kottke.org posts about fashion
Michael Chabon has written a great non-traditional boy-coming-of-age story about his son Abe, who, at 13, is obsessed with fashion.
It takes a profound love of clothes, and some fairly decent luck, to stumble on somebody who wants to converse about cutting-edge men’s fashion at a Rush concert, and yet a year before his trip to Paris, in the aftermath of the Canadian band’s last show at Madison Square Garden, Abe had managed to stumble on John Varvatos. Abe had spent that day leading his bemused minder on a pilgrimage through SoHo, from Supreme to Bape to Saint Laurent to Y-3, and now, ears still ringing from the final encore (“Working Man”), Abe reported in detail to Varvatos, with annotations and commentary, on all the looks he had seen downtown. When he was through, Varvatos had turned to Abe’s minder — a major Rush fan who was, of course, also Abe’s father — and said, “Where’d you get this kid?”
Read this all the way to the end…the perfect coda to the story.
Designer Tina Gorjanc plans to create a collection of leather goods made from skin grown from human DNA, specifically the DNA of fashion designer Alexander McQueen. McQueen died in 2010, but he sewed his own hair into the items in his first collection, which is where Gorjanc is sourcing the genetic material for her leather.
The Pure Human project was designed as a critical design project that aims to address shortcomings concerning the protection of biological information and move the debate forward using current legal structure.
Furthermore, the project explores the ability of the technology to shift the perception of the production system for luxury goods as we know it and project its implementation in our current commercial system.
In other words, should we be able to make handbags from of Alexander McQueen’s DNA without his (or his estate’s) permission? Dezeen has more details on the project. BTW, the handbag pictured above is a mockup created from pigskin, onto which freckles have been applied. Other mockups include replicas of McQueen’s tattoos, which, you know, wow. (via @claytoncubitt)
Sad news from the NY Times: legendary street fashion photographer Bill Cunningham has died today at the age of 87.
In his nearly 40 years working for The Times, Mr. Cunningham operated both as a dedicated chronicler of fashion and as an unlikely cultural anthropologist, one who used the changing dress habits of the people he photographed to chart the broader shift away from formality and toward something more diffuse and individualistic.
At the Pierre hotel on the East Side of Manhattan, he pointed his camera at tweed-wearing blue-blood New Yorkers with names like Rockefeller and Vanderbilt. Downtown, by the piers, he clicked away at crop-top wearing Voguers. Up in Harlem, he jumped off his bicycle — he rode more than 30 over the years, replacing one after another as they were wrecked or stolen — for B-boys in low-slung jeans.
I saw Cunningham out on the streets of NYC twice and both times chills ran up my back watching a master at work. Unless Cunningham had something in the can before he died, it looks as though the last of his On the Street features is about black and white fashion. Tonight might be a good time to watch the documentary Bill Cunningham New York — it’s available on Amazon (free with Prime).
Aaron Christian shot footage of the fashionably dressed gentlemen attending the Pitti Uomo menswear trade show and paired it with David Attenborough-esque commentary about peacocks.
Unlike the cues outside of the city shows, where photographers have a few seconds to snap their favourite look. Pitti Uomo is a four day long menswear trade show, in Florence, Italy.
It’s a vast space where attendees spend all day walking around, visiting stands, eating in the sun or catching up with fellow fashion colleagues — and so consequently it has become a prime spot for the worlds top street style photographers to document and shoot some of the most stylish men on the planet.
It’s become a peacock parade where the men show off their outfits in all their glory hoping to get snapped by the top photographers.
It’s quite comical, the way the fully grown men pace around subtly trying their best to get snapped, and it’s the perfect location for this wildlife style mockumentary to take place.
Levi’s made a short documentary film about the history and cultural impact of the brand’s signature 501 jeans.
We trace the 501 Jean’s roots as a utilitarian garment for coal miners, cowboys, industrial workers, all the way to the creative workers who continue to wear it today.
As you can tell from whatever “outfit” I’ve extracted from my closet and placed on my body each morning, I know close to nothing about fashion. But I love reading about it. This piece about circa-2016 fashion trends in Tokyo neighborhood of Harajuku is interesting in many ways. Take the first section on Genderless Kei and Kawaii Boys.
Though the Kawaii Boys’ styles vary, the most popular look is childlike rather than traditionally feminine. These are not crossdressers, most of them are not gay, and they are not trying to look like — or pass as — women. They are specifically aiming for a happy fun Genderless style. That said, none of these new generation of Kawaii Boys are afraid of incorporating traditionally female fashion elements and makeup into their looks.
When I typically think of genderless fashion, I think of someone dressing “in between” the two dominant genders in relatively nondescript drab clothing that leans masculine. So it’s interesting to see the different approach described here…men wearing traditionally feminine clothes to average out as genderless.
As odd as it sounds, Japanese-ness is also making a comeback in Japanese fashion:
Fashion designers may have finally gotten his message, as we’ve never seen as many Japanese characters in street fashion as we did in 2015. The kanji print boom was just one of the many signs that young Japanese creatives are looking inward as well as outward for inspiration.
The classic Japanese sukajan (souvenir jacket) has been ubiquitous on the streets of Harajuku and in vintage shops since the end of summer. As Spring approaches, the low cost trend shops are well stocked with souvenir jackets as well. Influential indie boutique and underground Japanese brands are offering t-shirts, bags, dresses, and accessories printed with messages in kanji, hiragana, and katakana.
The post also delves into economic and city planning territory with sections on tourism and gentrification. (via @moth)
IZ is an online clothing retailer catering to people in wheelchairs. The clothes are designed to be worn while seated and for ease of getting on and off. For instance this blazer is arch-cut in the back:
Pants are cut higher in the back to cut down on bunching in the front and riding down in the back and shirts are cut so that they drape right at the waist and hips.
Apparently if you wrote the BBC asking how to make Tom Baker’s Doctor Who scarf, they would send you the knitting instructions on BBC letterhead. According to the Whovians in that forum, the Fourth Doctor wore this particular scarf in a pair of episodes early in season 12. (via laughing squid)
Update: And here’s the Fourth Doctor’s scarf in HTML/CSS/JS by @kosamari.
Chris Donovan loved designing women’s shoes, so he quit his job as a telephone repairman and followed his fashion design dreams all the way to Florence. What a great video from AARP, filmed by David Friedman. You can see more of Donovan’s work on his Instagram account. (via @mathowie)
The Bollman Hat Company has been making hats in their Pennsylvania factory since 1868. If you’re curious, the company has several other videos about how they produce their hats.
A quick but fascinating look at the fast fashion retailer Zara.
Fashion used to be sold in four seasons. Zara wants you to buy for one-hundred-and-four. New clothes arrive in every store twice a week — days known by fans as “Z Days” — and fuel the need to turn over your wardrobe.
The brand’s global distribution centre, also in Spain, moves 2.5 million items per week. Nothing remains warehoused longer than 72 hours.
The integration and feedback incorporated into their system is impressive. The knockoffs, not so much. Lots of parallels to Facebook here, not the least of which is both companies’ founders are among the richest people in the world.
A site called SDR Traveller sells ultralight, strong, and discreet bags for traveling to places where such things are necessary. Their most eye-catching item is the 1M Hauly Heist, a bag designed to carry US$1 million in cash that also doubles as a Faraday cage for shielding your electronics from radio frequency tracking.
From the description on the page for the 1M Hauly (which holds the million bucks without the RF shielding):
In many countries project expenses and payroll for the local crew need to be carried in cash. Whether you’re managing a team of thirty working for months at the edge of the grid, or on a solo trip to negotiate a significant cash transaction, the 1M Hauly is designed for discreet, safe carry of up to $1 Million USD in strapped, new or used $100 USD banknotes.
Designed to address the six main issues with carrying significant volume banknotes in field: risk of discovery; risk of damage (especially in high-humidity, monsoon environments); container robustness; carryability; glide; and in-field accounting.
Note that $1 million in $100 bills weights 20.4lbs. The site also sells smaller money pouches (in $10k, $100k, and $400k carrying capacities) as well as a durable duffel. All the bags are made from Cuben Fiber, a material originally used for yacht sails that’s four times stronger than Kevlar at only half the weight. (via @craigmod)
In 1997, shortly after Apple’s purchase of NeXT, Steve Jobs took the stage at Apple’s annual developer conference to answer questions from the audience for at least 50 minutes. It was a different time for sure. Apple was reeling, Jobs had just returned as an advisor and then interim CEO, his last company, NeXT, had not succeeded on its own, and the iPod & Apple Stores were years off.
When he arrived at Apple after the NeXT acquisition, Jobs moved swiftly to pare down the number of projects that the company was working on. In this first video, Jobs responds to a question about Apple killing a promising technology called OpenDoc.
Jobs talks about how “focus means saying ‘no’” and how Apple’s loss of focus has made the company less than the sum of its parts and not more. Even at this early stage in Apple’s comeback, you can see the seeds of how it was going to happen.
In the second video, a later questioner tells Jobs “it’s sad and clear that on several accounts you’ve discussed, you don’t know what you’re talking about”, asks him to comment on OpenDoc again, and also tell the audience what “he’s personally been doing for the last seven years”, a reference to his answer to the earlier question in the video above and the failure of NeXT.
Instead of laying into the guy, as a caricature of Steve Jobs might, he responds thoughtfully and almost humbly about how Apple needs to focus on its “larger, cohesive vision” of selling products to people, starting with customer experience rather than technology, and most importantly, making decisions.
Of course, in hindsight, it is obvious how overwhelmingly right Jobs was in his assertions. Since then, Apple has focused relentlessly on what worked and has succeeded brilliantly, beyond anything anyone, save perhaps Jobs, would have ever imagined. I wonder what that cheeky engineer is up to now? (via alphr)
(Also, can we talk about the patches on Jobs’ jeans? That’s not a fashion thing, right? Like, those aren’t $450 jeans made to look worn out. To me, those are obviously Steve’s favorite pair of jeans — probably Levi’s, I can’t tell for sure — patched up because he wants to keep wearing them. No one in technology has been picked apart like Steve Jobs by people looking for clues to who he was as a person and how that informed his business activities.1 Was he an asshole? Was he an artist? Was he just all smoke and mirrors? If we can stoop to the level of assessing a man’s character by the clothes he wears, it seems to me that whatever else he did, Jobs was at once pragmatic and dreamy when it came to products, to objects. What a potent combination that turned out to be.)
Update: The man who takes a swipe at Jobs in the later video was possibly identified on Quora last year by an anonymous person who said they worked on the WWDC event and spoke to the man in question.
The audience member is named Robert Hamisch. Mr. Hamisch was a consultant at a security firm in the 1990’s that did consultant services for Sun Microsystems (their billing and payroll department) for a short period of time. As far as I know, he left the company (the consulting firm, he never worked for Sun directly) and has since retired. He attended the 1997 WWDC sponsored by his security consulting firm, although never had any stake in Sun Microsystems as a whole besides general system security for their billing and payroll department. I don’t know why he specifically asked about Java, but he may have just been frustrated with Jobs and his performance as a whole.
A short web search turned up no information on Hamisch. (thx, charles)
I am not a watch person. Haven’t worn one since high school, no interest in getting an Apple Watch, etc. But this post on We Made This about watches that appeal to graphic designers lists a few watches I would consider wearing. The Braun is a classic, of course:
But this one from Instrmnt is also quite nice, although I would prefer slightly larger numbers:
And for kottke.org superfans only, I would recommend the Timex Weekender.
PS to the superfans: if you don’t like watches, may I interest you in a Vancouver bridge?
This beach towel featuring Han Solo frozen in carbonite is the only Star Wars merch I want in my life. (thx, meg)
Update: Ok, I had forgotten about the Han Solo frozen in carbonite ice cube tray, which is slightly more awesome. (via @ajsheets)
Mark Reay is a former model, actor, and fashion photographer who was homeless in NYC for six years. Homme Less is a documentary on Reay; here’s a trailer:
So began a period of my life sleeping rough. It was pretty tiring, and I didn’t have much luck with the photos, but I stuck it out. I’ve never let the lack of money stop me having a good time, and I still had (dwindling) savings from my modelling. It was a happy time. At night I would always treat myself to a rotisserie chicken, but I always wanted a chilled rosé with it. So, in the afternoon, I would sneak into a minimarket, get the cheapest one from the shelf and hide it under the frozen peas. Then, at night, I would put on a fresh shirt and go to one of the fancy bars with my wine in my bag. Again, maybe because I had a certain look, no one ever checked my bag. I’d just go in, nick a glass off the counter and drink my wine surrounded my millionaires.
You can get away with anything if you’re confident. Oh, and male, white, and good looking.
Google just announced Project Jacquard, an effort to introduce interactivity into textiles. Swipe your sofa cushion to change the channel on your TV,1 tap a special “knock” on your collar to unlock your front door, or control your party’s playlist with a few taps of your pants.
Update: Google and Levi’s are collaborating on a jacket that uses the Project Jacquard technology. They announced the collaboration last year:
With the Levi’s Commuter jacket, introduced in 2016, the technology comes to life through a conductive fabric and a Bluetooth device that attaches to the garment. The connected area consists of 15 threads on the left sleeve, just visible enough for you to know where to touch to trigger actions from a paired smartphone.
They just announced the price and availability: $350 and fall 2017.
Dior and I is a fashion documentary about the first haute couture collection designed by Christian Dior’s new artistic director. But from the looks of the trailer, you don’t have to know or care about the fashion industry to get something out of watching a group of people accomplish something creative, difficult, and political under extreme time constraints.
The film is playing at select theaters around the US and should be available next month for streaming and digital download. (via russell davies)
Some sort of embargo seems to have lifted because here come the Apple Watch reviews! As I’m unanointed by Apple, I haven’t experienced Apple Watch in the flesh, but I do have a few random thoughts and guesses.
John Gruber notes that why Apple made a watch is different from why they made the iPhone. People were generally dissatisfied with their mobile phones (I know I was) so Apple made one that was much better. But people who wear current watches like them.
But as Ive points out, this time, the established market — watches — is not despised. They not only don’t suck, they are beloved.
I’m one of the watch non-wearers Gruber discusses elsewhere in his review; I haven’t worn a watch since my Swatch band broke when I was 17. Part of the reason I don’t wear a watch is they look hideous. The more expensive watches get, the uglier they are. Have you seen the watch ads in the New Yorker or Vogue? Garish nasty looking objects. And men’s watches are generally massive, built for lumberjacks, linebackers, and other manly men, not for dainty-wristed gentlemen like myself. I tried on a regular men’s Rolex some years ago and it looked like I’d strapped a gold-plated Discman on my wrist.
I know, I know, not all watches. The point is that for me, Apple Watch looks like something I would consider wearing on a regular basis — imagining myself living in Steve Jobs’ living room has always been more my speed than J.P. Morgan’s library.1
The subtle notifications possible with Apple Watch (taps, drawings, heartbeats) are very interesting. Also from Gruber’s review:
You’re 16. You’re in school. You’re sitting in class. You have a crush on another student — you’ve fallen hard. You can’t stop thinking about them. You suspect the feelings are mutual — but you don’t know. You’re afraid to just come right out and ask, verbally — afraid of the crushing weight of potential rejection. But you both wear an Apple Watch. So you take a flyer and send a few taps. And you wait. Nothing in response. Dammit. Why are you so stupid? Whoa — a few taps are sent in return, along with a hand-drawn smiley face. You send more taps. You receive more taps back. This is it. You send your heartbeat. It is racing, thumping. Your crush sends their heartbeat back.
In 2005, I wrote about a feature I called sweethearting:
Pings would be perfect for situations when texting or a phone call is too time consuming, distracting, or takes you out of the flow of your present experience. If you call your husband on the way home from work every night and say the same thing each time, perhaps a ping would be better…you wouldn’t have to call and your husband wouldn’t have to stop what he was doing to answer the phone. You could even call it the “sweetheart ping” or “sweethearting”…in the absence of a prearranged “ping me when you’re leaving”, you could ping someone to let them know you’re thinking about them.
Like I said elsewhere in that post, this stuff always makes me think about Matt Webb’s Glancing project:
Glancing: An application to allow ultra-simple, non-verbal communication amongst groups of friends online.
It’s a desktop application that you use with a group of other people. It lets you “glance” at them in idle moments, and it gives all of you an indication of the activity of glancing going on.
A group is intended to be less than a dozen people. A person may belong to several groups simultaneously by running separate instances of Glancing. Groups are started deliberately, probably by using a www interface, and people are told the group secret so they can join (a “secret” is just a shared password).
But the thing that has struck me the most since the announcement of Apple Watch is the idea that if you’re wearing one, you’re going to be checking your devices a lot less. From TechCrunch last month:2
People that have worn the Watch say that they take their phones out of their pockets far, far less than they used to. A simple tap to reply or glance on the wrist or dictation is a massively different interaction model than pulling out an iPhone, unlocking it and being pulled into its merciless vortex of attention suck.
One user told me that they nearly “stopped” using their phone during the day; they used to have it out and now they don’t, period. That’s insane when you think about how much the blue glow of smartphone screens has dominated our social interactions over the past decade.
From Joshua Topolsky’s review at Bloomberg:
I’m in a meeting with 14 people, in mid-sentence, when I feel a tap-tap-tap on my wrist. I stop talking, tilt my head, and whip my arm aggressively into view to see the source of the agitation. A second later, the small screen on my new Apple Watch beams to life with a very important message for me: Twitter has suggestions for people I should follow. A version of this happens dozens of times throughout the day-for messages, e-mails, activity achievements, tweets, and so much more. Wait a second. Isn’t the promise of the Apple Watch to help me stay in the moment, focused on the people around me and undisturbed by the mesmerizing void of my iPhone? So why do I suddenly feel so distracted?
The promise of the Apple Watch is to make it more convenient to send & receive notifications and quick messages, although many of the reviews make it clear that Apple hasn’t entirely succeeded in this. In the entire history of the world, if you make it easier for people to do something compelling, people don’t do that thing less: they’ll do it more. If you give people more food, they eat it. If you make it easier to get credit, people will use it. If you add another two lanes to a traffic-clogged highway, you get a larger traffic-clogged highway. And if you put a device on their wrist that makes it easier to communicate with friends, guess what? They’re going to use the shit out of it, potentially way more than they ever used their phones.
Now, it’s possible that Apple Watch doesn’t make receiving notifications easier…instead, it may make controlling notifications easier. Like congestion pricing for your digital interactions. But that is generally not where technology has been taking us. Every new communications device and service — the telegraph, telephone, internet, email, personal computer, SMS, smartphones, Facebook, Whatsapp, Slack,3 etc. etc. etc. — makes it easier to 1) connect with more and more people in more and more ways, and 2) to connect with a few people more deeply. And I don’t expect Apple Watch will break that streak. The software will get faster & better, the hardware will get cheaper & longer-lasting, and people will buy & love them & use them constantly.
P.S. While I didn’t quote from it, The Verge review is great. But mainly I’m wondering…where are the reviews from the fashion world? I assume Vogue and other such magazines and media outlets received Apple Watches for review and their embargoes lifted as well, but after searching for a bit, I couldn’t find any actual reviews. And only a single major review by a woman, Lauren Goode’s at Re/code. If you run across any, let me know?
Update: Joanna Stern wrote a review for the WSJ with an emphasis on the fashion aspect. (via @trickartt)
Update: Executive editor Nicole Phelps wrote a review for style.com. (thx, louis-olivier)
Michael Williams of A Continuous Lean made a video for Mr. Porter about how to care for your new pair of jeans.
I remember reading his original post on the topic and boggling at the concept of wearing a new pair of raw selvage jeans for an entire year before washing them. (I still have never done such a thing. I’m just not that fancy.)
I loved every opinionated moment of this interview with Fran Lebowitz about fashion. Where do I even start? Some choice bits:
Yoga pants are ruining women.
Shirts don’t go bad, they’re not peaches.
I feel very strongly that almost the entire city has copied my glasses.
Dry…clean. These words don’t go together. Wet clean — that is how you clean. I can’t even imagine the things they do at the drycleaner. I don’t want to know.
I have to say that one of the biggest changes in my lifetime, is the phenomenon of men wearing shorts. Men never wore shorts when I was young. There are few things I would rather see less, to tell you the truth. I’d just as soon see someone coming toward me with a hand grenade. This is one of the worst changes, by far. It’s disgusting. To have to sit next to grown men on the subway in the summer, and they’re wearing shorts? It’s repulsive. They look ridiculous, like children, and I can’t take them seriously.
Now people need special costumes to ride bicycles. I mean, a helmet, what, are you an astronaut??
Of course, more people should wear overcoats than those damned down jackets. Please. Are you skiing, or are you walking across the street? If you’re not an arctic explorer, dress like a human being.
I, myself, am deeply superficial.
Feeling good about an outfit is the point at which that outfit finally becomes good.
First the actual Michael Bolton pops up in Office Space and now Derek Zoolander and Hansel are walking an actual runway show during Paris Fashion Week:
Is this what we have to look forward to for the next 10 years, late-90s/early-00s media remixed for an aging and increasingly wealthy Generation X? Bring it on?
Update: Here’s the video of the whole show; the Zoolander appearance happens right at the beginning.
And as if there were any doubt, the stunt was a promo for Zoolander 2, which will come out in 2016.
Update: At one point, Zoolander grabbed the phone out of someone’s hand and walked with it. Here’s the video of that.
The someone turns out to be Jerome Jarre, a big Vine star who gets paid by brands to do this sort of thing all the time so chances are it was staged. Sorry, there are no more genuine moments left, it’s all fake from now on.
I don’t recall if I ever tweeted about it, but a few months ago I had this idea for a service for the wealthy who wanted properly broken-in jeans but didn’t want to bother wearing them around for months first without washing.1 It’s basically a dog-walking service but for jeans. It was mostly a joke, but in the age of Uber taxiing kittens to your office for you to cuddle with, no such idea is truly off the table. Huit Denim Co. is experimenting with a beta feature called the Denim Breaker Club.
You are going to break our selvedge jeans in for our customers.
You will have to agree to not wash them for 6 months.
You will have to agree to update what you get up to in them on HistoryTag.
And before you get them sent to you have pay a small deposit, which we will refund on their safe return.
When we get them back, we will expertly wash them.
And then we will sell these beautiful jeans.
You will have 20% of the sale.
So in effect you will be paid to wear jeans.
Have to admit, that’s pretty clever. (FYI: HistoryTag gives individual pieces of clothing tracking codes which you can use in social media. A Social Life of Clothes, basically.)
Update: APC offers a similar Butler program:
Nothing is created or destroyed, it is merely transformed. This adage is fulfilled in every respect by the Butler jeans concept. Customers are encouraged to bring their old denim jeans to any A.P.C. store or send it to the online store, where they will be exchanged for a new pair at half price. Broken in naturally over time, their attractive patina created and preserved in accordance with washing instructions, the jeans thus reappear, beginning a second life. But not until they have been washed, mended and marked with the initials of their former owner by our workshops. Each pair is therefore truly unique.
Update: The Guardian’s Morwenna Ferrier has more on Huit Denim Co. and their Denim Breaker Club, including an interview with one of the breakers-in.
I was one of the first breakers. They are the best jeans I’ve owned. I got involved because I’ve known David for a long time, as I used to run a clothing company. He told me about the idea and I signed up, paying an £80 deposit.
“When I handed them back, of course they smelled bad. I wore them every single day for six months. Literally. I don’t wear a suit, you see. I live in Belfast and I work in Hollywood down the road, and I cycled to work every day. I went to the rugby in them with my thermals underneath. They got soaked in the cold and rain, and so they spent a lot of time hanging and drying above a radiator. One day, when it was warm, I went and lay on the beach in them. I went to the supermarket in them, I cooked in them, I drank in them. I didn’t spill anything serious on them, thankfully. I also carved spoons in them, so by the end they were pretty covered in wood shavings.
Today is the last day you can order the limited edition kottke.org t-shirt. Get yours now or forever be, um, something.
After much futzing about in Photoshop, I came up with the perfect simple design for the limited edition kottke.org tee shirt, featuring the familiar blue gradient that wraps all the way around the shirt. The shirt is made of fabric, has sleeves, and features a hole for your head. It’s everything you need in a shirt.
More info here.
For about 50 years now, I’ve wanted to do a kottke.org t-shirt. But I could never decide on a design I liked enough to wear. A few months back, I came across a service called Print All Over Me, which uses a process called “reactive dye digital printing” to seamlessly cover an entire t-shirt with a design, and I had a tiny eureka moment. After much futzing about in Photoshop, I came up with the perfect simple design for the limited edition kottke.org tee shirt, featuring the familiar blue gradient that wraps all the way around the shirt.
The shirt is made of fabric, has sleeves, and features a hole for your head. It’s everything you need in a shirt. Due to the unique printing process, the shirts are custom-dyed, cut & sewn to order, cost $38 plus shipping, and will only be available to order for the next two weeks. After that, poof. Order yours today.
(BTW, when ordering, select the “Print” option under “Back”. For some of the other shirts PAOM offers, it might make sense to not get the print on the back, but for this shirt, it’s the whole point.)
Three dancers from The Australian Ballet share their prep routines for their pointe shoes.
Take-aways: Ballerinas’ feet are really not attractive, they soup up their shoes in all sorts of unusual ways, but the end result is beautiful. (thx, fiona)
Rose Callahan photographs gentlemen with “exceptional personal style” for her blog, The Dandy Portraits.
She’s collected some of her best shots into a book, I Am Dandy: The Return of the Elegant Gentleman. See also the great dude battles of the 1880s. (via slate)
This year, your back-to-school shopping may have included more devices and downloads than pieces of attire. According to the NYT, today’s teenagers favor tech over clothes. One retail analysts explains how his focus groups go these days: “You try to get them talking about what’s the next look, what they’re excited about purchasing in apparel, and the conversation always circles back to the iPhone 6.”
Jokey t-shirts for infants are almost never funny but putting the same shirts on adults is the best idea ever.
All the designs featured are actually available for sale — here’s that I Pooped Today shirt — just click on the “See all styles” button for adult options. Ok, just one more:
Maybe I’m the last person in the world to see these (I don’t go out on Halloween or to clubs or do anything cool really), but these Black bar censorship sunglasses are a little bit genius:
And they look way better than wearing Google Glass. You can buy a pair on Amazon for $6. Reminds me of David Friedman’s pre-pixelated clothes for reality TV shows. (via @mrgan)