As part of a project to reproduce all 36 of Hokusai's views of Mount Fuji as 1-bit black & white pixel art, James Weiner drew Great Wave Off Kanagawa:

And he used an old Mac running System 7 to do it:
I usually use either my Quadra 700 or PowerBook 100, mostly because those are my reliable and easy to access computers (that run System 7, my favourite and most familiar OS of that era).
Software-wise I use Aldus SuperPaint 3.0, which is what my family had when I was a kid. Yes, I'd say that all of this is 99% nostalgia-driven...
This is just a lovely rendering — spare and elegant with just the right amount of detail.
More about...
In 1812, Japanese woodblock print artist Katsushika Hokusai, who would later become famous for his iconic Great Wave off Kanagawa prints, published a three-volume series called Quick Lessons in Simplified Drawing. All three volumes are available online: one, two, three. Even if you're not in the market for drawing lessons, the pages are wonderful to flip through.







(via open culture)
More about...

As part of the company's effort to get more adults building with bricks, LEGO has released an 1810-piece set based on Hokusai's The Great Wave Off Kanagawa. Here's the only problem: it's sold out online (and on Amazon as well). Perhaps you can find one at your local toy store?
If you were lucky enough to procure a set, Lego has produced an 85-minute audio piece about The Great Wave that you can listen to while you're putting it together. The piece includes interviews with woodblock printer David Bull, Alfred Haft, curator of Japanese Art at the British Museum, and anime & manga scholar Susan Napier. Very cool.
More about...
Great Art Explained is a super YouTube series that I am somehow just now learning about that, uh, explains great art. Host James Payne has done about a dozen videos on pieces like Artemisia Gentileschi's Judith Beheading Holofernes, Warhol's Marilyn Diptych, and Untitled (Skull) by Jean-Michel Basquiat. His latest is about The Great Wave Off Kanagawa by Katsushika Hokusai.
In 1639 Japan closed its borders and cut itself off from the outside world. Foreigners were expelled, Western culture was forbidden, and Entering or leaving Japan was punishable by Death. It would remain that way for over 200 years.
It was under these circumstances that a quintessentially Japanese art developed. Art for the people that was consumed on an unprecedented scale.
Really interesting stuff. Subscribed.
See also several different versions of The Great Wave print and The Art of Traditional Japanese Printmaking. (via open culture)
More about...
Jumpei Mitsui, the youngest-ever Lego Certified Professional, has created a Lego version of Hokusai's iconic woodblock print, The Great Wave off Kanagawa. The Great Wave is perhaps the most recognizable (and most covered) Japanese artwork in the world. Mitsui's Lego rendering is composed of 50,000 pieces and took 400 hours to build. From Spoon & Tamago:
In ensuring that his 3D lego replica not only payed homage to the original but also captured the dynamics of crashing waves, Mitsui says he read several academic papers on giant wave formations, as well as spent hours on YouTube watching video of waves.
You can check out the Lego Great Wave in person at the Hankyu Brick Museum in Osaka.
More about...
One of the world's great art masterpieces is Katsushika Hokusai's woodblock print Kanagawa oki nami ura, popularly known as The Great Wave. Thousands of prints were made and some of the surviving copies made their way into museums & private collections. I've selected three of the highest resolution prints available for free download (from top to bottom):
Metropolitan Museum of Art (10 megapixels)
Library of Congress (51 megapixels)
Rijksmuseum (22 megapixels)
You can find many other versions using the Ukiyo-e Search site.
Douglas McCarthy recently wrote about The Great Wave and the various ways that museums choose to offer digital copies on their websites.
If we consider the customer journey of acquiring a digital image of 'The Great Wave' from our fourteen museums, a definite trend emerges — the more open the policy of a museum is, the easier it is to obtain its pictures.
Like the other open access institutions in our sample group, The Art Institute of Chicago's collections website makes the process incredibly simple: clicking once on the download icon triggers the download of a high-resolution image.
In contrast, undertaking the same process on the British Museum's website entails mandatory user registration and the submission of personal data.
(via @john_overholt)
Update: A few years ago, woodblock printmaker David Bull documented the process of making prints of The Great Wave in this great series of videos. Part of his process included a fascinating investigation of previous prints and trying to determine which of the many prints might be printed by the original printer. He shares bits and pieces of that investigation in the first three videos and also the eighth & tenth videos, in which he zeroes in on two candidates for original prints (the one at the Met shown above and the British Museum print) and concludes, controversially I would think, that one (and possibly both) of these prints was made as a knock-off, a forgery. After watching Bull's explanation, it's not at all difficult to think that perhaps very few prints made from the original blocks by the original printer exist today. (via @gregalor)
More about...

Magisterial. The Great Wave off Kanagawa by Katsushika Hokusai, modified by Reddit users Put_It_All_On_Red and photosonny. (via @craigmod)
More about...
Yarin Gal used an "inpainting" algorithm to extend the canvases of notable paintings. Like van Gogh's Starry Night or Hokusai's The Great Wave off Kanagawa:


There's a post on the Wolfram Alpha blog about how you can achieve similar effects using the Wolfram Language.
More about...