Artist Jason Polan (he of the The Every Piece Of Art in The Museum Of Modern Art Book) is on a mission to draw every single person in New York City. If you'd like to be drawn, drop him a line on where you'll be, and he'll show up and sketch you.
Curbed has some photos of the construction progress on the High Line. Compare and contrast with some photos I took in early 2004.
Tim at Short Schrift, propelled into ranting by an article in the NY Times about NYC's bike lanes, opines on grandstanding, law-breaking, holier-than-thou, hypocritical bicyclists.
Bicyclists drive me nuts. In Philadelphia, as in cities across this great country, bicyclists routinely flout the law, riding on the sidewalk when it's convenient and holding up traffic in the street whenever possible. I can count on one hand the number of times I have seen a bicyclist at a stop sign or even a red light, or wait behind a car that is correctly stopped at such an intersection. Instead, the man or woman on the bicycle will weave between parked, stopped, and moving cars to gain a fractional advantage. Yet if an automobile so much as grazes a bicycle lane, all hell breaks loose.
Sometimes it seems as though the NY Times writes articles just for me: Seven New Sandwiches Try to Make it in New York.
One day last year at the Watchung Deli, at the request of a student from a nearby school, Ben Gualano piled mac-and-cheese onto a chicken cutlet sub with barbecue sauce and bacon, squeezed it shut somehow, and the Benny Mac was born... It's a full-body experience -- like a mud bath, but with extra ooze. One taster said afterward, "There was bacon in there?"
You may remember that I'm a sandwich fan. For dinner last night, I had a surprisingly good turkey sandwich of my own making (the little bit of onion and the pepper was the secret) and have made friends with a particularly good meatball hero and a banh mi near the office. My present sandwich life is entirely satisfying.
Free Richard Dawkins! (That's free as in lecture, not free as in spring from jail.) Each year in honor of Harvey David Preisler, a lecture is given and this year's will be delivered by Richard Dawkins on May 3 @ 9am at The New York Academy of Sciences.
The lecture is entitled "The Purpose of Purpose," and Professor Dawkins will make himself available for a question/answer period afterward. If you are in the New York City area (or can be on Saturday), I urge you to attend.
As noted the lecture is free; all you need to do is RSVP in the comments of this thread.
Update: The event filled up quickly...only the first 25 RSVPs will be able to attend.
Gar, I missed another one of Tobias Frere-Jones' NYC Typographic Walking Tours but luckily Jason Santa Maria -- a fellow so nice they named him thrice -- has photos. Photos from his first tour here. (via airbag)
Why is New York-style pizza so difficult to replicate in other areas of the world? Perhaps the answer lies with NYC's legendary tap water.
"Water," Batali says. "Water is huge. It's probably one of California's biggest problems with pizza." Water binds the dough's few ingredients. Nearly every chemical reaction that produces flavor occurs in water, says Chris Loss, a food scientist with the Culinary Institute of America. "So, naturally, the minerals and chemicals in it will affect every aspect of the way something tastes."
Update: That legendary tap water was supposedly responsible for NYC-style bagels as well until Finagle A Bagel founder Larry Smith drove some Boston tap water to NYC and compared bagels made with the water from the two cities.
"There was absolutely no difference between them," Smith reported. "What makes the difference is equipment, process and ingredients."
Well, ingredients except water. (thx, darrin)
Update: Jeffrey Steingarten, among others, believes that temperature is the key to great pizza and that coal is the key to great temperatures. (thx, hillel)
Update: I knew we'd eventually end up on Slice...the web's premiere pizza site hosts an account of Jeff Varasano's attempt to reverse engineer a NYC pizza, specifically from the 117th St. Patsy's. Among his findings:
There are a lot of variables for such a simple food. But these 3 FAR outweigh the others:
1. High Heat
2. Kneading Technique
3. The kind of yeast culture or "starter" used along with proper fermentation techniqueAll other factors pale in comparison to these 3. I know that people fuss over the brand of flour, the kind of sauce, etc. I discuss all of these things, but if you don't have the 3 fundamentals above handled, you will be limited.
(thx, ian)
A little something for my officemates: a guide to bakeries in Manhattan's Chinatown. We usually go to the Fay Da on Elizabeth, mostly for convenience.
Four chefs talk about how their kitchens are laid out in this month's Metropolis. Here's Dan Barber talking about his role at Blue Hill at Stone Barns:
At the same time, I don't think the cooks look at me as a real community member. I'm not that cozy paternal figure. I'm always doing different things, and it creates this atmosphere where the cooks are on the balls of their feet. They're thinking, Where's he going next, what's happening next? There's a little bit of confusion. I think that's good. It's hard to articulate, because you think of the kitchen as very organized; and, like I said, the more control you have, the better. But a little bit of chaos creates tension. And that creates energy and passion, and it tends to make you season something the right way or reach for something that would add this, that, or the other thing.
The other chefs are Alice Waters, Grant Achatz, and Wylie Dufresne. The one thing they all talked about is the importance of open sight lines, both between the dining room and kitchen and among the chefs in the kitchen.
After 10 years, kottke.org favorite New Green Bo (still the best soup dumplings in town, IMO) has changed its name to Nice Green Bo.
We're 10 years old, and we have so many nice customers, so we made it Nice Green Bo.
(via eater)
Update: My officemate Scott snapped a photo of the new signage during lunch.
A mom let her 9-year-old son take the NYC subway and bus home from Sunday shopping.
For weeks my boy had been begging for me to please leave him somewhere, anywhere, and let him try to figure out how to get home on his own. So on that sunny Sunday I gave him a subway map, a MetroCard, a $20 bill, and several quarters, just in case he had to make a call.
No, I did not give him a cell phone. Didn't want to lose it. And no, I didn't trail him, like a mommy private eye. I trusted him to figure out that he should take the Lexington Avenue subway down, and the 34th Street crosstown bus home. If he couldn't do that, I trusted him to ask a stranger. And then I even trusted that stranger not to think, "Gee, I was about to catch my train home, but now I think I'll abduct this adorable child instead."
Upon telling the story to others, she encountered some resistance:
Half the people I've told this episode to now want to turn me in for child abuse. As if keeping kids under lock and key and helmet and cell phone and nanny and surveillance is the right way to rear kids. It's not. It's debilitating -- for us and for them.
A list of quintessentially New York books.
New York is a hypertextualized city. By 6 a.m., our commuters have smudged more words off their papers than most cities read all day. How to even begin identifying a canon? While reading, I plotted candidates along two mystical axes: one of all-around literary merit, and the other of "New Yorkitude" -- the degree to which a book allows itself to obsess over the city. Robert Caro's The Power Broker just about maxes out both axes; others perseverate so memorably on smaller aspects of city life that they had to be included.
The list includes Rem Koolhaas' Delirious New York, Don DeLillo's Great Jones Street, and Tom Wolfe's The Bonfire of the Vanities.
A short review of Momofuku Ko
I required redemption. When I arrived home two weeks ago after work, I was informed by my wife that I'd forgotten our anniversary. Eep. To partially make up for my cliched gaffe, I put my efforts towards getting a reservation at Momofuku Ko...the notoriously hard-to-get-into Momofuku Ko.1 We're big fans of the other two Momofukus, so I logged into their online reservation system and happened to get something for last Friday night.
But this isn't a story about their reservation system; too many of those have been written already. Bottom line: the food is wonderful and should be the focus of any Ko tale. Two dishes in particular were the equal of any I've had at other more expensive restaurants. The first was a pea soup with the most tender langoustine. The second dish, the superstar of the restaurant, was a coddled egg with caviar, onion soubise, and tiny potato chips (photo). Didn't want that one to end. And I didn't even mention the shaved foie gras (with Reisling built right in!) or the English muffins amuse or the nice wine pairings.
For the full food porn treatment, check out Kathryn's photoset, a review at Goodies First, Ed Levine's preview, Ruth Reichl's first look, and a review by The Wandering Eater.
[1] Two quick notes on the reservation process.
1. I spent all of five minutes on a Saturday morning making the reservation on the Ko web site. It can be done.
2. Chang and co. are serious about the web site being the only way to get into the restaurant. As we were leaving after our meal, a friend of Chang's and bona fide celebrity stopped in to say hi. After some chit chat, the fellow asked if he could get a reservation at Ko for the next evening. Chang laughed, apologized, and told him that he had to go through the web site. They're not kidding around, folks. ↩
I feel like I've posted this one before but the Google says no so....LUNCH is a blog written by a couple of NYC architects who believe in the sanctity, sanity, and satiety of the lunch break.
We believe leaving the office everyday for lunch is an invaluable ritual. In a time and city where people are constantly rushing around, trying to accomplish three tasks at once, taking a moment to have a civilized meal becomes even more vital. Eating at your desk while reading emails, surfing the world wide web, snarfing down a bland turkey sandwich from the deli down the street is NOT lunch.
Each day they post photos of their lunches and afternoon snacks.
Ten ideas for making NYC streets a more friendly place for those not in automobiles, including the woonerf, bicycle boulevards, and the green grid.
A woonerf, which is surfaced with paving blocks to signal a pedestrian-priority zone, is, in effect, an outdoor living room, with furniture to encourage the social use of the street. Surprisingly, it results in drastically slower traffic, since the woonerf is a people-first zone and cars enter it more warily. "The idea is that people shall look each other in the eye and maneuver in respect of each other," Mr. Gehl said.
Pedestrian, cyclists, and motorists looking each other in the eye reminded me of a passage that Tyler Cowen pulled from Peter Moskos' Cop in the Hood:
Car patrol eliminated the neighborhood police officer. Police were pulled off neighborhood beats to fill cars. But motorized patrol -- the cornerstone of urban policing -- has no effect on crime rates, victimization, or public satisfaction. Lawrence Sherman was an early critic of telephone dispatch and motorized patrol, noted, "The rise of telephone dispatch transformed both the method and purpose of patrol. Instead of watching to prevent crime, motorized police patrol became a process of merely waiting to respond to crime."
Officers traveling in high speeds in cars apart from pedestrian and living areas makes it difficult for them to look potential criminals in the eye. (thx, meg)
Getting into Momofuku Ko
Frank Bruni, the food critic for the NY Times, wrote yesterday about the difficulty of getting a reservation at David Chang's new Momofuku Ko restaurant. Ko's online reservation system is the *only* way of procuring a seat at the tiny Manhattan restaurant...no walk-ins, no friends of the chef or celebs getting preferential treatment. It works more or less like Ticketmaster's online ticketing: you select the number of guests, it shows you the available reservation times (if any), you click on a time, and if that time is still available when you click it, only then does the system hold your choice while you fill in some information.
It's a simple system; seats for dinner are released on the site a week in advance at 10am each day and the people that click on their preferred times first get the reservations. Ko takes only 32 reservations each night and the restaurant is one of the hottest in town, which means that all the reservations are gone each day in seconds...sometimes in 2 or 3 seconds. Just like Radiohead tickets on Ticketmaster.
Except that diners are not used to this sort of thing. One of Bruni's readers got irritated that he got through to the pick-a-time screen but then when he clicked on his preferred time was told that the reservation was already gone. Someone had beaten him to the punch. So he emailed the restaurant for an explanation. The exchange between the restaurant and the snubbed patron should be familiar with anyone who has done web development for clients or any kind of tech support.
In a nutshell, the would-be patron said (and I'm paraphrasing here), "your system is unfair and broken," and the folks at Ko replied, "sorry, that's how the internet works". The comments on the post are both fascinating and disappointing, with many people attempting to debunk Ko's seemingly lame excuse of, well, that's how the internet works. Except that's pretty much the right answer...although it's clearer to say that that's how a web server communicates with a web browser (and even that is a bit imprecise). When the pick-a-time page is downloaded by a particular browser, it's based on the information the web server had when it sent the page out. The page sits unchanged on your computer -- it doesn't know anything about how many reservations the web server has left to dole out -- until the person clicks on a time. An anonymous commenter in Bruni's thread nails the choice that a web developer has to face in this instance:
This is a multi-user concurrency problem that all sites with limited inventory and a high demand (users all clicking the button all at the same time) have to deal with. It's not an easy problem to solve.
The easier method (which the Ko site has chosen) is to not "lock" a reservation slot until the very end. You submit your party size and the system looks for available slots that it knows about. It shows you the calendar page, with the available slots it knows about (if any). This doesn't update in real time because they haven't implemented it to know about the current state of inventory. This can be done, but it's more complicated.
The more complicated method is to lock a reservation slot upon beginning of the checkout process, with a time out occurring if the user takes too long to finish, or some other error occurs (in other systems this can be a blacklisted credit card number). If this happens, the system throws the reservation slot back into the pool. However, you need to give people a mechanism to keep trying for ones that get thrown back into the pool (like a "Try Again" button).
Building something like this not impossible (see Ticketmaster) but requires a much more real-time system that is aware of who has what, and what stage of the checkout process they're in - in addition to total available inventory. Building a robust system like this is not cheap.
Even then, you might get shut out. You submit your party size, everything is already gone, and you never get to the calendar page. It just moves up the "sold out" disappointment to earlier in the process.
A subsequent commenter suggests using "Web 2.0" technologies (I think he's talking specifically about Ajax) but as Anonymous suggests, that would increase the complexity of the system on the server side (unnecessarily in my mind) while moving up the "'sold out' disappointment to earlier in the process". Plus, that sort of system could put you "on hold" for several minutes while the reservations are taken by the folks in front of you until you're told, "too bad, all gone". I'm not sure that's preferable to being told sooner and may result in much more irritation on the part of potential diners.
In my opinion (as a web developer and as someone who has used Ko's reservation system from start to finish), Ko's system does it right. You're locked into a reservation by the system only when you've chosen exactly what you want. It favors the web user who's prepared & lucky and is simple for Ko to implement and maintain. That the logic used to produce this simple system takes three paragraphs to explain to an end user is irrelevent. After all, a restaurant dinner is easy to eat but explaining how it came to be that way fills entire books.
This might seem too inside baseball for most readers -- the number of people interested in new NYC restaurants *and* web development is likely quite small, even among kottke.org's readership -- but there's an interesting conflict going on here between technology and customer service. What kind of a problem is this...technological or social? Bruni's correspondent blamed the technology and much of the focus of the discussion has been on the process of procuring a reservation. But the main limiting factor is the enormous demand for seats; tens of thousands of people a week vying for a few hundred seats per week. The technology is largely irrelevent; whatever Ko does, however well the reservation system works or doesn't work, nearly all of the people interacting with the restaurant are going to be disappointed that they didn't get in.
Video of Charlie Rose's conversation with chef Thomas Keller the other night. Good stuff as always, although I'm disappointed about how completely he's embraced the idea of the chef as empire-tender rather than as a person who cooks.
I realized the other day that I prefer eating at places where the person that owns the place is in the kitchen because no one else is going to care as much about your meal and experience as that person. Which doesn't mean that you can't find excellent food and experiences at Per Se or the diner around the corner, but the increasingly prevalent fine dining empires feel like, in the words of Bilbo Baggins, "too little butter spread over too much toast". (via eater)
A list of 98 nicknames for New York City, including The City of Friendly People, The University of Telephony, and Father Knickerbocker. (via gothamist)
This week's New Yorker has a profile of David Chang, chef/owner of the Momofuku family of restaurants. The profile isn't online but Ed Levine has a nice write-up with some quotes.
Just because we're not Per Se, just because we're not Daniel, just because we're not a four-star restaurant, why can't we have the same fucking standards? If we start being accountable for not only our own actions but for everyone else's actions, we're gonna do some awesome shit. [...] I know we've won awards, all this stuff, but it's not because we're doing something special -- I believe it's really because we care more than the next guy.
Reading the article, it appears that Chang is using Michael Ruhlman's The Soul of a Chef as a playbook here. Caring more than the next guy is right out of the Thomas Keller section of the book...with his perfectly cut green tape and fish swimming the correct way on ice, no one cares more than Keller.
Chef Dan Barber, proprietor of NYC's Blue Hill, is planning on writing a book or two. I still fondly remember Barber's Food Without Fear op-ed in the NY Times in 2004.
Puddleblog documents the life and times of a persistent puddle in Brooklyn. I totally know that puddle and it is old. (via clusterflock)
The celebrated food vendors at Red Hook's ball fields have been awarded a six-year permit to "operate an ethnic and specialty food market in Red Hook Park, Brooklyn". Says NYC food meister Ed Levine of the vendors:
The Red Hook Ballfields, where Latino families put up makeshift restaurants serving real, honest food of their home countries, is one of the last bastions of real food to be found in NYC. If it's replaced by a Starbucks or a series of dirty water dog carts or some generic high bidder, it would be a travesty.
Remember the Wii Tennis competition held last year at Barcade in NYC? The organizers are taking on the road with Wiinnebago this summer.
Wiimbledon's back, and this year we're kicking it 3,000 miles clockwise from NYC to San Francisco. The plan: Leaving the first week in June, we'll 'Bago it Madden-style cross-country, stopping here and there for mini-tournaments, and gas, and probably your couch. We'll hit SF June 20th. The 2nd Annual Wiimbledon Tournament'll be held Saturday, June 21st.
Ed Levine says the best gelato in NYC is being served in a tanning salon. My favorite banh mi (and perhaps the best baguette in town) can be found in the back of a jewelry store. Any other odd places to find good food?
The Riverdale Garden Restaurant in the Bronx is trying out a novel way of staying in business: they're asking for their regulars to pledge $5000 in exchange for a year of free dinners.
Michael had put The Riverdale Garden up for sale for the past several months and had a buyer. However, the landlord "killed" the deal. We are now forced to close for good or rely on our best customers to put their money where their mouths are! Quite literally........ You will be eating your investment. Bottom line is we have 12 couples so far ready to invest $5000 in dining credits, however we need 38 more.
(via eater)
There was a big bust in Chinatown yesterday...32 vendors selling counterfeit watches, sunglasses, and handbags were shut down. All up and down Canal St today, not only are the busted stores closed but all the other shops selling fake goods are shuttered as well. And not a single person asked me if I wanted to buy Juno on DVD.
What's funny about the whole thing is how open the vendors are about what they're selling. These are actual physical shops like the Apple Store or the Gap, not a bunch of purses out of a garbage bag set up on a rickety card table. And uniformed police are around all the time, doing absolutely nothing about it. And then all the luxury fashion houses get the mayor's ear, he can no longer ignore the problem, and Bloomberg ends up at the scene, grandstanding for the cameras and calling the whole thing a big problem that they're working on tirelessly. A friend said this morning it reminded him of the "dope on the table" scenes in The Wire...little more than constabulary theater.
The deliverymen at Saigon Grill won their lawsuit against the restaurant's owners. The employees claimed that they were underpaid ($120 for 75 hours per week!), were fired, and then picketed the restaurant for months.
Twenty-eight of the deliverymen were fired during the next two days, in violation of a federal law prohibiting employers from "retaliating against workers for engaging in concerted activity for mutual aid and protection." As the lawsuit dragged on, diners arriving at the Saigon Grill locations were forced to cross picket lines of angry, unemployed workers.
We live near the Greenwich Village location (the enthusiastic chants of the picketing deliverymen could be heard from our living room) and didn't order from them or visit the restaurant during the strike. Assuming the workers are hired back and the restaurant reinstates delivery, we're looking forward to ordering from them again and doling out some big tips.
Profiles of 5 New Yorkers that dress in only one color.
Why gray?
I actually wore turquoise for eight years, but last September, I switched to gray. I'd had a bad year and needed to get out of it.That's a big switch.
I like everything to be clean, and gray is clean. Gray is between black and white, so it's a noncolor, almost. I feel messy and unclean if I wear other colors.Where do you shop?
I make all my own clothes. I can't wear anyone else's.What about shoes?
That's hard because even the soles of my shoes have to be gray or white. I get annoyed if the soles are black.
Simple little web page: What Color is the Empire State Building? Includes an explanation of why...today it's red/pink/white for Valentine's Day.
The Adam Baumgold Gallery is currently showing a series of drawing by Chris Ware, Drawings for New York Periodicals. His series that ran in the NY Times and his Thanksgiving New Yorker covers are included. Feb 1 - Mar 15, 2008. (thx, evan)
Quick hitter from Radiolab as a preview of the new season: composer David Lang talks about a piece of music he made for a morgue. Appropriate listening for the crappy rainy day here in NYC. Hopefully the weather will be better for Radiolab's live premiere of their fourth season on Feb 21 at the Angelika.
In a map of the Republik van Nieuw Nederland, Paul Burgess imagines that the Dutch never gave up their New World possessions and a republic formed centered around New Amsterdam.
New Amsterdam never gave way to New York. The Dutch kept the whole of their North American colony out of the hands of the perfidious English, in fact. New Netherland today constitutes a thriving Republic stretching from the Atlantic coast to Quebec, dividing New England from the rest of the United States.
See also Melissa Gould's map of Neu York, which imagines Manhattan as a post-WWII Nazi possession.
As we look forward to baseball season starting up, we look back at Stephen Jay Gould remembering the New York teams of his youth.
Thus, I can watch Roger Clemens striking out 15 Mariners in a brilliant one-hitter and place his frame right on top of Don Larsen pitching his perfect game (27 Bums up, 27 Bums down) in 1956. And I can admire the grace of Bernie Williams in center field, while my teenage memories see Mantle's intensity, and my first impressions of childhood recall DiMaggio's elegance, in exactly the same spot. I can then place all three images upon the foundation of my father's stories of DiMaggio as a rookie in the 1936 Series, and my grandfather Papa Joe's tales of Babe Ruth in the first three New York Series of 1921-1923.
(thx, matt)
Great Improv Everywhere prank, 200 people frozen in Grand Central for 5 minutes. Watch the video. (via waxy)
New York Works is an audio portrait of a vanishing city. From a knife sharpener who still makes house calls to one of Brooklyn's last commercial fisherman, New York Works tells the stories of those who keep the city's past alive.
(thx, paolo)
A photographic tour of some unique lettering and signage in Brooklyn. Seems to have skipped Dumbo & Vinegar Hill though. Here's another collection of old NYC signage. And don't forget Forgotten NY (via quipsologies)
Over at Slice (the pizza blog!), Adam Kuban has compiled a list of all the different pizza styles found in the US.
Once the Italian immigrants brought their Naples-style pies to the States, it evolved a bit in the Italian neighborhoods of New York to something I've seen referred to as "New York-Neapolitan." This is basically what all the coal-oven pizzerias of New York serve. It follows the tenets of Neapolitan style in that it's thin-crusted, cooked in an ultra-hot oven, and uses a judicious amount of cheese and sauce (sauce which is typically fresh San Marzano tomatoes, as in Naples). It deviates from Naples-style in that it's typically larger, a tad thinner, and more crisp.
There's a surprising number of styles.
Who wins the Super Bowl of Food: New York City or Boston? Ed Levine says it's no contest: New York all the way.
What has Boston bestowed upon us, foodwise? Brown bread, baked beans, Boston cream pie, and Parker House rolls. Pretty slim pickins', don't you think? How far would you go out of your way for some baked beans or some brown bread? I'd only go a block or two at the most. Now if you expanded the geographic food purview of the Patriots to all of New England, that might be an interesting discussion, because then New England clam chowder, lobster rolls, and fried clams would enter into the fray.
Ed's a bit hard on Boston here...there's some excellent food to be found in the city and its surrounds.
This summer's big public art project in NYC: 4 large waterfalls falling into the East River and New York Harbor, including one falling from the Brooklyn Bridge. Olafur Eliasson is the responsible party...he's done a couple previous waterfall pieces.
Update: Eliasson's work will also be on display at MoMA and P.S. 1 this summer, April 20 through June 30, 2008. (thx, praveen)
Why Does New York Perform So Many Abortions Per Person?
Though its abortion rate fell 13%, California still leads the nation by far in the number of abortions, with more than 208,000 in 2005. But that looks like it's solely due to population.
New York came in second, with more than 155,000. And while New York has around 53% of the population that California does, it has only 25% or so fewer abortions than California. (I'm doing math with lots of round numbers here.)
California has 13 million more people than Texas, and Texas has 4 million more people than New York—but Texas has a bit more than half the number of abortions of New York.
Similarly, Florida has just a million fewer people than New York, but Florida has only about 60% of the number of abortions that New York does. I can understand why there might be fewer abortions in the south—but why more abortions in New York per person than elsewhere? (Uh, if I'm doing math right.) What gives?
Gephyrophobia, a fear of bridges. One woman was stranded on Staten Island for 13 years because of her fear of crossing bridges. (One assumes she didn't want to take the boat either.)
In the New York region, the New York Thruway Authority will lead bridge phobics over the Tappan Zee, the longest span in the state. A reluctant driver can call the authority in advance and arrange to be driven across the bridge in his or her own car by a patrol operator. The authority receives a half dozen such requests a year, officials there say.
Ramesh Mehta, a division director for the authority, said the service helped prevent situations in which a phobic driver might get stuck mid-span. "It is very dangerous to stop the car right there on the bridge, because the traffic is so great and somebody can get rear-ended," he said.
(via girlhacker)
Photos of the construction of the park on the High Line in Manhattan. Here's an accompanying article. (thx, marshall)
For his last Gawker post, Choire Sicha pens a recent history of New York City, 2000-2007.
Over the last month, I have read the Metro section from each issue of the New York Times -- starting in mid-2000 and ending with today's paper. Here's what I learned.
Non-profit writing organization 826NYC is holding a Scrabble for Cheaters competition on January 19th with the proceeds going to benefit their programs and students. The more money a team raises, the more they can cheat. Here are some of the cheats:
Flip a letter over and make it blank: $100
Add Q, Z, or X to any word, anywhere: $200
Passport: play a word in any language: $250
Reject another team's word: $450
Invent a word (must have a definition): $500
Entry information and rules available on the web site. Oh, and you'll be playing against John Hodgman.
Diane Arbus' archives were recently gifted to the Met in NYC.
Unlike the belongings of artists who fade gradually from view, which are sometimes scattered, pilfered or lost, Arbus's effects were in some ways frozen in time when she committed suicide at 48. Quickly her life began to acquire a cult status paralleling that of her photography.
(via sippey)
The current state of pigeon racing in NYC.
New York's pigeon clubs, loosely organized by geography and custom, are a cross between an urban sportsman's lodge and a time capsule of immigrant, working-class New York. Even as recently as a generation back, fleets of racing pigeons swirled above New York like pulsing gray clouds, but the numbers of racers and birds have thinned, with not enough new fliers to replace the old.
This photo of lower Manhattan taken from the Statue of Liberty in 1901 is plenty interesting, especially what I believe is the beginnings of the Manhattan Bridge under construction behind the Brooklyn Bridge.
Update: The bridge under construction is most likely the Williamsburg Bridge, not the Manhattan Bridge. (thx, jake)
Jessica Dimmock's The Ninth Floor is a series of photos taken of heroin addicts living in a ninth floor Manhattan apartment. The NY Times and New York magazine have slideshows with a little more context. Also available in book form. NSFW. (via clusterflock)
Yasumasa Morimura takes photos of himself recreating iconic photos like Lee Harvey Oswald's murder and Che Guevara. A bit of Cindy Sherman + these photos + maybe even a little Be Kind Rewind. At Luhring Augustine in NYC until Dec 22. (thx, tony)
Seeking Patriots game in NYC
The NFL, in their infinitesimal wisdom and utilizing their stupid scheduling/blackout policy, has ensured that the best game of the weekend (Steelers vs. Patriots) will not be shown on TV in the New York City area. We get the hapless Jets instead...a team that not even Jets fans care about at this point in their 3-9 season. Our cable provider doesn't carry any NFL stations and we don't really want to trek out to a sports bar with the kiddo. Are there any other options? An illicit online broadcast? Anything?
Update: We ended up watching the game online -- poor quality, dropped frames, and all. Better than braving the rain and sports bar. (thx to everyone who wrote in, especially kunal)
This year's AIGA Holiday Party features an auction conducted by Mr. John Hodgman to benefit a design mentoring program for NYC high school kids. Also, free wrapping paper.
Stuff I want to see in NYC soon
I'm writing these down in the hope that doing so will motivate me to actually get out of the apartment to check these out.
- Paula Scher: Recent Paintings at Maya Stendal. Through January 26, 2008.
- Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collections at Neue Galerie. Through June 30, 2008.
- Edward Burtynsky: Quarries at Charles Cowles. Though December 1, 2007.
- This Is War! Robert Capa at Work at ICP. Through January 6, 2008.
- Georges Seurat: The Drawings at MoMA. Through January 7, 2008.
Did I miss anything? (Besides Jill Greenberg's bear photos at Clampart?)
In the past few weeks, I've seen several people mention the 50 Years of Helvetica exhibit at the MoMA along with some variation of "Woo! I might need to take a trip to New York to go see this!" You should know that this exhibit takes up just a small corner of the Architecture and Design Gallery on the 3rd floor...it's essentially a case and a handful of posters and other specimens. If you're in the museum already, definitely check it out, but you'll be disappointed if you make a special expensive trip just to see the Helvetica stuff.
NYC restaurant advice from a huge douchebag Don Juan about where to wine her, dine her, and then complete the rhyming trifecta later that evening.
I have given much thought to this question of romantic restaurants. In each case you have to study the girl and find the right restaurant for her. One If by Land, Two If by Sea. Forget it. A joke. The Terrace. Never. Never. The minute you walk in she knows what you have in mind. You might as well write her a note 'Tonight I expect to do it.' It's too obvious.
(via eater)
If you can handle just one more, GQ has a long article on David Chang, the chef/co-owner of NYC's Momofuku restaurants.
Three years ago, David Chang was an obscure cook with a failing Manhattan noodle bar. Now he is being hailed as the most innovative and exciting chef America has seen in decades.
Decades? Please. I'm not backing down from my effusive review of Ssam Bar (Ssam Bar is one of my favorite restaurants of all time), but this decades business is bollocks. Just let the man (and his collaborators) cook and open more yummy restaurants.
Michael Frumin's grandfather passed along to him a campaign poster from when Norman Mailer ran for mayor of NYC in 1969. The scans of the poster are wonderful.
I'm about as far from a knowledgeable design critic as you can get, but this thing is an undeniable work of art, especially in the eye of any native New Yorker.
Does anyone know who designed the poster for Mailer?
The just-released Michelin restaurant guide for Tokyo awards more stars to that city's restaurants than New York and Paris put together. And 8 get a 3-star rating, only 2 fewer than in Paris.
Tokyo has more restaurants - at least 160,000 that could be classified as proper "restaurants" - than almost any other urban centre. Paris, by comparison, has little more than 20,000 and New York about 23,000.
There's a lot of handwringing about Tokyo restaurants getting so many stars, but to look at it another way, Paris has 8 times fewer restaurants and has more 3 stars than Tokyo. Not bad.
(via marginal revolution)
Silhouettes of patrons at the American Museum of Natural History by NYC photographer Joe Holmes. Joe also has a nice photo of the Manhattan Bridge up today on his photoblog.
A Metaphor for Something, part 1 in a series
In a stairway leading down to the subway platform of the N/Q Canal St. stop, a pair of doors face each other on a landing. About every three days for more than a year, I've seen graffiti painted on both doors. Each time, the day after the graffiti appears, so does a fresh coat of cream-colored paint. By my count, those doors are covered in at least 100 coats of paint and must be more than an inch thicker than they were last year.
Update: Probably looks something like this if you cut it open. (thx, emmet) Or this.
New York magazine has compiled a great collection of vintage NYC videos featuring the likes of Grandmaster Flash, the construction of the Empire State Building, Andy Warhol, and Union Square, circa 1896.
Thunder! Nah, nah, nah, nah, nah, nah, nah, nah! Con Edison is cutting their last direct current line in NYC, ending 125 years of continuous service that started when Thomas Edison set up shop in 1882 and signaling the final triumph of alternating current in the AC/DC wars. (Lesson: Nikola Tesla always wins in the end.)
The last snip of Con Ed's direct current system will take place at 10 East 40th Street, near the Mid-Manhattan Library. That building, like the thousands of other direct current users that have been transitioned over the last several years, now has a converter installed on the premises that can take alternating electricity from the Con Ed power grid and adapt it on premises. Until now, Con Edison had been converting alternating to direct current for the customers who needed it -- old buildings on the Upper East Side and Upper West Side that used direct current for their elevators for example.
I can't see how on earth Julie Jackson's Subversive Cross Stitch didn't make it into the Museum of Arts & Design show on Extreme Embroidery. Maybe it's too straightforward but still...
An update on the MUJI in Soho, three days before it opens. I'd loveto go to the opening, but it's gonna be a zoo and a half down there on Friday. (thx david)
Robert Benchley, reviewing the New York City phonebook in 1921:
But it is the opinion of the present reviewer that the weakness of plot is due to the great number of characters which clutter up the pages. The Russian school is responsible for this.
(via clusterflock)
I went to a mini conference put on by Core77 on Friday and I'll post a bit more about a couple of the participants in a day or so, but if you were in attendance, you may not have noticed that the person onstage claiming to be artist/designer Tobias Wong was not actually Tobias Wong (more).
The setup was an art project on Tobias's part, they practiced together for some time to make it work. There were a lot of little jokes in fake Tobias's talk for people who knew what was going on. Tobias was in the audience, actually answered a question for fake-Tobias during his talk.
A taxonomy of NYC restaurant tables, from the lowly Sucker Tables to the Closer Tables. Two examples of the Closer Table are the cheeky Table Sex at Milk & Honey and the even cheekier Table 69 at Alto.
Two quick reviews of Elizabeth Currid's book, The Warhol Economy, which argues that New York's "vibrant creative social scene" is what makes the city go. First, James Surowiecki in the New Yorker:
Of course, everyone knows that art and culture help make New York a great place to live. But Currid goes much further, showing that the culture industry creates tremendous economic value in its own right. It is the city's fourth-largest employer, and generates billions of dollars a year in revenue. More important, New York has no real global rival for dominance in the culture industry. Using an economic-analysis tool called a "location quotient," Currid calculates that New York matters far more to fashion, art, and culture than to finance. To exaggerate a bit, if New York suddenly disappeared, stock markets could keep functioning, but we would not be able to dress ourselves or find art to put on the wall. Currid suggests that, in the fight among cities for business, being the center of fashion and art constitutes New York's true "competitive advantage."
And from The Economist:
New York's cultural economy has reached a critical juncture, argues Ms Currid, threatened by, of all things, prosperity. The bleak economic conditions of the 1970s allowed artists to flock into dirt-cheap apartments and ushered in the East Village scene of the early 1980s. The boom of the past decade, by contrast, has priced budding Basquiats out of Manhattan, pushing them across the water to Brooklyn and New Jersey. Studio flats meant for artists-in-residence get snapped up by bankers. The closure last year of CBGB, a bar that became a punk and art-rock laboratory in the 1970s (and whose founder, Hilly Kristal, died last month) came to symbolise this squeeze.
Ms Currid sees this expulsion of talent as a serious problem. The solution, she argues, lies in a series of well-aimed public-policy measures: tax incentives, zoning that helps nightlife districts, more subsidised housing and studio space for up-and-coming artists, and more.
The first chapter of the book is available on the Princeton University Press site.
A pair of Lego skyscrapers (made from 250,000 pieces and inhabited by 1000 Lego people) are on display at the Storefront for Art and Architecture in NYC through November 24. Dennis Crowley's got some pictures and a short movie. Details include a wee Banksy piece on the side of the building and tiny iPod ads. Here's a timelapse video of the construction. (thx, dens)
New York has a decreasing number of Jewish delis, but the reopened Second Avenue Deli will be among them.
Federman said that his clientele has gone from "95 percent Jewish to 50-50" and that changing with the times is part of business. (He now sells three varieties of tofu "cream cheese.") "I think Second Avenue Deli, Katz's, us, we're all making our little sphere of the world a better place," he said. "Doctors and lawyers basically live off other people's misery. Part of the perk of working here is people coming in and being so happy."
The deli's general manager recalled his favorite customers at the old location:
But my favorite was when we had five nuns eating matzoh balls served by a Lebanese waiter -- in a kosher deli. That's New York.
See also a writeup of a panel on Jewish Cuisine and the Evolution of the Jewish Deli on Serious Eats.
NYC's Chinatown is Hillary Clinton country.
In April, a single [Clinton] fundraiser in an area long known for its gritty urban poverty yielded a whopping $380,000. When Sen. John F. Kerry ran for president in 2004, he received $24,000 from Chinatown.
Aleksandra Mir's Newsroom 1986-2000 project features huge hand-drawn reproductions of tabloid front pages. Show is up through Oct 27 in NYC. (via quipsologies)
Lagerfeld Confidential is a documentary film about Karl Lagerfeld, the first such film done with Lagerfeld's authorization. It's playing at Film Forum in NYC later this month.
The NYC Dept of Transportation is introducing compass decals to be placed on sidewalks at subway exits to help orient disembarking passengers. I thought I'd posted a link about this idea before on kottke.org, but the only reference I can find is a discussion about compasses on manhole covers. (thx, erik)
Update: Aha, here's the entry. John has more.
Design, Wit, and the Creative Act, a half-day event put on by Core77.
How do designers employ wit, irony -- even subversion -- in the service of making a connection with their audience, and how can they replicate these connections across a body of work? Are there limits to commercializing this kind of design, or are we seeing new opportunities for the provocateur in an ever-commoditized world? What is the role of the brand in this context, and to what degree does a sly exchange between designer and user create a new kind of brand experience?
Featuring Ze Frank, Steven Heller, and others...Nov 9 in NYC.
BLDGBLOG talks with experimental architect Lebbeus Woods about his work, starting with an image he made of Manhattan with dams on the Hudson and East Rivers, which reveals a deep canyon between lower Manhattan and Brooklyn.
Hitotoki, short stories about New York..."short narratives describing pivotal moments of elation, confusion, absurdity, love or grief -- or anything in between -- inseparably tied to a specific place". Also available in the original Tokyo flavor.
I'm no Yankees fan, but I got a little sad reading this article about Joe Torre's possible departure from the team after 12 years. It seems like the individual leader gets too much credit for successes and is assigned too much blame for failures these days. Surely the team's poor hitting and pitching was a big contributing factor that Torre couldn't do much about?
(Last night's game was great, BTW. The way those fans almost willed the Yankees back into the game while Cleveland held fast was fascinating to watch.)
Parkour in New York
As part of this weekend's New Yorker Festival, a parkour demonstration was held at Javits Plaza. Before the demonstration, Alex Wilkinson talked with David Belle, the inventor of parkour and the subject of Wilkinson's NYer article about parkour from April. In the interview and the Q&A that followed the demonstration, Belle explained that parkour is not about competition or showing off or being reckless. It's a test of self, of control, of deliberate practice. The journey is the point, not the sometimes spectacular results.
The demonstration consisted of a group of about 20-30 parkour practitioners, beginners and experts alike from all over the country. It seemed as though they included anyone with parkour experience who showed up and wanted to participate, and instead of a highly polished display of high skill (which is what I think the audience might have been expecting), we were treated to a more authenic look at the sport. The first five minutes were taken up with calisthenics and stretching in preparation of the jumps and vaults to come. After warming up properly, they began running through the course, each participant picking his way through the course according to desire and ability.
Experimentation was the rule of the day, not performance. With each pass, you could see the group learning the particulars of the course, where the good holds were, finding smoother combinations, and, much of the time, trying and failing. And then trying again until they got it. There was a single woman participant, one of several beginners in the group. When she had some trouble with an obstacle, Belle and his "lieutenant" stopped to show her some moves, a moment that revealed more about parkour than Belle's jump across a ten-foot gap twenty feet off the ground. Belle himself didn't do too much during the performance -- a couple of high jumps -- and had to be coaxed during the Q&A to perform one last big move for the audience. He shrugged off the applause and attention as he back-flipped down to the concrete, knowing that the true parkour had taken place earlier.
A reader of New York's Grub Street blog recenty wrote in, saying that he was about to have surgery that might permanently impair his sense of taste and he was looking for recommendations of places to go for his potential last few meals. Hearing of his plight, Eric Ripert agreed to cook the fellow a special Doomsday Menu at his 4-star restaurant, Le Bernardin.
This past weekend, Tobias Frere-Jones led a typography tour of lower Manhattan for the AIGA, which I'm sad I missed (out of town guests + didn't get a ticket in time). Luckily several people have uploaded photos from the tour (set 1, set 2, set 3, set 4), including a shot of one of my favorite lunchtime destinations, the Cup & Saucer. Love that sign (see close up).
Not sure why Mas warranted so many negative comments on this Chowhound thread about the worst nice restaurants in NYC. We were there last night for my birthday and everything was great: service, wine, and food. It was our 5th or 6th visit over the past 3 years and nothing's ever been amiss.
Bringing back the housecall
Dr. Jay Parkinson M.D. emailed in to tell me about his new medical practice in Williamsburg. He's got no office (housecalls only), takes appointment requests via SMS, email, or IM, handles some follow-ups over video chat, and specializes in the 18-40 age group without traditional health insurance. The goal, states Parkinson, is to "mix the service of an old-time, small town doctor with the latest technology to keep you and your bank account healthy".
To give you an idea of how the practice operates, here's a recap of his first day on the job:
Yesterday went quite well and I was very happy with the amount of money I kept out of the hands of companies that attempt to take advantage of how difficult it is to find prices for medications and healthcare services. For example, the first patient I saw needed a medication that Walgreens offered for $60. I called my tried and true Williamsburg mom-and-pop pharmacy only a few blocks from Walgreens and talked to Arthur the Pharmacist who said he sells it for $15. "Thanks Arthur." "No thank you Jay." The way it should be done.
My second patient was getting a certain medication for years every month by mail from Walgreens that costs $63 per month. I knew where she could get the same medication for $42 a month. I just saved her $252 per year. After she made her $200 down payment on my services via PayPal, her monthly fee for my services is now only $17 a month. But I just saved her $21 a month on her monthly mail order medication. She's essentially getting the rest of the year of my services for free. Not bad.
Sounds fantastic. If only every doctor was this much of an advocate for his patients.
P.S. Parkinson also happens to be a heck of a photographer (@ Flickr). Some photos NSFW. I linked to this interview about his photography between him and Joerg Colberg last May.
Update: The WSJ Health blog has a short interview with Parkinson, followed by a lengthy comment thread.
A neat comparison of butcher's diagram of cuts of beef and a map of Manhattan. It looks like I live in Chuck Shortribs or maybe Brisket. See also the front cover of Rats by Robert Sullivan.
Peeping on voyeurs in the park
In the 1970s, Japanese photograhper Kohei Yoshiyuki stumbled upon a couple in a park engaged in sexual activity in the darkness and, somewhat more curiously, two men creeping towards the couple, watching them. Over many months, he followed these voyeurs in the park, befriended them, and outfitted his camera with an infrared flash so as to blend into the crowded darkness. The result is a fantastic series of photos called The Park. As you can see in the photo below, Yoshiyuki even caught some of the peeping toms touching their "visual prey".
Yoshiyuki's photographs explore the boundaries of privacy, an increasingly rare commodity. Ironically, we may reluctantly accommodate ourselves to being watched at the A.T.M., the airport, in stores, but our appetite for observing people in extremely personal circumstances doesn't seem to wane.
The NY Times has an audio slideshow of some images from The Park, which is on display at the Yossi Milo gallery in NYC until October 20 (more photos). A book of Yoshiyuki's photography is available at Amazon.
The Times article mentions several photographers whose work is similar to Yoshiyuki's. Merry Alpern took photographs through a window of prostitutes plying their trade with Wall Street businessmen. Weegee used an infrared flash to capture kissing couples at the movie theater (although it seems that particular shot was staged) and on the beach at Coney Island (last photo here). Walker Evans photographed people on the subway without their knowledge.
Jane Jacobs and the Future of New York is an exhibition at The Municipal Art Society of New York.
Coming at a time of unprecedented growth and redevelopment in the city, this exhibit aims to encourage New Yorkers to observe the city closely and to empower them, with a combination of tools and resources, to take an active role in advocating for a more livable city.
The exhibit runs from Sept 25 through Jan 5, 2008.
Update: A review of the exhibition in the NY Times (slideshow). Among the artifacts at the show is a letter sent by Robert Moses to Jacobs' publisher: "I am returning the book you sent me. Aside from the fact that it is intemperate and inaccurate, it is also libelous."
Influential Italian filmmaker Michelangelo Antonioni listens to the sounds of Manhattan waking up in the morning. "The sheets of metal. A short clatter, like gunfire. A train passes, perhaps the elevated. A peal, prolonged, and then the siren, abrupt. Gone. The sounds change in a moment, they arise and die again immediately. The hum reasserts itself, advancing like a camouflaged army, approaches, closes in, on the alert, ready to take over completely." The hum reasserts. I hear that one all the time as traffic ebbs and flows outside our apartment.
Wes Anderson is promoting The Darjeeling Limited by releasing a 13-minute teaser film called Hotel Chevalier on the web before Darjeeling opens in theaters. Three words: Natalie Portman nude. Portman, Anderson, and Jason Schwartzman will be at the Apple Store in NYC to premiere the short. If you go, expect a freakin' mob scene of twee hipster horndogs.
Update: New Wes Anderson Film Features Deadpan Delivery, Meticulous Art Direction, Characters With Father Issues. Completely unexpected.
Raul Gutierrez tells a great NYC story about his late night adventure with a bunch of strangers.
After a few minutes a very tall girl with long brown hair who I would later learn was a Parsons design student, broke social convention, turned to her fellow benchmates, and said, "My God, wasn't today beautiful." At first she just got a few quiet affirmations,"yeah, gorgeous", "best day yet" etc, but then a young woman in a business suit again broke social convention and revealed personal information: "It was so nice, when I woke up I decided I didn't want to feel miserable about anything, and broke up with my boyfriend. I ditched him at 7:30 in the morning. He didn't know what hit him."
Eugene de Salignac was the official photographer for the NYC Department of Bridges from 1906 to 1934. His collection of photographs was recently uncovered and, as it turns out, de Salignac was a great photographer and his photographs charted the progress of New York growing into a big city. The New Yorker has a slideshow of some of his photos and there's an exhibit of his work at the Museum of the City of New York until Oct 28. (thx, stacy)