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kottke.org posts about Todd Vaziri

The Ferris Bueller Finale With Music From Inception

One of the many reasons that Ferris Bueller’s Day Off works so well as a film is that the music kicks ass *and* it meshes so well with the action. In the heyday of MTV, this was no accident โ€” parts of the movie function almost as elaborate music videos. No scene illustrates this more than when Ferris is hurrying across backyards and through homes to beat his parents & sister back to the house. As good as that scene is, I think Todd Vaziri improved it by re-cutting it to music from Inception. So good!

Reply ยท 5

Some Amazing Shots from the Last Decade of Movies

ILM visual effects artist Todd Vaziri asked his Twitter followers to share their favorite shots from a movie made in the last decade. The replies are a visual feast (and heavy on blockbusters) โ€” here are a few of my favorites.

character walking away from the camera in Blade Runner 2049

a man plays a flaming guitar, urging on a caravan of cars

a lone figure falls up into a cityscape

an alien ship hovers in a foggy valley

superhero Thor descends with his hammer raised onto a crowd of bad guys

From top to bottom: Blade Runner 2049, Mad Max: Fury Road, Spider-Man: Into the Spider-Verse, Widows, Arrival, and Thor: Ragnarok. There are probably several deserving scenes omitted from the thread (no Wes Anderson fans…the sushi scene from Isle of Dogs?), but that Blade Runner shot is probably my favorite from the decade. I would also have included a shot from Dunkirk (one of the expansive plane chase vistas that looked incredible in IMAX) , Portrait of a Lady on Fire, and the final scene in Carol โ€” that look gives me chills just writing about it.

Update: A video compilation of some of the best shots of the decade.

(via @nielsmann)