If recent movies like The Hangover, Drive, Inception, and Rushmore had been made in an earlier era, who would have starred in and directed these premakes? How about Dean Martin, Jack Lemmon, and Jerry Lewis in The Hangover?
You've probably seen the NY Times correction that everyone's talking about. Ok, not everyone, just everyone who works in media. Anyway, here it is:
An article on Monday about Jack Robison and Kirsten Lindsmith, two college students with Asperger syndrome who are navigating the perils of an intimate relationship, misidentified the character from the animated children's TV show "My Little Pony" that Ms. Lindsmith said she visualized to cheer herself up. It is Twilight Sparkle, the nerdy intellectual, not Fluttershy, the kind animal lover.
I was accompanying Kirsten to school, taking notes on my laptop as she drove. She was listening to music on her iPod known to Pony fans as "dubtrot," -- a take-off on "dubstep,'' get it? -- in which fans remix songs and dialogue from the show with electronic dance music.
Dubtrot! And leave it Urban Dictionary to gild the lily.
Dubstep music relating to My Little Pony: Friendship is Magic. Often created by bronies, dubtrot can include dubstep remixes of songs from the show and original pieces created as homage or in reference to the show.
Pairs nicely with Melissa Gould's Neu-York, "an obsessively detailed alternate-history map, imagining how Manhattan might have looked had the Nazis conquered it in World War II".
There is a sense amongst my generation that Michael Winslow's best performing days are behind him. (You'll remember Winslow as Officer Sound Effects from Police Academy.) After all, we live in the age of the beatboxing flautist. You might change your tune after watching Winslow do Zeppelin's Whole Lotta Love. The first 28 seconds are like, oh, I've heard this before yawn zzzzzzzzzz WHOA, WHERE THE HELL DID THAT GUITAR NOISE COME FROM??!
And then it goes bananas right around 1:30. This is a must-see. (via @beep)
The giants of physics (and Morgan Freeman, who can be a giant of anything he wants) explain quantum mechanics using relatively simple terms and autotune.
Mastergram takes photos from well-regarded photographers (Capa, Burtynksy, Weegee, etc.) and runs them through Instagram filters.
If the Instagram effect can make mundane images appear to be works of art, what happens when we apply the same filters to images that have historically been held in high regard? Is the imagery degraded or enhanced as a result?
Monsters of Grok offers "fake band t-shirts for history's greatest minds". The Tesla/Edison send-up of AC/DC is nearly genius, but I like the Machiavelli/Metallica one better for some reason.
Wow. Someone is making a video game featuring the original Super Mario Bros worlds but Mario is outfitted with a Portal gun. Watch the demo:
More information on the game's development is here.
Yes, this is an actual game being developed - it is not a mod of any existing one. It's coded with L"ove (info at the bottom of the left menu) and will be released for free (so we don't get stabbed by lawyers)
All the source code of the game will be available after release
The game will have mappacks, which will be downloadable from ingame. Users most likely won't be able to publish maps directly, but will be able to send them in and we'll add them for everyone to use.
The primary maps will have a story and some portaly puzzles. What kind, well, we'll figure that out as we go
Level editor will be embedded in the game so you can edit the level while you play
Original SMB levels and Lost levels will be included
Rorschmap is a trippy Google Maps mashup by James Bridle that provides kaleidoscopic views of locations from around the world. Here's Paris, complete with MegaSeine.
Leonardo da Vinci's 'The Mona Lisa' reduced & remixed down into 140 exact circles of colour. Makes no sense close up. Makes every sense from the other side of the room.
I hope that every time Jay leaves the house, he sees these posters -- and as he looks at them or tries to tear them down he thinks about how evil what he did was. Maybe he'll realize that at some level all art borrows from other art, and suing another artist for fair use appropriation undermines all artists. Maybe he'll feel guilty about being such a thief. And then maybe he'll think about giving that money back -- or donating it to charity or something. But probably not.
Something tells me this isn't going to end well. (via @jakedobkin)
Rave On Buddy Holly is an album-length compilation of Buddy Holly cover songs sung by the likes of Cee Lo Green, Fiona Apple, Lou Reed, and Paul McCartney. You can listen now on Soundcloud, via the embed below, or pre-order the album on Amazon.
After seven months of legal wrangling, we reached a settlement. Last September, I paid Maisel a sum of $32,500 and I'm unable to use the artwork again. (On the plus side, if you have a copy, it's now a collector's item!) I'm not exactly thrilled with this outcome, but I'm relieved it's over.
But this is important: the fact that I settled is not an admission of guilt. My lawyers and I firmly believe that the pixel art is "fair use" and Maisel and his counsel firmly disagree. I settled for one reason: this was the least expensive option available.
At the heart of this settlement is a debate that's been going on for decades, playing out between artists and copyright holders in and out of the courts. In particular, I think this settlement raises some interesting issues about the state of copyright for anyone involved in digital reinterpretations of copyrighted works.
Unfortunately, Baio's post does nothing to dissuade me that Maisel is a joyless putz. Seeing this kind of behavior from large clueless companies is almost expected but from a a fellow creative artist? Inexcusable. Surely some reasonable arrangement could have been made without visiting enormous stress and a $30K+ bill onto a man with a young family. Disgusting.
It's a little more chill than their usual stuff -- "Trillwave is the soundtrack to the party after the afterparty or maybe to a sun-drenched backyard barbecue the next day" -- but I like it a lot so far. (via @djgeekdout)
The third episode of Kirby Ferguson's excellent Everything is a Remix has been posted. The first episode was about music, the second dealt with movies, and the third is on technological innovation.
"I invented nothing new. I simply assembled the discoveries of other men behind whom were centuries of work. Had I worked fifty or ten or even five years before, I would have failed. So it is with every new thing. Progress happens when all the factors that make for it are ready and then it is inevitable. To teach that a comparatively few men are responsible for the greatest forward steps of mankind is the worst sort of nonsense." -- Henry Ford
FYI: the credits are actually in the middle of the video...there's another few minutes of material after they run.
Do you get that funny feeling that you've heard Lady Gaga's Born This Way somewhere before? Maybe when it was called Express Yourself or Waterfalls or God is a DJ?
ASCIImeo takes Vimeo video and plays them as ASCII art. Here's an example video: Dogboarding. I love that the player controls are all text as well...here's a screenshot:
Not even going to try to explain this one. Ok, I'll try a little...this is Yung Jake singing about datamoshing and making animated gifs and such.
you think it's connection you think it's your bandwidth but its me. i'll steal your bitch like a bandit see me on YouTube. fucking with video find me on world star. find me on Vimeo im not on PhotoBooth. that shit's different cuz dey told me to step out of the frame but i didnt
Lovely short film clip of BBC Radiophonic Workshop's Delia Derbyshire demonstrating how to make electronic music using tape loops. Look at the beat matching!
It was Derbyshire who gave the original Doctor Who theme its distinctive sound. (via ★danielpunkass)
Following on from the Kill Bill section of episode 2 of Everything is a Remix, this video contains what feels like an exhaustive look at the movies that Tarantino referenced in Kill Bill.
If there was a Star Wars version of Coachella, some of the bands playing at the festival would be called Kessel Run DMC, Guided by Millions of Voices That Suddenly Cried Out in Terror and Were Suddenly Silenced, and C-3PO Speedwagon.
Pitch-perfect take-off of BBC's Human Planet nature series. The subject is The Douche, an urban-dwelling bottom feeder.
Among the progressive forward-thinking citizens, there stands a great cancer, a type of human that is not evolved like the rest of the race: The Douche. For the poor Douche, hunting is still its main priority. This type of human does not hunt for food; they are consistently trying to find their own self esteem.
Human Planet is a pretty great show, but I would love to see an entire series like this: Soccer Moms, The Hipster, Nerds, Trophy Wives, Eurotrash, The Academic, etc. (via devour)
The New Republic compared the Qaddafi family with Arrested Developments Bluth family and found some similarities.
Mohammed Qaddafi and Gob Bluth are both the oldest sons of tyrannical fathers, and both stand in the shadows of their younger, more favored brothers. The sibling rivalry can get intense -- Mohammed's feud with younger brother Mutassim over a Coca-Cola plant ended only after a worker had been injured and a cousin had been stuffed into a car trunk, while Michael and Gob's dueling banana stands ended with the fire department being called twice.
@jkottke @daveg I will pay you guys for an Oxford debate about the Hangover's merits, or lack thereof.
And Michael Sippey went there and posted a video of an animated David and an animated me having a debate about The Hangover:
I thought you were a pop culture aesthete.
No, I'm from the Midwest.
You live in Manhattan.
But I grew up eating hot dogs.
But you write about expensive conceptual restaurants and post pictures of contemporary art like that thing at the Museum of Modern Art in New York where the woman sat at the table all summer.
A short documentary report from a thousand years into the future about The Beatles.
First-hand records are certainly scarce. There's a lot we don't know about The Beatles, but we do know that these four young men -- John Lennon, Paul MacKenzie, Greg Hutchinson, and Scottie Pippen -- were some of the finest musicians that ever existed. The Beatles rose to prominence when they travelled from their native Linverton to America to perform at Ed Sullivan's annual Woodstock festival.
Alexander Chen made a version of the NYC subway map that plays music as the trains intersect routes.
At www.mta.me, Conductor turns the New York subway system into an interactive string instrument. Using the MTA's actual subway schedule, the piece begins in realtime by spawning trains which departed in the last minute, then continues accelerating through a 24 hour loop. The visuals are based on Massimo Vignelli's 1972 diagram.
In the Seahawks/Saints game over the weekend, Seahawks running back Marshawn Lynch made an improbable game-winning touchdown run. So, I can't decide which one of these videos is better. Marshawn Lynch's Tecmo Bowl Run:
It's called 01 and 10...ok, it's not really a lost album. But apparently if you take the first five songs from OK Computer (from 1997) and the first five songs from In Rainbows (from 2007) and alternate them, the songs fit together musically and lyrically to form a coherent album.
Consider that In Rainbows was meant to complement OK Computer, musically, lyrically, and in structure. We found that the two albums can be knit together beautifully. By combining the tracks to form one playlist, 01 and 10, we have a remarkable listening experience. The transitions between the songs are astounding, and it appears that this was done purposefully.
The lyrics also seem to complement each other. There appears to be a concept flowing through the 01 and 10 playlist. Ideas in one song is picked up by the next, such as "Pull me out of the aircrash," and "When I'm at the pearly gates, this will be my videotape."
Some gloriously crazy person took clips from 270 films that were out in 2010 and mixed them together into a coherent narrative:
This year's movies have legitimately transformed my idea of what is creatively possible. To commemorate, I've remixed 270 of them into one giant ass video.
Cleveland's response to LeBron James' boner of a Nike commercial has more heart, but this mash-up of the LeBron commercial with a previous Michael Jordan Nike commercial is an absolute masterpiece.
Take the world's largest country: Russia. It would be taken over by its Asian neighbour and rival China, the country with the world's largest population. Overcrowded China would not just occupy underpopulated Siberia - a long-time Russian fear - but also fan out all the way across the Urals to Russia's westernmost borders. China would thus become a major European power. Russia itself would be relegated to Kazakhstan, which still is the largest landlocked country in the world, but with few hopes of a role on the world stage commensurate with Russia's clout, which in no small part derives from its sheer size.
Canada, the world's second-largest country, would be transformed into an Arctic, or at least quite chilly version of India, the country with the world's second-largest population. The country would no longer be a thinly populated northern afterthought of the US. The billion Indians north of the Great Lakes would make Canada a very distinct, very powerful global player.
The full map is here. Interestingly, four countries stay in the same positions: the US, Ireland, Yemen, and Brazil.
Jonathan Safran Foer's new book is called Tree of Codes and he constructed it by taking his favorite book, The Street of Crocodiles by Bruno Schulz, and cut out words to form a completely new story.
It's a rare novel that's blurbed by Olafur Eliasson:
[A]n extraordinary journey that activates the layers of time and space involved in the handling of a book and its heap of words. Jonathan Safran Foer deftly deploys sculptural means to craft a truly compelling story. In our world of screens, he welds narrative, materiality, and our reading experience into a book that remembers it actually has a body.
Man, what if Spike Jonze had made Being Bill Murray instead? Casey Weldon did a series of paintings of Bill Murray as characters from Wes Anderson's movies...but non-Murray characters like Max Fischer, Margot Tenenbaum, and the Baumer.
"The Clock" is a montage of clips from several thousand films, structured so that the resulting artwork always conveys the correct time, minute by minute, in the time zone in which is it being exhibited. The scenes in which we see clocks or hear chimes tend to be either transitional ones suggesting the passage of time or suspenseful ones building up to dramatic action. "If I asked you to watch a clock tick, you would get bored quickly," explains the artist in remarkably neutral English. "But there is enough action in this film to keep you entertained, so you forget the time, but then you're constantly reminded of it."
Love that Marclay. Back when I was still doing 0sil8 -- man, what a time capsule that is -- one of the projects that I started working on but never got close to finishing was a clock made up of photographs...1440 photographs, one for each minute of the day.
The Dallas Observer has collected a few clips from movies where the music has been replaced by Cee-Lo's Fuck You. The Dirty Dancing one is probably the best:
I wonder how the slow-dance scene at the end of Rushmore would work. Or the Enchantment Under the Sea Dance in Back to the Future. Audio NSFW. (via @erikmal)
Polar-to-cartesian unwrapping of flower photographs is the new flattening flowers between the pages of books. The Processing source code is available. NotCot applied the effect to chandeliers. I dorked around in Photoshop a little and you can get similar results using the "Polar Coordinates" filter...you just have to stretch out the image first. (via today and tomorrow)
Stieg Larsson is back with a previously unreleased Lisbeth Salander short story from his rumored extensive back catalog: The Girl Who Fixed the Umlaut.
She tried to remember whether she was speaking to him or not. Probably not. She tried to remember why. No one knew why. It was undoubtedly because she'd been in a bad mood at some point. Lisbeth Salander was entitled to her bad moods on account of her miserable childhood and her tiny breasts, but it was starting to become confusing just how much irritability could be blamed on your slight figure and an abusive father you had once deliberately set on fire and then years later split open the head of with an axe.
Considering the New Yorker's umlaut policy, this is an unusual stone throw.
Warning: this video contains spoilers, violence, and cinematic greatness.
Many friends after seeing my video "Tarantino vs Coen Brothers" requested me to do a new video duel of directors, so I decided to do now a tribute to my two favorite directors, Stanley Kubrick and Martin Scorsese, were 25 days re-watching 34 films, selected more than 500 scenes, and a hard work editing.
In Britain's place should come Poland, which has suffered quite enough in its location between Russia and Germany and deserves a chance to enjoy the bracing winds of the North Atlantic and the security of sea water between it and any potential invaders.
Love it. Robin Sloan has previously discussed this type of "production as performance" video on Snarkmarket but Pomplamoose has started using the term "VideoSong":
This cover is a VideoSong, a new medium with 2 rules: 1. What you see is what you hear (no lip-syncing for instruments or voice). 2. If you hear it, at some point you see it (no hidden sounds).
Martin Becka and Cedric Delsaux are a pair of photographers who feature Burj Dubai in their work. Becka's Burj comes from his Dubai, Transmutations project in which he uses the photogravure processing technique to make images of brand-new Dubai that look as though they were taken in 1880.
Delsaux's Burj image comes from a project called The Dark Lens, which features images of Star Wars characters populating the circa-2008 Earth. I believe that's the Millennium Falcon docking at the Burj:
It was of consequence, I should think; verily, it tied the room together, gather'd its qualities as the sweet lovers' spring grass doth the morning dew or the rough scythe the first of autumn harvests. It sat between the four sides of the room, making substance of a square, respecting each wall in equal harmony, in geometer's cap; a great reckoning in a little room. Verily, it transform'd the room from the space between four walls presented, to the harbour of a man's monarchy.
Yep, it's the entire screenplay. The Knave abideth, indeed. (thx, conor)
This video of what Earth would look like with Saturnine rings is pretty ho-hum, yeah, there's a shot from orbit of the Earth with Saturn's rings around it, and then BAM! here's what it would look like at night in NYC:
With the combination of GPS and orientation data that's baked in to so many digital photographs, it should be possible to create a filter -- I hear the kids call them apps now -- that automatically inserts properly positioned Saturn rings into any sky you want.
What the world needs is a great flag, a flag of pure bliss. Here's one of the intermediate steps to the finished product; it's an average of all the world's countries' flags weighted by population.
Scenes from several movies that depict New York being destroyed (Day After Tomorrow, Ghostbusters, Independence Day, etc.) accompanied by George Gershwin's Rhapsody in Blue, which famously accompanies a similar but less violent montage at the beginning of Woody Allen's Manhattan.
Just out. Haven't listened yet (downloading now) but if the last three are any indication, this is gonna be a great Monday for listenin'. Sample tracks:
5. Lil Wayne (feat. Babyface) vs Royksopp - Comfortable Up Here
15. Michael Jackson vs Ratatat - Billie "Wildcat" Jean
19. R. Kelly (feat. Keri Hilson) vs Sally Shapiro - Number One Christmas
31. Ghostface Killah vs Beirut - Save Me Concubine
What I love about the approach is that it's showing us a complicated, virtuoso performance, but making it really clear and accessible at the same time. It's entertaining, but it's also an exercise in demystification -- which of course is exactly the opposite objective of every music video, ever. Their purpose has been to mystify, to masquerade, to mythologize in real-time.
Maybe you're tired of un-pop-music-like things being run through Auto-Tune, but I'm not quite there yet. This Auto-Tuned Carl Sagan mix is very nearly sublime.
Wow. With PhotoSketch, you just draw a sketch, label each item, like so:
and then the system goes out, finds photos that match the sketched items and their labels, and automatically pastes it all together into one composite image:
Update: I've seen many references to Photosketch saying that it has to be fake (here's a sampling). But it's pretty obviously real. For one thing, here's the source code; try it out (Windows only). It was presented at SIGGRAPH Asia 2009; here's the listing of papers presented. The authors all have web pages on university sites and have published work using similar techniques and technology (Ping Tan and Ariel Shamir for example). And is what it does really that unbelievable? At the most basic level Photosketch is just find me a man that's sorta shaped like this, a dog that looks like this, and paste them together with a background that looks like this. That the results are so impressive (especially for a demo) is a testament to the team's execution and attention to the small details. Even if it turns out to be an elaborate hoax, I have no doubt that someone could actually build a working version of Photosketch...I mean, look at TinEye and Photosynth.
The President recently hosted a rally at The White House in support of Chicago's bid to hold the 2016 Summer Olympics. Some members of the Olympic fencing team were there. Obama was given a plastic sword. Photos were taken. Photoshop (with an assist from me) did the rest.
Here's our President attacking an unseen Sith Lord or perhaps someone condemned by a death panel:
And having finished them off to the delight of the assembled, a victory pose.
Photographs of mountains are computationally altered to flatten the mountain's elevations, while an ocean horizon is altered to mimic the mountain's original topography.
In the comments, he mentions that the effect is done with a combination of JavaScript and Photoshop...which I didn't even know was a thing. (via today and tomorrow)
Drei Klavierstücke op. 11 is a set of pieces written for the piano by Arnold Schoenberg in 1909, some of the first western music to written in an atonal style. Cory Arcangel took a bunch of YouTube videos of cats playing the piano and fused them together into a performance of op. 11.
This project fuses a few different things I have been interested in lately, mainly "cats", copy & paste net junk, and youtube's tendency in the past few years to host videos that are as good and many times similar to my favorite video artworks. I think all this is somehow related.
Cory's no-bullshit statements about his art are just as entertaining as the work itself:
So, I probably made this video the most backwards and bone headed way possible, but I am a hacker in the traditional definition of someone who glues together ugly code and not a programmer. For this project I used some programs to help me save time in finding the right cats. Anyway, first I downloaded every video of a cat playing piano I could find on Youtube. I ended up with about 170 videos...
Next, deconstruct everything and separate them into separate plates: french fries, onion rings, fried clams, beef patties, buns, cheese, bacon, and chicken. Using a paper towel, squeeze and dab each bun dry of its oil and ketchup. Then place all the buns on a baking sheet and bake them for ten minutes in a pre-heated oven at 400° F.
Meanwhile, using a food processor, blend the french fries into a pulp with a little water. Do the same with the beef (no water necessary) until it's ground and moldable. Hand-roll the ground beef into meatballs, then pan-fry them until they start to brown.
The 8-Bit Fatalities project presents the abstract killing in pixelated video games (Pac-Man eating the ghosts, Dig Dug blowing up his enemies) as realistic illustrations.
Recently a number of efforts have been made at re-imagining the packaging for movies, books, video games, and other media, mostly mashups and in the illustration style of typical of Saul Bass' movie posters or Penguin Classics book covers. I've collected several examples below.
In his I Can Read Movies series, spacesick imagines Penguin-like book covers for movies like Close Encounters of the Third Kind, Sixteen Candles, and Back to the Future.
Imagine Finding Me is a project by Chino Otsuka where she inserts her adult self into photos taken of her as a child. More examples at Wallpaper. See also Ze Frank's Youngme / Nowme and those neat half-kid, half-adult photos that I can't find a link to right now...little help? (via waxy)
I am offering large printable files to anyone interested at no cost. Computer files are the most easily reproducible information on the planet. In this particular case I see no reason to imbue a false sense of preciousness on the work. The information I gathered to create the collages is publicly availaibe, and the collages themselves are no different.
Two competitors will swap a file back and forth in real-time, adding to and embellishing the work. Each artist gets fifteen minutes to complete a "volley" and then we post it to the site live. A third participant, a writer, provides play-by-play commentary on the action, as it happens. A match lasts for ten volleys.
In the past week, both Joshua Schachter and Matt Haughey published articles that were excerpted in the Voices section of All Things Digital, a web site owned by Dow Jones and run by Kara Swisher and Walt Mossberg of the WSJ. Each excerpt was accompanied by a link to the original articles. Schachter and Haughey both reacted negatively to All Things Digital's posting of their work. Andy Baio has collected responses from Schachter, Haughey, All Things Digital's Kara Swisher, other writers whose stuff has been excerpted in the Voices section, and a couple other long-time online writers. Merlin Mann's comment on Twitter sums up what the independent writers seem to be irritated with:
Republishing online work without consent and wrapping it in ads is often called "feed scraping." At AllThingsD, it's called "a compliment."
It does suck that ATD's linking technique makes it appear as though Schachter and Haughey are in the employ of Dow Jones and that DJ has the copyright on what they wrote. ATD should make the lack of affiliation more clear. Other than that, is the ATD post really that bad? In many ways, All Things Digital's linking technique is more respectful of the author of the original piece than that of a typical contemporary blog. For comparison purposes, here are screenshots of Schachter's original article as linked to from a typical blog (in this case, Boing Boing) and by All Things Digital.
Go read both posts (ATD, BB) and then come back. With its short excerpt and explicit authorship (i.e. there's no doubt that Joshua Schachter wrote those words), the ATD post is clearly just an enticement for the reader to go read the original post. On the other hand, BB's post summarizes most of Schachter's argument and includes an extensive excerpt of the juiciest part of the original piece. The post is clearly marked as being "posted by Cory Doctorow" so a less-than-careful reader might assume that those are Doctorow's thoughts about URL shorteners.
[Metaphorically speaking, the ATD post is like showing the first 3 minutes of a movie and then prodding the viewer to go see the rest of it in a theater while BB's post is like the movie trailer that gives so much of the story away (including the ending) that you don't really need to watch the actual movie.]
What ends up happening is that blogs like Boing Boing -- and I'm very much not picking on BB here...this is a very common and accepted practice in the blogosphere -- provide so much of the gist and actual text of the thing they're pointing to that readers often don't end up clicking through to the original. To make matters worse, some readers will pass along BB's post instead of Schachter's post...it becomes, "hey, did you see what Boing Boing said about URL shortening services?" And occassionally (but more often than you might think) someone will write a post about something interesting, it'll get linked by a big blog that summarizes and excerpts extensively, and then the big blog's post will appear on the front page of Digg and generally get linked around a lot while the original post and its author get screwed.
So I guess my question is: why is All Things Digital getting put through the wringer receiving scrutiny here for something that seems a lot more innocuous than what thousands of blogs are doing every day? Shouldn't we be just as or more critical of sites like Huffington Post, Gawker, Apartment Therapy, Engadget, Boing Boing, Buzzfeed, Lifehacker, etc. etc. etc. that extensively excerpt and summarize?
Update: I'm pulling a couple of quotes up from the comments so that the opinions of the people involved aren't misrepresented.
Joshua Schachter:
I really just objected to the byline on the ATD thing. It made it appear that there was a relationship when there wasn't. If there is curation, the curator should be the one noted as making the choices.
Andy Baio:
All the complaints stem from the affiliation issue. Running ads and having comments on an excerpt are only an issue if it's presented as original content, instead of curation. Put an editor's name on there, remove the author photos, throw it in a blockquote, and all these complaints go away.
This was true for me, at least, while I was making these; Hand erasing buildings through SoHo, TriBeCa, and the LES was an eery experience as I tried to imagine what these places would really look like if my brush was a bulldozer.
The Very Hungry Caterpillar was one of my favorite books when I was a kid and I've loved reading it to Ollie over the past few months. So of course, Google's logo today is aces.
Famous directors takes on famous comedy routines. Wes Anderson does Who's on First, Michael Moore does The Ministry of Silly Walks, and Tarantino does the I'm Crushing Your Head bit (the best one).
Thru You is a site that showcases remixed YouTube videos...the singing from one video combined with the drums from another and the piano from a third and so on. I was skeptical but these are really well done. Do I even need to say that this reminds me of Christian Marclay's Video Quartet? (via sfj)
Harry Potterybarn.com
Il Huffington Postino
Slumdog Millionaire Dollar Homepage
Behind Enemy Bloglines
Schindler's Craigslist
Charlotte's WebCrawler
Freecreditreport.com Willy
And while not strictly adhering to the form, I also chuckled at "Bone Thugs & eHarmony". The best I could come up with for kottke.org is Girls Gone Wild: Kottke West, which is not so good.
Update: Duh, I totally forgot about Koyaaniskottke. Also: kottke.orgazmo, The Kottke Horror Picture Show, and Kottke Balboa. (thx, andy & charley)
For all of the talk that Shepard Fairey is just a plagiarist, I think that the clearest indication that his art is above board and adding something new to the world is that until a few days ago, no one knew who had taken the photo of Obama that became the basis of the iconic Hope poster, not even Fairey or the photographer who took it.
Reuters are understandably somewhat put out on their own and Young's behalf, but like it or not, Fairey's use of the picture are well within the parameters of "fair use". His transformative use of the image - both in flipping and re-orienting it, adding jacket and tie and the "O" Obama logo, and converting it to his block print style make it consistent with all legal precedents for use.
Things Our Friends Have Written On The Internet 2008 is a newspaper compiled and printed by a pair of fellows from the UK that is just that...a bunch of stuff that they liked reading on the web last year. I *love* this. And hate it (a little bit).
The hate part first. TOFHWOTI is almost precisely the thing I've been wanting to do for years now...take the very best of the best links of the year and bundle them up into a printed artifact of some sort. So seeing it done first and so expertly was a bit of a punch in the nose. Of course, ideas are so cheap and plentiful these days that "I thought of it first" has no value without follow through, something that my schedule for the past few years hasn't allowed for. This year, *for sure*, dammit! (I'm also pissed that I didn't get around to ordering a copy for myself until this morning and found that they're all sold out! Gah! Like I said, no time.)
But damn, is that thing beautiful or what? You don't even need the physical artifact to see that much. The simple but playful design is just right. Getting it printed super-cheap on newsprint fits nicely with the concept and content. All the little details are accounted for; I wouldn't change a thing. More like this, please.
"Don't forget..." is a street art project that consists of Photoshop palettes pasted over heavily airbrushed advertising in a metro station in Berlin. (thx, phil)
Jay-Z (feat. Lil Wayne) vs Xiu Xiu
Flo Rida (feat. T-Pain) vs Hot Chip
T-Pain (feat. Chris Brown) vs TV On The Radio
Lil Kim (feat. Missy Elliott) vs MGMT
I was re-reading Carl Sagan's novel Contact recently, essentially a series of arguments about SETI wrapped into a story, and he alludes to some sort of cosmic Grand Central Station. That, coupled with my longtime interest in transit maps, got me thinking about all of this.
With his higher-end grands -- which the Fandrichs named "HGS" for "Holy Grail Scale" -- they start with pianos built in China. He and his workers gut the piano, replacing the hammers, felt and bass strings with German and American parts. They reinforce the underbelly of the piano by installing short ribs -- spruce beams between the existing main ribs.
Using a computer program designed in-house, the keys are reweighted across the board to eliminate friction and even out the response. The reweighting gives the Fandrich pianos their signature touch, one that some players have described as buttery, effortless.
In automotive terms, the Fandrichs are "trying to upgrade a Hyundai to run like a Bentley, for the price of a Honda". (via girlhacker)
A periodic table of awesomeness featuring Bacon as element #1, Laser as #21, and Black Holes as #82. I like bacon. Bacon is a close personal friend of mine. But can't we keep this overexposed pork product out of it for once? (via rw)
After posting the video of the chickens from the Muppets clucking their way through the Blue Danube waltz, I couldn't resist putting it together with the most iconic use of that tune in contemporary culture. Here, then, is Stanley Kubrick's 2001: A Space Odyssey, the Chicken Cordon Bleu Danube cut.
Just Like the Movies is a short film by Michal Kosakowski that samples footage from movies that were made prior to September 2001 to recreate the events of 9/11. More info.
"It's just like the movies!" was usually the first reaction of those watching the events of 9/11 in New York unfolding on their TV screens, no doubt recalling the endless number of catastrophes that Hollywood has proposed over the years. Now confronted with the reality of one such scenario -- of unprecedented destructive and symbolic resonance -- a feeling of deja vu arises while looking at these images.
In a compilation of 64 videos all shown on the same page, one man recreates Thriller -- the beats, the howling, the singing -- all by himself. This is pretty awesome, like Christian Marclay on speed. (thx, christopher)
Artists who believe in the mystique of originality are often reluctant to reveal their inspirations. But the magpielike Mr. Desplechin revels in what the writer Jonathan Lethem has called the ecstasy of influence. "I didn't invent anything," he said. "Being a director is not such a grand thing. My job is just to show the audience what I love."
The funny thing about the "ecstasy of influence" quote is that it was used by Lethem in a well-knownHarpers article about plagiarism that was itself, in Lethem's words, "stole, warped, and cobbled together" from a variety of other sources, which sources he lists at the conclusion to the article.
The phrase "the ecstasy of influence," which embeds a rebuking play on Harold Bloom's "anxiety of influence," is lifted from spoken remarks by Professor Richard Dienst of Rutgers.
The ecstasy of influence would make a good name for this here blog. (via snarkmarket, another ecstatic influence fan)
Here's how to use the RJDJ iPhone app. You install the app, plug your headphones in, launch it, and press "Now Playing". A song plays, the app starts to sample the sounds in your environment, and those sounds are remixed in real time and played back to you. It might be the coolest thing ever. Check out this video and this other video for a quick look at how RJDJ works. The first video shows some songs that use the iPhone's accelerometer to modify and scratch the beat. (via waxy)
PS. It might only be the coolest app in theory...it's also flaky as hell. It was working fine for me and then crapped out...there's no music now, only sound sampling and it's really quiet. Maybe you need to use the Apple headphones with the mic?
5.21. Prefer the standard to the offbeat Young writers Inexperienced programmers will be draw at every turn toward eccentricities in language. They will hear the beat of new vocabularies abstractions, the exciting rhythms of special segments of their society industry, each speaking a language of its own. All of us come under the spell of these unsettling drums; the problem for beginners is to listen to them, learn the words, feel the vibrations, and not be carried away.
The Triple-A game is exhaustive by nature; but the world is inexhaustible; therefore the Triple-A game, that Faustian striver, can never attain its desire. The independent video game by contrast is inherently selective. By excluding almost everything, it can give perfect shape to what remains. And the independent video game can even lay claim to a kind of completeness that eludes the Triple-A game -- after the initial act of radical exclusion, it can include all of the little that's left.
This year's harvest of crop art from the Minnesota State Fair included Grand Theft Festal, a mashup of Grand Theft Auto and Festal-brand canned corn done in millet, alfalfa, canola, and white clover seeds. The artist recorded a timelapse video of its construction. (via mark simonson)
For his Faces of Evil project, Hans Weishäupl made composite photographs of the world's worst dictators by photographing hundreds of people in each dictator's country and stitching them together. The results are a bit disturbing, particularly when viewing very large, clear, vibrant color photos of long-dead monsters like Stalin or Hitler. (via conscientious)
Among the 800 vintage automobiles brought by collectors were ones that had been converted to snowmobiles, racing coups and tow trucks. That was only a glimmer of the many innovative changes made by Model T owners, for uses Henry Ford never had in mind. They transformed the cars into tractors, pickup trucks, paddy wagons, mobile lumber mills and power plants for milling grain. An itinerant preacher converted his into a four-wheeled chapel.
An inventive cover version of Radiohead's Nude played by the following instruments: Sinclair ZX Spectrum computer, Epson dot matrix printer, HP Scanjet scanner, and an array of hard drives. Skip ahead to 1:08 if you can't wait through the opening. This isn't the correct technological time period to be steampunk. Bitpunk anyone? (via waxy)
A sad Kermit the Frog sings Elliot Smith's Needle in the Hay (complete with The Royal Tenenbaums parody), NIN's Hurt, and Radiohead's Creep (in which Kermit says "fucking"). (via buzzfeed)