Today’s good, clean, uncomplicated fun is right here in the form of this video - it does what it says on the tin.
See also the melodica version of the “welcome to Jurassic Park” scene. (via laura olin’s newsletter)
Update: I knew there was some similar M83 thing that I’d seen recently and was forgetting about: Midnight City but with Nelson Muntz laughing. (via @dansays)
As a huge fan of Mario Kart (and a relatively recent owner of a Switch), this looks absolutely amazing (if it works smoothly). In Mario Kart Live: Home Circuit, you race a physical kart (against other peoples’ physical karts if you want) through your actual house, controlling it via onscreen AR on your Nintendo Switch (the onscreen view comes from a tiny camera mounted on the kart). Here’s what Nintendo says about it:
Created in partnership with Velan Studios, Mario Kart Live: Home Circuit brings the fun of the Mario Kart series into the real world by using a Nintendo Switch or Nintendo Switch Lite system to race against opponents using a physical Kart. The physical Kart responds to boosts in-game and in the real world, stops when hit with an item and can be affected in different ways depending on the race. Players place gates to create a custom course layout in their home, where the only limit is their imagination. Race against Koopalings in Grand Prix, unlock a variety of course customizations and costumes for Mario or Luigi, and play with up to four players in local multiplayer mode.
Watch the trailer above…it does look totally cool.
As a child of the 80s, this Lego set of the Nintendo Entertainment System activates a very ancient and primal region of my brain. As you can see in this short video, the set includes a controller, a cartridge that you can put into the machine, and a vintage TV with a hand-crank that you can use to “play” Super Mario Bros.
I don’t talk about it much on the site for some reason, but Mario Kart is one of my all-time favorite video games. So I am very excited that Mario Kart Tour is coming out on iOS on September 25 (just in time for my b-day). You can pre-order it here — the game is free with in-app purchases to unlock more gameplay (just like Super Mario Run). Here’s a short trailer that shows how the gameplay works:
Rocky Bergen makes paper models of vintage electronics and computing gear. And here’s the cool bit…you can download the plans to print and fold your own: Apple II, Conion C-100F boom box, Nintendo GameCube, and Commodore 64.
In this short video, Evan Puschak talks about how music is made for Super Nintendo games. That system was first released in 1990 and the audio chips could only hold 64 KB of information, only enough room for beeps, boops, and very short samples. But composers like David Wise, whose soundtrack for the Donkey Kong Country series of games is on many lists of the best video game music, were able to make the SNES sing despite its limited capabilities.
Nintendo has introduced a new product category that harkens all the way back to Duck Hunt, Robbie the Robot, and papercraft models the company produced in the 70s. Labo is a suite of cardboard peripherals for the Switch that you construct yourself and then play using the Switch console screen and controllers. Pianos, fishing rods, car accelerator pedals. Just watch the video…this really blew my mind.
Caine’s Arcade anyone? I love that Nintendo is making DIY cardboard toys. Love it. I think I may have to get a Switch now. You can preorder the Labo Robot Kit (a wearable robot suit) and the Labo Variety Kit (cars, bike, house, piano, fishing rod) on Amazon…they come out on April 20.
Last year, Nintendo came out with a mini version of their original NES console with 30 pre-installed games. This year, they hoping to repeat that device’s wild popularity with the Super NES Classic. List price is $79.99. The SNES Classic comes with two controllers and 21 games built-in, including Super Mario Kart, F-ZERO, Super Mario World, and The Legend of Zelda: A Link to the Past. US pre-order information isn’t available yet (relevant Amazon page), but I’ll update this post when it is.
Shigeru Miyamoto has designed dozens of the most popular video games in the world: Donkey Kong, Super Mario Bros, and the Legend of Zelda among them. In this video by Vox, Miyamoto shares how he thinks about game design.
This is one of the first times that a video game’s plot and characters were designed before the programming. [Miyamoto:] “Well, early on, the people who made video games, they were technologists, they were programmers, they were hardware designers. But I wasn’t. I was a designer, I studied industrial design, I was an artist, I drew pictures. And so I think that it was in my generation that people who made video games really became designers rather than technologists.”
Also worth watching is this video by Game Maker’s Toolkit about how Nintendo builds everything in their games around a fun and unique play mechanic.
It seems to me that these two videos slightly contradict each other, although maybe you’ll disagree.
The Internet Archive has collected the first dozen years’ worth of Nintendo Power magazines. I was a subscriber to Nintendo Power for the first couple years, having previously received the Nintendo Fun Club Newsletter. The first issue contained an extensive guide to Super Mario Bros 2, teased a game called Lee Trevino’s Fighting Golf, and the Legend of Zelda was ranked the #1 game, ahead of Mike Tyson’s Punch-Out, Metroid, Super Mario Bros, and Kid Icarus.
The July 1991 issue shows how good Apple co-founder Steve Wozniak was at Game Boy Tetris:
“Evets Kainzow” is “Steve Wozniak” spelled backwards.
Update: Foursquare founder Dennis Crowley made his way into the high score list in the magazine twice in 1990; once for Strider and again for Ninja Gaiden II (alongside Steve Wozniak’s massive GB Tetris score).
In November, Nintendo is coming out with a mini NES gaming system that includes 30 games and a classic controller. Among the games are Legend of Zelda, Dr. Mario, Bubble Bobble, all three Super Mario Bros., Excitebike, Castlevania, and Metroid. It hooks to your TV with HDMI and will cost $60.1
There’s is no way I am not getting one of these. There’s no way to buy online yet, but keep your eye on this Amazon search and I imagine it’ll show up sometime soon.
Update: Amazon says the NES Classic will go on sale on November 11 at 5pm ET. One-click ordering will be disabled, so make sure your current CC and address are in there and practice that checkout routine. Quantities will be extremely limited, so you best act quickly.
Taking inflation into account, the original NES Deluxe System (with R.O.B. the robot) sold in 1985 cost $664 in 2016 dollars. When it was released in 1987, Legend of Zelda retailed for $111 in 2016 dollars. Zelda was one of the more expensive games and some of the games included with the Classic Edition came out later, but say a typical game is $80 in 2016 dollars. That’s $3000 worth of games and system crammed into something that fits in your hand and costs $60. Moore’s Law!↩
Scott Lininger and Mike Magee built a fully playable WebGL version of the original Legend of Zelda, which came out 30 years ago. Works in any modern web browser. Not sure how long this is going to be up, but it’ll be fun while it lasts.
Super Mario Brothers was released for Famicom in Japan on September 13, 1985.
When was the game released in the United States? Nobody knows.
Here’s Nintendo’s official anniversary video.
Legendary designers Shigeru Miyamoto and Takashi Tezuka broke down the first level of the game for Eurogamer. (My favorite part? The subtle way that Mario is designed to have “weight,” and how this affects the player’s identification with and affection for the character.)
Kyle Orland at Ars Technica has thirty little-known facts about the game:
The original instruction booklet for Super Mario Bros. details how “the quiet, peace-loving Mushroom People were turned into mere stones, bricks and even field horse-hair plants.” That means every brick you break in the game is killing an innocent mushroom person that would have been saved once Princess Toadstool “return[ed] them to their normal selves.”
Digg has a video on the character’s evolution (including cameo appearances in other Nintendo games):
Samir al-Mutfi’s “Syrian Super Mario” reimagines the game with obstacles faced by Syrian refugees. (Grimly, the player has 22,500,000 lives to lose.)
And of course, Super Mario Maker, the game that lets players make their own Super Mario Bros. levels, was released for Wii U. Users’ levels are already being repurposed for social commentary, from the existential dread of “Waluigi’s Unbearable Existence” to the more lighthearted “Call Your Mother, You’ve Got Time.”
In talking about an upcoming game (more on that in a bit), Nintendo’s Shigeru Miyamoto and Takashi Tezuka discuss the process they used in designing the levels for the original Super Mario Bros. Much of the design work happened on graph paper.1
Back in the day, we had to create everything by hand. To design courses, we would actually draw them one at a time on to these sheets of graph paper. We’d then hand our drawings to the programmers, who would code them into a build.
Here’s the full video discussion:
Now, about that game… Super Mario Maker is an upcoming title for Wii U that lets you create your own Super Mario Bros levels with elements from a bunch of different Mario games. So cool…I might actually have to get a Wii U for this.
This is pretty much the same process I used when designing levels for Lode Runner back in the day.↩
Using Motorola, Nokia, and Nintendo as examples, Tero Kuittinen explains how dominant tech companies are lulled into “a comfy trip to the grave” by huge but ultimately short-lived successes before new paradigms take over.
For years, Nintendo has believed it could reject smartphone and tablet apps, yet still flourish. The reason for this delusion is familiar — it’s the toxic Last Blockbuster Syndrome that doomed the consumer electronics divisions of Motorola in 2004 and Nokia in 2007. Often at the start of a massive trend shift in consumer electronics, dominant dinosaurs get one massive hit built on a nearly obsolete paradigm, and that allows them to be lulled into a comfy trip to the grave.
The best example from the past few years is when Motorola, Nokia, and RIM were flying high with their phone products when the iPhone came along and changed the game.
From Grantland, an excerpt from Console Wars, a new book by Blake J. Harris about the video game console battles of the 1990s between Nintendo and Sega. The excerpt is about the rise of Nintendo.
And just like that, the North American videogame industry ground to a halt. Hardware companies (like Atari) went bankrupt, software companies (like Sega) were sold for pennies on the dollar, and retailers (like Sears) vowed never to go into the business again. Meanwhile, Nintendo quietly glided through the bloody waters on a gorilla-shaped raft. The continuing cash flow from Donkey Kong enabled Arakawa, Stone, Judy, and Lincoln to dream of a new world order, one where NOA miraculously resurrected the industry and Nintendo reigned supreme. Not now, perhaps, but one day soon.
Harris is also working on a documentary based on the book. And Sony is making a “feature-film” adaptation of the book as well. Cool!
Update: Medium has another excerpt from the book.
Maybe this Sonic could sell in Japan, but in America he belonged inside a nightmare.
Kalinske got off the phone with Nakayama and took the fax to Madeline Schroeder’s office. “I have good news and I have scary news.” He handed her the artwork. “What do you think?”
She looked it over. “I think we’ll be the first videogame company whose core demographic is goths.”
“Nakayama loves it.”
“Of course he does,” she said. “It’s so weirdly Japanese. I’m surprised the girlfriend’s boobs aren’t hanging out of a schoolgirl outfit.”
Despite his sour mood, Kalinske laughed. “Her name is Madonna.”
Schroeder put the drawing on the desk. After a long silent inspection they both spoke at the same time, saying the exact same thing: “Can you fix it?”
In this video, Bo Jackson’s historic quarter-long run against the Patriots is recreated on Tecmo Super Bowl almost exactly. I tried to figure out how many yards he actually ran, but I can’t count that high or fast. Apparently a Tecmo quarter lasts about 1:54 when the clock is allowed to run.
See also, You Don’t Know Bo, the just aired ESPN 30 for 30 documentary. (via @sportsguy33)
Let’s see, my favorite game was probably the original Legend of Zelda, so:
You have carried a piece of string cheese behind your ear for a whole day.
Not the whole day, but certainly longer than was socially or hygienically acceptable. (via @tcarmody)
Ok, I’m gonna point you to the article discussing the whole thing but based on my years of extensive experience as a kid, I can tell you that blowing into the cartridge absolutely did work. Zelda in particular always needed a good blow before playing. (via @djacobs)
Miyamoto, who is responsible for creating or overseeing the creation of Mario Bros, Donkey Kong, The Legend of Zelda, and many other games, is stepping down from his role as manager of Nintendo’s Entertainment Analysis and Development branch to work with a smaller team on smaller games with much shorter timelines.
“What I really want to do is be in the forefront of game development once again myself,” Miyamoto said. “Probably working on a smaller project with even younger developers. Or I might be interested in making something that I can make myself, by myself. Something really small.”
Miyamoto was profiled in the New Yorker last December. (via @shauninman)
Update: Nintendo says it was a misunderstanding.
“This is absolutely not true,” said a spokeswoman for Nintendo. “There seems to have been a misunderstanding. He has said all along that he wants to train the younger generation. “He has no intention of stepping down. Please do not be concerned.”
Here’s the entire source code + helpful annotations for the original Metroid game for the NES.
Labels corresponding to address values have been added to every line to make the code easier to follow for beginners interested in understanding the inner workings of a Nintendo game. The labels also make the code easier to debug if it is modified. At this time, the source code is still a work in progress but it is much farther along than the original document. The title page is completely documented. The intro routine, end routine, password scheme and sound engine are described in detail. About a third of the game engine is detailed and about half of each game area page.
(via @shauninman)
Project Cafe, or the Wii 2 as everyone else is calling it, is Nintendo’s next gaming box. IGN has some details:
According to sources with knowledge of the project, Nintendo’s next console could have a retail price of anywhere between $350 and $400 based on manufacturing costs, and will ship from Taiwanese manufacturer, Foxconn, this October, putting the earliest possible retail release anywhere between mid-October and early November.
The New Yorker’s Nick Paumgarten goes long on Nintendo’s resident genius, Shigeru Miyamoto, designer of many of Nintendo’s top games.
In his games, Miyamoto has always tried to re-create his childhood wonderment, if not always the actual experiences that gave rise to it, since the experiences themselves may be harder to come by in a paved and partitioned world. “I can still recall the kind of sensation I had when I was in a small river, and I was searching with my hands beneath a rock, and something hit my finger, and I noticed it was a fish,” he told me one day. “That’s something that I just can’t express in words. It’s such an unusual situation. I wish that children nowadays could have similar experiences, but it’s not very easy.”
The Super Nintendo version of There Will Be Blood:
This is pitch perfect. What really puts this video over the top are the sound effects (“milkshake!”) and that it doesn’t go on too long.
In a recent interview for the 25th anniversary of Super Mario Bros., Mario’s baby daddy Shigeru Miyamoto revealed that the infinite 1-up trick was included in the game on purpose but that the minus world was a bug.
“We did code the game so that a trick like that would be possible,” Miyamoto revealed. “We tested it out extensively to figure out how possible pulling the trick off should be and came up with how it is now, but people turned out to be a lot better at pulling the trick off for ages on end than we thought.” What about the famed Minus World? “That’s a bug, yes, but it’s not like it crashes the game, so it’s really kind of a feature, too!”
This Javascript Nintendo emulator works amazingly well in Google Chrome. You can play Dr. Mario, Super Mario Bros., Tetris, The Legend of Zelda, etc.
I highly recommend you use Google Chrome to play JSNES. Thanks to its high performance canvas element, and a clever optimisation by Connor Dunn, it runs at full speed on modern computers. Mac builds are also available. Otherwise, it just about runs on Firefox 3.5 or Safari 4, but it’s hardly playable.
We’ve come a long way from the days of the 5K Awards.
Might have to dust off the Wii for this one: New Super Mario Bros. Wii.
Features include four-player collaborative play (!!) and something called “demo play”.
The game will also be the first game on the Wii to feature “demo play”, where players will be able to pause the game, let the game complete the level for them, and resume play at any time by unpausing.
In my house, this was called the “give the controller to my 11-year-old cousin and let him show you how it’s done” feature. I both hated and loved that feature. (via object of my obsession)
Punch-Out is coming to the Wii (@ Amazon)…the teaser commercial features Isiah Whitlock, Jr., who played Clay Davis on The Wire, as Little Mac’s trainer. It’s worth watching to hear Whitlock’s comparison of comebacks and yo-yos. (thx, rob)
The Game Boy just turned 20; here are six reasons why it was so successful. Surprisingly, the list is not:
1. Tetris
2. Tetris
3. Tetris
4. Tetris
5. Tetris
6. Tetris
Tetris didn’t start with the Game Boy, of course (Pajitnov created it for the PC in 1985), but the Game Boy made it mainstream. Ultimately, Tetris proved so popular that it quickly drove sales of Nintendo’s handheld console into the millions. Tetris’s grown-up gameplay also attracted adults to Nintendo’s new platform, expanding Game Boy’s potential audience beyond the usual adolescent NES set.
Somewhere, I still have an original Game Boy with a Tetris cart wedged into it.
