Speaking of the Road Runner and Wile E. Coyote, animator Chuck Jones and his team were said to follow these simple rules when creating the cartoons:
1. The Road Runner cannot harm the Coyote except by going "meep, meep."
2. No outside force can harm the Coyote -- only his own ineptitude or the failure of Acme products. Trains and trucks were the exception from time to time.
3. The Coyote could stop anytime -- if he were not a fanatic.
4. No dialogue ever, except "meep, meep" and yowling in pain.
5. The Road Runner must stay on the road -- for no other reason than that he's a roadrunner.
6. All action must be confined to the natural environment of the two characters -- the southwest American desert.
7. All tools, weapons, or mechanical conveniences must be obtained from the Acme Corporation.
8. Whenever possible, make gravity the Coyote's greatest enemy.
9. The Coyote is always more humiliated than harmed by his failures.
10. The audience's sympathy must remain with the Coyote.
11. The Coyote is not allowed to catch or eat the Road Runner.
The rules are made only slightly less interesting by their fiction; according to Wikipedia, long-time Jones collaborator Michael Maltese said he'd never heard of the rules.
By the time we were finished with Rabbit of Seville, Ollie had literally peed his pants from laughing so hard. I think I'm gonna get the Looney Tunes collection on Blu-ray so we can watch more but I'm a bit afraid of what the hijinks of Wile E. Coyote and The Road Runner might do to my boy's pants.
I thought you may like this link, it's my favorite rendition of "St. James Infirmary Blues," sung by Cab Calloway in a Betty Boop cartoon (Betty is Snow White):
Cheers,
Len
PS:
Fleischer's Snow White was animated by ONE person, produced by a Jewish animation studio, in the Depression, featuring images of gambling and alcohol, starring a jazz singer. Take that, Walt.
Calloway's most famous cartoon appearance is probably as the voice of King Louie in Disney's The Jungle Book (1969). This just isn't true. King Louie is Louie Prima. I knew this.
"St. James Infirmary Blues" is based on an 18th century traditional English folk song called "The Unfortunate Rake" (also known as "The Unfortunate Lad" or "The Young Man Cut Down in His Prime"). There are numerous versions of the song throughout the English-speaking world. It also evolved into other American standards such as "The Streets of Laredo". "The Unfortunate Rake" is about a sailor who uses his money on prostitutes, and then dies of a venereal disease. Different versions of the song expand on this theme, variations typically feature a narrator telling the story of a youth "cut down in his prime" (occasionally her prime) as a result of some morally questionable actions. For example, when the song moved to America, gambling and alcohol became common causes of the youth's death.
The title is derived from St. James Hospital in London, a religious foundation for the treatment of leprosy. It was closed in 1532 when Henry VIII acquired the land to build St. James Palace.
The song was first collected in England in its version as "The Unfortunate Rake" by Henry Hammond by a Mr. William Cutis at Lyme Regis, Dorset in March 1906.
Part of the song's versatility/ambiguity is that its content can also swing depending on the gender of the singer and the "baby" cut down in his/her prime.
Notable performers of this song include Cab Calloway, Louis Armstrong, Kermit Ruffins, The Preservation Hall Jazz Band, King Oliver, Artie Shaw, Big Mama Thornton, Jack Teagarden, Billie Holiday, Cassandra Wilson, Bobby Hackett, Stan Kenton, Lou Rawls, The Limeliters, Bobby Bland, Ramblin' Jack Elliott, Doc Watson, "Spider" John Koerner, Janis Joplin, The Doors, The Animals, and more recently The White Stripes, the Triffids, the Stray Cats, the Tarbox Ramblers, Isobel Campbell, The Devil Makes Three and Mark Lanegan, and Tom Jones with Jools Holland. Jazz guitarists Marc Ribot and Ivan "Boogaloo Joe" Jones have recorded instrumental versions.
1. Road Runner cannot harm the Coyote except by going "beep, beep". 2. No outside force can harm the Coyote -- only his own ineptitude or the failure of Acme products. 3. The Coyote could stop anytime -- IF he was not a fanatic. (Repeat: "A fanatic is one who redoubles his effort when he has forgotten his aim." -- George Santayana). 4. No dialogue ever, except "beep, beep". 5. Road Runner must stay on the road -- for no other reason than that he's a roadrunner. 6. All action must be confined to the natural environment of the two characters -- the southwest American desert. 7. All tools, weapons, or mechanical conveniences must be obtained from the Acme Corporation. 8. Whenever possible, make gravity the Coyote's greatest enemy. 9. The Coyote is always more humiliated than harmed by his failures. 10. The audience's sympathy must remain with the Coyote.
Charles Miller argues that John Hodgman's PC character in the Mac vs. PC commercials is like Wile E. Coyote...likable but inept. (via df)
A list of Cartoon Girls I Wanna Nail. And it's on Geocities, no less...I had no idea that was still around and operational. Maybe this is the only page left, the end result of Yahoo's $3.6 billion investment.
Update: The site above is currently down. Fun fact: I first linked to this almost 9 years ago. (thx, everyone)
A friend of mine who works at the University of Nebraska-Lincoln emailed to let me know that they've posted both audio and video of a talk that Chris Ware gave at the school last week. If you're short on time, the real meat of the video starts around 18:30 when Ware starts a slideshow that delves into his process. In addition to his series of Thanksgiving-themed New Yorker covers from last year, he also talks about some of his other work, including Rusty Brown and the strip he did for the NY Times Magazine.
Futurama tidbit: "Groening's series Futurama is back, thanks to strong DVD sales. Four Futurama DVD movies are scheduled for release and they will be chopped into episodes for broadcast on Comedy Central in 2008."
Here's the formula for a New Yorker cartoon: take a person/entity from Column A, and have them interact with a person/entity from Column B in a location from Column C. Voila, comedy jackpot!
