The Associated Press and British Movietone are uploading 17,000 hours of archival news footage, some of dating back to the late 19th century. The videos can be found on the AP Archive and British Movietone channels. Some notable videos from the collection follow. Coverage of the Hindenberg disaster:
The celebration of VE Day in London:
Coco Chanel fashion show from 1932:
Martin Luther King Jr. and marchers being arrested in Selma:
See also British Pathe.
Every day, a program written by Julien Deswaef selects a war-related news item from the NY Times, formats it in the style of the infamous Star Wars opening crawl (complete with John Williams' score), and posts the results to YouTube.
Published yesterday, the crawl for Episode XXVII was taken from a NY Times article about an Obama speech about the Iranian nuclear deal.
Here's how the project was made and if you'd like to try it yourself, grab the source code. (via prosthetic knowledge)
Ok, so narrowing down all of the beautifully shot movies in the world to a list of just 10 is absurd, but to their credit, the gang at Cinefix manage to mention more than 50 or 60 movies in their top 10 review. If you've only seen even a few of these, you're doing well.
Manhattan, Citizen Kane, The Fall, 2001, Hero, The Tree of Life. Damn.
No hunger. No pollution. No disease. Wired's Amy Maxmen welcomes you to the age of copy and paste DNA editing and the end of life as we know it.
Genome editing started with just a few big labs putting in lots of effort, trying something 1,000 times for one or two successes. Now it's something that someone with a BS and a couple thousand dollars' worth of equipment can do. What was impractical is now almost everyday. That's a big deal.
[I recently listened to Radiolab's show on Crispr. Recommended. -jkottke]
Syndicated from NextDraft. Subscribe today or grab the iOS app.
Clothing retailer Forever 21 hired product and prototyping company Breakfast to build them a giant screen made out of spools of thread to "print" people's Instagram photos. The screen, which Breakfast bills as "one of the most complex machines ever built for a brand", weighs 2000 pounds, measures 11 ft high, 9 ft wide, and 3 ft deep, and has a resolution of 80x80 spool pixels. Here's how they made it:
If you want to give it a try, just tag an Instagram photo with #F21ThreadScreen and it'll print it out for you (watch the live stream). Prior art alert: the first time I remember seeing something like this was Daniel Rozin's Wooden Mirror (1999) at ITP (video here).
Hold onto your butts, gang... I just found out, via Pixar's Michael B. Johnson, that the 3D file manager that Lex uses in Jurassic Park -- "It's a Unix system, I know this" -- was a real thing. FSN (File System Navigator) was a demo tool for Silicon Graphics' IRIX operating system that you could download from their web site.
P.S. In that same thread, Johnson shares that his office was the inspiration for Dennis Nedry's work area.
This video was shot in NYC on July 18, 1990, mostly in Times Square and Central Park.
The first 30 seconds of the video (stumbling drunk, trash digger, overheating car) is pretty much a perfect representation of how NYC felt to many at the time. A squeegee man can also been seen at work near the end of the video.
Slow motion video of a South Dakota lightning storm shot at 2000 fps.
I love the little tendrils "sent out" by the clouds before a big strike happens. It's like nature is searching for the optimal path for the energy to travel and then BAM!
For the first time since 2005, Pixar didn't release a movie last year but are doubling up this year with Inside Out and The Good Dinosaur. Here's the trailer for The Good Dinosaur, which looks like much more of a just-for-kids movie than Inside Out.
Still, where did the lighter fluid come from?
Sister is my new mother, Mother.
I'm afraid I just blue myself.
I'm about halfway through season two of Arrested Development again on Netflix and it might be the best show ever on television. I'm not even kidding.
Update: NPR has been obsessively cataloging the show's running gags here. Holy shit, the extensive foreshadowing of Buster losing his hand! This show is amazing. (via @Nick__Vance)
Ann Friedman recently created The Disapproval Matrix to better understand where criticism comes from and how to deal with it.
Frenemies: Ooooh, this quadrant is tricky. These people really know how to hurt you, because they know you personally or know your work pretty well. But at the end of the day, their criticism is not actually about your work-it's about you personally. And they aren't actually interested in a productive conversation that will result in you becoming better at what you do. They just wanna undermine you. Dishonorable mention goes to The Hater Within, aka the irrational voice inside you that says you suck, which usually falls into this quadrant. Tell all of these fools to sit down and shut up.
See also Friedman's Hierarchy of Haters.
Man at Arms is a YouTube show in which real-life weapons from movies and TV shows are recreated. Recently they made the Bride's Hattori Hanzo sword from Kill Bill. They started from scratch by building a furnace from before the Edo period (before 1603) to smelt the iron ore.
I know zero about swords, but it looks like these guys really did their homework in making as close to a traditional katana blade as they could. (via devour)
James Hansen, NASA's former top climate scientist, is joined by 16 other leading climate scientists in a paper with some alarming conclusions. The gist is that the glaciers in Antartica and Greenland are melting so much faster than previously predicted that the global sea level will rise more than 10 feet in as little as 50 years, rendering many coastal cities uninhabitable. From Eric Holthaus in Slate:
The study -- written by James Hansen, NASA's former lead climate scientist, and 16 co-authors, many of whom are considered among the top in their fields -- concludes that glaciers in Greenland and Antarctica will melt 10 times faster than previous consensus estimates, resulting in sea level rise of at least 10 feet in as little as 50 years. The study, which has not yet been peer reviewed, brings new importance to a feedback loop in the ocean near Antarctica that results in cooler freshwater from melting glaciers forcing warmer, saltier water underneath the ice sheets, speeding up the melting rate. Hansen, who is known for being alarmist and also right, acknowledges that his study implies change far beyond previous consensus estimates. In a conference call with reporters, he said he hoped the new findings would be "substantially more persuasive than anything previously published." I certainly find them to be.
That's the thing about nonlinear systems like the Earth's climate: things happen gradually, then suddenly. This is much more terrifying to me than the Pacific Northwest earthquake. BTW, as a reminder, here's what NYC and the surrounding area looks like with 10 more feet of water. Goodbye JFK Airport.
Update: The paper is now available online.
Update: In the New Yorker, Elizabeth Kolbert provides a bit more explanation and context about Hansen's paper.
What the new paper does is look back at a previous relatively warm period, known as the Eemian, or, even less melodically, as Marine Isotope Stage 5e, which took place before the last ice age, about a hundred and twenty thousand years ago. During the Eemian, average global temperatures seem to have been only about one degree Celsius above today's, but sea levels were several metres higher. The explanation for this, the new paper suggests, is that melt from Antarctica is a non-linear process. Its rate accelerates as fresh water spills off the ice sheet, producing a sort of "lid" that keeps heat locked in the ocean and helps to melt more ice from below. From this, the authors conclude that "rapid sea level rise may begin sooner than is generally assumed," and also that a temperature increase of two degrees Celsius would put the world well beyond "danger."
"We conclude that the 2°C global warming 'guardrail,' affirmed in the Copenhagen Accord, does not provide safety, as such warming would likely yield sea level rise of several metres along with numerous other severely disruptive consequences for human society and ecosystems," Hansen and his colleagues wrote.
A nice short animated video on the power of empathy and how it differs from sympathy.
Rarely can a response make something better. What makes something better is connection.
Related: Empathy is a Choice.
Some kinds of people seem generally less likely to feel empathy for others -- for instance, powerful people. An experiment conducted by one of us, Michael Inzlicht, along with the researchers Jeremy Hogeveen and Sukhvinder Obhi, found that even people temporarily assigned to high-power roles showed brain activity consistent with lower empathy.
But such experimental manipulations surely cannot change a person's underlying empathic capacity; something else must be to blame. And other research suggests that the blame lies with a simple change in motivation: People with a higher sense of power exhibit less empathy because they have less incentive to interact with others.
In the mid-90s, Stewart Brand published a fantastic book called How Buildings Learn: What Happens After They're Built.
Buildings have often been studies whole in space, but never before have they been studied whole in time. How Buildings Learn is a masterful new synthesis that proposes that buildings adapt best when constantly refined and reshaped by their occupants, and that architects can mature from being artists of space to becoming artists of time.
From the connected farmhouses of New England to I.M. Pei's Media Lab, from "satisficing" to "form follows funding," from the evolution of bungalows to the invention of Santa Fe Style, from Low Road military surplus buildings to a High Road English classic like Chatsworth-this is a far-ranging survey of unexplored essential territory.
In 1997, Brand and the BBC did a six-part TV series based on the book. Brand has put the series on his YouTube channel; here's the first part to get you going:
(via open culture)
« Newer entries | Older entries »