kottke.org posts about video
The producers of A Most Violent Year, one of the year's most acclaimed movies, are doing something interesting to promote their film. They're running a blog that posts all sorts of media and information about NYC in 1981, the year the film is set. Today, they released a short documentary that features interviews with some people who were scraping together lives in NYC circa 1981. It's worth watching:
Featuring Guardian Angels founder Curtis Sliwa, performance artist and former Warhol Factory fixture Penny Arcade, actress Johnnie Mae, Harlem street-style legend Dapper Dan, auto body shop owner Nick Rosello, and trucking union rep Wayne Walsh.
The trailer for A Most Violent Year is here...I've heard good things about this one and hope to catch it soon.
From Marginal Revolution University, three short videos on the economic concepts of supply, demand, and equilibrium using oil as an example good.
This is an ultra-HD time lapse of planet Earth in infrared. Infrared light is absorbed by clouds and water vapor, so the result is a sphere of roiling storms and trade winds.
Here's a video with both hemispheres at once and another offering a closer view. If you've got a 4K display, this will look pretty incredible on it. James Tyrwhitt-Drake has done a bunch of other HD videos of the Earth and Sun, including Planet Earth in 4K and the Sun in 4K.
In the tradition of the 80-minute video of the South China Sea shot from the bow of a container ship, here's six high-definition hours of 8000 fish and other aquatic animals swimming in the massive Ocean Voyager tank at the Georgia Aquarium.
Are you relaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaxed? (via @riondotnu)
A flock of starlings is called a murmuration, an apt word because the flocks move like a rumor pulsing through a crowded room. This is a particularly beautiful murmuration observed in Utrecht, The Netherlands.
Clive Thompson writes about the newest innovation in junk mail marketing: handwriting robots. That's right, robots can write letters in longhand with real ballpoint pens and you can't really tell unless you know what to look for. Here's a demonstration:
But it turns out that marketers are working diligently to develop forms of mass-generated mail that appear to have been patiently and lovingly hand-written by actual humans. They're using handwriting robots that wield real pens on paper. These machines cost up to five figures, but produce letters that seem far more "human". (You can see one of the robots in action in the video adjacent.) This type of robot is likely what penned the address on the junk-mail envelope that fooled me. I saw ink on paper, subconsciously intuited that it had come from a human (because hey, no laser-printing!) and opened it.
Handwriting, it seems, is the next Turing Test.
There is also a company that provided handwritten letters for sale professionals and I don't know if that or the robot letters are more unusual.
Unreal Engine 4 is the latest edition of Epic Games' acclaimed gaming engine for creating realistic gaming worlds. UE4 and its predecessors power all sorts of games, from Gears of War to BioShock Infinite to iOS games. But level designer Dereau Benoit recently used UE4 to model a contemporary Parisian apartment and damn if it doesn't look 100% real. Take a look at this walkthrough:
This + Oculus Rift = pretty much the future. (via hn)
Using ice-penetrating radar and ice cores, NASA has been able to map the layers in the Greenland ice sheet.
This new map allows scientists to determine the age of large swaths of Greenland's ice, extending ice core data for a better picture of the ice sheet's history. "This new, huge data volume records how the ice sheet evolved and how it's flowing today," said Joe MacGregor, a glaciologist at The University of Texas at Austin's Institute for Geophysics and the study's lead author.
Greenland's ice sheet is the second largest mass of ice on Earth, containing enough water to raise ocean levels by about 20 feet. The ice sheet has been losing mass over the past two decades and warming temperatures will mean more losses for Greenland. Scientists are studying ice from different climate periods in the past to better understand how the ice sheet might respond in the future.
One way of studying this distant past is with ice cores. These cylinders of ice drilled from the ice sheet hold evidence of past snow accumulation and temperature and contain impurities like dust and volcanic ash that were carried by snow that accumulated and compacted over hundreds of thousands of years. These layers are visible in ice cores and can be detected with ice-penetrating radar.
Ice-penetrating radar works by sending radar signals into the ice and recording the strength and return time of reflected signals. From those signals, scientists can detect the ice surface, sub-ice bedrock and layers within the ice.
New techniques used in this study allowed scientists to efficiently pick out these layers in radar data. Prior studies had mapped internal layers, but not at the scale made possible by these newer, faster methods. Another major factor in this study was the amount of Greenland IceBridge has measured.
It's amazing that the detectors and data analysis are sensitive enough to pick out different layers in the ice just from radar. (via @ptak)
From the Russian Space Agency, a video of what the sky would look like if the Sun were replaced by some other stars. It starts off with the binary star system of Alpha Centuri, but watch until the end for Polaris, which has a radius 46 times that of the Sun.
See also the view from Earth of different planets replacing the Moon and imagining Earth with Saturn's rings.
If you'd like to relax for 80 minutes, watch this 4K video shot from the bow of a container ship navigating the South China Sea. Strangely compelling.
If you put this on the biggest, highest definition screen you have, it really looks like you're on the deck of a ship looking out at the ocean. Pretty cool.
As you know, I love videos of how stuff is made. (See below.) Well, I just discovered this treasure trove of more than 300 14-minute videos from a Japanese show called The Making: playlist #1, playlist #2. Each video shows how a different thing is made, from wires to sugar to trophies to cheese and all of them are dialogue-free. Here's the one on how golf balls are made:
I can't wait to show some of these to the kids. Their favorite online video, which they request weekly, is this one on how croissants are made.
When I was a kid, maybe 12 or 13 years old, I watched this program on PBS that showed how a snack food manufacturer came up with a new snack food, from design to manufacturing. The thing that stuck with me the most was that they showed a number of the missteps in-between...like they tried a certain shape with a certain filling and it didn't work out in taste tests, that sort of thing. I LOVED seeing that trial and error in action. I only saw the show once, but it's one of my most vivid childhood TV memories. Maybe it's why I ended up becoming a designer?
Wait, wait! Holy shit, holy shit! I found the show! It was a NOVA program called How to Create a Junk Food that aired in 1988, when I was 14. I couldn't find the video or even a clip, but here's a review in the LA Times.
The ultimate weapon is the flavorist, a 20th-Century alchemist who analyzes natural things like Danish blue cheese or barbecued beef, reconstructs them chemically in the lab and produces their essences to punch up the taste of bland fillings.
Marketing and technology co-produce a croissant-dough cone with a moist meat or cheese filling that appears perfect. But when they test it on the mouths of real consumers (English housewives), it's a bloomin' flop.
Undaunted, the technologists go back to their gizmos and test tubes. After doing such goofy things as gluing electrodes to a chewer's cheeks to get "chew profiles" of different fillings, they come up with a second prototype, Crack a Snack. The wheat-cracker wrapped "savory tube" is called a "triumph of food engineering," which, we're warned, if it is given the proper image, "there's little doubt we'll buy it."
New Scientist wrote about Crack a Snack around the same time.
So yeah, now you know I'm the sort of kid who gleefully watched food engineering documentaries on PBS at 14. But you probably already suspected as much. (via @go)
Last week, Tommy Caldwell and Kevin Jorgeson completed the first free ascent of The Dawn Wall on Yosemite's El Capitan. It's been called the most difficult climb ever completed. The NY Times has some good coverage of the climb, including an interactive feature/map of the wall and a 3.4 gigapixel zoomable photograph of the climb in progress. Here's a 3-minute video of Caldwell navigating Pitch 15, one of the most difficult sections of the climb:
"The crux holds of pitch 15 are some of the smallest and sharpest holds I have ever attempted to hold onto," Tommy wrote on his Facebook page. Four unique camera angles reveal those minuscule holds and the 1,300 feet of exposure under Tommy's precarious foot placements. While multiple pitches of extremely difficult climbing remained above, the completion of pitch 15 was considered the last major hurdle to the eventual success of this seven-year project.
It gets intense around 1:30. Jesus, my palms are sweating right now. I feel like I'm gonna pass out! (via @sippey)
Update: I totally didn't notice but several people pointed this out on Twitter: Caldwell only has 4 fingers on his left hand. He cut off his index finger with a table saw, got it reattached, and then removed again so it wouldn't hinder his climbing.1
And as if completing the most difficult climb in the world with only 9 fingers and discarding a finger to pursue a passion isn't quite enough for one life, Caldwell and some friends were captured by rebels while climbing in Kyrgyzstan. Caldwell helped save the group by pushing one of their captors over a cliff.
All the scheming comes to nothing, until at one point three of the rebels go away leaving a lone man in charge of the captives as they climb a steep ridge. Then, near the top ...
Tommy Caldwell: Our captor sees that the hillside is easing off and he starts to run ahead. He has been really scared this whole time on this cliff because he's not a climber. So I asked Beth if she thinks I should do this.
Beth Rodden: And at that point I just thought that this was our best opportunity.
Tommy Caldwell: So I ran up behind him and grabbed him by his gun strap and pulled him over the edge. We were probably about 2,000 feet (610 meters) above the river, but it's a cliff that is pretty sheer. We saw him fall 20 feet (6 meters), bounce off this ledge, and then fall basically into the black abyss below. I totally panicked. I broke down. I couldn't believe I'd just done that, because it's something that I never morally thought I could do and I never wanted to do. And Beth came up and, you know, gave me a lot of comfort as well as Jason and John.
Beth Rodden: I told him he'd just saved our lives and now we had this opportunity to run and hopefully find the Kyrgyz Army.
Reading that story makes my palms sweat almost as much as watching the video. Jesus.
People ask me why I ski.1 A: Because sometimes it's as insanely fun as this guy makes it look.
He. Skis. THROUGH THE MOUNTAIN. Also, if you can, pause it right after he jumps off the lift platform...the kid on the lift with his dad is like ( ﾟoﾟ).
Lucky Peach, the publishing arm of the Momofuku restaurant group, recently launched their new web site with a bunch of online content. Among their offerings is a series of videos featuring David Chang making various foods, including this omelette flavored with an instant ramen seasoning packet:
See also Chang making tonkotsu broth and gnocchi from instant ramen noodles.
The Art of the Title covers the opening title sequence to Kubrick's Dr. Strangelove.
Notably, none of the aerial footage in the opening came from -- or was even made for -- Kubrick's film. The footage is all stock. Because it came from more than one stock reel, the sequence features multiple aircraft, including an angle from a KC-135 Stratotanker's refueling deck, which dates back to October 20, 1956 and came directly from the Boeing company. The sequence shows the KC-135 transferring its precious fluids to a B-52 Stratofortress, the colossal bomber featured later in the film. The phallic piece of machinery in the first shot, however, is not the refueling probe of a B-52 or of a KC-135, as one would assume, but possibly that of a Gloster Meteor jet fighter. Regardless, it is the first in a long line of sight gags and sex jokes sprinkled throughout the film.
Also included is a short interview with the title designer, Pablo Ferro.
David Ehrlich returns with a video montage of his 25 favorite movies of 2014. (Here's his 2013 video.)
His top 5:
5. Gone Girl
3. Under The Skin
2. Inherent Vice
1. The Grand Budapest Hotel
These year-end videos by Ehrlich are incredibly effective trailers for movies. Not just the individual films, but the whole idea of cinema itself. Having just watched this, I want to leave my office, head to the nearest theater and just watch movies all day.
There a lots of videos of movies reimagined as 8-bit video games out there (Kill Bill, The Matrix, Pulp Fiction), but I'm posting the Guardians of the Galaxy one because of the excellent chiptune rendition of the Awesome Mix Vol. 1 soundtrack.
Hooked on a Feeling, beep beep doot doot... (via devour)
So. Steven Soderbergh has cut his own version of Stanley Kubrick's 2001: A Space Odyssey. Like, !!!1
I haven't had a chance to watch this yet, so I don't know what's different about it aside from the shorter runtime of 1h50m. If someone watches it and wants to report in about the differences, let me know. Soderbergh also guessed that Kubrick would have liked shooting on digital:
let me also say i believe SK would have embraced the current crop of digital cameras, because from a visual standpoint, he was obsessed with two things: absolute fidelity to reality-based light sources, and image stabilization. regarding the former, the increased sensitivity without resolution loss allows us to really capture the world as it is, and regarding the latter, post-2001 SK generally shot matte perf film (normally reserved for effects shots, because of its added steadiness) all day, every day, something which digital capture makes moot. pile on things like never being distracted by weaving, splices, dirt, scratches, bad lab matches during changeovers, changeovers themselves, bad framing and focus exacerbated by projector vibration, and you can see why i think he might dig digital.
See also Soderbergh's B&W edit of Raiders of the Lost Ark. (via @fengypants)
Update: Reader and 2001 fan Dan Norquist watched Soderbergh's edit and reported back via email:
I love everything Soderbergh does and I love the fact that he cut this film. It's fun to see it in a more concise form. Really, there's no choppy edits or anything that doesn't make sense (except the whole movie of course!). I did miss some of my favorite parts. I love when the father is talking to his daughter on the video phone. Also, if you weren't around in 1968 it's really hard to describe how scary the Cold War was. There was always this thing hanging over our heads, that the Russians really had the means to destroy us with nuclear weapons. So you really need the full scene where the American meets the Russians (Soviets). The forced, unnatural politeness is so brilliant and helped to give the film context in its time.
All the important stuff is there -- the apes, the monolith, HAL turning evil, astronaut spinning away, the speeding light show (shortened?), old man pointing at space child -- and it's all recut by a master.
Finally, there is something about the full length of the original film that is part of its strength as a piece of art. There is no hurry, no cut to the chase. It's almost as if you have to go through the entire journey before you can earn the bubble baby at the end.
No surprise that he tightened it up into something less Kubrickian and more Soderberghish. Dan closed his email by saying he would recommend it to fans of the original. (thx, dan)
Update: I've seen some comments on Twitter and elsewhere about the legality of Soderbergh posting the 2001 and Raiders edits. The videos are hosted on Vimeo, but are private and can't be embedded on any site other than Soderbergh's. But any enterprising person can easily figure out how to download either video. The Raiders video has been up since September, which means either that Paramount doesn't care (most likely in my mind) or their lawyers somehow haven't caught wind of it, even though it was all over the internet a few months ago (less likely). We'll see if whoever owns the rights to 2001 (Time Warner?) feels similarly.
An interesting wrinkle here is that Soderbergh has been outspoken about copyright piracy and the Internet. From a 2009 NY Times article about a proposed French anti-piracy law:
In the United States, a Congressional committee this week began studying the issue. In a hearing Monday before the Foreign Affairs Committee of the House of Representatives, Steven Soderbergh, the film director, cited the French initiative in asking lawmakers to deputize the American film industry to pursue copyright pirates.
Deputizing the film industry to police piracy sounds a little too much like putting the fox in charge of the henhouse. I wonder if Soderbergh feels like these edits are legal to post publicly, if they are fair use for example. Or rather if he feels it's not but he can get away with it because he is who he is. (thx, @bc_butler)
Update: Soderbergh has removed his cut of 2001 from his site "AT THE REQUEST OF WARNER BROS. AND THE STANLEY KUBRICK ESTATE". So, that answers that question. (via @fengypants)
Here's Matthew McConaughey doing a proto-Wooderson for his Dazed and Confused audition.
Nice four-minute video about how the creators of The Lego Movie used CGI to make the movie look like it was 100% constructed with real Lego bricks with fingerprints and everything and animated in stop motion.
I've watched it twice with my kids, and The Lego Movie was way better than it had any right to be. They so easily could have bollocksed the whole thing up. Maybe the secret is Chris Pratt? Guardians of the Galaxy was better than it should have been as well. I'm bearish on Jurassic World, but come on Indy! (via devour)
From eHistory, a time lapse view from 1776 to the present day of how the US government systematically took land from Native Americans through treaties and executive orders that were rarely honored for long.
There's a companion piece at Aeon by Claudio Saunt as well as an interactive version of the map featured in the video.
The final assault on indigenous land tenure, lasting roughly from the mid-19th century to 1890, was rapid and murderous. (In the 20th century, the fight moved from the battlefield to the courts, where it continues to this day.) After John Sutter discovered gold in California's Central Valley in 1848, colonists launched slaving expeditions against native peoples in the region. 'That a war of extermination will continue to be waged between races, until the Indian race becomes extinct, must be expected,' the state's first governor instructed the legislature in 1851.
In the Great Plains, the US Army conducted a war of attrition, with success measured in the quantity of tipis burned, food supplies destroyed, and horse herds slaughtered. The result was a series of massacres: the Bear River Massacre in southern Idaho (1863), the Sand Creek Massacre in eastern Colorado (1864), the Washita Massacre in western Oklahoma (1868), and a host of others. In Florida in the 1850s, US troops waded through the Everglades in pursuit of the last holdouts among the Seminole peoples, who had once controlled much of the Florida peninsula. In short, in the mid-19th century, Americans were still fighting to reduce if not to eliminate the continent's original residents.
FYI, it's always a good rule of thumb to not read comments on YouTube, but in this case you really really shouldn't read the comments on this video unless you want a bunch of reasons why it was ok for Europeans to drive Native Americans to the brink of total genocide.
This is a great aerial tour (by drone) of all five boroughs of New York.
I bet the Coast Guard boats equipped with the scary-looking machine guns didn't take kindly to a drone shadowing the Staten Island Ferry. (via @anildash)
Pixel is a dance show that premiered in November at Maison des Arts de Créteil in France. The dancers are synced cleverly with an elaborate light show that makes it seem as though the two are interacting in real time. The effect is very convincing:
From The Nerdwriter, some of the best uses of slow motion in movies, TV, and music in 2014.
Good stuff. But they missed one. :) (via devour)
A supercut of all the times Carl Sagan says "million", "billion", "trillion", and "quadrillion" during Cosmos.
Update: Oh man, and here's Sagan saying "billion" once but stretched out over an hour.
The end credits for The Boxtrolls, a stop motion animation film by Laika, is a clever time lapse sequence showing the work that goes into moving the characters. You can tell how long it takes by how often the animator's outfit changes.
Christopher Jobson of Colossal writes:
I first saw Boxtrolls in the theater last September with my son, and this single scene caused a more vocal response from the audience than any other moment in the entire movie. People were literally gasping, myself included.
The Boxtrolls is already available for purchase on Amazon...might have to watch this with the kids soon.
Hiro teaching Baymax how to fist bump in Big Hero 6.
Update: Jason Porath smartly speculates that Big Hero 6's fist bump scene was a social media snack sized moment inserted into the movie for marketing purposes, which is part of a larger industry trend.
I don't have a good word to describe this phenomenon, so I'm going to term it "hashgags." This is a joke in an animated movie, usually input at the behest of marketing forces, that is used to sell the movie. It's usually inserted late into production and test screened to within an inch of its life. Some are used repeatedly, some are one-offs that do well with trailers. And it is crippling the entire industry.
If you've read The Hobbit and the Lord of the Rings trilogy (and/or watched the movies1) but didn't delve into the appendices or, shudder, The Silmarillion, this is the video for you. It explains about the Gods who created Middle Earth, what wizards are (not men, but angels), and the specialness of Men and Elves.
From Tony Zhou's Every Frame a Painting, an appreciation of Jackie Chan and his particular and excellent brand of action comedy.
I love old Jackie Chan movies. When I lived in Minneapolis, a theater there showed them on Saturday nights, late. Drunken Master II is a particular favorite...the final fight scene is AMAZING. The part about how the camera never moves and shoots wide-angle during his scenes is why action in contemporary Hollywood films leaves me yawning.
It is nearly inconceivable how small we are in comparison to the size of the universe, but this video may make it a little less inconceivable. Do you know that the Sun is tiny compared to some other stars?
The first part of this video, the bit with the molten sugar and cooling table, is the most interesting, but the whole thing is worth a watch.
Reminds me of the lettered rock made at Teddy Grays.
There's no blue pigment present in the wings of the morpho butterfly. So where does that shimmering brilliant blue color come from? It's an instance of structural color, where the physical structure of the surface scatters or refracts only certain wavelengths of light...in this case, blue.
Eye color is another example of structural color in action. Eyes contain brown pigments but not blue. Blue, green, and hazel eyes are caused by Rayleigh scattering, the same phenomenon responsible for blue skies and red sunsets. Blue eyes and blue skies arise from the same optical process...that's almost poetic. (thx, jared)
Somehow I didn't know that Zoolander (which Terrence Malick and I both love and Roger Ebert hated) began as a short clip Ben Stiller did for the 1996 VH1 Fashion Awards.
(via the dissolve)
Following in the footsteps of Too Many Cooks is Unedited Footage of a Bear. It aired for the first time on Adult Swim this week in their 4am infomercial slot. It starts off as a nature thing with a bear which is interrupted by a fake infomercial and then. Gets. WEIRD.
Update: Adult Swim has a site set up for Claridryl. There might be some answers there to some questions you might have? About stuff? (via devour & @veganstraightedge)
Quick three minute video about how they made the Millennium Falcon hyperdrive malfunction noise for Star Wars.
Favorite detail: one of the sounds is from the clanking pipes in the studio's bathroom. (via df)
Finally, courtesy of the Auralnauts, we get the Terminator trailer that we deserve. Time travel is hilarious.
I wish we could send you back with pants, but the technology just isn't there yet. So as soon as you hit the ground, you're going to want to find some pants. I know you can do it...because you already did it.
Like the old wives' tale says, if you want to fix the future, just keep sending Terminators back in time. (via @mouser_nerdbot)
This time lapse video of storm clouds by Nicolaus Wegner is flat-out incredible, by far the best of its kind.
Crank up the sound for this one. Previously: Stormscapes 1. (via bad astronomy)
While working as a filmmaker as part of the Scott Expedition, Temujin Doran made a beautifully shot and edited short film about a small team of people who live and work on Antarctica's Union Glacier during the summer.
For me, this film seems a bit like an antithesis to many expedition and adventure documentaries. There is no great achievement or record broken, nor any real challenge to overcome. Instead it concerns minor details; the everyday tasks of the staff that were made more special by the environment surrounding them. And in fact, I think that's what attracted me to make this film - the delightful trivialities of an average life, working in Antarctica.
Wes Anderson-esque. (thx, joseph)
If you've ever wondered how a designer does their thing (or even if you haven't), this look-over-the-shoulder view of Aaron Draplin designing a logo for a fictional company in about 10 minutes is great. A nice reminder that design is truly about making it up as you go along.
I love Draplin. Internet treasure, that guy. And that lefty writing claw! Go lefties!
Wow, the art of making marbled paper, a short film from 1970.
Charmingly British, just like the film about the Teddy Grays candy factory or the putter togetherer of scissors. Super cool how the inks are placed on a water bath, swirled expertly to make patterns, and then transferred to the paper. Also of note: the segment on the conservation of old books starting at around 9:55...I never knew they took them apart like that to dunk the pages in water! Sadly, the Cockerell Bindery ceased operation in the late 1980s with the death of Sydney Cockerell and its contents were sold at auction. (thx, matt)
This is the craziest thing I've ever seen anyone do on skis: Cody Townsend skiing down a super steep face in a space between two rock walls no wider than a supermarket aisle. Powder Magazine called it "The Line of the Year".
They forgot to put "Batshit Crazy" before the word "Line". (via devour)
A tribute to outer space in movies, featuring clips from Gravity, The Fountain, Alien, Star Wars, Solaris, Sunshine, Guardians of the Galaxy, and more.
Music is from Hans Zimmer's soundtrack for Interstellar, which I was initially lukewarm on but have been listening to consistently over the past week or so. (via devour)
Totally sweet and charming video of Apple co-founder Steve Wozniak talking about the early days at the company while setting up and using an old Apple II.
Of Apple's two founding Steves, Wozniak was the technologist and Jobs was the one with the artistic & design sense, right? But it's obvious from watching this video that Woz cared deeply about design and was a designer of the highest order. Those early Apple circuit boards are a thing of beauty, which is echoed in the precision and compactness with which Apple currently designs iPhone and Mac hardware. They each have their own unique way of expressing it, but Woz and Jony Ive speak in a similarly hallowed way about how their products are built.
Update: Wozniak still has improving the Apple II on his mind. From earlier this year:
I awoke one night in Quito, Ecuador, this year and came up with a way to save a chip or two from the Apple II, and a trivial way to have the 2 grays of the Apple II be different (light gray and dark gray) but it's 38 years too late. It did give me a good smile, since I know how hard it is to improve on that design.
Update: From Founders at Work, an interview with Woz that goes a bit deeper into the genesis of the Apple I and the early days at Apple.
By the time I was done, the design of the Nova was half as many chips as all of the other minicomputers from Varian, Digital Equipment Corp., Hewlett-Packard, all of the minicomputers of the time (I was designing them all). And I saw that Nova was half as many chips and just as good a computer. What was different? The architecture was really an architecture that just fit right to the very fewest chips.
My whole life was basically trying to optimize things. You don't just save parts, but every time you save parts you save on complexity and reliability, the amount of time it takes to understand something. And how good you can build it without errors and bugs and flaws.
Gear Patrol visited 12 whiskey distilleries (including Buffalo Trace, Maker's Mark, and Jim Beam) to find out how bourbon is made.
Cool. Some of that I knew, and some I didn't. My favorite detail is how the placement of the barrel in the aging room can affect the flavor of the bourbon within. Just like cheese. (via digg)
This dive, by Leeds United midfielder Adryan in match against Derby County, might be the worst dive of all time.
He's flopping around like Sonny Corleone getting shot up at the toll booth in The Godfather. Hilarious.
Watch as a Latvian master blacksmith forges a Damascus steel1 knife with 320 layers of steel. Then he uses the finished knife to make a leather holder for it.
Pound it flat, fold it over. Pound it flat, fold it over. I love that twist he puts on the steel in the middle of the process. You can also see how their chisels are made, how their axes are made, or take a listen to what their knives sound like after being struck with a hammer (headphones on for this one).
The knives are available for sale from John Neeman (for $650), along with axes, chef's knives, longbows, and other handmade items.
Amazon's newest fulfillment center1 features hundreds of robots. Watch them work in an intricate ballet of customer service through increased speed of delivery and greater local selection. Also, ROBOTS!
Now imagine this with McDonald's hamburgers and every other thing we buy and watch Humans Need Not Apply again. (via @tcarmody)
Kermit the Frog, Fozzie Bear, and guests cover Naughty By Nature's 1993 classic Hip Hop Hooray.
See also The Muppets covering The Beastie Boys, Kanye, and M.O.P.
I am still very much looking forward to the Shaun the Sheep movie, but the first official trailer is not inspiring much confidence:
Yeesh. That makes it look like The Smurfs movie or something. Movie company marketing departments don't seem to know what to do with quirky stuff like Shaun or Wallace & Gromit. Has an Aardman movie ever had a good trailer? (via digg)
Why do humans explore space? We "love to sail forbidden seas". This is a beautiful short video narrated by Carl Sagan showing future human exploration of our solar system.
Without any apparent story, other than what you may fill in by yourself, the idea of the film is primarily to show a glimpse of the fantastic and beautiful nature that surrounds us on our neighboring worlds -- and above all, how it might appear to us if we were there.
The shot starting at 2:25 of the exploration of one of Jupiter's moons (Europa?) is fantastic. (via ★interesting)
From Stuart Brown, a five-part video series on the history of graphics in video games. Here's part one:
The entire playlist is here.
Huh. Someone built a working particle accelerator out of Lego bricks. Ok, it doesn't accelerate protons, but it does spin a small Lego ball around the ring much faster than I would have guessed.
Update: I stand corrected, the Lego particle accelerator does indeed accelerate protons, just a lot of them very slowly, accompanied by all manner of other particles.
Dancers from legendary Bay Area hip-hop dance crews in the 1970s and 80s reminisce about the old days and show that they still have the moves.
Wonderful. There's no school like the old school. (via waxy)
I know, I know, no football.1 But I could not help seeing this catch last night by NY Giants receiver Odell Beckham. Many are calling it the best catch anyone has ever made in the history of the NFL.
As a player, how do you prepare yourself for making the greatest catch in history? It would be easy to dismiss this catch as a lucky fluke...one-handed, fighting off a defender, just gets it by his fingertips. But here's the thing: Beckham practices exactly this catch:
Luck is what happens when preparation meets opportunity. Preparation, kids. Preparation.
Lilly Yokoi was an acrobat who specialized in performing on a bicycle. During her career, she toured around the world and appeared on the Ed Sullivan show three times. In this performance from 1965, Yokoi does some seriously before-their-time tricks on her Golden Bicycle, including a no-hands handlebar spin, a no-hands wheelie, a handstand over the handlebars, and several other tricks...all in chunky high heels, mind you.
Here's an even earlier performance, from 1961. See also some bike tricks filmed by Thomas Edison in 1899.
A look at the sound design of Interstellar, including some of the cool rigs they built to record sounds for the movie, including a truck driving through a corn field, sand hitting the outside of a car, and robots walking.
The Marshmallow Test was developed by psychologist Walter Mischel to study self-control and delayed gratification. From a piece about Mischel in the New Yorker:
Once Mischel began analyzing the results, he noticed that low delayers, the children who rang the bell quickly, seemed more likely to have behavioral problems, both in school and at home. They got lower S.A.T. scores. They struggled in stressful situations, often had trouble paying attention, and found it difficult to maintain friendships. The child who could wait fifteen minutes had an S.A.T. score that was, on average, two hundred and ten points higher than that of the kid who could wait only thirty seconds.
Mischel has written a book about the test, its findings, and learning greater self-control: The Marshmallow Test: Mastering Self-Control.
The world's leading expert on self-control, Walter Mischel has proven that the ability to delay gratification is critical for a successful life, predicting higher SAT scores, better social and cognitive functioning, a healthier lifestyle and a greater sense of self-worth. But is willpower prewired, or can it be taught?
In The Marshmallow Test, Mischel explains how self-control can be mastered and applied to challenges in everyday life -- from weight control to quitting smoking, overcoming heartbreak, making major decisions, and planning for retirement. With profound implications for the choices we make in parenting, education, public policy and self-care, The Marshmallow Test will change the way you think about who we are and what we can be.
Here's a video of the test in action:
Update: A recent study showed that the environment in which the test is performed is important.
Now a new study demonstrates that being able to delay gratification is influenced as much by the environment as by innate ability. Children who experienced reliable interactions immediately before the marshmallow task waited on average four times longer -- 12 versus three minutes -- than youngsters in similar but unreliable situations.
(thx, maggie & adam)
Shelf Life is a new video series from the American Museum of Natural History that will deep-dive into the archives of the museum and feature some of its 33 million artifacts and specimens.
From centuries-old specimens to entirely new types of specialized collections like frozen tissues and genomic data, the Museum's scientific collections (with more than 33,430,000 specimens and artifacts) form an irreplaceable record of life on Earth, the span of geologic time, and knowledge about our vast universe.
(via the kid should see this)
In 2012, Joe Ayoob broke the world record for the longest distance paper airplane flight with a plane designed by John Collins. In this video, Collins demonstrates how to fold that plane, the Suzanne.
Directions for the design are also available in Collins' New World Champion Paper Airplane Book.
Nora Ephron's movie Julie & Julia is based on a book by Julie Powell about her making every recipe in Julia Child's Mastering the Art of French Cooking. Some genius took the movie and cut all the Julie parts out of it, leaving just a movie about the life of Julia Child starring Meryl Streep.
Update: Well, that was fast...got taken down already.
Update: Looks like someone did a similar cut three months ago, Julia Sans Julie:
Let's see how long this one lasts. (via ★interesting & @ChadwickSevern)
Allen Hemberger cooked his way through one of the most complex cookbooks out there, the Alinea cookbook. Aside from the chefs who work in the kitchen there, Hemberger's probably the only person to have made every single recipe. These recipes aren't easy; look at the last one he prepared...he even struggled to find the correct ingredients.
Should I be disturbed or thankful that I've never been that passionate about anything ever?
The Great War is a video documentary series on YouTube that covers World War I. The series will air each week over the next four years with each 6-10 minute episode covering a week's worth of the war 100 years after it happened.
What an ambitious project. They're currently up to week 15 of the war, when the Ottoman Empire enters the fray. (via @garymross)
On Last Week Tonight, John Oliver takes down the lottery.
$68 billion. That's more than Americans spent last year on movie tickets, music, porn, the NFL, major league baseball, and video games combined.
The lottery is a defacto tax on poor people. Despicable. Horrible. But fun!
This is a time lapse of the surface of the Sun, constructed of more than 17,000 images taken by the Solar Dynamics Observatory from Oct 14 to Oct 30, 2014. The bright area that starts on the far right is sunspot AR 12192, the largest observed sunspot since 1990.
The sunspot is about 80,000 miles across (as wide as 10 Earths) and it's visible from Earth with the naked eye. Best viewed as large as possible...I bet this looks amazing on the new retina iMac. (via @pageman)
In 1985, German director Wim Wenders travelled to Japan and made a film called Tokyo Ga. In this clip of the film, Wenders visits a studio where fake food for display in restaurant windows is made. The clip starts a little slow so give it a bit of time.
What's surprising is how much the process of making fake food is like the process of making real food. (via open culture)
It's apparently silly video day on kottke.org. No idea what this is or why it's happening or who's involved or how this situation even came up or anything, but just watch it with the sound on it'll take you six seconds. Well, until you watch it 200 more times because WITAF.
Oh shit, this is a funny cat video I am posting a funny cat video what the hell is wrong with me please someone help me daaisy daaaisyyy giiiiiivve mmmmeeeeeeeeeeeeee (via @daveg)
Adult Swim did something magical with this 11-minute 80s sitcom intro:
I didn't have high hopes for this when I started watching, but it's like the Terminator of 80s sitcoms: it just will not stop introducing people. Better quality here. (via waxy)
Confirmed: metal shavings flung off of drill bits in slow motion are beautiful.
Klaus Kemp is one of the last great practitioners of arranging diatoms, tiny single celled algae. The art is only visible under microscopic magnification.
More information about Kemp and his images is available on his web site. (via waxy)
city.ballet is a video series about the workings of the New York City Ballet. The twelve episodes of season two cover everything from apprentice dancers to injuries to the sacrifices the dancers make to pursue their onstage dreams.
Imagine a city unto itself -- a place where 16 year olds are professionals, 18 year olds are revered and many 30 year olds are retirees. Imagine a world so insular that nearly every one of these virtuosos has trained together in an academy since childhood, their lives forever intertwined by work, play, competition, friendship and love. Imagine a world in which the bottom line standard is to be, simply, the best on the planet, and where each night, an empty stage, in front of thousands, beckons with a challenge. This enclave has a name -- New York City Ballet -- and you are invited into this world, one that has never opened up to the outside before.
Season two just came out and is available at AOL. (via cup of jo)
What is more fun than watching the Danish National Chamber Orchestra play a piece after having eaten some of the world's hottest chili peppers? Probably a few things, but this is pretty entertaining nonetheless.
Chili consumption happens at 1:36. Classic highbrow + lowbrow stuff here. The brass and woodwind instrument players in particular should get some kind of award...I can't imagine blowing on a trumpet in that condition. See also Hot Pepper Game Reviews.
Neill Blomkamp (District 9, Elysium) is coming out with a new film in the spring, Chappie. Chappie is a robot who learns how to feel and think for himself. According to Entertainment Weekly, two of the movie's leads are Ninja and Yo-Landi Vi$$er of Die Antwoord, who play a pair of criminals who robotnap Chappie.
Discussions of AI are particularly hot right now (e.g. see Musk and Bostrom) and filmmakers are using the opportunity to explore AI in film, as in Her, Ex Machina, and now Chappie.
Blomkamp, with his South African roots, puts a discriminatory spin on AI in Chappie, which is consistent with his previous work. If robots can think and feel for themselves, what sorts of rights and freedoms are they due in our society? Because right now, they don't have any...computers and robots do humanity's bidding without any compensation or thought to their well-being. Because that's an absurd concept, right? Who cares how my Macbook Air feels about me using it to write this post? But imagine a future robot that can feel and think as well as (or, likely, much much faster than) a human...what might it think about that? What might it think about being called "it"? What might it decide to do about that? Perhaps superintelligent emotional robots won't have human feelings or motivations, but in some ways that's even scarier.
The whole thing can be scary to think about because so much is unknown. SETI and the hunt for habitable exoplanets are admirable scientific endeavors, but humans have already discovered alien life here on Earth: mechanical computers. Boole, Lovelace, Babbage, von Neumann, and many others contributed to the invention of computing and those machines are now evolving quickly, and hardware and software both are evolving so much faster than our human bodies (hardware) and culture (software) are evolving. Soon enough, perhaps not for 20-30 years still but soon, there will be machines among us that will be, essentially, incredibly advanced alien beings. What will they think of humans? And what will they do about it? Fun to think about now perhaps, but this issue will be increasingly important in the future.
Thirty years after starting Def Jam in his NYU dorm room, Rick Rubin returns to the room in question and talks about how Def Jam began.
If you believe in gravity, then you know that if you remove air resistance, a bowling ball and a feather will fall at the same rate. But seeing it actually happen, in the world's largest vacuum chamber (122 feet high, 100 feet in diameter), is still a bit shocking.
In the late 1500s, Galileo was the first to show that the acceleration due to the Earth's gravity was independent of mass with his experiment at the Leaning Tower of Pisa, but that pesky air resistance caused some problems. At the end of the Apollo 15 mission, astronaut David Scott dropped a hammer and a feather in the vacuum on the surface of the Moon:
You know what's pretty? Big waves and surfing in slow motion. Take a break and relax at 1000 fps with this mesmerizing video.
The Hans Zimmer soundtrack only adds to the effect. (via ★interesting)
A new short episode of Every Frame a Painting, in which Tony Zhou talks about how to show character choice in movies without using dialogue. His main example is Snowpiercer. Spoilers ahoy.
Three dancers from The Australian Ballet share their prep routines for their pointe shoes.
Take-aways: Ballerinas' feet are really not attractive, they soup up their shoes in all sorts of unusual ways, but the end result is beautiful. (thx, fiona)
We the Economy is a series of 20 short videos that attempt to explain important economic concepts. For instance, acclaimed director Ramin Bahrani did a video about regulatory capture starring Werner Herzog, Patton Oswalt, and the Sherman Antitrust Act of 1890.
Anchorman director Adam McKay directed an animated My Little Pony-esque video about wealth distribution and income inequality featuring the voice talents of Amy Poehler, Maya Rudolph, and Sarah Silverman.
Paul Allen and Morgan Spurlock are behind the effort, with Bob Balaban, Steve James, Catherine Hardwicke, and Mary Harron directing some of the other videos. (via mr)
A woman recently took to the streets of NYC and walked around for 10 hours. She walked behind someone wearing a hidden camera that captured all of the catcalls and harassment directed toward her during that time...108 incidents in all. This is what it's like being a woman in public:
At The Awl, John Herrman notes the parallels between a woman on the streets of NYC and a woman spending time on the internet.
But the video works in two ways: It's also a neat portrayal of what it is like to be a woman talking about gender on the mainstream internet. This became apparent within minutes of publication, at which point the video's comment section was flooded with furious responses.
A typical post in the YouTube comments thread:
are you fucking kidding me "verbal harassment"? most of all the guys called that woman "beautiful" or said to "have a good day"....it would be harassment if the guys called that woman a "hoe" or "bitch"...you are a fucktard.
On Tumblr, Alex Alvarez neatly dispenses with that sort of "logic":
To anchor this more concretely, consider the behavior of the men in the video. Take a look at how they seek the woman out to wish her a good morning, despite her not having made eye contact or shown any interest in talking to them. Take a look at how they're not wishing a good morning to any other person, particularly male people, also walking around. The woman is walking directly behind the man filming her (the camera is hidden in his backpack), and not one of the men shown in the video are seen to be greeting him and wishing him a good day. Just her.
Why is this?
It's because they don't care, really whether she has a good day or not. What they care about is letting her know that they have noticed her -- her hair, her face, her body, her outfit. They want her to notice that they've noticed, and they want her to notice them, however fleetingly.
In this music video for Roy Kafri, a bunch of iconic album covers come alive and start singing.
Among them, The Smiths, Madonna, David Bowie, and Michael Jackson. (via colossal)
Earlier today, with zero fanfare from an energy drink company, 57-year-old Alan Eustace broke Felix Baumgartner's 2-year-old record for the highest free-fall parachute jump.
Mr. Eustace's maximum altitude was initially reported as 135,908 feet. Based on information from two data loggers, the final number being submitted to the World Air Sports Federation is 135,890 feet.
The previous altitude record was set by Austrian daredevil Felix Baumgartner, who jumped from 128,100 feet on Oct. 14, 2012.
Mr. Eustace was carried aloft without the aid of the sophisticated capsule used by Mr. Baumgartner or millions of dollars in sponsorship money. Instead, Mr. Eustace planned his jump in secrecy, working for almost three years with a small group of technologists skilled in spacesuit design, life-support systems, and parachute and balloon technology.
He carried modest GoPro cameras aloft, connected to his ground-control center by an off-the-shelf radio.
Flash? Meet substance.
Mat Kirkby's short film, The Phone Call, won the Best Narrative Short prize at the Tribeca Film Festival and is rumored to be in the running for an Oscar nomination. It features a young woman who works in helpline call office (Oscar nominee Sally Hawkins) taking a call from a distraught man (Oscar winner Jim Broadbent). (via slate)
Update: The video has been taken down from Vimeo, so I've removed the embed. I think it was something about film festival eligibility?
Update: The Phone Call did end up being nominated for an Oscar; here's Kirkby and friends reacting to the nomination.
You don't know what you would do unless you're in that situation.
That's Philip Zimbardo's1 introduction to this fascinating and deeply disturbing video, depicting a real-world instance of Stanley Milgram's experiment on obedience to authority figures2. In the video, you see a McDonald's manager take a phone call from a man pretending to be a police officer. The caller orders the manager to strip search an employee. And then much much worse.
The video is NSFW and if you're sensitive to descriptions and depictions of sexual abuse, you may want to skip it. And lest you think this was an isolated incident featuring exceptionally weak-minded people, the same caller was alleged to have made several other calls resulting in similar behavior. (via mr)
From Grantland's 30 for 30 Shorts series, a short film on former major league catcher Mackey Sasser and how he lost the ability to throw the ball back to the pitcher.
[I took the video out because someone at ESPN/Grantland is idiot enough to think that, by default, videos embedded on 3rd-party sites should autoplay. Really? REALLY!? Go here to watch instead.]
I remember Sasser (I had his rookie card) but had kinda stopped paying attention to baseball by the time his throwing problem started; I had no idea it was so bad. The video of him trying to throw is painful to watch. According to the therapists we see working with Sasser in the video, unresolved mental trauma (say, from childhood) builds up and leaves the person unable to resolve something as seemingly trivial as a small problem throwing a ball back to the pitcher. I've read and written a lot about this sort of thing over the years.
When's the last time I let you down? Ok, maybe don't answer that. But, when I tell you that a short film about the hand gestures used by a quarry boss guiding massive excavators harvesting marble is well worth watching, you're gonna go ahead and watch it, right? Because this is a beautiful little film.
I was so taken by the chief, watching him work. How he can move gigantic marble blocks using enormous excavators, but his own movements are light, precise and determined.
Notice the tips of two fingers are missing. That's how you get to be the boss. More hand gestures: hand signals used by traders on the floor of the NY Mercantile Exchange, nightclub hand signals, hand signals at Eleven Madison Park, and church usher hand signals. (via digg)
If you want to watch a bunch of realistic looking fake people run into a slowly spinning metal bar (and you really should want to watch it), this is the video for you:
It's better bigger or with sound. (via waxy)
Tony Zhou's excellent series on filmmaking, Every Frame a Painting, has become a much-watch for me. Here's the latest one, a short look at a single scene from Silence of the Lambs in which Zhou asks: Who Wins the Scene?
A Euro 2016 qualifying match between Albania and Serbia was abandoned today after a drone flying a banner with a map of Kosovo and the Albanian flag on it hovered over the pitch.
Tensions increased further when the flag was snared by Serbia's Stefan Mitrovic, who then pulled on the strings connecting it to the drone. He was immediately confronted by Albanian players, and a shoving match ensued.
The match was abandoned after a lengthy delay. At the recommendation of UEFA, no Albanian fans were allowed into the stadium for the match in Belgrade due to tensions between the two nations. Kosovo, where the population includes both ethnic Serbs and Albanians, declared its independence from Serbia in 2008, a declaration that the Serbians dispute. Nick Ames wrote a soccer-centric take on the tensions between the two nations.
It comes down, really, to Kosovo -- and that is a phrase that can be applied as shorthand for Serbian-Albanian relations as a whole. As Tim Judah writes in his seminal history, The Serbs: "So poisoned is the whole subject of Kosovo that when Albanian or Serbian academics come to discuss its history, especially its modern history, all pretence of impartiality is lost."
Kosovo, situated to the south of Serbia and the north-east of Albania, declared independence in 2008 having previously been part of Serbia. The Serbs still regard it as their own, but it is recognised by 56 percent of UN member states and its ethnic makeup is, depending on which side you refer to, overwhelmingly Albanian. (It's worth noting that figures vary wildly.)
The emotional significance goes as far back as 1389, when the Serbs were defeated by the Ottoman army in the Battle of Kosovo, which took place near its modern-day capital, Pristina. It has been much-mythologised in Serbian history. Far more recently, memories of the 1998-99 Kosovo War -- an appallingly brutal fight for the territory from which it has not really recovered -- still run deep.
FYI: the YouTube embed above was recorded off of a TV...if you're in the US, the ESPN story has better video.
From CineFix, their top ten slow motion sequences of all time.
Includes scenes from The Matrix, Hard Boiled, Reservoir Dogs, and The Shining. But no Wes Anderson!?! *burns down internet* (via @DavidGrann)
I've posted quite a few skateboarding videos here over the years and they all have their share of amazing tricks, but the shit Bob Burnquist pulls on his massive backyard MegaRamp in this video is crazy/incredible. My mouth dropped open at least four times while watching. I rewatched the trick at 2:50 about 10 times and still can't believe it's not from a video game. (via @bryce)
A short and sweet pixel art tribute to legendary animator and director Hayao Miyazaki.
See also 8-bit Ghibli.
In 1959, Lt Colonel William Rankin ejected from his F-8 Crusader at 47,000 feet. He was not wearing a pressure suit, which was a bummer because it was -58 °F outside the cockpit. Frostbite and symptoms of decompression1
immediately ensued. But his troubles were just beginning.
As the parachute opened, he felt the familiar tug upwards. Except instead of a slow descent, he experienced a rapid ascent. The powerful updraft filled his parachute like a sail and rocketed him vertically thousands of feet at a velocity of nearly 100 mph. During his ascent, he could see hail stones forming around him. The lightning was described by him as "blue blades several feet thick" and incredibly close. The thunder was so loud, he could feel it resonating in his chest cavity and remembered this more so than how loud it was. At one point, the lightning lit up his parachute leading him to believe he had died. The rain would pelt him from all directions, and at times was so intense, he had to hold his breath for fear of drowning. But this was only half the agony -- the other half being the downdrafts.
Once the updraft exhausted itself, the associated downdraft would ensue. It was during this phase of his journey that he truly thought he would die. His parachute would collapse around him, much like a wet blanket, and plunge him into a rapid free fall towards earth. The odds of his parachute re-inflating correctly were slim, but not only did it do so once, it did numerous times through a multitude of updraft and downdraft cycles.
Under normal conditions, Rankin's trip to the ground would have taken less than 10 minutes, but that thunderstorm kept him hostage for 40 minutes. (via @BadAstronomer)
Update: In 1966, pilot Bill Weaver and his navigator Jim Zwayer were testing an SR-71 Blackbird when something went wrong and the plane disintegrated around its occupants. Weaver was incredibly lucky to make it out alive.
My next recollection was a hazy thought that I was having a bad dream. Maybe I'll wake up and get out of this mess, I mused. Gradually regaining consciousness, I realized this was no dream; it had really happened. That also was disturbing, because I could not have survived what had just happened. Therefore, I must be dead. Since I didn't feel bad -- just a detached sense of euphoria -- I decided being dead wasn't so bad after all. As full awareness took hold, I realized I was not dead, but had somehow separated from the airplane. I had no idea how this could have happened; I hadn't initiated an ejection. The sound of rushing air and what sounded like straps flapping in the wind confirmed I was falling, but I couldn't see anything. My pressure suit's face plate had frozen over and I was staring at a layer of ice.
From Errol Morris and the NY Times, Three Short Films about Peace. Morris interviewed Nobel Prize winners and nominees Liberian activist Leymah Gbowee, the former Polish president Lech Walesa and rock star Bob Geldof.
I interviewed five of the world's greatest peacemakers, and chose to feature the three who told the most compelling stories on camera. But it was a privilege to meet and to interview every one of them. David Trimble, whose participation in the Good Friday Agreement helped bring an end to Northern Ireland's Troubles, and Oscar Arias Sanchez, who brokered the Esquipulas peace agreement that ended decades of internecine strife in Central America, were no less inspiring than the three included here.
It's the easiest thing to say: that each of these stories is inspiring. They are. I was inspired by them. Can one person make a difference? In most cases, no. But every now and again something seemingly miraculous happens. And one person changes the world. Or as Bob Geldof puts it, tilts the world on its axis.
European suits of armor always look so impractical when you see them in museums, but how did they perform in combat? Well enough for the wearer to do jumping jacks and move quickly on the battlefield.
(via the kid should see this)
Watch and listen as Anna-Maria Hefele demonstrates polyphonic overtone singing, a technique where it sounds as though she's singing two different notes at the same time.
This blew my mind a little, particularly starting around the 3:00 mark, where she actually starts to be more fluid in her singing. (via @anotherny)
Update: See also Tuvan throat singing, Inuk throat singer Tanya Tagaq (who posted a photo online of her infant daughter next to a dead seal, a "sealfie"), and many other cultures who practice overtone singing. (thx, @bmcnely, @ChrisWalks1 & james)
Gorgeous videos of chemical reactions (precipitation, bubbling, crystallization, etc.). I think the metal displacement reaction video is my favorite:
Is this the first surrealist free diving video? I wasn't sure and then Superman showed up.
Tony Zhou of Every Frame a Painting looks at the constraints David Fincher chooses to operate under while shooting a film. For instance, he very rarely uses hand-held cameras.
The last half of the video featuring a breakdown of how some of Fincher's scenes were shot is fascinating.
I somehow didn't know or forgot that PT Anderson was doing a movie based on Thomas Pynchon's Inherent Vice. It turns out he totally is and here's the first trailer:
That looks entirely goofy and good.
This video of a giant red leech devouring an earthworm twice its own length is the most disturbing nature footage I've ever seen.
Damn nature, you scary!
There's an incredible 16-second sequence in this video of clouds, starting at around 10 seconds in. It looks as though the sky is a roiling ocean wave about to crash on the beach. I've watched it approximately 90 times so far today.
It's worth making the video fullscreen and pumping it up to the max quality (2160p!) to see it properly. (via colossal)
In the future, people won't want to meet or talk to celebrities, they'll just want to borrow some of their social capital.
Entangled is a short film by Tony Elliott about a quantum experiment that goes wrong. Shit gets real at approximately precisely 4:19.
Reminds me a bit of Primer.
I think this guy is the T-1000 robot from Terminator 2, but for chopping onions instead of assassinating future resistance fighters. Evidence:
1. In the brief view we get of his face at about 20 seconds in, he is not even really looking at the onion. Total robot move.
2. Um, he's like superhumanly fast at chopping that onion.
3. The T-1000 can easily morph into other people, like this fast watermelon cutter or this pancake flipper or this lemon chopper. Different people, same shapeshifting food prep robot from the future! (via @kdern)
This looks like a time lapse, but it's not. It's just a straight-up gorgeous video of the aurora borealis filmed in Yellowknife, Northwest Territories, Canada.
It is real time motion! NOT time-lapse. Brighter the Aurora, faster the movement.
(via the kid should see this)
In 2011, Steven Soderbergh revealed he'd repeatedly watched Raiders of the Lost Ark in black & white. Now he's released a full-length version of the film in b&w, with no dialogue and an alternate soundtrack (Reznor and Ross's score to The Social Network) so that you can focus on how the film is constructed visually.
So I want you to watch this movie and think only about staging, how the shots are built and laid out, what the rules of movement are, what the cutting patterns are. See if you can reproduce the thought process that resulted in these choices by asking yourself: why was each shot -- whether short or long -- held for that exact length of time and placed in that order? Sounds like fun, right? It actually is. To me. Oh, and I've removed all sound and color from the film, apart from a score designed to aid you in your quest to just study the visual staging aspect. Wait, WHAT? HOW COULD YOU DO THIS? Well, I'm not saying I'm like, ALLOWED to do this, I'm just saying this is what I do when I try to learn about staging, and this filmmaker forgot more about staging by the time he made his first feature than I know to this day (for example, no matter how fast the cuts come, you always know exactly where you are -- that's high level visual math shit).
In 1967, Steve Reich wrote a piece of music called Piano Phase. The piece is performed by two pianists playing the same piece of music at two slightly different speeds. As the piece progresses, the music moves in and out of phase with itself. Classical percussionist David Cossin performed with a duet of Piano with himself to produce a Piano/Video Phase:
Give it 30-90 seconds for the phase shifting to kick in. For those who aren't so musically inclined, this pendulum phasing video provides a more visual representation of what's going on:
Update: See also this Piano Phase visualization from Alexander Chen, Rhythm Necklaces, and an animation of Reich's Clapping Music. (thx, @anotherny, @RianVDM, and everyone who sent in Chen's piece)
Update: And whoa, here's Rob Kovacs playing Piano Phase on two pianos:
Casey Neistat visited several Apple Stores in NYC on the eve of the iPhone 6 launch to observe the folks standing in line. He found that many of those in line, particularly right in the front, were Chinese resellers.
The iPhone 6 won't be available in China for several months, so a lively and lucrative black market has sprung up. The video shows several typical transactions: two phones (the maximum allowed per person) are purchased with cash and then the people sell those phones to men who presumably have them shipped to China for resale.
I remember last year, when the iPhone 5s came out, there was always a line of mostly Asian people outside the Soho store in the morning, even months after the launch. (via @fromedome)
Marvin Gaye's isolated vocals on I Heard It Through The Grapevine. The man has pipes.
Amidala friendzones Anakin, Obi-Wan hunts for drugs, and Jango Fett pumps the bass in this hilarious Auralnauts reimagining of Star Wars: Attack of the Clones.
You may have also seen their recent video of the Throne Room scene at the end of Star Wars without John Williams' score (reminiscent of these musicless musicvideos) or Bane's outtakes from The Dark Knight Rises. Still champion though: bad lip reading of NFL players. (via @aaroncoleman0)
In this video entitled Rush Hour, cars, pedestrians, and cyclists have been edited together to produce dozens of heart-stopping near misses.
Reminds me of the world's craziest intersection, traffic organized by color, intersections in the age of driverless cars, and the dangerous dance of NYC intersections. (via colossal)
Join designer James Victore for an opinionated tour of the typography of Brooklyn and Queens.
We're going to do a typographical tour of Brooklyn and Queens, We're going to look at type on the street and signage on the street and try to figure out what the hell it's for.
Favorite quote: [Pointing at a logo for a waxing salon] "There's been a designer here. Which is not always a good thing." (via gothamist)
Using Phil Fish, the person responsible for critically acclaimed indie game Fez, this video by Ian Danskin explores what it means to be internet famous, something everyone who writes/creates/posts/tweets online has experienced to some extent.
We are used to thinking of fame as something granted to a person by people with media access. The reason people hate Nickelback is because of that record contract, that Faustian bargain -- they bought into it. They had to be discovered; someone had to connect them to video directors, record producers, stylists, advertisers.
This is not what fame looks like on the internet. There, fame is not something you ask for. Fame is not something you buy into. Fame happens to you.
Phil doesn't have an agent. He doesn't have ad executives. He doesn't tour the country on press junkets. He doesn't have a PR department. (Obviously.)
He talked on social media. He did interviews when invited to do them. He was invited into a documentary. People read these things as shameless self-promotion or a desperate need for attention, or both, but that's projection -- nobody knows Phil's reasons for doing them but Phil and the people who know him personally.
Phil never asked to be famous.
We made him famous. Maybe, in part, because we found him entertaining. Maybe, in part, because we found him irritating. Largely because many of us were once sincerely excited about his game. But he became a big deal because we kept talking about him.
On the internet, celebrities are famous only to the people who talk about them, and they're only famous because we talk about them, and then we hate them for being too famous, and make them more famous by talking about how much we hate them. Could there ever be anything more self-defeating than this?
Here's a transcript of the video. In his post about why he decided to sell Minecraft to Microsoft, Markus Persson cites This is Phil Fish as an influence:
I was at home with a bad cold a couple of weeks ago when the internet exploded with hate against me over some kind of EULA situation that I had nothing to do with. I was confused. I didn't understand. I tweeted this in frustration. Later on, I watched the This is Phil Fish video on YouTube and started to realize I didn't have the connection to my fans I thought I had. I've become a symbol. I don't want to be a symbol, responsible for something huge that I don't understand, that I don't want to work on, that keeps coming back to me. I'm not an entrepreneur. I'm not a CEO. I'm a nerdy computer programmer who likes to have opinions on Twitter.
Robin Sloan connected Persson's post with a post by Erin Kissane on how she has curtailed her use of Twitter. Here's one of her problems with Twitter:
The first is feeling like I'm sitting at a sidewalk cafe, speaking in a conversational voice, but having that voice projected so loudly that strangers many streets away are invited to comment on my most inconsequential statements -- especially if something I say gets retweeted beyond my usual circles.
Many moons ago, I was "subculturally important" in the small pond of web designers, personal publishers, and bloggers that rose from the ashes of the dot com bust, and I was nodding along vigorously with what Danskin, Persson, and Kissane had to say. Luckily for me, I realized fairly early on that me and the Jason Kottke who published online were actually two separate people...or to use Danskin's formulation, they were a person and a concept. (When you try to explain this to people, BTW, they think you're a fucking narcissistic crazy person for talking about yourself in the third person. But you're not actually talking about yourself...you're talking about a concept the audience has created. Those who think of you as a concept particularly hate this sort of behavior.)
The person-as-concept idea is a powerful one. People ascribe all sorts of crazy stuff to you without knowing anything about the context of your actual life. I even lost real-life friends because my online actions as a person were viewed through a conceptual lens; basically: "you shouldn't have acted in that way because of what it means for the community" or some crap like that. Eventually (and mostly unconsciously), I distanced myself from my conceptual counterpart and became much less of a presence online. I mean, I still post stuff here, on Twitter, on Instagram, and so on, but very little of it is actually personal and almost none of it is opinionated in any noteworthy way. Unlike Persson or Fish, I didn't quit. I just got boring. Which I guess isn't so good for business, but neither is quitting.
Anyway, I don't know if that adds anything meaning to the conversation, just wanted to add a big "yeah, that rings true" to all of the above, particularly the video. (thx, @brillhart)
Update: From the Argentinian author Jorge Luis Borges, a short essay called "Borges and I":
The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate; I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship; I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides, I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and magnifying things.
Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him.
I do not know which of us has written this page.
Here are some things you can do with instant ramen aside from eating it as directed on the package, including making a grilled cheese sandwich, gnocchi (a la David Chang), and pizza.
This goal by AC Milan's Jeremy Menez against Parma over the weekend is just beyond:
No-look backheel. Jeebus.
This guy Fik Shun? He knows how to dance.
The thing he starts doing with his chest around 2:10 is some Exorcist-level shit. (via digg)
The internet is full of remixes of movies and trailers these days: Wes Anderson's Forrest Gump, The Shining as a romantic comedy, Toy Story 2 mashed up with Requiem for a Dream, Toy Story meets The Wire, and so on. But before all of that, from 1987, perhaps the first mashup of its kind, Apocalypse Pooh:
Todd Graham made this short film with VCRs and film nerds passed around copies on VHS tapes. (via @johankugelberg)
This starts out ordinarily, but give it some time...it gets really good around 90 seconds in. The combination of panning and slow motion creates a powerful sense of energy around almost-still imagery; it's a trippy effect. See also James Nares' Street. (via subtraction)