annoying to have to click to read more, especially on shorter stories. From now on, when I link to stuff like this excellent Errol Morris interview, it’s going to be to the handy one-page print version with zero ads. NY Times, Salon, WaPo, Wired News, that goes double for you.


Interview with Errol Morris

Interview with Errol Morris. He says he’s going to be doing some more commercials for Apple.


Errol Morris describes his unique interviewing device, The Interrotron

Errol Morris describes his unique interviewing device, The Interrotron.