Artist Jason Polan (he of the The Every Piece Of Art in The Museum Of Modern Art Book) is on a mission to draw every single person in New York City. If you'd like to be drawn, drop him a line on where you'll be, and he'll show up and sketch you.
Opening tonight at Jen Bekman: Love = Love by Kent Rogowski. Rogowski takes pieces from different puzzles and assembles them into new images.
Longish but interesting profile of Larry Gagosian, the world's foremost art dealer.
Gagosian attracts artists and collectors alike because he understands the intense coupling between art and money. In 2004 the top price for a painting by Takashi Murakami at auction was $624,000. Since then, Gagosian has sold Murakamis to Cohen and others, and in November one was auctioned for $2.4m. He has repeated that trick time after time. Not long after joining his stable in 2003, the painter John Currin made his auction record of $847,500; his highest price before joining Gagosian was a little over half that. Recently Adam Sender, the head of the hedge fund Exis Capital Management, reportedly sold a Currin painting through Gagosian for $1.4m. Before Glenn Brown began showing with Gagosian, in 2004, his top price at auction was $46,000; in June 2007, a painting of his made $969,000. In May, when Anselm Reyle was still represented by Gavin Brown, his work was fetching at most around $200,000 at auction. In October, after he had joined Gagosian's stable, a work of his made nearly four times that amount
Great 60-minute documentary on English painter Francis Bacon in six parts: one, two, three, four, five, six. The production is inventive and I've never seen someone answer so many seemingly penetrating questions so quickly and fluidly, save for the one he has to read off of a card produced from his pocket. (thx, dean)
Update: The program is available in one part here. (thx, marissa)
For her Mended Spiderweb project, Nina Katchadourian found spiderwebs in need of repair and fixed them with a needle and thread.
All of the patches were made by inserting segments one at a time directly into the web. Sometimes the thread was starched, which made it stiffer and easier to work with. The short threads were held in place by the stickiness of the spider web itself; longer threads were reinforced by dipping the tips into white glue. I fixed the holes in the web until it was fully repaired, or until it could no longer bear the weight of the thread.
The spiders didn't think much of her handiwork:
The morning after the first patch job, I discovered a pile of red threads lying on the ground below the web. At first I assumed the wind had blown them out; on closer inspection it became clear that the spider had repaired the web to perfect condition using its own methods, throwing the threads out in the process. My repairs were always rejected by the spider and discarded, usually during the course of the night, even in webs which looked abandoned.
(via 3qd)
The One Day Poem Pavilion uses the sun to display a poem one line at a time over the course of an entire day. (via stingy kids)
The pictures of the accused are startling in the banality of the faces. (While the spelling of many of the names -- April, Britney, Brittini, Cara, Kayla, Mercades, Stephen, Zachary bring to mind a revived Mouseketeers.) A number of the girls look surprisingly similar, but minus the prison garb, they could just as easily be reacting to a berating for poor schoolwork. The boys, who were posted as lookouts while the girls carried out the beating, look a little more ready for jail.
The pictures are fascinating in the narrow range of emotion they convey, from self-pity to sullenness, but to my mind all stop before genuine contriteness. (I'm reading this in, of course, but I have a hunch I'm right.) Yet there's an all-American look to these kids that can only remind us how narrow the line is between good and evil.
As part of the the Takashi Murakami show at the Brooklyn Museum of Art, the artist is collaborating with Louis Vuitton to station street vendors -- who typically sell counterfeit merchandise -- outside the museum selling real LV bags designed by Murakami himself.
For scientist Dr. Anne Adams (and composer Maurice Ravel), a rare disease called frontotemporal dementia caused a burst of creativity.
The disease apparently altered circuits in their brains, changing the connections between the front and back parts and resulting in a torrent of creativity. "We used to think dementias hit the brain diffusely," Dr. Miller said. "Nothing was anatomically specific. That is wrong. We now realize that when specific, dominant circuits are injured or disintegrate, they may release or disinhibit activity in other areas. In other words, if one part of the brain is compromised, another part can remodel and become stronger."
Some of Adams' work can be seen here...her portrait of pi contains a touch of synesthesia. (thx, cory)
Gorgeous maps and infographics by Stefanie Posavec that map the literary geography of Jack Kerouac's On the Road.
The maps visually represent the rhythm and structure of Kerouac's literary space, creating works that are not only gorgeous from the point of view of graphic design, but also exhibit scientific rigor and precision in their formulation: meticulous scouring the surface of the text, highlighting and noting sentence length, prosody and themes, Posavec's approach to the text is not unlike that of a surveyor. And similarly, the act is near reverential in its approach and the results are stunning graphical displays of the nature of the subject. The literary organism, rhythm textures and sentence drawings are truly gorgeous pieces.
The sentence drawings are really worth checking out.
Regal
Top: Leslie Hall by Noah Kalina.
Bottom: The Rainbow Portrait of Queen Elizabeth I by Isaac Oliver. (thx, adriana)
Delicately knit human organs (brain, heart, intestines) by Sarah Illenberger. See also the Brain Bag. (via this is that)
Anders Weberg makes true P2P art. Weberg shares his videos on Bittorrent until a single other user downloads them. Then he stops sharing it and...
After that the artwork will be available for as long as other users share it. The original file and all the material used to create it are deleted by the artist. [...] Feel free to don't or download the film, watch it and share it for as long as you like. Or delete it immediately.
Permanent Vacation, a piece by Cory Arcangel consisting of "two unattended computers send endlessly bouncing out-of-office auto-responses to each other". (via vitamin briefcase)
The world's 50 best works of art and where to go to see them. Random Knowledge has links to all the art so you can check them out virtually in less time and for less money.
An article in the Times about the transition of sales in high-end galleries to the web.
Mr. Gupta said about half of his sales take place without the presence of the buyer. "Being in Chicago, without the walk-in traffic of a gallery in New York or even L.A., I can't imagine working without digital images," he said. "We have a ton of European collectors, and we reach them through art fairs and digital images, a combined effort."
(via ev +/-)
Did you know that there's a teensy museum on the moon?
Now I find out there was already an entire Moon Museum, with drawings by six leading contemporary artists of the day: Andy Warhol, Robert Rauschenberg, David Novros, Forrest "Frosty" Myers, Claes Oldenburg, and John Chamberlain. The Moon Museum was supposedly installed on the moon in 1969 as part of the Apollo 12 mission.
I say supposedly, because NASA has no official record of it; according to Frosty Myers, the artist who initiated the project, the Moon Museum was secretly installed on a hatch on a leg of the Intrepid landing module with the help of an unnamed engineer at the Grumman Corporation after attempts to move the project forward through NASA's official channels were unsuccessful.
Scott King: How I'd Sink American Vogue. His approach would include stories like "How To Dress Angry", "635 Poor People Upside Down!", and "Karl Lagerfeld Discusses Various Cancers", as well as a 14-page advertisement-free issue.
Why does the woman depicted in the Mona Lisa appear to be both smiling and not smiling at the same time? The smile part of the Mona Lisa's face was painted by Leonardo in low spatial frequencies. This means that when you look right at her mouth, there's no smile. But if you look at her eyes or elsewhere in the portrait, your peripheral vision picks up the smile. (via collision detection)
Proust Was a Neuroscientist is the story of how eight writers and artists anticipated our contemporary understanding of the human brain. From the preface:
This book is about artists who anticipated the discoveries of neuroscience. It is about writers and painters and composers who discovered truths about the human mind -- real, tangible truths -- that science is only now rediscovering. Their imaginations foretold the facts of the future.
I enjoyed the book quite a bit so I sent the author, Jonah Lehrer, a few questions via email. Here's our brief conversation.
Jason Kottke: Your exploration of the intersection of neuroscience and culture begins with Proust; you were reading Swann's Way while doing research in a neuroscience lab. Where did the idea come from for a collection of people who anticipated our modern understanding of the human brain? How did you find those other stories?
Jonah Lehrer: The lab I was working in was studying the chemistry of memory. The manual labor of science can get pretty tedious, and so I started reading Proust while waiting for my experiments to finish. After a few hundred pages of melodrama, I began to realize that the novelist had these very modern ideas about how our memory worked. His fiction, in other words, anticipated the very facts I was trying to uncover by studying the isolated neurons of sea slugs. Once I had this idea about looking at art through the prism of science, I began to see connections everywhere. I'd mutter about the visual cortex while looking at a Cezanne painting, or think about the somatosensory areas while reading Whitman on the "body electric". Needless to say, my labmates mocked me mercilessly.
I'm always a little embarrassed to admit just how idiosyncratic my selection process was for the other artists in the book. I simply began with my favorite artists and tried to see what they had to say about the mind. The first thing that surprised me was just how much they had to say. Virginia Woolf, for instance, is always going on and on about her brain. "Nerves" has to be one of her favorite words.
Kottke: Which of your characters did you know the least about beforehand? Even a seeming polymath like yourself must have a blind spot or two.
Lehrer: Definitely Gertrude Stein. I actually found her through William James, the great American psychologist and philosopher. She worked in his Harvard lab, published a few scientific papers on "automatic writing," and then went to med-school at Johns Hopkins before dropping out and moving to Paris to hang out with Picasso. So I knew she had this deep background in science, but I had only read snippets of her work. I then proceeded to fall asleep to the same page of "The Making of Americans" for a month.
Kottke: Are there other characters that you considered for inclusion? If so, why weren't they included?
Lehrer: Lots of people were left on the cutting room floor. I had a long digression on Edgar Allen Poe and mirror neurons. (See, for instance, "The Purloined Letter," where Poe has detective Dupin reveal his secret for reading the minds of criminals: "When I wish to find out how wise, or how stupid, or how good, or how wicked is any one, or what are his thoughts at the moment, I fashion the expression of my face, as accurately as possible, in accordance with the expression of his, and then wait to see what thoughts or sentiments arise in my mind or heart, as if to match or correspond with the expression.") I also had a chapter on Coleridge and the unconscious, but I think that chapter was really just me wanting to write about opium. But, for the most part, I can't really say why some chapters survived the editing process and others didn't. I certainly mean no disrespect to Poe. If they let me write a sequel, I'll find a way to include him.
Kottke: I noticed that three out of the eight main characters in the book are women. Surveying the usually cited big thinkers of the 19th and 20th centuries, it would have been easy to write this book with all male characters. Is there an implicit statement in there that science would be better off with a greater percentage of women participating?
Lehrer: While I certainly agree with the idea that the institution of science would benefit from more female scientists, I didn't choose these female artists for that reason. I don't think you need any ulterior motive to fall in love with the work of Virginia Woolf and George Eliot. Their art speaks for itself. That said, I think the psychological insights of women like Woolf were rooted, at least in part, in their womanhood. Woolf, for instance, rebelled against the stodgy old male novelists of her day. Their fiction, she complained, was all about "factories and utopias". Woolf wanted to invert this hierarchy, so that the "task of the novelist" was to "examine an ordinary mind on an ordinary day." There's something very domestic about her modernism, so that the grandest epiphanies happen while someone is out buying flowers or eating a beef stew. Women might not be able to write novels about war or politics, but they could find an equal majesty by exploring the mind.
Plus, I think Woolf learned a lot about the brain from her mental illness. As a woman, she was subjected to all sorts of terrible psychiatric treatments, which made her rather skeptical of doctors. (In Mrs. Dalloway, she refers to the paternalistic Dr. Bradshaw as an "obscurely evil" person, whose insistence that the mental illness was "physical, purely physical" causes a suicide.) Introspection was Woolf's only medicine. "I feel my brains, like a pear, to see if it's ripe," she once wrote. "It will be exquisite by September."
Kottke: Are there other books/media out there that share a third culture kinship with yours? I received a copy of Lawrence Weschler's Everything That Rises: A Book of Convergences for Christmas...that seems to fit. Steven Johnson's books. Anything else you can recommend?
Lehrer: I've stolen ideas from so many people it's hard to know where to begin. Certainly Weschler and Johnson have both been major influences. I've always worshipped Oliver Sacks; Richard Powers has more neuroscience in his novels than most issues of Nature; I just saw Olafur Eliasson's new show at SFMOMA and that was rather inspiring. I could go on and on. It's really an exciting time to be interested in the intersection of art and science.
But I'd also recommend traveling back in time a little bit, before our two cultures were so divided. We don't think of people like George Eliot as third-culture figures, but she famously described her novels as a "a set of experiments in life." Virginia Woolf, before she wrote Mrs. Dalloway, said that in her new novel the "psychology should be done very realistically." Whitman worked in Civil War hospitals and corresponded for years with the neurologist who discovered phantom limb syndrome. (He also kept up with phrenology, the brain science of his day.) Or look at Coleridge. When the poet was asked why he attended so many lectures on chemistry, he gave a great answer: "To improve my stock of metaphors". In other words, trying to merge art and science isn't some newfangled idea.
--
Thanks, Jonah. You can read more of Lehrer's writing at his frequently updated blog, The Frontal Cortex.
This portrait of Homer Simpson painted in the style of Rembrandt is strangely mesmerizing. Can't look away from those giant eyes.
The Adam Baumgold Gallery is currently showing a series of drawing by Chris Ware, Drawings for New York Periodicals. His series that ran in the NY Times and his Thanksgiving New Yorker covers are included. Feb 1 - Mar 15, 2008. (thx, evan)
Jason Polan, who you may remember from the series of drawings he did of every piece of art in the MoMA, has a unique 20x200 offering available. The larger editions are drawings and copies of his hand while the $2000 edition of 2 is described thusly:
I will come to your house and shake your hand. Two of these interactions will be available. After I meet you I will give you a certificate, to be signed by both you and me, stating the authentification of the encounter. This artwork is a collaboration between you and me. You will also receive a photograph that is taken the moment of our meeting.
20x200 curator Jen Bekman has more on this offering.
Jason's work is about a lot of lofty ideas, but those ideas are grounded in the most mundane of media and happenstance. The ideas center around his ambitions to interact authentically with both the media he chooses to work in and the collectors who buy his work.
The true meaning of George W. Bush's favorite painting. Quoting Inigo Montoya, "I do not think it means what you think it means". (via conscientious)
Art Grand Slam would be the perfect name for a web site showcasing the tennis-related art of Martina Navratilova. And so it is.
Almost 20 years since her last grand slam singles title, Martina Navratilova is back in action on the circuit -- only this time she is turning tennis strokes into brush strokes as she helps to create a new form of contemporary art.
In its crudest and, perhaps, most joyful expression, it involves the player hitting paint-covered tennis balls at a canvas, usually marked with court lines and prepared to resemble a playing surface: clay, grass or artificial.
(via quipsologies)
Will Ashford takes used books and creates art and new meanings out of them.
At some unpredictable point along the way, in my mind, the images start to invent themselves. Using colored vellums, graphite and or India ink to highlight or obscure my words; I create the image of that invention. Though I strive to make each document visually engaging I find it is the words that I value most.
(via monoscope)
Update: Ashford's work is quite similar to Tom Phillips' A Humument, which was first published in 1970. (thx, joel)
Long-exposure photo of two people having sex on a bed. (It's mostly safe for work, believe it or not.) This reminds me of two things: the timelapse threesome scene in A Clockwork Orange and Jason Salavon's work, specifically 76 Blowjobs and Every Playboy Centerfold. Those last tow links probably NSFW. (via the h line)
Update: Atta Kim's work is similar too, particularly his "Sex Series". (thx, jeff)
This summer's big public art project in NYC: 4 large waterfalls falling into the East River and New York Harbor, including one falling from the Brooklyn Bridge. Olafur Eliasson is the responsible party...he's done a couple previous waterfall pieces.
Update: Eliasson's work will also be on display at MoMA and P.S. 1 this summer, April 20 through June 30, 2008. (thx, praveen)
MoMA's "Multiplex"
So I ditched out of "work" early yesterday for MoMA, because it was the last day of the Martin Puryear show. (This is why everyone everywhere should quit his job!) Elsewhere in the museum—on view through July—is a sprawling collection show called "Multiplex," which is apparently about art since 1970 and, according to the opaque curator's text, the flowering of, um, a "complicated artistic terrain." (Yeah. Well, it's been almost 40 years, go figure.) There are three groupings of work: abstraction, mutability, and provocation. (I dunno either!) There's a Gursky that's really one of the worst, an incredible Tacita Dean painted photograph, and a Julie Mehretu painting that is just wowza. (Seriously, you should go see that one.) Also, I'd never seen this Clemens von Wedemeyer video "Big Business," a two-channel wingding that's technically a remake of a Laurel and Hardy film, but which, more importantly, stars two really hot German guys destroying a house. It is all kinds of awesome! I wanted to watch it twice more! But that (and some other nice items) doesn't mean this show isn't a bizarro mess. There's a whole lotta wall text to make their gussied up case. And the tiny end section, "provocation," contains some of the least provocative contemporary art going. (There's a mild Philip Guston painting from 1972! Huh?) Is it that MoMA's collection just doesn't have work down in the basement that could deliver some incitement?
Lawyer-Dance
Dying to see this video now showing in Chelsea of a dance performed by lawyers, including John Sloss, a film attorney, and Scott Rosenberg, who I think is with Legal Aid. It's playing with another video, of four day laborers hired to create an earthwork on the beach; both are by Ann Carlson and Mary Ellen Strom.
Cherry Blossoms is a project by Alyssa Wright:
Cherry Blossoms is a backpack that uses a small microcontroller and a GPS unit. Recent news of bombings in Iraq are downloaded to the unit every night, and their relative location to the center of the city are superimposed on a map of Boston. If the wearer walks in a space in Boston that correlates to a site of violence in Baghdad, the backpack detonates and releases a compressed air cloud of confetti, looking for all the world like smoke and shrapnel. Each piece of confetti is inscribed with the name of a civilian who died in the war, and the circumstances of their death.
Really interesting interview with artist/designer Tobias Wong by Rob Walker.
That question hits an important point in my work (and pet peeve), because many people are always interested in how I get work out there, financially. And it's quite simple. If there's something I really believe in, I just find a way to make it happen. No daily Starbucks (US$4) or cigs ($8) or dining out ($20), and before you know it you've got the money to do something.
God's Eye View presents four important Biblical events as if captured by Google Earth, including The Crucifixion, Noah's Ark, and Moses parting the Red Sea.
Liquidated Logos by French street artist Zevs.
Re-painting the logos in their own colours, the artist pours paint over them, liquidating one logo after another.
I am a sucker for dripping paint.
Eric Gill was a respected British artist and typographer -- Gill Sans is his most famous typeface -- but according to his diaries, he also regularly engaged in sexual relations with his sisters, his daughters, and the family dog.
For some of Gill's fans, even looking at his work became impossible. Most problematically, he was a Catholic convert who created some of the most popular devotional art of his era, such as the Stations of the Cross in Westminster Cathedral, where worshippers pray at each panel depicting the suffering of Jesus.
These details of Gill's private life were revealed in a 1989 book by Fiona MacCarthy...here's a NY Times review of the book soon after it was published.
The hand-painted toilet seats featured on this artist's website make me wonder if anyone has ever answered Duchamp by using a urinal as a canvas. (via cynical-c)
Update: Kohler (the Toilet People) has its own take on toilet seat art. (thx, Sadie)
Stuff I want to see in NYC soon
I'm writing these down in the hope that doing so will motivate me to actually get out of the apartment to check these out.
- Paula Scher: Recent Paintings at Maya Stendal. Through January 26, 2008.
- Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collections at Neue Galerie. Through June 30, 2008.
- Edward Burtynsky: Quarries at Charles Cowles. Though December 1, 2007.
- This Is War! Robert Capa at Work at ICP. Through January 6, 2008.
- Georges Seurat: The Drawings at MoMA. Through January 7, 2008.
Did I miss anything? (Besides Jill Greenberg's bear photos at Clampart?)
Related to Jason Salavon's work from last week is Brian Piana's work, the layouts and colors of web sites with all of the text and graphics stripped out. For instance, Barack Obama's Twitter page. The flowchart stuff is lovely...reminds me a bit of this page from Jimmy Corrigan. (thx, jonathan)
Jason Salavon's Field Guide to Style & Color, a reproduction of the 2007 Ikea catalog with everything but the structure and color excluded. You may remember Mr. Salavon from his composite photographs and videos of blowjobs, late night talk show hosts, and Playboy centerfolds.
I can't see how on earth Julie Jackson's Subversive Cross Stitch didn't make it into the Museum of Arts & Design show on Extreme Embroidery. Maybe it's too straightforward but still...
Blendie is a blender built by Kelly Dobson that only works when you growl at it.
People induce the blender to spin by sounding the sounds of its motor in action. A person may growl low pitch blender-like sounds to get it to spin slow (Blendie pitch and power matches the person) and the person can growl blender-style at higher pitches to speed up Blendie. The experience for the participant is to speak the language of the machine and thus to more deeply understand and connect with the machine.
Check out the movie to see Blendie in action. Dobson's other projects include Machine Therapy (therapy sessions with people and their machines) and ScreamBody (a portable vessel in which to put your screams). (via core77)
I went to a mini conference put on by Core77 on Friday and I'll post a bit more about a couple of the participants in a day or so, but if you were in attendance, you may not have noticed that the person onstage claiming to be artist/designer Tobias Wong was not actually Tobias Wong (more).
The setup was an art project on Tobias's part, they practiced together for some time to make it work. There were a lot of little jokes in fake Tobias's talk for people who knew what was going on. Tobias was in the audience, actually answered a question for fake-Tobias during his talk.
Frida Kahlo at The Walker
It's something of a Minneapolis-New York-World week here at kottke.org. As if I needed an excuse to post about Peter Schjeldahl's write-up of the new Kahlo exhibit at the Walker in this week's New Yorker:
...her pansexual charisma, shadowed by tales of ghastly physical and emotional suffering, makes her an avatar of liberty and guts. However, Kahlo's eminence wobbles unless her work holds up. A retrospective at the Walker Art Center, in Minneapolis, proves that it does, and then some. She made some iffy symbological pictures and a few perfectly awful ones—forgivably, given their service to her always imperilled morale—but her self-portraits cannot be overpraised.
Iconic Moments of the 20th Century
Euro art collective Henry VIII's Wives recreate iconic 20th century photographs using Glaswegian pensioners as models, all posed outside their housing complex in Glasgow. A real glaswegian kiss to the complacent gaze with which the original photos are too-easily met.
(thx, joseph)
FFFFOUND!, art curating for the masses
Alexander Bohn wrote a glowing review of FFFFOUND! at Speak Up the other day. My FFFFOUND! fandom is documented elsewhere, so I'll comment instead on an observation Bohn made in his initial paragraph:
Graphic design might not work in the white cube, but it flourishes on a white background. A new mutated strain of design blog has evolved: The Randomly Curated Other People's Images White Background Site, or RCOPIWS. Sites like Manystuff, Monoscope, Your Daily Awesome, and VVORK (among countless others) offer designers and design aficionados a constant flood of typographic morsels, interesting photos, arresting new art, and the like. One such site sets itself apart, notably, from the other RCOPIWSes: the collaborative image-bookmarking site ffffound.com — allegedly, but unconfirmed, initiated by online fiend Yugo Nakamura.
Among the many things that the internet has democratized is curating, a task once more or less exclusive to editors (magazine, book, and newspaper), art gallery owners, media executives (music, TV, and film), and museum curators. They choose the art you see on a museum's wall, the shows you see on TV, the movies that get made, and the stories you read in the newspaper. The ease and low cost of publishing on the web coupled with the abundance of sample-ready media has made the curating process available to many more people. Smashing Telly is David Galbraith's rolling film festival (or TV channel). By simply listening to the music that you like, Last.fm allows anyone to put together their own radio station to share with others. kottke.org is essentially a table of contents for a magazine I wish existed. Shorpy has freed old photography from the nearly impenetrable Library of Congress web site and presented it in a compelling blog-like fashion.
In the case of FFFFOUND! and other RCOPIWSs, I would argue that these sites showcase a new form of art curating. The pace is faster, you don't need a physical gallery or museum, and you don't need to worry about crossing arbitrary boundaries of style or media. Nor do you need to concern yourself with questions like "is this person an artist or an outsider artist?" If a particular piece is good or compelling or noteworthy, in it goes. The last week's output at Monoscope would make a pretty good show in a Chelsea art gallery, no? It'll be interesting to see how this grassroots art curating will affect the art/design/photography world at large. Jen Bekman, who has roots in the internet industry, is already exploring this new frontier with her nimble gallery and the Hey, Hot Shot! competition. Others are sure to follow.
Ursine is a new series of photos by Jill Greenberg, who previously did monkey portraiture and crying children, the latter of which provoked some controversy in the blogosphere.
I was going to shoot grizzly bears because they're safer than bloggers.
A complete series of photos are available on Greenberg's web site, sadly buried in an inscrutable Flash interface.
A pair of Lego skyscrapers (made from 250,000 pieces and inhabited by 1000 Lego people) are on display at the Storefront for Art and Architecture in NYC through November 24. Dennis Crowley's got some pictures and a short movie. Details include a wee Banksy piece on the side of the building and tiny iPod ads. Here's a timelapse video of the construction. (thx, dens)
Cool anatomical drawing of a balloon animal. See also: drawings of skeletal systems of cartoon characters by Michael Paulus, which are available as prints. (via ffffound!)
Aleksandra Mir's Newsroom 1986-2000 project features huge hand-drawn reproductions of tabloid front pages. Show is up through Oct 27 in NYC. (via quipsologies)
Photograph of the graves of Vincent and Theodore van Gogh in Auvers-sur-Oise, France. (Don't quite know why I'm posting this...it just struck me is all.)
Casey Reas and Ben Fry, inventors of the Processing programming language (that's Proce55ing to you old schoolers), have just come out with a book on the topic that looks fantastic. In addition to programming tutorials are essays and interviews with other heavy hitters in the programmatic arts like Golan Levin, Alex Galloway, Auriea Harvey, and Jared Tarbell. The site for the book features a table of contents, sample chapters, and every single code example in the book, freely available for download. Amazon's got the book but they're saying it's 4-6 weeks for delivery so I suggest hoofing it over to your local bookstore for a look-see instead.
Fritz Kahn's Man As Industrial Palace.
Kahn's modernist visualization of the digestive and respiratory system as "industrial palace," really a chemical plant, was conceived in a period when the German chemical industry was the world's most advanced.
Be sure to check out the larger version.
Is lazy reporting hurting the visual arts? Jonathan Jones argues that almost all reporting about art takes one of six forms: expensive art, graffiti, plagiarism, earth-shattering discoveries, and restoration. Looking back through kottke.org's art tag page, I am guilty of linking to stories of all those types. Eep.
Hoax or art? Or both? Artist Xu Zhen climbed Mt. Everest and shaved off almost 2 meters of the top of the mountain, the literal peak of Everest, and is displaying it as art.
Audiences may not believe that this is real, which is similar to how people rarely question whether the height of Everest truly is 8848 meters. This relationship between belief and doubt has to deal with questions of standard, height, reality, and borders.
(via daily awesome)
Jessica Lagunas' Return to Puberty, an artwork consisting of a "video close-up of my pubis in a static single shot, in which I depilate most of my pubic hair with a pair of tweezers continuously for one hour". It's like the female version of Empire. NSFW.
Get Lost is a collection of maps of downtown Manhattan drawn by a variety of artists.
Impressionism, Realism, and blogging
I'm intrigued by Marc Hedlund's differentiation of Impressionist bloggers from Realist bloggers. My interpretation of this difference (which might not be what Marc meant by it) is that Realist blog posts are self-contained, -explanatory, and -evident entities while a post on an Impressionist blog serves to complement the whole, much like the dots making up a Seurat painting aren't that interesting until you stand back to see the whole thing.
The downside for Impressionist blogs is that their individual posts don't work that well outside of their intended context. If you run across a single post from an Impressionist blog in your River of News, a remixed Yahoo Pipes RSS feed, in del.icio.us, or an item in a Google search results set, it might not make a whole lot of sense. Impressionist blog posts are less likely to get Dugg or bookmarked in del.icio.us or linked around much at all. Fewer incoming links, big or small, to individual pages means fewer pageviews, which makes it more difficult to run an Impressionist blog as a business that relies on advertising revenue. If you look at most of the big blog sites, they're all non-Impressionist blogs. All the sites whose posts are featured on the front page of Digg are non-Impressionist...those posts/articles are designed to float self-contained around the web. The blogosphere is dominated by non-Impressionist blogs and the sort of content they produce...which is sad for me because, like Marc, I value Impressionism in a weblog.
Tauba Auerbach: startling starting staring string sting sing sin in i. More of her typographic work here.
Photographs of girls with meat hair. No further description needed, I trust. See also the meat-themed art of Victoria Reynolds.
Update: More meat art from Pinar Yolacan. (thx, jen)
Metropolis magazine profile of designer/programmer/artist Jonathan Harris, creator of such projects as Word Count, Daylife Universe, 10x10, and Seed magazine's Phylotaxis. More of Harris' work is available on his web site.
The American Sign Language alphabet made from matchbooks...think of the matches as fingers.
Remember the Splasher/graffiti/defacing business from last week? The group of people collectively know as the Splasher is back with a manifesto: "if we did it, this is how it would've happened". Not the most succinct, these art school revolutionaries.
A fellow named the Splasher has been splashing paint on street art around NYC over the past few months. Here's some of his, er, work. Well-known street artist Shepard Fairey (the Splasher has targeted several of his pieces) opened a show last night in DUMBO and two guys tried to set off a homemade smoke bomb at the opening, leading to speculation that one (or both) of them was the Splasher. Gothamist has more. Jake Dobkin has photos from Fairey's show, which looks pretty nice.
Update: The Brooklyn Paper is reporting that DJ 10 Fingers subdued the suspected Splasher before he could light his stink bomb. (No, seriously!) The would-be stink bomber is facing a possible 15 years in jail.
Regarding Eve Mosher's project to draw a flood line around Brooklyn and lower Manhattan, here are a couple of related projects. Ledia Carroll's Restore Mission Lake Project outlined the shore of an historical lake which used to sit in the midst of San Francisco's Mission neighborhood. Under The Level explores the possibility and consequences of Katrina-level flooding in NYC. (thx, kayte and dens)
Artist Eve Mosher is drawing a chalk line around Brooklyn and lower Manhattan that denotes the encroachment of the ocean if it were to rise 10 feet above the current sea level. There's a web site for the project, including a progress blog. See also Flood Maps.
Regarding my post about Tim Knowles' work, Greg sent in a couple of links to similar projects. Olafur Eliasson created these drawings much like Knowles did with his Vehicle Motion Drawings, except he used the motion of his father's fishing boat. William Anastasi has done drawings for almost 40 years by letting his pen drift on a piece of paper while riding the subway.
Oliver Herring's photo sculptures. Reminds me of David Meanix's work for Six Feet Under (if you remember Claire's photo masks in season 4). (via moon river)
Tim Knowles
I just stumbled upon the work of Tim Knowles, whose art explores the mostly hidden, obscured, or otherwise unnoticed motion of objects. One of his projects is Tree Drawings:
Drawings produced by pens attached to the tips of tree branches, as the branches move in the wind the tree draws on to a panel or drawing board on an easel. Like signatures the trees drawings tell of the tree's character; a Hawthorn producing a stiff, scratchy & spikey drawing an Oak a more elegant flowing line.
Here's the oak at its easel and the resulting art:
For Vehicle Motion Drawings, he constructed an apparatus to capture the motion of a car being driven...the turns, stops, and starts of the vehicle move the pen over the paper. His postal projects capture the motion of packages through the postal system, both with drawings and photography. (Knowles' Spy Box reminds me of Kyle Van Horn's cameramail.)
Love his stuff. (via waxy)
A blog of bad drawings of Star Trek's Mr. Spock. Khaaan! (thx, david)
Martin Klimas' captured moments of shattering statues is an interesting form of photographic sculpture. (via daily awesome)
Opening Friday, June 22 at jen bekman gallery in NYC: A New American Portrait, "a group exhibition of photographs featuring artists at the vanguard of contemporary portraiture in America". Curated by Jen Bekman and Joerg Colberg, one of my favorite bloggers on the topic of photography.
Fun letterhead cartoons drawn by Saul Steinberg in 1967 when he was artist-in-residence at the Smithsonian for a brief period. (via daily awesome)
Video of women depicted in Western art morphing into one another. Belongs in the seamless mesmerization category of videos along with Noah Kalina's everyday and 787 Cliparts. (thx, robin)
Decisions, Decisions: a nice looking hand-drawn flowchart poster.
Nina Katchadourian's Sorted Books project, photographs of book spines arranged to tell short stories.
Hair portraits, including those of Star Wars and Guns n Roses.
My wife Meg makes A Mean Chocolate Chip Cookie. That is to say, she asked her readers for their best chocolate chip cookie recipes, averaged the ingredient amounts, baking times, chilling times, butter consistencies, and other various techniques and baked according to the resulting recipe (which she includes so you can bake up your own batch). Some of the ingredients: "2.04 cups all-purpose flour; 0.79 tsp. salt; 0.79 tsp. baking soda; 0.805 stick unsalted butter, softened to room temperature; 0.2737 stick unsalted butter, cold; 0.5313 stick unsalted butter, melted." Reminds me a bit of The Most Wanted Paintings project by Komar & Melamid, who averaged aesthetic preferences and taste in painting to produce works of art that appealed to everyone (to hilarious effect). (digg this?)
Interview with artist Kristan Horton, whose project Dr. Strangelove Dr. Strangelove recreates scenes from the movie using everyday household objects.
Why are most artists liberal? "In conclusion, then, you don't have to be a liberal to be a good storyteller. But the better your story is, the more of a liberal you are." (via 3qd)
Street artist Banksy gets the New Yorker treatment with a profile in this week's issue. "The graffitist's impulse is akin to a blogger's: write some stuff, quickly, which people may or may not read. Both mediums demand wit and nimbleness. They arouse many of the same fears about the lowering of the public discourse and the taking of undeserved liberties." Complex tracked down the alleged photos of Banksy mentioned in the article. Print magazine recently wrote a piece on Banksy as well.
Analysis of a recent New Yorker cover, the one with the guy and girl standing in front of an abstract expressionist painting. "Rather than a couple in love with each other, with art, and with technological possibility, I see a boy with a toy, and a girl with patience. He is much more engaged with the devise; she curves demurely away." The phrase "boy with a toy, and a girl with patience" describes many American relationships, I think. (thx, david)
Update: The NYer cover is a reference to this Jan 1962 Saturday Evening Post cover by Norman Rockwell. (thx, maciej)
Clever technique for pinching the colors from famous paintings using the Match Color tool in Photoshop. "The Old Masters of painting spent years of their lives learning about color. Why let all their effort go to waste on the walls of some museum when it could be used to give you a hand with color correction?"
Typographic map of London. That is, a map made of type (like Paula Scher's paintings) not a map of typography in London. (via moon river)
What kind of art is film? High art? Mass art? Photographic art? Narrative art?
Photographer Cara Barer creates twisty, rumpled sculptures out of damp books...the results are beautifully fractal in nature. (via your daily awesome)
Xia Xiaowan
Artist Xia Xiaowan uses layers of glass to make 3-D paintings. A picture's worth a thousand words of explanation in this case:
Xia Xiaowan surpasses the boundaries of painting and establishes a new way of "looking" at paintings. He draws his inspiration and method from X-ray photographs, giving two-dimensional painting a three-dimensional effect. He combines material, technology and painting, thus maintaining the hand-made qualities of painting while adding elements of installation and sculptural art and displaying the cold, absurd and strange qualities of realism.
More work by Xia Xiaowan here.
Update: Marilène Oliver does similar work. (thx, emmett)
Joerg Colberg asked a bunch of photographers and photography bloggers: what makes a great photo? The answers, with examples, form a great informal discussion about art, photography, and curating. "It's hard for me to describe what makes a great photo mostly because it's hard to predict what you might like before you see it. I'm often surprised by things that I've never thought I would enjoy or seek out in the world."
Related to the men look at crotches post, here's an eyetracking study that compares how artists look at a photo with the rest of us. "Non-artists spent significantly more time looking at [human bodies and faces in the photos] than artists." (via snarkmarket)
For the past five years, artist Jackie Sumell has been helping Herman Wallace, who has been in solitary confinement at the Louisiana State Penitentiary for the last 34 years, design his dream house, a house that will probably never be built. "Traces of a prison mindset crop up. When the placement of his computer meant his back would face the office door, Ms. Sumell said that he asked that a mirror be installed above, so he could see anyone entering the room. A sense of security is important to him, she explained. The master bedroom sits safely above the very center of the house. A wraparound porch adds a layer of perimeter, as does the surrounding garden. There is even a special door leading to an underground bunker, equipped with its own water supply." A book on the project is available for a $20 donation and this PDF gives a good overview of the project.
Maps drawn from memory
The first time I saw a world map drawn from memory was at Christopher Fahey's apartment. I forget how long it took him to draw, but it was remarkably accurate and fairly large (a few feet across). Ever since then, I've kept an eye out for other hand-drawn maps (you know what they say: if you can't do, collect). Via waxy this morning comes the From Memory Flickr group. My favorites from the group are this map of the male human body and a fanciful drawing of the solar system, both by Ellis Nadler:
Mapping.com has links to several maps from memory drawn by grade- and middle-school children; this world map by a 7th grade class is not too shabby. I'm struck by how much some of these world maps from memory resemble world maps drawn in the 16th and 17th centuries, like this Dutch map from 1689. All the parts are (mostly) there...it's just that everything is a little wrong-sized and slightly skewed.
Lori Napoleon collects "personal maps" from various people. This tactical guide for nourishing yukio includes directions to the owner's house, outlines of the two different keys (outside door, inside door), and what to feed the cat and when.
Also slightly related is the Fool's World Map, a deliberately addled world map prompted by a question asked of the map-maker by a Texan: "How many hours does it take to go to Japan by car?"
Update: Despite having featured his work on kottke.org late last year, I completely forgot about Stephen Wiltshire's super-realistic drawings from memory. Here's video of Stephen drawing Tokyo from memory and Rome from memory. (thx, matt)
Update: Christopher Fahey uploaded a photo of his world map drawn from memory.
Regarding Susan Orlean's piece on Robert Lang and origami from a couple of weeks ago, the New Yorker has posted a 5-minute audio slideshow of Orlean talking about the piece.
Quantitatively, the greatest women artists in the 20th century were, in order, Cindy Sherman, Georgia O'Keeffe, Louise Bourgeois, Eva Hesse, and Frida Kahlo. (via mr)
A commercial for the iPhone aired during the Oscars last night. Rick Silva noticed that it was a lot like artist Christian Marclay's 1995 piece Telephones (the relevant clip starts at 3:40) and, to a lesser extent, Matthias Mueller's film, Home Stories. Nice detective work!
Update: Here's a list of all the actors in the iPhone commercial (except one).
Update: The missing "French Woman" is Audrey Tautou from Amelie. (thx to several folks who wrote in)
Recent Chris Ware talk
A friend of mine who works at the University of Nebraska-Lincoln emailed to let me know that they've posted both audio and video of a talk that Chris Ware gave at the school last week. If you're short on time, the real meat of the video starts around 18:30 when Ware starts a slideshow that delves into his process. In addition to his series of Thanksgiving-themed New Yorker covers from last year, he also talks about some of his other work, including Rusty Brown and the strip he did for the NY Times Magazine.
Laser Tag is a new project from Graffiti Research Lab. The idea is that you use a high-powered laser pointer to trace a pattern on the side of a building, a camera captures that pattern, some software processes the capture, and a projector displays the graffiti-ized pattern back onto the side of the building, more or less in real-time. The effect is pretty cool. The process and source code are available here.
Rosemarie Fiore's awesome time-lapse photos of video games. Reminds me of Averaging Gradius. See also Jason Salavon's work.
"Until a few decades ago, Gustav Klimt was relatively ignored by the art establishment. Now his paintings are among the most expensive ever sold. How did the Viennese painter's prices rise so high so fast?"
Video of the World Freehand Circle Drawing Champion. I read somewhere recently that everyone seems to have a talent like this, something a little odd that they can do better than most people. I