In this story by Rafael Zoehler, a father who dies at 27 wrote his son a series of letters to be opened at several of life's milestones, including WHEN YOU HAVE YOUR FIRST KISS, WHEN YOU BECOME A FATHER, and WHEN YOUR MOTHER IS GONE. This letter was entitled "WHEN I'M GONE":
If you're reading this, I'm dead. I'm sorry. I knew I was going to die.
I didn't want to tell you what was going to happen, I didn't want to see you crying. Well, it looks like I've made it. I think that a man who's about to die has the right to act a little bit selfish.
Well, as you can see, I still have a lot to teach you. After all, you don't know crap about anything. So I wrote these letters for you. You must not open them before the right moment, OK? This is our deal.
I love you. Take care of your mom. You're the man of the house now.
PS: I didn't write letters to your mom. She's got my car.
How many videos can we watch about the films of Stanley Kubrick? If you're anything like me, the answer is never enough. This montage hinting at connections between his films is particularly well done.
Mashups are so ubiquitous and overdone that the bar for actually watching one is pretty high. But this one, no joke, might be the best visual movie mashup I've ever seen. Hell's Club is a tour de force of film editing, seamlessly combining scenes from dozens of different films -- Austin Powers, Cocktail, Star Wars, Terminator, Staying Alive, Boogie Nights -- into one cohesive scene. Give it 30 seconds and you'll watch the whole thing.
That is the question that physicist Lawrence Krauss answers in his book, A Universe from Nothing. The book's trailer provides a little more context.
Everything we see is just a 1% bit of cosmic pollution in a Universe dominated by dark matter and dark energy. You could get rid of all the things in the night sky -- the stars, the galaxies, the planets, everything -- and the Universe would be largely the same.
And my favorite line from the trailer:
Forget Jesus, the stars died so you could be born.
(via open culture)
Yale has made 170,000 Library of Congress photos of the US from 1935 to 1945 available online, searchable and sortable in many different ways.
In order to build support for and justify government programs, the Historical Section set out to document America, often at her most vulnerable, and the successful administration of relief service. The Farm Security Administration-Office of War Information (FSA-OWI) produced some of the most iconic images of the Great Depression and World War II and included photographers such as Dorothea Lange, Walker Evans, and Arthur Rothstein who shaped the visual culture of the era both in its moment and in American memory. Unit photographers were sent across the country. The negatives were sent to Washington, DC. The growing collection came to be known as "The File." With the United State's entry into WWII, the unit moved into the Office of War Information and the collection became known as the FSA-OWI File.
Josh Marshall argues provocatively and persuasively that news media, law enforcement, and everyone else should name the offenders in these mass shootings, in part because the refusal has become an empty sort of action that people can take to "help".
It is a grand evasion because we need to make ourselves feel better by finding a way to think we are doing 'something' even though we're unwilling to do anything that actually matters. Except for those immediately affected or those in the tightly defined communities affected we also shouldn't give ourselves the solace of watching teary-eyed memorials or all the rest. Again, as a society we've made our decision. I would go so far as to say that it's good for us to know Mercer's name since we are in fact his accomplices. It's good that we know each other.
Withholding knowledge is not the way forward.
Update: From the NY Times back in August, Zeynep Tufekci writes: The Virginia Shooter Wanted Fame. Let's Not Give It to Him.
This doesn't mean censoring the news or not reporting important events of obvious news value. It means not providing the killers with the infamy they seek. It means somber, instead of lurid and graphic, coverage, and a focus on victims. It means not putting the killer's face on loop. It means minimizing or not using the killers' names, as I have done here. It means not airing snuff films, or making them easily accessible on popular sites. It means holding back reporting of details such as the type of gun, ammunition, angle of attack and the protective gear the killer might have worn. Such detailed reporting can give the next killer a concrete road map.
This photo of five Secret Service agents bracing themselves against helicopter prop wash is my favorite photo of the week.
It's like they're each individually posing for their own super-boss album cover. Larger here.
Sales of "full-calorie" soda in the US has decreased by more than 25% in the past 20 years.
The drop in soda consumption represents the single largest change in the American diet in the last decade and is responsible for a substantial reduction in the number of daily calories consumed by the average American child. From 2004 to 2012, children consumed 79 fewer sugar-sweetened beverage calories a day, according to a large government survey, representing a 4 percent cut in calories over all. As total calorie intake has declined, obesity rates among school-age children appear to have leveled off.
I've been a dedicated soda drinker1 since at least high school. But this summer, I started cutting back. The big reason is that my kids are getting old enough to read labels and wonder why I'm consuming so much sugar, the little blighters. "All that sugar is not good for you, right Daddy?" they would say. And they're completely right of course and I couldn't argue with them on that point, so I've been drinking a lot less of the stuff. I haven't cut it completely out of my diet but I treat it more or less like every other food or beverage I consume: everything in moderation.
From photographer Richard Silver, vertical panoramic photos of churches that emphasize their often incredible ceilings. (via ignant)
Whoa, Histography is a super-cool interactive timeline of historical events pulled from Wikipedia, from the Big Bang to the present day. The site was built by Matan Stauber as his final project at the Bezalel Academy of Arts and Design. This is really fun to play with and I love the style.
Marie Kondo's The Life-Changing Magic of Tidying Up encourages you to examine all of your possessions one by one, ask if they "spark joy", and if they don't, get rid of them. Christina Xu recently lost her backpack with some of her most-used and valuable possessions and came away from the experience with a different spin on the KonMari method.
Involuntarily losing shit is the ultimate version of the KonMari method. It brutally takes things away at random and makes you fight to get them back so that you remember and reaffirm the value of each one.
This will henceforth be known as the XuHulk method.
When reports came out last month about declining ebook sales, many reasons were offered up, from higher pricing to the resurgence of bookstores to more efficient distribution of paper books to increased competition from TV's continued renaissance, Facebook, Snapchat, and an embarrassment of #longread riches. What I didn't hear a whole lot about was how the experience of reading ebooks and paper books compared, particularly in regard to the Kindle's frustrating reading experience not living up to its promise. What if people are reading fewer ebooks because the user experience of ebook reading isn't great?
Luckily, Craig Mod has stepped into this gap with a piece asking why digital books have stopped evolving. As Mod notes, paper books still beat out digital ones in many ways and the industry (i.e. Amazon) hasn't made much progress in addressing them.
The object -- a dense, felled tree, wrapped in royal blue cloth -- requires two hands to hold. The inner volume swooshes from its slipcase. And then the thing opens like some blessed walking path into intricate endpages, heavystock half-titles, and multi-page die-cuts, shepherding you towards the table of contents. Behbehani utilitises all the qualities of print to create a procession. By the time you arrive at chapter one, you are entranced.
Contrast this with opening a Kindle book -- there is no procession, and often no cover. You are sometimes thrown into the first chapter, sometimes into the middle of the front matter. Wherein every step of opening The Conference of the Birds fills one with delight -- delight at what one is seeing and what one anticipates to come -- opening a Kindle book frustrates. Often, you have to swipe or tap back a dozen pages to be sure you haven't missed anything.
The Kindle is a book reading machine, but it's also a portable book store. 1 Which is of great benefit to Amazon but also of some small benefit to readers...if I want to read, say, To Kill A Mockingbird right now, the Kindle would have it to me in less than a minute. But what if, instead, the Kindle was more of a book club than a store? Or a reading buddy? I bet something like that done well would encourage reading even more than instantaneous book delivery.
To me, Amazon seems exactly the wrong sort of company to make an ebook reader 2 with a really great reading experience. They don't have the right culture and they don't have the design-oriented mindset. They're a low-margin business focused on products and customers, not books and readers. There's no one with any real influence at Amazon who is passionately advocating for the reader. Amazon is leaving an incredible opportunity on the table here, which is a real bummer for the millions of people who don't think of themselves as customers and turn to books for delight, escape, enrichment, transformation, and many other things. No wonder they're turning back to paper books, which have a 500-year track record for providing such experiences.
PS. Make sure you read Mod's whole piece...you don't want to miss the bit about future MacArthur Genius Bret Victor's magic bookshelf. <3
HLN (which used to be CNN Headline News) needed someone to talk about Edward Snowden, US government whistleblower. They meant to invite a gentleman named John Hendren, a journalist for Al Jazeera, onto the show but instead invited funnyman Jon Hendren, who goes by the username of @fart on Twitter. Hendren, Jon used the opportunity to defend both Edward Snowden, briefly, and then sexy-but-misunderstood barber Edward Scissorhands.
Well, you know, to say he couldn't harm someone, well, absolutely he could. But I think to cast him out, to make him invalid in society, simply because he has scissors for hands, I mean, that's strange. People didn't get scared until he started sculpting shrubs into dinosaur shapes and whatnot.
The best part is that anchor Yasmin Vossoughian just keeps on plowing right through her script like they're not talking suddenly about a man with scissors for hands, deftly demonstrating what a farce these TV news "conversations" are. (via nymag)
In his upcoming book, Vargic's Miscellany of Curious Maps, Martin Vargic builds maps of imaginary worlds like the Map of the Internet, the Map of Literature, the Map of Stereotypes, The Music Map, The Map of YouTube, and The Corporate World Map. (via @tcarmody)
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