kottke.org posts about hip-hop

Teach me how to dougieMay 04 2011

We've waited too long for a First Lady who can pull this off:

It's not just that Michelle Obama is the first black First Lady. It's also that she was born in 1964. She's sixteen-seventeen years younger than Hillary Clinton or Laura Bush. She was in high school when hip-hop broke. Even Barack was already in college. She probably did a few of these dances in a South Shore parking lot when her husband was already thinking about getting into law school. In Joshua Glenn's generational scheme, Barack is part of Original Generation X, while Michelle's firmly in the next cohort, alternately titled Generation PC/the Reconstructionists.

Michelle is the first First Lady of the hip-hop generation. And not only does that explain a few things; it's incredibly awesome.

PS: Here's the Beyonce dance-as-teen-fitness video the First Lady and DC junior high kids were trying to imitate. (In the mid-late 80s, learning a few of these moves from my sister, I was not unlike the chubby kid in the white hat.)

The Beastie Boys, AnnotatedMay 02 2011

The Onion A/V Club has put together a short, alphabetical guide to obscure, semi-obscure, and I-forget-that-other-people-might-find-that-obscure references/allusions in the music of The Beastie Boys.

It's called "'Electric Like Dick Hyman': 170 Beastie Boys references explained." Here's a representative entry:

Drakoulias, George ("Stop That Train" from "B-Boy Bouillabaisse," Paul's Boutique)
Def Jam A&R man George Drakoulias helped discover the Beastie Boys for Rick Rubin, and later became a producer for Rubin's American Recordings, working on albums by The Black Crowes, The Jayhawks, and Tom Petty. There's no record of him ever working at an Orange Julius.

I obsessed over this stuff as a kid, especially with Paul's Boutique: I was nine years old, living in Detroit's 8 Mile-esque suburbs, not New York, hadn't seen any cult movies from the 70s not titled Star Wars, and had no internet to consult. I was literally pulling down encyclopedias from the shelf and asking my parents (who generally likewise had no clue) obnoxious questions to try to figure out what the heck they were talking about.

In a post I wrote here last summer, I said that hip-hop's culture of musical sampling and what Ta-Nehisi Coates called "digging in the crates" for old records helped ensure that a significant chunk of my generation would be into history.

But it was definitely the references, too. Whether silly or serious, you couldn't listen to The Beastie Boys or Public Enemy or Boogie Down Productions and not try to sort through these casually dropped names, memes, and places and try to reconstruct the worlds where they came from.

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