String cheetah DEC 18
Love this illustration style from Kerby Rosanes. Gorgeous:
From Mallory Ortberg, some reviews of children's movies penned by objectivist Ayn Rand.
A woman takes a job with a wealthy family without asking for money in exchange for her services. An absurd premise. Later, her employer leaves a lucrative career in banking in order to play a children's game. -No stars.
During the production of 2001: A Space Odyssey, Stanley Kubrick commissioned well-known film score composer Alex North to do the score for the film. North had previously done scores for A Streetcar Named Desire, Spartacus, Cleopatra, and Who's Afraid of Virginia Woolf? and later received an honorary Oscar for his lifetime of work. As production progressed, Kubrick began to feel that the temporary music he used to edit the film was more appropriate. From an interview with Kubrick by Michel Ciment:
However good our best film composers may be, they are not a Beethoven, a Mozart or a Brahms. Why use music which is less good when there is such a multitude of great orchestral music available from the past and from our own time? When you're editing a film, it's very helpful to be able to try out different pieces of music to see how they work with the scene. This is not at all an uncommon practice. Well, with a little more care and thought, these temporary music tracks can become the final score. When I had completed the editing of 2001: A Space Odyssey, I had laid in temporary music tracks for almost all of the music which was eventually used in the film. Then, in the normal way, I engaged the services of a distinguished film composer to write the score. Although he and I went over the picture very carefully, and he listened to these temporary tracks (Strauss, Ligeti, Khatchaturian) and agreed that they worked fine and would serve as a guide to the musical objectives of each sequence he, nevertheless, wrote and recorded a score which could not have been more alien to the music we had listened to, and much more serious than that, a score which, in my opinion, was completely inadequate for the film.
And so the temporary music became the iconic score we know today. For comparison, here's how North's original score would have sounded over the opening credits and initial scene:
Selections from North's original score were later released publicly. Here's a 38-minute album on Rdio:
Kubrick was absolutely right to ditch North's score...it's perfectly fine music but totally wrong for the movie, not to mention it sounds totally dated today. The classical score gives the film a timeless quality, adding to the film's appeal and reputation more than 45 years later. (via @UnlikelyWorlds)
Since founding NYC-based Open in 1998, Scott Stowell has grown the company into an award-winning multi-disciplinary consulting/design/ad firm while maintaining a shoot-from-the-hip sense that design, ideas, and telling stories, even stories about brands, should be fun. Now Stowell and his Open team have taken all the work they've done, what they've learned doing it, and distilled it into Design for People, a book of "stories about how (and why) we all can work together to make things better".
I've noticed good designers are often good writers in a way that is straight-forward, clear, and succinct. The story for Design for People's Kickstarter page is a definite example of that, so I'll let Scott explain more about the project in his own words:
Open has clients like Etsy, Google, and Patagonia. Our work is in books and magazines. I won a National Design Award. That's all thanks to the people I've worked with, and you'll hear from them in this book. Design for People tells the stories of our biggest projects through interviews with clients, consultants, designers, interns, vendors-and regular people who use the stuff we make, including my Mom and Dad (and maybe you!). If you like to get into the details of how things work, Design for People is for you.
Being a designer is a fascinating job. We get to work with all kinds of people who do all kinds of things-and help solve their problems. That process is complicated, exhilarating, and fun. So is this book. Plenty of books are full of pretty pictures. Others have good stories. This one has both. So you'll hear what went wrong, how we fixed things -- and when we couldn't. Design for People will show you what it's like to work together to make things better. Then I hope you'll do the same.
I've seen some sample pages from the book in-progress and it's looking good. So head on over to Kickstarter and get yourself a copy of Design for People today.
There's no blue pigment present in the wings of the morpho butterfly. So where does that shimmering brilliant blue color come from? It's an instance of structural color, where the physical structure of the surface scatters or refracts only certain wavelengths of light...in this case, blue.
Eye color is another example of structural color in action. Eyes contain brown pigments but not blue. Blue, green, and hazel eyes are caused by Rayleigh scattering, the same phenomenon responsible for blue skies and red sunsets. Blue eyes and blue skies arise from the same optical process...that's almost poetic. (thx, jared)
The trains shown in these two photos still run occasionally: just catch the M between 2nd Ave and Queens Plaza between 10am and 5pm on the two remaining Sundays in Dec.
The Kingdom of Dreams and Madness is a documentary which presents a year in the life of Studio Ghibli and its famed director, Hayao Miyazaki. The year in question was a particularly interesting one during which Miyazaki announced his retirement. The trailer:
Granted near-unfettered access to the notoriously insular Studio Ghibli, director Mami Sunada follows the three men who are the lifeblood of Ghibli -- the eminent director Hayao Miyazaki, the producer Toshio Suzuki, and the elusive and influential "other director" Isao Takahata -- over the course of a year as the studio rushes to complete two films, Miyazaki's The Wind Rises and Takahata's The Tale of The Princess Kaguya. The result is a rare "fly on the wall" glimpse of the inner workings of one of the world's most celebrated animation studios, and an insight into the dreams, passion and singular dedication of these remarkable creators.
(via the dissolve)
I'm adding mine to the chorus of voices praising Transparent, the Amazon Original Series starring Jeffrey Tambor, aka Arrested Development's Pop Pop. Tambor plays a retired college professor who is transitioning to living as a woman. Each episode is 30 minutes long and the pacing is sitcom-like, but the show is equally comedic and dramatic. The show started off kind of slow for me but got better and better as the season went on. Here's a trailer.
The first episode is free to watch but for the rest you'll need an Amazon Prime subscription1 (for which they offer a 30-day trial). Highly recommended, Tambor is amazing. Oh, and they're doing a second season.
I wonder how effective this tactic is in driving new Prime subscriptions. It's weird that you can't just buy the whole season of the show for $20 or something. I would love to see their internal analysis of how much revenue each Prime member brings in over X number of years versus potential lost revenue from direct sales by non-members. ↩
The fifth track, Spooks, is a variation of a Radiohead song that's never been officially released. (via @naserca)
Legal scholar Cass Sunstein presents his annual list of the movies that best showcased behavioral economics for 2014.
Best actor: In 1986, behavioral scientists Daniel Kahneman and Dale Miller developed "norm theory," which suggests that humans engage in a lot of counterfactual thinking: We evaluate our experiences by asking about what might have happened instead. If you miss a train by two minutes, you're likely to be more upset than if you miss it by an hour, and if you finish second in some competition, you might well be less happy than if you had come in third.
"Edge of Tomorrow" spends every one of its 113 minutes on norm theory. It's all about counterfactuals -- how small differences in people's actions produce big changes, at least for those privileged to relive life again (and again, and again). Tom Cruise doesn't get many awards these days, or a lot of respect, and we're a bit terrified to say this -- but imagine how terrible we'd feel if we didn't: The Top Gun wins the Becon.
Mobile devices and software advances have helped to create a burgeoning on-demand economy that -- in some places -- makes it possible to live your life without leaving your house (and if you do decide to leave, it's easy to order a car). But that's only part of the story. In Quartz, Leo Mirani explains how he experienced the on-demand economy long before tech revolution:
These luxuries are not new. I took advantage of them long before Uber became a verb, before the world saw the first iPhone in 2007, even before the first submarine fibre-optic cable landed on our shores in 1997. In my hometown of Mumbai, we have had many of these conveniences for at least as long as we have had landlines -- and some even earlier than that. It did not take technology to spur the on-demand economy. It took masses of poor people.
Following in the footsteps of Too Many Cooks is Unedited Footage of a Bear. It aired for the first time on Adult Swim this week in their 4am infomercial slot. It starts off as a nature thing with a bear which is interrupted by a fake infomercial and then. Gets. WEIRD.
At the NY Times, Nicholas Blechman weighs in with his picks for the best book covers of 2014.
Dan Wagstaff, aka The Casual Optimist, picked 50 Covers for 2014.
From Jarry Lee at Buzzfeed, 32 Of The Most Beautiful Book Covers Of 2014.
Paste's Liz Shinn and Alisan Lemay present their 30 Best Book Covers of 2014.
And from much earlier in the year (for some reason), Zachary Petit's 19 of the Best Book Covers of 2014 at Print.
Michael Lewis has Eight Things I Wish for Wall Street.
2. No person under the age of 35 will be allowed to work on Wall Street.
Upon leaving school, young people, no matter how persuasively dimwitted, will be required to earn their living in the so-called real economy. Any job will do: fracker, street performer, chief of marketing for a medical marijuana dispensary. If and when Americans turn 35, and still wish to work in finance, they will carry with them memories of ordinary market forces, and perhaps be grateful to our society for having created an industry that is not subjected to them. At the very least, they will know that some huge number of people -- their former fellow street performers, say -- will be seriously pissed off at them if they do risky things on Wall Street to undermine the real economy. No one wants a bunch of pissed-off street performers coming after them.
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